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  • Medieval Music For Six Stringed Guitar PDF

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    608 visualizações44 páginas

    Medieval Music For Six Stringed Guitar PDF

    Enviado por

    rrre71

    Direitos autorais:

    © All Rights Reserved
    Baixe no formato PDF ou leia online no Scribd
    Sinalizar o conteúdo como inadequado
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    7 MY3bIKA CPEJHUX BEKOB {Jaa WecrucTpyHHOit rurapel MEDIEVAL MUSIC For six-stringed guitar MY3bIKA CPEAHMIX BEKOB AJ\Aa WecTucTpyHHOM ruTapbl Pegaxrop-cocrasuteab A. AecHuKos MEDIEVAL MUSIC For six-stringed guitar Edited and compiled by A. Lesnikov (Ai Uisgateascrso “Kourosrrop * Canxr-Tlerep6ypr” Compozitor Publishing House * Sankt Petersburg Mystika Cpeanux sexo apakritueckir He npeacrantesta HM n OTCNCCTRCHHBIR, HH B SPY Gexunix iaaNuax WU WecTHCTpyaHol ruvapsl. Jeno v TOM, wro MepabIe AoMesUMTHE 10 Hac THTapaste TAGynaTypsI NepBO! HOnoBWAs XVI BeKa MpHHasIeKAT ywe onOXe Bospox- pen. Cpennenexosan My3bika Ho Oombuteli ¥acTH AHOHMMHA, MOCKOMBRY CyUNECTBOBATA OHA B EXKHCTBCHHOM SI3eMIDIApE B MAHYCKDHITTAX HH B PeRKHK cruneNax CHAX, MaytuBAyate roe anropoTBo Hawiltaet paxanuaTses 9 aroxy Bospoxkess, c BOSHHKROBSHEM u pagaxt- ‘Wem oTonevaranua 8 ranma u Dpaxian —~ fa «TO HOMHANHEIMA aBTOpAaMH yaMIC cero autoryniasm Hannrena (Tisetpo Herpyso, Heep Atrensan, sep @azes, Pobep Ban- nap, Tunsman Cysaro H xp.) ‘Cpenwesexonas rutapa Guna 4-xopHoli*, c nepsoi ommuapaoli crpynoll u rpema caa0- cenmmivst, Hommbounveckitit cxan wa ratape Maxonunog eine B pankeit crastHM crasonne- Hua, NOSTOMY CHYAUTs cYMecTDCHMNSINE HONCMOPEEM MpoAY:cTHBHO paszuBalOntetics ROpO~ ‘BOH K1aBMpHOII MySbIKe ofa Be MOTTA. Braromapa yScuueEmo KouMiecrba crpys u oGoramerao peepryapa nomupounie- ‘cxo#l MySEIXoit BIETOTS :10 BRICOKOTO GapoKKo (ruawutm oGpasom, wyssiKoll H.C, Baxa) co- sponemas IHIACCHIeCKAs TitTapa OKASATECE B COCTOSHHH BOCTIpHHATL cyryGo aKANEMUTEAYIO ‘PaHHo10 nomportno, we ToRopE yxe 0 CpeAHeBCKOBSIX TAMUIEX LoMopouso-TapMOHNecKO- ro cxraaa, ‘Sim nprinHEt H NocayAWAN ocHOBOH mx o6paGoTKH BoxanbHO¥, XopoBoH ¥ Opral- woli*® wysancr CpeaHinx BeKoB Atta KeTaccHYeCKOM FHTApHI. Ckopnarypa (nepecrpoiixa) rpetsell crpy3sc rarapst 5 cba-autes (crpoit mors) parspania He ToMsKo COOBpiLKeNTLIMM yAOGCTRA HCHOMMeHIK, HO H CTPeMIEHIeM K APXAMYHOCTH KO- sopra. Anexceit Tecruxos ‘The Medieval music for six-stringed guitar was not actually represented both by the Russian and foreiga editors, because the first tablatures, having reached us from the past, occurred to belong to the Renaissance, dating the XVI century, ‘The music of Middle Ages was anonimous on the whole, forit existed in single manuscripts, or the written copies from them, The individual authorship started to be recognized during the Renaissance, when the music printing developed in Italy and France. However, those ‘were the editors to have been nominated, instead of the real authors. Among them there were (Piettro Petruccio, Pitre Attaignant, Pidre Phalise, Robert Ballard, Tilman Susato ete.). ‘The medieval guitar wes four-choired* with the first single string and three double ones. Polyphony was just forming at guitar, being unable to serve for the choral and clavier music purposes in full capacity. Due to the quantity of strings increase the instrument's abilities were very much extended. ts repertoire was enriched already with the high Baroque polyphony, especially with J. S, Bach's music, Thus the modern classical guitar became able to perform abstruse polyphony of the carly period, not to mention the medieval dances of homophonic