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Teresa J. Hornsby
To cite this article: Teresa J. Hornsby (1999) Gender Role Reversal and the Violated Lesbian
Body, Journal of Lesbian Studies, 3:3, 61-72, DOI: 10.1300/J155v03n03_06
INTRODUCTION
Above the din of the debates about womens sexuality, the lived experi-
ence of the sadomasochist woman remains: she finds value, whether per-
Teresa Hornsby is a doctoral candidate in New Testament at Vanderbilt Uni-
versity. She received a BS from the University of Tennessee and an MTS from
Harvard Divinity School. Her dissertation, Re-Reading Womens Transgression
in the Gospel of Luke is in progress.
Address correspondence to: Teresa J. Hornsby, Vanderbilt University, The
Divinity School, Nashville, TN 37240.
[Haworth co-indexing entry note]: Gender Role Reversal and the Violated Lesbian Body: Toward
a Feminist Hermeneutic of Lesbian Sadomasochism. Hornsby, Teresa J. Co-published simultaneously
in Journal of Lesbian Studies (The Haworth Press, Inc.) Vol. 3, No. 3, 1999, pp. 61-72; and: Lesbian Sex
Scandals: Sexual Practices, Identities, and Politics (ed: Dawn Atkins) The Haworth Press, Inc., 1999,
pp. 61-72; and: Lesbian Sex Scandals: Sexual Practices, Identities, and Politics (ed: Dawn Atkins)
Harrington Park Press, an imprint of The Haworth Press, Inc., 1999, pp. 61-72. Single or multiple copies
of this article are available for a fee from The Haworth Document Delivery Service [1-800-342-9678,
9:00 a.m. - 5:00 p.m. (EST). E-mail address: getinfo@haworthpressinc.com].
intersection between the profane and the sacred. Second, Girard identifies
a necessary, sanctioned violence. I will explore the implications of a pos-
itive violence in a lesbian SM context. Butlers framework of the subver-
sive nature of gender role-reversal and gender role parody provides anoth-
er dimension to role-playing within lesbian SM scenes. Finally, Douglass
work, which I will use cooperatively with Butlers, also complements
Bataille in its positioning of the body and the boundaries of the body as
symbolic of cultures and the boundaries of cultures. It is through the
conflation of Butlers and Douglass work that I will be able to talk about
what a violated lesbian body means in the context of reversed gender
roles. Ultimately, in this paper I am working toward an understanding of
lesbian SM that moves it out of its spurious designation as destructive,
phallocentrically defined, violence against women.
ment about what will and will not happen. I find the following metaphor of
a woman in a roller coaster very helpful in understanding the difference
between replication and simulation concerning women and SM:
Bataille, who has influenced the work of Derrida, Foucault, and Iriga-
ray, provides an insightful ingress into practices that are traditionally por-
trayed as difficult and disturbing. Though I will concentrate on the ideas of
Bataille that concern violence, the erotic and their connectedness to the
Sacred, I will focus specifically on the theories about sacrifice, eroticism
Teresa J. Hornsby 65
and the dialectic between taboo and transgression. I will suggest that
through the practice of SM sex, lesbians, as both sadists and masochists,
utilize the images of excess, such as incest, certain gender role reversals,
and subversions of traditional power regimes, to manipulate the dialectic
between transgression and the taboo.
In order to bring Bataille into a feminist composition, one should make
some brief remarks regarding his sexist, heterosexist and misogynist lan-
guage. While I acknowledge Batailles disregard for women, his assump-
tion of male dominance and his narrow-minded persistence of heterosexu-
al norms, the essence of his work lies in his awareness of a dark eroticism
connected with the Sacred. Bataille sensed that transgression, sinning, if
you will, is not only necessary to hold society in balance but also neces-
sary to encounter the Sacred.
Batailles theory of religion is shaped primarily by stressing transgres-
sion, otherness and excess (Olson, 1994:231-250). The sacred for Bataille
is complete, chaotic Otherness. Bataille would agree with Douglas, Turn-
er, and others that taboos set up strict definitions between the world and
the sacred. However, the chaos fostered by transgression is a part of the
sacred rather than antithetical to it. The essence of the sacred opposes the
world of order and work. Douglas writes, It is only by exaggerating the
difference between within and without, above and below, male and fe-
male, with and against, that a semblance of order is created (1966:4). In
Douglas work, that semblance of order is representative of the sacred.
