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b b b
# b
D mi7( 5) G7 C mi7 C mi7( 5) F7 B mi7
ww # bb
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b w w
4 b w &
b b b7 b b b b7 b
B mi7( 5) E A mi7 A mi7( 5) D G mi7
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B7 E# mi
w A7
G mi7( 5)
b w
7
E mi7( 5) D mi7
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9
Step 2: Transpose the voicings accordingly, so you also can play it starting from Ebmi7(b5)
Please note: I've written for example a Cmi7, even if you don't play the 7 at all. This is so that you can
get used to think like a jazz master. A Cmi7 could be played like: Eb, G, A, D - or the "regular" way.
Whatever you'd like.
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