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Joakim Eneroth - Whispering Void


Arvinius + Orfeus Publishing 2017 ISBN 9789187543661 Acqn 27391
Hb 26x22cm 72pp col ills 27.50

In Whispering Void, artist Joakim Eneroth explores the nature of the mind from a Western
psychological perspective combined with contemporary neuroscience. It is a continued
examination of the theme, which was investigated in his previous art project Short Stories of the
Transparent Mind from an Eastern philosophical point of view. In Whispering Void, Eneroth
reveals the deeper subconscious layers of experience, the dance of notions and perceptions in
the fluctuating mind. The questions often revolve around how to distinguish the mental projections
of the mind from reality itself.

Joakim Eneroth, born 1969, is an internationally established artist whose work is represented in
the collections of the Tate Modern in London, Brooklyn Museum of Art in New York, MEP in
Paris, and Moderna Museet in Stockholm, among others. Awareness and mind are the themes
that unite Eneroths protean work. With each new series, the artist explores another aspect of
consciousness and the boundaries where our inner and outer worlds meet.

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And / As - Art and/as Research at the Royal Academy of Fine Arts Antwerp
Jap Sam 2017 ISBN 9789490322656 Acqn 26467
Pb 14x19cm 336pp 172ills 16

AND/AS documents the research in visual arts performed at the Royal Academy of Fine Arts
Antwerp over the past five years.
Through texts and images, the essays provide reflections on what research in the arts means for
the artist, for art education, and for the art world.
The core of the book offers a visual insight in the strategies, processes and results of artistic
research in diverse disciplines and domains, hereby revealing the unique approach of artists-
researchers at the Antwerp Academy.
A register with brief research summaries at the end gives a clear overview of the research
conducted in the period 2010-2015.

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Ida Applebroog - Mercy Hospital


Karma 2017 ISBN 9781942607595 Acqn 26989
Hb 22x26cm 304pp 143ills 139col 45

In 2009 Ida Applebroogs (born 1929) assistants found a box marked Mercy Hospital. Inside
was a series of drawings the artist made nearly 50 years ago, during a period of
institutionalization after suffering a debilitating breakdown in San Diego in 1969. During this
tumultuous period, Applebroog, by her own account, withdrew from the world entirely, for a
period hardly able to speak at all. Instead she turned to drawing, producing works in graphite,
India ink and watercolours, at times accompanied by text from authors such as Kafka and Freud.

The drawings oscillate between the figurative and the abstract, laying bare the female form and
calling to mind art-historical precedents informed by psychopathology, particularly works
produced in early and mid-20th-century France by the likes of Wols.

The publication of Mercy Hospital, with a text by Jo Applin, is the first time that Applebroogs work
from this period has been documented in full.

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Jordan Kantor - Selected Exhibitions


No Place Press 2017 ISBN 9780989832052 Acqn 27011
Hb 17x24cm 240pp 488col ills 37.95

The works of San Franciscobased artist Jordan Kantor (born 1972) explore relationships
between photography and painting in contemporary culture. Equal parts artists book and
catalogue raisonn, this first monograph offers a visual tour through the last decade of Kantors
conceptually driven practice.

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Jimmy Wright - Bathhouse, Meatpacking District and the Dream Cards. NY Underground
1973-90
Corbett vs. Dempsey 2017 ISBN 9780997499520 Acqn 26966
Hb 24x31cm 120pp 79col ills 44.50

Bathhouse, Meatpacking District and the Dream Cards presents a selection of drawings from the
1970s by Jimmy Wright (born 1944). Made just as Wright hit New York City, these works chart his
engagement with the subculture of gay bathhouses and clubs, and the more colourful side of
street life on the Lower East Side. An insightful observer of human behaviour deeply engaged
with the action himself, Wright was the fascinated documentarian of a fleeting scene. By the
1980s he had turned this attention inward, to his own dream life, which he religiously charted in
sketches and annotations on what he called dream cards. Bathhouse, Meatpacking District and
the Dream Cards brings these three bodies of drawings together with an interview of the artist
conducted by Jim Dempsey and an essay by John Corbett.

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Joel Shapiro
Dominique Levy Gallery 2017 ISBN 9781944379100 Acqn 26973
Hb 23x30cm 144pp 219ills 216col 44.50

New Yorkbased artist Joel Shapiro (born 1941) has explored the possibilities of sculptural form,
as well as the interplay of colour and mass, throughout his 45-year career. This catalogue brings
together Shapiros early wood reliefs, created between 1978 and 1980, with his recent site-
specific installation practice, exploring the ways in which both bodies of work create expansive,
joyful moments of discovery and play.
Published in conjunction with Dominique Lvys exhibition of the artists work, Joel
Shapiro features the first full catalogue of the wood reliefs, as well as new texts by Phyllida
Barlow, David Raskin, and Olivier Renaud-Clment, poems by Peter Cole and Ange Mlinko, and
a comprehensive chronology written in collaboration with the artists studio.