In Bataille, the order is antonymous to the sacred.
The sacred for Bataille encompasses all those categories that resist
dialectic classification, those that stand apart and threaten to break down
rigid lines of definition, particularly the interiors of the body, e.g., excre-
ment, semen, menstrual blood. The sacred should evoke in us feelings of
terror because it is always on the edge of erupting into violence (Bataille,
1989:52). And the terror that humans feel is further prompted by the idea
that it is a contagious violence, a malefic force that destroys through
contagion anything that comes close to it (Olson, 1994:237). Defilement,
breaking the taboo, is the only way, according to Bataille, to approach or
reside with the sacred. Conscious and ritualized transgression begin to
function in a poststructuralist sense of breaking the binary of sacred/pro-
fane. By violating the interdiction, the ritualized transgression, particularly
the sacrifice, dissolves these boundaries between God and creation and
fills the gaps so that the former distinctions evaporate.
The sacrifice is not only an intentional transgression of the taboo on
murder, but there is also the idea of the sacrificial gift which stands
outside an economic system of fair exchange. The sacrificial gift, or offer-
66 Lesbian Sex Scandals: Sexual Practices, Identities, and Politics
ing is, for Bataille, an unproductive expenditure that embodies the princi-
ple of absolute loss, i.e., loss without return (Taylor, 1987:138). Bataille
claims that the sacrifice, as prodigality, directly parallels the erotic:
Girard regards sacrifice as the act of making the offered victim or object
sacred. He argues that the origin and continuity of all religion and of all
culture resides interstitially between violence and desire, and that the
source of all violence is desire. In order to oppose chaotic, destructive
violence, Girard observes that the victim becomes the locus for sanc-
tioned violence. Here, it is a violence played upon the body in order to
avert or control destructive violence and to maintain social stability. In this
way, the victim becomes god: he or she is not only endowed with the
power to create danger, the victim, through violence, can end it as well.
But the victim never knows, according to Girard, his or her part in the
ritual, that is, until Jesus. I disagree with Girard on this point. Rather, the
Teresa J. Hornsby 67
victim may or may not know its (or his or her) place in the ritual, the ritual
is effective regardless. The victim becomes surrogate in order to perpetu-
ate the original, socially and religiously formative event. Thus, the event
takes place on three levels: the surface level of observable behavior; a
hidden level of unconscious [or conscious] motivation; and the gener-
ative event, which Girard can imagine both as a first time and as a
universal moment (Mack, 1987:10).
Both Girard and Bataille think that through the transformation of the
crucifixion into the Eucharistic, bloodless sacrifice, Christianity has made
sacrificial power impotent in modern Western context. Because of Chris-
tianity and its sanitization of the human sacrifice, Bataille asserts that the
only accessible transgression left for the modern Western person is sexual
excess. Girard does not really propose what the West uses in substitution
for the lost sacrificial rites; he merely states that Westerners seem to get
along without them (Williams, 1996:83). He suggests that since the
sacrifice ritual can disappear from a society without devastating it is per-
haps because there may be no real meaning behind the rites. He adds that
its no wonder ethnology and theology cannot determine the function of
the ritual since the rites are dispensable. But why would a ritual so integral
to the formation and maintenance of culture simply disappear and become
obsolete? Rather, I wonder if Girard and the ethnologists and the theolo-
gians are looking in the right place. The sacrifice ritual exists but without
religious signifiers. Again, Bataille makes this connection between
religious ritual and sexual ritual, and particularly, between sacrifice and
SM. He claims that the transgression itself is the intentional violence acted
upon the thing being sacrificed. The only remnant of transgression avail-
able to the modern Western person, in Batailles thinking, are those trans-
gressions enacted in and sometimes particular to SM (1962, see the chap-
ters on De Sade and the Sovereign Man, De Sade and the Normal
Man, and The Enigma of Incest). However, even if a theorist, such as
Bataille, recognizes the congruity between religious ritual and sexual ritu-
al, the relationship between the two is usually an hierarchically dichoto-
mous one of good and bad, or spiritual and physical. Religious
ritual, specifically the sacrifice, is usually presumed to be the archetypal,
original ritual while sexual ritual is a cheap imitation; it is a secondary
occurrence in the event that religious ritual no longer functions.
