Escolar Documentos
Profissional Documentos
Cultura Documentos
Belarus Headlines
Brussels,
15 June 2010
Volume 17 pages
A. Lukashenka to
Visiting Stefan
Fule:
"You will wait and
see how the election
turns out ... I would
like to warn you
against any exces-
sive hopes in this
connection."
Seminar on 2
Labour market
and education
interaction takes
place in Minsk
Belarus’ National 2
Civil Society
Forum on Eastern
Partnership
Energy Security 3
of Belarus.
Challenges,
Threats, Trends
Finance and 7-
Commerce 10
The Battle of Grunwald or 1st Battle of Tannenberg was fought on July 15, 1410, during
the Polish–Lithuanian–Teutonic War. The alliance of the Kingdom of Poland and the
Photography in 11 Grand Duchy of Lithuania (Modern Belarus, Lithuania and partially Ukraine), led respec-
Belarus (2) -17
tively by King Jogaila (Władysław Jagiełło) and Grand Duke Vytautas (Witold), decisively
defeated the Teutonic Knights, led by Grand Master Ulrich von Jungingen .
Seminar “Interaction between the Labour Market and Education in Belarus” Takes Place in Minsk
Dear Reader,
For your attention we offer the following analytical paper on the energy security of Belarus. This research has been con-
ducted in the framework of the project Energy Club which is being jointly run by the Office for Democratic Belarus
((ODB) Brussels, Belgium) and the Belarusian Institute for Strategic Studies ((BISS) Vilnius, Lithuania) under the pa-
tronage of the European Union representation to Belarus and the support of the Swedish International Development
Agency (SIDA) and the Danish Ministry of Foreign Affairs.
Partnership
Civil Society Forum, which met for
the first time in November 2009.
By Pavol Demeš*
Georgian president Mikhail Sa- Belarusian tourists to Georgia will in- They say, the restoration of diplo-
akashvili met with the president of crease significantly this year. matic ties with the CIS member
Belarus, Alyaksandr Lukashenka in This is the second meeting of the Georgian states means the beginning of a new
Crimea and discussed bilateral rela- president with the leaders of the CIS mem- stage with the countries, which face
tions in economic and political ber states. A few days ago, Mikhail Sa- pressure from Russia.
spheres. Both presidents hailed the akashvili met with the president of
intensification of contact and dia- Ukraine, Viktor Yanukovich. 13/07/2010
logue between social groups, espe-
cially business and youth sectors. Source: gmfus.org
Georgian and Belarusian presidents These meetings were followed by com-
expressed the hope that the number of ments by the political experts and MPs.
The Belarusian government hopes to He also said the government would sell of Belaruskali. The company owns
raise up to $7 billion from the sale of a a non-blocking stake in the firm, or less 50 percent of the Belarusian Potash
minority stake in potash producer Bel- than 25 percent, and that an acquisition Co, a joint venture with Russian
aruskali to help replenish state coffers, of the stake by China or a Chinese com- miner Uralkali (URKA.MM)
Belarusian First Deputy Prime Minis- pany would make sense. (URKAq.L) that controls about 30
ter said on Wednesday. percent of the world potash market.
"China is one of the largest buyers of
"The country needs money. There is our fertilizers so if China becomes a In May, Belarusian President Alyak-
nothing bad if we can sell part of an holder of a certain stake, this would sandr Lukashenka said Belarus may
asset, fetching a significant sum of $6- guarantee uninterrupted supplies," he sell a minority stake in Belaruskali,
7 billion," Uladzimir Syamashka said said. but will retain a controlling stake.
during a parliament meeting.
The parliament of Belarus voted this 30/06/2010
month to lift restrictions on privatization Source: Reuters
The Bank of Georgia, the Belarusky Narodny Bank is the Belarusky Narodny Bank has signed
country's leading universal Bank of Georgia's subsidiary in an agreement with the IFC for a $5
bank, says the International Belarus. million loan.