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Genieve Figgis - Something for Lovers


Karma 2017 ISBN 9781942607564 Acqn 26995
Hb 15c22cm 80pp 68ills 34col 26.50

From Irish painter Genieve Figgis (born 1972) comes a book-object that is both exquisite and
utilitarian, nostalgic and new. Wrapped in plush suede of deep violet, Something for Lovers
compiles 34 of Figgis paintings into a compact colouring book. The works dreamlike aspect and
romantic yet, at times, banal subject matterVictorian landscapes, tender portraits and
passionate embracesmakes for images begging creative reinterpretation.

Published by Karma to coincide with the opening of Figgis exhibition at New Yorks Gallery Met,
at the Metropolitan Opera, Something for Lovers lets you re-imagine Figgis seductive paintings,
inviting you to infuse each artwork with colours befitting your surroundings. All 34 paintings are
reproduced in colour in the back of the publication.

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The Present Is the Form of All Life - The Time Capsules of Ant Farm and LST
Pioneer Works Press 2017 ISBN 9781945711015 Acqn 27018
Hb 20x26cm 256pp 248ills 171col 40

Perhaps best known for the iconic desert monolith Cadillac Ranch and stunts like Media Burn,
the radical architecture and media art group Ant Farm created an abundance of works across
disciplinesincluding video, publications, built environments and performances. Throughout their
career (196879), Ant Farm conceived a series of time capsules that focused not on the eternal
but rather on the fleeting aspects of postwar American culture: consumer goods, media archives
and tchotchkes. For various reasons, all of Ant Farms time capsules failed to function, that is, to
be opened at the allotted future time and the intact contents examined.

Ant Farms successor group, LST, has taken up the project with their contemporary work Ant
Farm Media Van v.08 [Time Capsule] (2008). This work not only functions but updates the
originals line of questioning, exploring notions of the time capsule in the digital age.

The Present Is the Form of All Life represents the first comprehensive documentation of these
overlooked ephemeral works. Including many previously unpublished images, this publication
also boasts essays by Constance M. Lewallen, Steve Seid and Gabriella Giannachi, and a
discussion between curator Rudolf Frieling and LST.

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Pictures that Talk - Selected Works by Tad Savinar


Ronna and Eric Hoffman Gallery 2017 ISBN 9780692762196 Acqn 27027
Hb 19x24cm 72pp 44col ills 25

Pictures That Talk surveys the last twenty-two years of the work of American artist Tad Savinar.
Throughout his forty-three-year career, Savinar has included the use of texts and language as a
central element within his work. He is a keen observer of contemporary life, and his works reflect
an uncanny ability to identify behaviours and events, which, for good or bad, have shaped our
lives, our cities and our beliefs. An illustrated essay rather than a traditional exhibition catalogue,
the book focuses on fourteen individual works (prints and sculpture), while Linda Tesners
accompanying essay places Savinars work in the context of some of his contemporary peers.
The publication includes a number of pages which fold out to reveal large scale reproductions as
well as details.

Tad Savinar (born 1950) has exhibited widely, including at the New Museum and Artists Space in
New York, the Los Angeles Institute of Contemporary Art, Atlanta Contemporary, the Center on
Contemporary Art (Seattle), the Portland Art Museum and the Portland Center for Visual Art. His
work is included in the collections of the Museum of Modern Art (NYC), the Smithsonian Institute,
The Norton Museum of Art (Miami) and the Design and Architecture Museum at the University of
California at Santa Barbara, among others.

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Ohad Meromi Resort


Center Contemporary Art Tel Aviv 2017 ISBN 9789657463277 Acqn 27032
Hb 23x28cm 100pp 92ills 82col 50

Israeli-born, New Yorkbased artist Ohad Meromi (born 1967) has been making environments,
sculptures and videos for the past two decades. Resort was an interactive work that melded
dance, music and theatre; this publication documents the piece and the questions it raises for
experimentation and collaboration in exhibition spaces.