For Bataille, the taboos of incest, gender role reversals and subversions
of traditional power regimes hold the greatest potential for transgressive
power. Lesbian SM incorporates, to a great extent, roles that play on those
taboos Bataille deems particularly transgressive. For example, SM les-
bians frequently act out the fantasies of daddy/daughter incest, rape, or
68 Lesbian Sex Scandals: Sexual Practices, Identities, and Politics
Douglas comments that the body is a model that can stand for any
bounded system. Its boundaries can represent any boundaries which are
threatened or precarious (1966:115). If the body, in this instance, the
lesbian body, stands for a closed social system, which is in this instance,
the oppressive often violent system of patriarchy, then what that body does
and what is done to and inscribed upon that body simulate what is being
done by and to the signified social system. Butler, paraphrasing Douglas,
notes that the limit of the body is never merely material, but that the
surface, the skin, is systemically signified by taboos and anticipated trans-
gressions; indeed, the boundaries of the body become the limits of the
social per se (1990:131). The demarcation of the body may be perceived
as becoming, according to Butler, the limits of the socially hegemonic
(1990:131). The lesbian SM body playing (as parody, as simulation, as
simulacra) the role of male oppressor inserts a kind of precategorical body
into a social system (patriarchy) that views the body as a medium that
must be destroyed (1990:130). At this point, i.e., the placement of the
body into culture, the question becomes, What gets subverted? Does the
body, if the skin is violated, its openings filled or emptied, indeed become
subsumed into culture, or does the body retain a supposed original precate-
gorical status? The point at which culture breaks the boundaries of the skin
is the point that the social system and the body collide. The result is that
the boundaries become blurred, the interiors of the body become exterior,
they spill out into culture, and it is no longer clear where the body ends and
70 Lesbian Sex Scandals: Sexual Practices, Identities, and Politics
culture begins: either culture subsumes the body or the body subverts
culture. If the body is a lesbian SM body inserted into the role of patriar-
chal violator, and another lesbian SM body is cut open, actually or sym-
bolically, the lesbian SM body cannot be subsumed by patriarchy (the
principle critique of lesbian SM by radical feminists) because lesbian SM
both mimics the role of violator and freely, prodigally opens the body to
culture.
Non-lesbian SM bodies, i.e., heterosexual SMists and Gay male SMists,
risk being enveloped by patriarchy because the initial boundaries are not
concretized, i.e., there is no clear distinction between the players and the
reality; the subversive power contained in gender and sex role-reversals is
absent. The man as actor or as submissive cannot reject and simulate,
rather, the scene does become replication. If men are involved in perpetu-
ating the roles they are already given in patriarchy, nothing is really being
subverted. The profundity of the transgression dissipates if a man is in-
volved, as the rapist or the daddy or as a slave, because the subver-
sion occurs at the level of the rejection of the phallus, which the SM
lesbian rejects as symbolic of oppression and violence against women.
The lesbian SMist then reclaims the phallus and subverts the hegemonic
power, the phallus and the violence for her own sexual pleasure. Since
lesbians have already rejected the subjectivity of the penis, lesbian SM can
then reappropriate the provinces of power it resists. Even as a bottom or as
the little boy of a dominant female, the male masochist cannot exist
outside phallocentric culture nor can he actually break away from the
pathology that forms his masochism (Adams, 1989:261). Conversely, as
Butler writes, Lesbian sexuality can be understood to redeploy its deriv-
ativeness in the service of displacing hegemonic heterosexual norms
(1991:17). The lesbian subjectivity that occurs as a result of being outside
a phallocentric culture is precisely why role reversal is particularly power-
ful for SM lesbians.
Therefore, as I have illustrated above, the subversiveness and transgres-
siveness of lesbian SM is not only the radical role-playing/role-reversal of
patriarchal and hegemonic oppression, but it is also the actual presence of
physical violence, pain and suffering in lesbian SM as well. The simula-
tion of oppressive, patriarchal gender roles (following Butler) from be-
yond phallocentric culture, coexisting with the cutting of the body and
other violations to the body (following Douglas) parallel the two primary
transgressions according to Bataille: excessive sex and sacrifice. Recalling
Bataille, the point of dynamic tension, culture on the brink of chaos and
the flows of the opened body, are of the sacred. I suggest that certain
rituals played out in scenes by SM lesbians resuscitate the symbol of ritual
Teresa J. Hornsby 71
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