AGUSTIN BARRIOS MANGORE

La Catedral
P rel u d i o sa u d a d e
And a n t e r e l i g i o so
Alleg r o so l e m n e

The Guitar School - Iceland

www.classical-guitar-school.com
 -2-

La Catedral
I Preludio saudade
Agustin Barrios Mangore
Lento j
a j a j j
4
a 4
a 4
3
. . .
.
1 i i
# m i p i m m m p m m
# 2 2


4 0 1 2 1 2 1 0 2 1
& 0 0

3 4 3 4

j j j a j
4 4
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2
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5 i i m m
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1 3 1 3
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3 4
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X j a j
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1
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1
. .
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p m p m
m m
# p m m
i p p i p p i p p m i p i m m
#
#
0 2 3
& 3 2 4 2 3 1 3 2 1

5 5 5 3 4
3 4

j j VII
aj j
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4
13 . . . .
# p i m i p p p
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XI j
IX
a
4 aj a aj j 4
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17 . . .
# p m m
i p p p #m i m p p p #m i m
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p p
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5
5 5 rit.

j j j
4
j 4
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a tempo

Copyright 2002 by The Guitar School - Iceland 1122

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 -3-

j j
4
a
4 a 4
a aj a j
4 4 a
. . .
25 .
# p m i m p p p i m i p p p m i m p p

# 1 1 2 2 b
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& 2 1 3 1

5 5 5

aj
a IV j j
4
4
a a a a j
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29 . p .
# p m i m p p p m i m p p m i m p p .
# n
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& 2 0 1
1 1 # 2 2
0
2 3 1

VII VII
a j j
j 1
a a aj 1
a
33 0i i a . p p
0 . p
# p m p i m i i p i m i m i p p
.m m
.m m

# 4 3 4 2 1
0 1 3 0
& 4 4
3

3 4 3 4
5 5 3 4

IV j j
37 a
0
aj a
4
a 4
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a
0
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p i m i p

p . p m i m p p .
p i m
p i m
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& 2 4 0
1

1
4 0
2
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1
4 3 4 3
5

ten.

a
1 a II 2
41 0 2 0
# p i m p i m 0
4 2

# 0
0

# 0 3
& 4 4
1
0 0

1 4 1 4 3

3
1 0 0 1
1 1
3
3 2

3
3

VII
II i p m i
p i a m a
1 1
45
# 0 1
1 19 4# 4
# 2
4 4 19 19
#
2 1 19 2
3
2 # 1 3 1 19 19 12 3 0
1
12
& 1
3
7
3 2
2
1
7

arm.
6

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II Andante religioso

4
1 2 2 2 4 2 . 1 4
2
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3 . 1

. .
2 3 . 1
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0 w4 0
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3
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& 3 #
1 1 1 4
4
5

6 5
#
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1 .
& .

n

#
4
3
1 0 .
4 1
0

0

3
b 4 . . 1
1 1
3 2
1
4 3
2
#
1
2
1 0
6 6 1

VII
III II 4 4
4 . 4 .
10 . 4

4 4 . 3 1 .
0 n 3
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2# 2 n .
0 1 1
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3 0 #
1
2 4
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& 1 2 #
1 . 2 1#
3 1 1 1
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1 3
2
2
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0 2 5
3
4 6
6 5

4 4 4
. .
4 1 4 4
4 4
. . . .
14 4
1 1
3. #
1 3
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3
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3 1
4
n . n # 2
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1 .
3 1
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II
4
17 1 4
4 n 1
#
0
1
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0 0 # . 0 0
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& 2 . . 2 2
0 1 # 0n 4 0 1 # 1 .
2 3
#
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2
2
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4

VII
II 4 4
21 1 . 1

arm. 19 arm. 12
# . 2 3 4
0 3
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1
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3 # 4
1 #
& 3
1
2
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.
2 # 2 3
1
1
# 1
4
2
1
1 1 5
4 5
6

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III Allegro solemne

II
1 A
# 2 2
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4 3
1
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3 2
8 # #
&
H. H. H.
1 1

IV
4
2
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3 1

4 # #

3

& H. H.
H.
1
1

p m i a i p m i a i
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1.
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2 3 2 2 1 3 2 2 3 0
n # n # #
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1 1 1 . # . .
5 1
1

a 2. p m IV
10 m i a m i a m
i
# 1 2 4

1 0
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0
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3
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13

# 1
#
2 4
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2 1 2 1 4
1
2
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4 0 2 1 0
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4 2 0 0
4

3 3

p i m a p m
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1
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4
1 2 2
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1
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5

B p i a p i p i a m p i
19 4 4 4
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3
2
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2 m i p i m i m i p i m i
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H.
3
1
J J 0 6

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II
4
22 4 .
1 1
# 2
..
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1 1 3
0
& {

3
4 2 1
J J J J

25
0
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2 0
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4

1 2 0
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J J J J J J

II
28
# 1
#
3
&



4 2 1
J J J J
6 J J

31
# 0
4
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3 # 3
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#
#
3 1 1
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J J J 1
J J

III II
34 1 1 1 1 1
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3 1
1 1
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J 1 1 5
1 1
J J J J
D. C. al B
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C II IV 1 2 4

2
4
1 3
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2 3 4
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II VI
4
40 4 2 4 1 4 3 4 2 4 1 4 3 2 1
1 2
1

2
1 0
4 #
# 1 0 2
1
0 1 # 2
#
4
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3
#
& # #

4

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VII IV 4
4 4
3
1 1 1
2
2 1 3 1
43 # # 4
# n # n 2 0 3 0 1 0 1 3 1
4 # #
# 3 1 1 3 1 4 # n
# 1
& 4
3 1
1
2 3 4
p p i m a m

VI 4
4 3

2 1 1
46 4 2 4 1 4 3 1 1 1 2 1
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& # #
2 3

IV II 4
4 2 1
2 4 1

1 4 2 2

49 1 2 2 1 1 1
0 3 0 0
# # 2 1
2 1 3 1 3 1

1 1 0 0
#
3 #

1




3

#
&
2 3 2

52 1 3 0 3 1 4 2 4 2 4 2 4 3 4 3
#
#
& # # #

. # . . # .
.
1 1 0 1 D. C. al B
3
y salta a Coda
rall.

CODA
55
# 3 2
# 0 4 2 0 0 0 0
1 # 1 0 1 2 4
3
& { # #
# n
. . 2
0
1 J J 4 3
J J

II III
IV II VII
58
1

# 2
1 3
# 2 1 1
3 1 # 1
2 2
4 1 1
1

& { 4 2 3
4
3
J J 6
5 4
1 1

4
X m m i . VII

i p i
4 1 . IV
61 1 . 1 .
..
1 2
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1 .
.
1
4
2
3 3
1
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2 2 .
3 3
4
.
4 4

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