vin CRITICAL NOTES “The following are the sources of the Sonata for Piano and Violoncello which exist and which were used for this edition: 1. The original edition, published by Simrock, Berlin, 1866: Sonate jiir Pianoforte und Violoncell von Johannes Brabnas. Op. 38. Herta Dr. Josef Giinsbacher zwgeeignet. Pull score and violoncello part (publisher's number: 6476). 2. Brahms’ own copy (Sirurock edition). The Gesellschaft der Musikfreunde, Vienna, is to be thanked for granting permission to examine this copy which is in its possession. It contains some handwritten corrections: st movement bar 56 Piano 1. h,, second half of the bar: lower note f sharp instead of g 172, Piano 1 h,, lowest note of first chord, b instead of a 263 Piano r. h.: final erotchet g sharp (#) 3rd movement bar 24 Piano x. hu: final crotchot, # above ¢r, also bar 151 87 Pi inal note a flat (b) 150. Piano J. ba: final erotchee g sharp (3) ‘The notation of the original edition has heen largely retained, with the exception of the by now obsolete method of norating the extension of a note value over the bar line by means of a lengthening dot. In addition, some irregular notational procedures bave been brought into conformity with those used continually in the original edition, Differences between the score and the separate cello part in the original edition have been eliminated. Phrasing and dynamic marks added by the editors have been indicated by brackets, and additional staccato dots by small type. The editors are also responsible for the dotted phrase marks in the solo pars, which are to be regarded as performing directions. Particular attention is drawn to the following (all details refer to the original edition): ist movement bar 119 Piano &. hu: 3rd exotchet £" missing 126 Piano I. h.t slur only over the quavers 162 Score, Ve.: “legato” missing 179-180 Ve. part: differs from the score in phrasings 189 Score, Ver == missing 204 and 206 Score, Ve.: tie from the first to the second note missing in each case 252—253 Score and Vc, part: slur from fast crotchet of bar 252 to first crotchet of bar 253 missing 260-261 Score, Ve.-—<= =~only below c sharp’ and b: likewise bars 269—270 2nd movement bar 57 Score, Ven —== missing 73 Piano r. h.: Sth quaver with g” 86 Piano r. h.: 6th quaver without & 3rd movement bar 11 Score, Ve.t staccato dot on the first « missing 21 Piano r. h.: 4th quaver without octave d sharp’ 25 Score, Ve.: staceato dot on 3rd erotchet c’ missing 44 Score, Ve.: staccato dot on d missing 46-48 Score, Ve-: staccato dots instead of dashes 49 Ve. part: accent on a’ missing 67 Piano t, hu: phrase mark missing82 87 36 95-96 105 109110 115, 116 128 128-130 130-131 152 162 178 180 Ix Ve, part: staccato dot on the first crotchet missing; likewise in bar 84 Score, Ve.r staceato dots on the last four quavers missing Score and Ve, part: slurs only A—e sharp and ¢ sharp—a Pianos lower slur f sharp—a in both hands; corresponding to bars 96—97 and 107—108 Score, Ve. staccato dot instead of dash on the first quaver Piano ¢, hat slur missing, I, as the missing Piano r. h.: slur begins on the second triplet quaver of che second beat Piano c. ha: phrasing ef. bar 66 Ve, part: ef, the phrasing in bars 66—68 Score, Veu-—= =— missing Piano 1. h.t slur missing Score, Veus staccato dot instead of dash on erotcher ¢/ Ve. parts staccato dot on the first crotchet missing Score, Ve.t articulation sign for last two quavers missing Score and Ve. part: crescendo sigas of different lengthsHerm Dr, Josef Ganshacker zugecignet SONATE E-MOLL Opus 38 1862-1865 Allegro non troppo Violoncello Beapr legato Klavier 1 197 by Wiene Uneze dition, Musiverag Get. HL Cos Ke Go, Wit ‘Wieser UnestZcon No, 50087Ur songUP sooseis FN Ne NNO NE fo ig —_— dn, Yule addy dim, ZENE NN NS UT wesUT sonyPespr. legato crese, poco a paca LY saneur seasa _ = wee fe 2 2% 9 $9 ph wy sootis NF VB NN NN NNO a= tolee = et ma £4 5 i- P NING NNN AS NSN ve so099 ‘=| pone erese Ais NB NFA NS NS #7 |» dim. “pp i SNF GN PRFEKFGAllegretto quasi Menuetto _-—~ ® y) 4h) " > Seig = UT e088Parazion Frese. poco a poco aga 353 ode 29d Crese. poco a poco UT saosebr sas Mt18 legato 7?=> i fa 4 hs oF ~e a Allegretto DC. sin’ al Fine Tis20 Allegro tr saa3921 rr sen“hom ppeym pms, = av afin at ies. os24 UT seooo UT anosUT soso2829 wr scoBU Ue sean931 vr saneShia pie as =o pin os33Ba35