facture. ‘These features of modern guitar caused the idea of the Medieval music arrangement for classical quitar, including the vocal, choral and organ** music transcriptions. “The scordatura (re-tuning) of the third guitar string to the F sharp (Lute’s pitch) is caused not only by the performing comfort to be achieved, but also by the aspiration of archaic spirit. Aleksey Lesnikov (Preface and commentartes transtated by Asya Ardova) * Xop — exaocusibe Crpyir Ha CTADHRIEHIN IDETKOBR HAICYpyafeHTax, HaCTpOeKUbIE'S yARICOA anit 8 osrany. Choir — double strings on the old plucked instrements, tuned in unison or in octave. > Suece — opraxiatopramas. Here — portable organ. YCHOBHDIE OBO3HAYERHA INDICATIONS Llecrs ropusonransnsrx.nuniit taSynarypst oGosMasaioT LuecTS CTpyL FHTApHI, CBEPXY BHD, er © #0 © coorwerermenmo. Byxaasu sarwacKoro andiapsnra oBosdaveaM ‘ase wa oNpeTeRoHMEI CTPY HAN. Crannaptusie o6csria1euHs aazoB cooTaeteTHyIoT cpentrenexonsIM GykncHHbon OGosHANC HCN: Six horizonta lines of tablature sign six strings of guitar dawn from above, from @ t @ correspondingly. Latin letters sign the keys of the same strings. Standard indications of the keys correspond to the medioval letters: 1 oc om woy b r a ef ara ©O0000 +) Jiavepoli "a" 8 cpeanesexonofi taG6yaarype oGosnavaercs orepsttas CrpyHa, Letter "a" means open string in medieval tablature, MY3bIKA MEDIEVAL CPEXHHX BEKOB MUSIC TPH, MCKYOMTESIb VENI REDEMPTOR MHPA GENTIUM Ca, Anepocuti us Mauana St. Ambrose of Milan (1)397 AD. Andante \ @ in Fis simile di dd os di 3 eS Joo) dp od dd oh a £3256 B OXMJAHHH JTYYWIETO PROPINAR DE MEYOR Anon} Anonym | Allegretto { mg” ! 4 > f 7 a a gab Sa ia) Al i rats | 633358 KAHTHTA CANTIGA Kopons Aausborc X Myapsrt QUIT p,, Menara) Alfonso X el Sabio Allegretto (Xillce., Spain) Th) pd-w. fm, T ae a mise KAHTHPA "KAK CMOry A" 335 CANTIGA "COMO PODER" Kopon, Armgone X Myapsiit I »., Henanus) oso el Sao (RUE ce., Spain) eu iP be Ts Pe FF FF a to ©3335 « 30ECb 3BY4HT PERSONENT HOGIE Auonnn (Tepmanua)! Anonym (Germany) Andantino . J *)® w@ craynus oamospeenno szxxumaiorer [-M names. Chords @ and @ are simultaneously stopped by the first finger. £3335 x ! B KPYFOBOPOTE JIET IN HOC ANNI CIRCULO | Auonun (Hexus] Anonym (Bohemial Moderato q Tog OT EOF ee a ee — : BOPP Jodd pussy os pk a = os a F & ct | {| | “ody pwc). fe a > i ppp id i ed ee | == == 43388 pr OP re ow br a ee ee SS ae =i : : == : priv? t dbLodbs oi di a——~d- a = ©3335 6 dd 4 TOCHOAUY, HOMEY KYRIE Avow (XIV s, Beneauernenoe a66arers0 Monin Anooyt (XIV ce:, Benedectine Abbey of Mondset J Cantus faye firs: o Ss Se o eC Sw SES oc oi Ky - ri - © mag-ne- de-us po - ten - cie fete ia] } 3 f= =| = =e = SSeS e es oe 8 eo e's Ss & & F =| ho - mi - nis trans - gres - so - ris anda- ti oe - tei tei - son, | | j e305. t f r i) 63335 CAJIBTAPEAIO SALTARELLO Anonnse (Fras ‘Anonym: (italy Moderato = = e388 CHAIOUJAA 3BE3EA STELLA SPLENDENS “AnoHM. Anonym, ©3335 x MBO CUACTIMB FELIX NAMQUE Aniomms (Kone 1400, Anime Anonym (about 1400, Englané Moderato 7 a e ddd 1 dL b ibid 4 ant @ Ppp ds pi di dias 2 deve: eet rie =< Ra eo 3s = e LV Lodo dds) ar z P P we P 2 diode Jos ds = a ©3335 YTEWIBCA BE3 MEHA ALLA SE ME Anon (XV 5 fet Anonyin (XV ce om mr TOP ped sd wn ? a £ o fF Of 4. Jog ob dd eS YY — 8h ~y KALENDA MAYA PamGo ze Baxeiipac Rambaut de Vaqueira: Andantino . (1) 1207 sts 35S 63335 20 PAOM C TOBOM EN AVOIS Aron Andantino sn — mf } d a o835e 2 PrP da Dads DS | ce a 03335 POTA ROTA Avon (Haas) = ‘Anonym (Italy) Aflegretio = = mf" iby Lop pao a eS a 1 i Jods dads ped : Es — pede poe eS 1 £33356 TIOMHHUMAUTECh, APY3baA: ‘WOL UP GHESELLEN TPYBA 30BET! 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