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Junichi Nakahara - Letter Paper


Seigensha Art Publishing 2017 ISBN 9784861525858 Acqn 27141
Pb 18x21cm 144pp 57col ills 21.95

Graphic artist, illustrator, and fashion designer Junichi Nakahara is famous for his expressive
drawings of young girls with large, exaggerated eyes, and many consider his style as crucial to
the development of manga art in Japan. He began working as a dress designer and fashion
illustrator in the 1920s, but soon became interested in illustrating shojo manga (magazines aimed
at a teenage female readership). This book features more than 60 charming illustrations of
graceful, doe-eyed girls wearing a variety of outfits, from Japanese kimonos and a few traditional
Western costumes to stylish dresses that reflect the rapidly changing fashion trends of
Nakaharas day.

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Mark Ryden
CAC Malaga 2017 ISBN 9788494435492 Acqn 27410
Hb 25x30cm 178pp 95col ills 55.95

Pop surrealist Mark Rydens work is characterised by doll-faced figures, anatomical models,
stuffed animals, religious ephemera, Americana kitsch, and copious amounts of meat. Published
with his first retrospective exhibition in Europe, at the CAC Mlaga, this catalogue reproduces
numerous of his canvases, along with several sculptures, in an attempt to summarise and clarify
his complex and unsettling world. The Los Angeles artists meticulously detailed and embellished
paintings reflect an oeuvre which fluctuates between the enigmatic and the beautiful pictorial
fantasies with a clear juxtaposition of childhood innocence and the mysterious and dark corners
of the soul.

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Serge Onnen - I Am A Lone Monk Walking The World With A Leaky Umbrella Chinese
Shadow-puppets 12-17
Serge Onnen 2017 ISBN 9789198393415 Aqcn 27423
Pb 13x20cm 184pp 145col ills 26.50

Shadow puppet theatre is the oldest form of projected moving images. Over the centuries, it has
spread from its origins in China throughout Asia. The semi-transparent leather figures are usually
moved behind a thin screen, creating a silhouette shadow which also contains colour. But in
Chinas rapidly modernising climate, audiences and apprentices of this ancient folk art are
disappearing at an alarming rate. In an age when moving images are nothing special and
everyone has at least one screen permanently within reach, artist Serge Onnen travelled to China
to research the art form and produce a series of shadow puppets with Chinese craftsmen,
inspired by current global events.

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Revisiting Siebold's Japan Museum


Seigensha Art Publishing 2017 ISBN 9784861525605 Acqn 27433
Pb 23x30cm 264pp 450col ills 26.50

The German physician and naturalist Philipp Franz von Siebold spent a number of years living in
Japan in the 19th century on two occasions, bringing with him knowledge of Western medical
science and amassing an extensive collection of materials relating to Japanese nature and
culture. Upon returning to Europe, he organised the first full-scale Japanese exhibitions in several
cities, spurring the burgeoning interest in non-European ethnic groups and cultures.
Commemorating the 150th anniversary of his death, this beautifully illustrated volume re-
evaluates the extensive collection of artworks and objects Siebold left in Munich and his Japan
Museum from new perspectives.

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Oteiza. Catalogue Raisonne Of Sculpture (2 Vols. In Box)


Nerea 2017 ISBN 9788415042907 Acqn 25838
Pb 21x29cm 1324pp 1000ills 500col 135

In a beautiful edition, under the scientific management of sculptor Txomin Badiola and the Oteiza
Museum, this publication presents a long and rigorous work of documentation and analysis, and
constitutes a critical study about Oteizas complete work. This book permits to identify all his
sculptures, cataloguing his several decades wide production in a rich diversity of materials and
techniques. Each catalogued piece includes detailed information about materials, owners,
exhibitions, and bibliography, and is illustrated by one or several photographed reproductions.

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Hapa Japan - History. Volume 1


Kaya Press 2017 ISBN 9781885030535 Acqn 27005
Pb 15x23cm 520pp 21ills 21

The history and experiences of mixed-race Japan have long remained almost invisible in a
country that believes in its own myths of homogeneity, despite a history that extends backwards
to the 8th-century emperor Kammu Tenno (who was part Korean) through to Japans first female
physician (part German) during the 19th century, and forward to the present day, when 1 of every
30 Japanese babies are born to families with one non-Japanese parent. Hapa Japan: History
(Volume 1) is the first substantial collection of essays to survey the history of global mixed-race
identities of persons of Japanese descent. Edited by Duncan Ryuken Williams, the founder of the
Hapa Japan Database Project, this groundbreaking work unsettles binary and simplistic notions
of race by making visible the complex lives of individuals often written out of history. Duncan
Ryuken Williams is Associate Professor of Religion and East Asian Languages and Cultures at
the University of Southern California.

