The Frogs
By Aristophanes
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Aristophanes
Often referred to as the father of comedy, Aristophanes was an ancient Greek comedic playwright who was active in ancient Athens during the fourth century BCE, both during and after the Peloponnesian War. His surviving plays collectively represent most of the extant examples of the genre known as Old Comedy and serve as a foundation for future dramatic comedy in Western dramatic literature. Aristophanes’ works are most notable for their political satire, and he often ridiculed public figures, including, most famously, Socrates, in his play The Clouds. Aristophanes is also recognized for his realistic representations of daily life in Athens, and his works provide an important source to understand the social reality of life in Ancient Greece. Aristophanes died sometime after 386 BCE of unknown causes.
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Reviews for The Frogs
90 ratings1 review
- Rating: 2 out of 5 stars2/5It's funny if you know the history and like bawdy jokes.
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The Frogs - Aristophanes
THE FROGS
BY ARISTOPHANES
TRANSLATED BY B. B. ROGERS
A Digireads.com Book
Digireads.com Publishing
Translated by B. B. Rogers
Print ISBN 13: 978-1-4209-2671-2
Ebook ISBN 13: 978-1-59625-911-9
This edition copyright © 2011
Please visit www.digireads.com
CONTENTS
INTRODUCTORY NOTE
DRAMATIS PERSONAE
THE FROGS
INTRODUCTORY NOTE
Aristophanes, the greatest of comic writers in Greek and in the opinion of many, in any language, is the only one of the Attic comedians any of whose works has survived in complete form He was born in Athens about the middle of the fifth century B C, and had his first comedy produced when he was so young that his name was withheld on account of his youth. He is credited with over forty plays, eleven of which survive, along with the names and fragments of some twenty-six others. His satire deal with political, religious, and literary topics, and with all its humor and fancy is evidently the outcome of profound conviction and a genuine patriotism. The Attic comedy was produced at the festivals of Dionysus, which were marked by great license, and to this, rather than to the individual taste of the poet, must be ascribed the undoubted coarseness of many of the jests. Aristophanes seems, indeed, to have been regarded by his contemporaries as a man of noble character. He died shortly after the production of his Plutus,
in 388 B. C.
The Frogs
was produced the year after the death of Euripides, and laments the decay of Greek tragedy which Aristophanes attributed to that writer. It is an admirable example of the brilliance of his style, and of that mingling of wit and poetry with rollicking humor and keen satirical point which is his chief characteristic. Here, as elsewhere, he stands for tradition against innovation of all kinds, whether in politics, religion, or art. The hostility to Euripides displayed here and in several other plays, like his attacks on Socrates, is a result of this attitude of conservatism. The present play is notable also as a piece of elaborate if not over-serious literary criticism from the pen of a great poet.
DRAMATIS PERSONAE
THE GOD DIONYSUS
XANTHIAS, his slave
AESCHYLUS
EURIPIDES
HERACLES
PLUTO
CHARON
AEACUS, house porter to Pluto
A CORPSE
A MAIDSERVANT OF PERSEPHONE
A LANDLADY IN HADES
PLATHANE, her servant
A CHORUS OP FROGS
A CHORUS OF INITIATED PERSONS
Attendants at a Funeral; Women worshipping Iacchus; Servants of Pluto, &c.
THE FROGS
XANTHIAS. Shall I crack any of those old jokes, master,
At which the audience never fail to laugh?
DIONYSUS. Aye, what you will, except I'm getting crushed: Fight shy of that: I'm sick of that already.
XAN. Nothing else smart?
DIO. Aye, save my shoulder's aching.
XAN. Come now, that comical joke?
DIO. With all my heart. Only be careful not to shift your pole,
And—
XAN. What?
DIO. And vow that you've a bellyache.
XAN. May I not say I'm overburdened so
That if none ease me, I must ease myself?
DIO. For mercy's sake, not till I'm going to vomit.
XAN. What! must I bear these burdens, and not make
One of the jokes Ameipsias and Lycis
And Phrynichus, in every play they write,
Put in the mouths of all their burden-bearers?
DIO. Don't make them; no! I tell you when I see
Their plays, and hear those jokes, I come away
More than a twelvemonth older than I went.
XAN. O thrice unlucky neck of mine, which now
Is getting crushed, yet must not crack its joke!
DIO. Now is not this fine pampered insolence
When I myself, Dionysus, son of—Pipkin,
Toil on afoot, and let this fellow ride,
Taking no trouble, and no burden bearing?
XAN. What, don't I bear?
DIO. How can you when you're riding?
XAN. Why, I bear these.
DIO. How?
XAN. Most unwillingly.
DIO. Does not the donkey bear the load you're bearing?
XAN. Not what I bear myself: by Zeus, not he.
DIO. How can you bear, when you are borne yourself?
XAN. Don't know: but anyhow my shoulder's aching.
DIO. Then since you say the donkey helps you not,
You lift him up and carry him in turn.
XAN. O hang it all! why didn't I fight at sea?
You should have smarted bitterly for this.
DIO. Get down, you