Finance Corporation (IFC) has Bank of Georgia CEO Irakli Gi- The loan carries an interest rate of
purchased a stake in the Bela- lauri told RFE/RL today that "the LIBOR plus 4 percent per annum and
rusky Narodny Bank, RFE/ participation of the IFC as a is to be repaid over 4 1/2 years in six
RL's Georgian Service reports. shareholder and lender will undoubtedly semiannual equal installments, start-
increase the Belarusky Narodny Bank's ing in June 2012.
The IFC paid the Bank of Georgia $8.2 competitiveness and will provide invalu-
million for a 19.99 percent share in the able support in the development of the 09/07/2010
bank. bank." Source: Radio Free Europe
The bank also announced on July 8 that
Photography in Belarus
Part 2. Modern time Having earned enough money to ensure Another splendid
relative independence, Moses Nappel- example of Nappel-
baum left Minsk. After a period of trav- baum‘s work is the
els, during which he visited Moscow, portrait of Anna
Odessa, Warsaw, New York and Pitts- Akhmatova, who
burg, he returned to his native city in was a brilliant repre-
1895 and opened his own studio. His sentative of the
first photographs, proudly signed ―M. ―Silver Age‖ of
Nappelbaum‖, already had his signature Anna Akhmatova Russian poetry.
approach, which was to bring forward Nappelbaum com-
the model with the help of a single light posed her portrait in the art-nouveau
beam. style, reminiscent of Gustav Klimt‘s
graphics.
In 1910 Moses Nappelbaum moved to
Looking at these
delicate photo-
graphs, one can
hardly imagine that
Nappelbaum, a self-portrait
it was Moses Nap-
At first, photography in Belarus, as pelbaum who cre-
elsewhere in the world, remained the ated the iconic por-
domain of well-off and technology- traits of leaders of
savvy amateurs. However, the photo- the Bolshevik revo-
graphic process gradually became less Vladimir Lenin lution. For example,
complicated and costly. As a result, he made the well-known photograph of
on the verge of the 19th and 20th centu- Vladimir Lenin, which haunted all
ries not only rich aristocrats but also Soviet school classrooms for many
some relatively well-to-do city dwell- St Petersburg. It was a turbulent revolu- decades.
ers could already afford to open their tionary time in the collapsing Russian
own photographic studios. For them, Empire. He made his name by captur- Another exam-
it was a new way to make business. ing many prominent (and also contro- ple is Nappel-
Rather than entertaining themselves versial) personalities with his camera. baum‘s portrait
with photography, they lived from it. The rules of the time prescribed at least of Dzerzhinsky
Most members of this newly-emerged three sources of light for a correct expo- (also a native
―guild‖ of photographic craftsmen sition. Moses Nappelbaum, however, of Belarus, by
never crossed the boundaries of began using a single source of light in the way), the
handicraft. Some, however, developed order to focus founder of the
into fully-fledged artists. Moses Nap- on the face of Cheka and
pelbaum, sometimes called Rem- his models, mastermind of
brandt of the Soviet photography, is leaving irrele- the revolution-
one of them. vant details in ary terror and
deep shad- bloody repres- Felix Dzerzhinsky
Moses Nappelbaum was born in ows. It was a sions in Com-
Minsk in 1869. There he started work- very similar munist Russia. This photo of Dzerzhin-
ing in a photo studio at the age of 14. style to that of sky is still found on the walls of many
After work, Moses roamed the streets Rembrandt KGB offices of the country. However,
of Minsk and studied the pictures ex- paintings. By today one can‘t help noticing that Nap-
hibited in the shopping windows of doing so, pelbaum skilfully managed to show the
local studios. He wanted to learn from Nappelbaum eerie look of Dzerzhinsky‘s cunning
other masters, but soon discovered strived to con- Galina Ulanova eyes.
that most of the photos were quite vey the inner
tasteless. Young Moses wanted to do world, character and even professional Nappelbaum began his work as a typi-
photography in a different way. Per- background of his models. For exam- cally decadent artist, but finished his
haps, it was during one of such walks ple, the portrait of the prominent ballet career as a renowned master of Soviet
that he came across the idea to get rid dancer Galina Ulanova is so much dif- photography (his regalia even include
of artificial backgrounds and objects ferent from conventional set-up studio the title of the Honourable Artist of the
in the picture and work with skilfully photographs of the time. Belarusian Soviet Socialist Republic).
applied light and shadows instead.
