Escolar Documentos
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JUMPCUT
AREVIEWOFCONTEMPORARYMEDIA
Bibliographyoffeministcriticism
fromJUMPCUT
from JumpCut, no. 24-25, March 1981, pp. 51-52
copyrightJumpCut:AReviewofContemporaryMedia, 1981, 2005
Since May, 1974, JUMP CUT has presented feminist film criticism as an
integral part of its commitment to developing radical film work. JUMP
CUT regularly offers critical articles from a feminist perspective,
coverage of independent and commercial film by and about women, and
a strong feminist position in its editorial policy.
No.1(MayJune,1974,availableonlythroughUniversityMicrofilms,
AnnArbor,MI)
DAY FOR NIGHT Truffaut can only trifle with a portrayal of love
relations on movie set.
No.2(JulyAugust,1974,availableonlythroughUniversity
Microfilms,AnnArbor,MI)
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SAVE THE TIGER An old fart learns new sexist tricks thanks to
unrealistic "chick" hitchhiker.
No.3(SeptOct,1974)
No.4(NovDec,1974)
No.5(JanFeb,1975)
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No.6(MarAp,1975,availableonlythroughUniversityMicrofilms,
AnnArbor,MI)
No.7(MayJuly,1975,availableonlythroughUniversityMicrofilms,
AnnArbor,MI)
No.8(AugSept,1975)
Report From Knokke New films by women are described from the
Fifth International Festival of Experimental Films, held in Knokke-
Heist, Belgium.
No.9(OctDec,1975)
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New Day Films Julia Reichert and Jim Klein (makers of UNION
MAIDS and GROWING UP FEMALE) are interviewed about their
contributions to feminist filmmaking and distribution.
No.10/11(Summer,1976)
JAWS Sexuality and violence are so linked in our culture that the
presence of one explains the other.
No.12/13(Dec,1976)
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No.14(March,1977)
No.15(July,1977)
DOG DAY AFTERNOON The real-life DOG DAY hero tells his story.
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No.16(Nov,1977)
THE DEEP Male bonding and control over technology force heroine
into a minor role as the picture progresses.
Gays and Film: A Special Section Dialogue on gays, film, and the left;
images of gay men in films noirs; independent filmmaking by and for
gay men; gay images in Bertolucci's films. Focus is on gay men, but
introduction and editorial stress need for left to fight against sexism and
heterosexism, and to struggle for rights of lesbians and gay men.
No.17(April,1978)
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No.18(Aug,1978,availableonlythroughUniversityMicrofilms,Ann
Arbor,MI)
ICI ET AILLEURS and SIX FOIS DEUX French critics debate the
value of Jean-Luc Godard and Anne-Marie Miville's most recent work,
much of which deals with the relation of sexual and family politics to
other social/economic/political communication structures.
No.19(Dec,1978)
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No.20(May,1979)
No.21(Nov,1979)
VIOLETTE How the movie that might have been an indictment of the
patriarchal nuclear family is turned into an ambiguous mystery.
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No.22(May,1980)
THE CHINA SYNDROME Two views of the film and especially Jane
Fonda's role.
No.23(Nov,1980)
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