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  • Merryman (1997, Pp. 36-7) Cadências

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    Felipe Cozaro Silotto
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    Merryman (1997, Pp. 36-7) Cadências

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    Merryman (1997, Pp. 36-7) Cadências

    Direitos autorais:

    © All Rights Reserved
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    20 visualizações4 páginas

    Merryman (1997, Pp. 36-7) Cadências

    Enviado por

    Felipe Cozaro Silotto
    Merryman (1997, Pp. 36-7) Cadências

    Direitos autorais:

    © All Rights Reserved
    Baixe no formato PDF ou leia online no Scribd
    Sinalizar o conteúdo como inadequado
    de 4
    The Music Theory Handbook Marjorie Merryman Publisher CHRISTOPHER P. KLEIN “Acquisitions Editor BARBARA J. C. ROSENBERG Developmental Edivor J. CLAIRE BRANTLEY Project Editor JEFF BEcKHAne Production Manager DEBRA A. JENKIN ‘areDirector BURL DEAN SLOAN SBN 0:15-5026623 Library of Conrens Catalog Card Number: 96-76368 copyright © 1997 by Harcourt Brace & Company tn any form by any means de sepoducd or amie vepeby io anc retrieval system, without permis Allrighs reserved. No pat ofthis pblicaton may , Tome or mechanical, inclding photocopy. eran ‘on wring fom the publisher work should be mailed to: Permissions Deparimet Florida 326878777 rs. 301 Commerce Siret, Suite 370, Fot Requests for permission to make copies of any part of the ASRS tad Company, 6277 Sea Harbor Drive, Ondo, “Adress for Edtorial Comespondence: Harcourt Brace Coleg Publishes ‘Worth 1X 75102 80° Fe a copes so a es Ds Cree {Smf001 Gn al hoes ts cote Pot may pide complimentary tos sis ant Oeste ea Maro Brace Coles PU a Peps ye lancome 9 IE am 90 = . 7 “pot need, please return ther Fraton i's an adopor or potential user you receive supplements you do ‘prea rend thom st “Att: Returns Department Tinta ‘oy Warehouse se 463 South Lincoln Deve ssi So MOOD spoon ge Printed inthe United States of America o7 89012345053 10987654321 The purp ground t take place because i the techn point, an Stud mony an question cal litera posers sh ings of h point ar these oo technical heat, pla ber musi creating Work of detailed jumping “rules,” This is tieth ce No ject. Th example outside therefor approps jor Me antholo Th should exercise tained i 36 Viv Part 3 Harmony and Voice Leading wrong right wrong right aug 2 2a fly g inv Moy voy double third in VI HARMONIC PROGRESSION added: One conc functions of individee nies within fiomaion jn harmony can be diene th ided in ree main °s: tonic Seren .ecve sa 2 mn we Ang repose the ultimate end goal of harmonic motion, Dontigam dustin tion, Sebdom aa she dominant Specifically seeks the tonic for resolu- before arriving on the tonic, often than not ™Moves to the dominant Zhe main harmonie functions can be : are sometimes called the pri “UPmarized as 1, 1V, and V, The ins follows Primary chords hy. og ja im major and minor generally Plays a py iin major having two nen

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