Photography in Belarus
For example, arus was divided in two parts between and painting. It
his portrait of Poland and the Soviet Union. Siarhiej may sound amaz-
a Soviet mili- Višnieŭski lived in the western part of ing, but stylistically
tary officer, the land which was under Polish con- the works of
created in trol. As a boy, he became fascinated Višnieŭski are
1949, shortly with the frescos in local Catholic similar to that of
after the So- churches. Under their impression, he American symbol-
viet triumph in painted several pictures, which were ist portraitists, such
World War II, exhibited in a local hotel as a decora- as James Abbott
shows a true tion. The local patron of art aristocrat McNeill Whistler
winner. At the Slatvinski noticed the pictures of or Romaine
same time, this photo is quite different Višnieŭski and proposed to finance the Brooks. He could have hardly had a
from typical ceremonial portraits of young man‘s education in Viĺnia chance to study American art; it is
Soviet officers, as it has the flavour of (Vilnius). Siarhiej Višnieŭski studied much more likely that Višnieŭski
the Tsarist military culture. Only the art at Viĺnia University, where he re- sensed the spirit of the time and re-
officer‘s insignia remind us that this ceived advices from Jan Bulhak, an- flected it in his photography-influenced
photo was taken almost half a century other prominent Belarus-born photogra- paintings:
after the old pre-revolutionary Russia pher that we have written about in the
had plunged into oblivion. first part of this article.
Photography in Belarus
Part 2. Modern time
Youth‘) and ―Golas Radzimy‖ (‗Voice times similar pictures would appear in
of Motherland‘, the publication aimed print in the next decade…
at Belarusians living abroad). His main
profession was engineering. However, Anatoĺ Kĺiaščuk, born in 1957 in a
Jaŭhien Kaziuĺia in the mid-1970s Jaŭhien discovered small village in central Belarus, is one
that his photographic hobby demanded of the most outstanding contemporary
more time than his main job, which he press photographers of the country. He
Numerous new photo amateurs began decided to quit. He also quit the Com- represents a similar tradition to that of
to unite in photography clubs, one of munist party after he was assigned to Jaŭhien Kaziuĺia, but belongs to a
the few kinds of relatively independ- make a photo reportage about the party younger, post-war generation. Since
ent civil activity tolerated by the state. congress in Minsk. Jaŭhien was re- 1993 he has been working for a major
These amateur clubs, in their turn, pelled by the scuffling and mud- daily Belarusian-language newspaper
nurtured many photo professionals. swinging which, as he witnessed, was ―Zviazda‖. Anatoĺ often accompanies
One such example is a photo club concealed behind the pretty façade of his journalistic photo contributions
―Minsk‖, founded in 1960. His pre- the party‘s propaganda. with short essay-like texts. Anatoĺ
sent chairman, Jaŭhien Kaziuĺia, is a Klaščuk is also the author of the best-
representative of the after-war genera- The photos of Jaŭhien Kaziuĺia are selling photo album ―Under the Sky of
tion of Belarusian photographers. black and white emotions of random Belarus‖. Every time a season shift
people he encountered. (the first snow, or garden bloom, or a
Jaŭhien Kaziuĺia was born in 1936 in major flood on the rivers) promises
Kazan, the main city of Tatarstan, an With his photographic reports from the exciting opportunities for a photogra-
autonomous region in Russia. How- first protest actions of the opposition pher, Anatol Klaščuk starts his car and
ever, his family roots were in Belarus. against the emerging regime of Aĺiak- goes to a remote part of Belarus in
He was raised as a typical ―war sandr Lukašenka in the mid-90s, Jaŭ- order to hunt for new pictures. His
child‖, often having nothing else to hien Kaziuĺia signalled the new era in photos are meditative and full of natu-
eat than potato peels. After World Belarusian press photography. So many ral patterns, often pinned by a bright
War II, his family returned to Belarus. detail.
