Scribd Logo
Fazer o upload

Bem-vindo(a) ao Scribd!

  • Acoustic Guitar Recording Techniques Notes PDF

    Enviado por

    vkris71
    218 visualizações3 páginas
    This document provides information on microphone positions and techniques for recording acoustic guitars. It describes 13 microphone positions using various microphones like Bruel & Kjaer 4011 and Neumann M147. The positions are intended to capture different tones and sounds from various parts of the guitar. The document recommends experimenting with combinations of the microphone positions to develop an understanding of acoustic guitar recording.

    Descrição original:

    Título original

    acoustic-guitar-recording-techniques-notes.pdf

    Direitos autorais

    © © All Rights Reserved

    Formatos disponíveis

    PDF, TXT ou leia online no Scribd

    Você considera este documento útil?

    Este conteúdo é inapropriado?

    Denunciar este documento
    This document provides information on microphone positions and techniques for recording acoustic guitars. It describes 13 microphone positions using various microphones like Bruel & Kjaer 4011 and Neumann M147. The positions are intended to capture different tones and sounds from various parts of the guitar. The document recommends experimenting with combinations of the microphone positions to develop an understanding of acoustic guitar recording.

    Direitos autorais:

    © All Rights Reserved
    Baixe no formato PDF, TXT ou leia online no Scribd
    Sinalizar o conteúdo como inadequado
    218 visualizações3 páginas

    Acoustic Guitar Recording Techniques Notes PDF

    Enviado por

    vkris71
    This document provides information on microphone positions and techniques for recording acoustic guitars. It describes 13 microphone positions using various microphones like Bruel & Kjaer 4011 and Neumann M147. The positions are intended to capture different tones and sounds from various parts of the guitar. The document recommends experimenting with combinations of the microphone positions to develop an understanding of acoustic guitar recording.

    Direitos autorais:

    © All Rights Reserved
    Baixe no formato PDF, TXT ou leia online no Scribd
    Sinalizar o conteúdo como inadequado
    de 3

    AcousticGuitarRecordingTechniquesNotes

    Theaudiofilesshouldbeloadedintoadigitalaudioworkstation
    softwareforauditioning.
    Thefollowingmicrophonesareintendedtoprovideamonosignal:A,B,
    C,D,E,F,I,J,K
    MicrophonesGandHformastereopair.
    AnytwomicrophonesfromA,B,C,Dcanbeusedtoformastereopair.
    MicrophonesYandZareforstereoambience.Theyshouldbepanned
    hardleftandright.Theymaythenbemixedwithanyothermicrophone
    combination.
    MicrophonePositions
    InthisMultimediaSetthereare13microphonepositions.Pleaseseethe
    photographsandvideosforscaleandperspective.
    A Bruel&Kjaer4011pointinghalfwaybetweenthesoundholeand
    theendoftheinstrumentfromadistanceofapproximately25
    cm.
    B Bruel&Kjaer4011pointingdirectlyatthesoundholefroma
    distanceofapproximately25cm.
    C Bruel&Kjaer4011pointingatthejoinbetweentheneckandthe
    bodyoftheinstrumentfromadistanceofapproximately25cm.
    D Bruel&Kjaer4011,pointingattheneckoftheinstrumentfroma
    distanceofapproximately25cm.
    E Bruel&Kjaer4011pointingdownatthesoundholefromaheight
    ofapproximately110cmandadistanceofapproximately50cm.
    F Bruel&Kjaer4011,ageneralpickupofthewholeinstrumentfrom
    adistanceofapproximately1meter.
    G Bruel&Kjaer4011,theleftmicrophoneofaspacedstereopair,
    pointingslightlytotheleftofthesoundholefromadistanceof
    approximately50cm.
    H Bruel&Kjaer4011,therightmicrophoneofaspacedstereopair,
    pointingslightlytotherightofthesoundholefromadistanceof
    approximately50cm.
    I Bruel&Kjaer4011pointingatthejoinbetweentheneckandthe
    bodyfromadistanceofapproximately25cm.
    J Bruel&Kjaer4011pointingatthejoinbetweentheneckandthe
    bodyfromadistanceofapproximately5cm.
    K NeumannM147pointingatthejoinbetweentheneckandthe
    bodyfromadistanceofapproximately25cm.
    Y AKGC414BULSsettocardioid3metersinfrontoftheguitar,1.5
    meterstotheleft.
    Z AKGC414BULSsettocardioid3metersinfrontoftheguitar,1.5
    meterstotheright.
    VideoParts1,2and5
    TheguitarisaBrook(manufacturer)Teign(model).
    VideoParts3and4
    TheguitarisaMartinOM21.
    PointsofInterest
    Eachmicrophonepositiongivesadifferentinterpretationofthesound
    oftheinstrument.Thereisnoonecorrectposition.Allshouldbe
    consideredaccordingtopersonalpreferencesandtheneedsofthe
    clientormarket.
    Notethedifferencesinlowfrequencyandhighfrequencycontent
    amongthevariouspositions.Alsonoteanyunpleasantnessinthemiddle
    frequenciesthatsomepositionscanemphasizewithcertain
    instruments.
    Notethedifferencesinextraneoussoundpickupplectrumnoise,left
    handfingernoiseetc.
    NotethedifferenceinsoundqualityoftheNeumannM147large
    diaphragmvacuumtubemicrophonecomparedtotheBruel&Kjaer
    4011.TheBruel&Kjaer4011isacardioidmicrophonenotedforitsvery
    accuratesoundpickup.ItiscurrentlysoldundertheDPAbrand.
    Amongthe13microphonepositionsfeaturedthereisvastscopeto
    combinemicrophonesinvariouswaysinbothmonoandstereo.Time
    spentexperimentingwiththiswillbeverywellworthwhileintermsof
    developingafullunderstandingofacousticguitarmicrophone
    techniques.

    Endofnotes

    Você também pode gostar