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Hapa Japan - Identities & Representations. Volume 2


Kaya Press 2017 ISBN 9781885030542 Acqn 27004
Pb 15x23cm 444pp 14ills 5col 21

The film Kiku and Isamu (1959) was one of the first cinematic depictions of mixed-race children in
postwar Japan, telling the story of two protagonists facing abandonment by two different Black GI
fathers and ostracism from Japanese society. Bringing together studies of the representations of
the Hapa Japanese experience in culture, Hapa Japan: Identities & Representations (Volume 2)
tackles everything from Japanese and American films like Kiku and Isamu to hybrid graphic
novels featuring mixed-race characters. From Muslim Japanese-Pakistani children in a Tokyo
public school to Blasian youth at the AmerAsian School close to a US military base in Okinawa,
the Hapa experience is multiple, and its cultural representations accordingly are equally diverse.
This anthology is the first publication to attempt to map this wide range of Hapa representations in
film, art and society.

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Thorsten Brinkmann - The Great Cape Rinderhorn


Art Paper Editions 2017 ISBN 9789490800574 Acqn 27193
Hb 21x30cm 104pp 85col ills 37.75

Thorsten Brinkmann (1971, Germany) calls himself a serial collector. In the storeroom at his
studio can be found the most varied objects discovered on flea markets, in thrift shops, and on
the street. Part of middle-class domestic culture, he uses them to show how we relate to the
objects that surround us. Objects define our identity and inform our culture. We shape and design
the objects that surround us and in turn they shape us and the lives we live. The book's title is a
word-play referring to a monumental bulls horn, to a cape (a sleeveless garment) and Cape Horn
at the southernmost extremity of Chile. Apart from a lighthouse, a house and a chapel, Cape
Horn is a barren landscape.

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Images Words 'They Live' By John Carpenter (2 Vols)


Everyedition 2017 ISBN 9783952420607 Acqn 27434
Pb 22x28cm 80pp 20ills 21.50

Zrich-based designer Piero Glina celebrates the 25th anniversary of John Carpenters satirical
science fiction horror film, They Live (1988), with the release of a two-volume publication. It
includes an exact replica of a magazine prop as seen in the original film that contains the same
iconic typography spelling out propagandistic quotations coined by a ruling class of concealed
aliens, which have also since entered the lexicon of popular culture: cooperate, consume,
reward indifference, do not question authority, no thought, and more. The second volume is
comprised of stills from the cult classic that show the scenes where the words appear in the film.

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Mark Wallinger - Exhibition Film DVD


Fruitmarket Gallery 2017 ISBN 9781908612458 Acqn 27440
DVD 14x19cm 12mins 10 +VAT

Known for a practice as stylistically diverse as it is politically engaged, Mark Wallinger creates
work that encompasses painting, sculpture, photography, film, installation, performance and
public art. This exhibition, presented in two parts, one at The Fruitmarket Gallery and the other at
Dundee Contemporary Arts, has been brought together in the context of his newest body of work,
the id Paintings.

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Kent Williams - Via Lactea


Allen Spiegel Fine Arts 2017 ISBN 9781934298138 Acqn 26941
Hb 29x34cm 68pp 64col ills 44.50

Over the past few years, Los Angelesbased painter Kent Williams (born 1962) has created
multiple interpretations of the well-known artist Soey Milk, which this volume gathers and
celebrates in gorgeous colour plates. Williams' style is exacting and sensual; his depictions of
Milk range from scenes of her semi-nude figure entwined in foliage or lively whorls of paint to
depictions of her reclining, stretching, undressing or posing with other figures. As Ryan Ebelt
writes in his essay for the volume, the works, made between 2012 and 2016, stand undeniably as
a celebration of Soey Milk and the inspiration she has manifested, and stands as both a
stimulating entry into Williams considerable oeuvre as well as a scintillating slice of the
inspiration of the muse.

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Mark Grotjahn - Sign Exchange


Karma 2017 ISBN 9781942607526 Acqn 26993
Pb 13x20cm 64pp 60col ills 17.95

In the early 1990s, Mark Grotjahn (born 1968) was living in San Francisco, and weary of the
figurative painting he and his colleagues were doing. He found inspiration at Lloyds, a bar across
the street from his studio, in their handmade signs advertising hot dogs and drink specials.
Grotjahn started painting copies of the bars signs. Sensing that the difference between his copies
and the originals was the audience, Grotjahn figured in order to get my sign to be as good as
their signs, I needed to get my sign in their store.

Thus began Grotjahns series of Sign Exchanges, where Grotjahn would paint copies of the signs
of liquor stores, hole-in-the-wall restaurants and bodegas, and exchange his signs for the
readymades on display. Mark Grotjahn: Sign Exchange explores this early series of works,
displaying the signs the painter received in exchange for his paintings.

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