Jaŭhien, who then was 12, ran away
from home and went to Moscow,
where he joined a swarm of street
kids. Some weeks later he was placed
in an orphanage and finally sent off to
his parents in Minsk. There, Jaŭhien
took an interest in photography. He
already had a ―Kodak‖ camera which
some soldier brought as a ‗war tro-
phy‘ from Germany. Photography
sneaked into his life and stayed with
Jaŭhien for good. He served in Soviet
troops deployed in eastern Germany
and began to earn his first roubles by
making photo albums for his army
comrades. Back in Minsk, Jaŭhien
began to work as a part-time photo
correspondent for newspapers
―Znamya Junosti‖ (‗Banner of
The first protest actions of the opposition against the emerging regime of
Aĺiaksandr Lukašenka in the mid-90s by Jaŭhien Kaziuĺia
© Office for a Democratic Belarus
Mysterious Belarus Issue LV
Page 14
Photography in Belarus
If Jaŭhien Kaziuĺia and Anatol Klaščuk
are typical press photographers with a
heart for an artistic shot, then Ihar Saŭ-
čanka is a pure photo artist without any
addiction to current reporting. Instead,
he is much more interested in construct-
ing parallel reality with his works.
Photography in Belarus
minding of haiku, pities these hus-
and so are his pho- tling and bus-
tos. There are al- tling folks who
most no people, just populate the
nature or architec- deep craters
ture. Light breeze between the
brushes against concrete slabs of
cornflower fields; skyscrapers.
sunrays caress old Belarusian pho-
pavement bricks. tos by Paźniak
Paźniak‘s photos of are idyllic, al-
Minsk have an addi- most surreal; his
Gloria patria! By Paźniak
Ihar‘s photograph titled ―The Dark- tional historic value. American pic-
ness‘ and the Light‘s Mutual Penetra- He created them in tures are, on the
tion; a Structure of the Process‖ offers the 60‘s and 70‘s, before many of the contrary, acutely realistic:
a purely visual experience without cityscapes he had photographed were
any distinguishable objects in sight. demolished to give way to the new,
concrete-clad Minsk of the late Soviet
Unlike one century ago, today photog- era.
raphy rarely
becomes a Another book by
main profes- Paźniak is called
sion since the ―Daroha‖ (‗the
very start of Road‘). It is a com-
one‘s career. bination of his pre-
Instead, it usu- exile Belarus-made
ally begins as a photos and of new
hobby and photographic chal-
grows more lenges he faced in
and more seri- New York.
ous with time. Zianon Paźniak by Julija Daraškievič
Zianon
Paźniak, the exiled opposition leader,
was one of the few people who helped
to ―awaken‖ the Belarusian popula-
tion from the Soviet lethargy in the
late 80‘s. He also helped to discover
the horrible truth about the crimes of
the Soviet regime. Many know
Paźniak as a democratic, but also na-
tionalistic and conservative leader,
whose principles, although, disliked
by many, have always been hard as
steel. However, there is another, soft
and creative side to his personality
people usually know less about.
Photography in Belarus
The revolution in digital photography lesbian family from Minsk titled ―He
boosted the field of photo in Belarus. Has Female Name‖:
The youngest generation of Belaru-
sian photographers is already taking
shape. One of the most interesting
members of this new wave of photog-
raphers is Andrej Ĺiankievič. Born in
the western Belarusian city of Hrodna
(Grodno) in 1981, Ĺiankievič came to
Minsk, where he studied economics. Yury Turonak by Ĺiankievič
Photography in Belarus
to get a better shot. At the same time,
they tend to have a slightly different
perspective of the events, often dwell-
ing on psychological aspects of their
objects. This is an exciting develop-
ment which may influence the future
style of Belarusian photography in the
ways, never experienced before.
http://dironweb.com/savchenko/
framese.htm
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