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Dawson Bartlett
Mrs. Rutan
A.P Literature
26 September 2016
Literature is is like an iceberg; although simple at first glance, there is much more than
what meets the eye. Similarly Author Thomas C. Foster argues that there is more than what lies
at the surface of literature, and urges you to take a dive into analytical reading. His book -- How
to Read Literature Like a Professor -- grasps the concepts of literature and exposes otherwise
complacent ideas providing a much more critical view of short stories, poems, and other
literature work we study. Many of Fosters claims can be applied to Flannery OConnors short
story, A Good Man Is Hard To Find, in which a dreaded vacation turns out for the worst with
Foster has many theories but one that really jumped off the page was his idea on
Vampirism. Foster explains that ghosts and vampires are never only about ghosts and vampires
(Foster, 17). He means that to be a vampire, a character does not have to physically suck the
blood out of anothers body, but that he/she only has to suck away their life -- at least
metaphorically speaking. In OConnors short story, she designates a very specific person as the
Vampire right off the bat -- the grandmother. The grandmother ventures off on a family vacation
with her son, Bailey, and his wife and two children. The first line in the story reads, the
grandmother did not want to go to Florida (446). Therefore, the first sentence we read tells us
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that she is being selfish.That line illustrates the pompous grandmothers selfishness by showing
that she doesnt really care about where anyone else wants to go, but only where she wants to go.
Near the end of the story, as The Misfit picks off the grandmothers family, the grandmother
becomes very self-centered. She only cares to see her own life be saved; in her desperate attempt
to stay alive she even offers Baileys extra shirt in his suitcase (456) to the nihilistic Misfit just
after her own son had been murdered by him. OConnor wrote her character to be perceived as a
You never really know what will happen in a story because irony trumps everything
(Foster, 235). OConnor was very artistic using irony in A Good Man Is Hard To Find because
he demonstrated irony within the weather. Usually when a reader hears it was a dark and stormy
night, they immediately think horror. Well Foster opens up the minds of his readers when he
says that authors can twist the normal weather protocols and make them ironic. OConnor does
this numerous times throughout the short story. She wants it to initially come off a perfect day
however, the readers soon discover that is not the case. The characters quest begins off as a day
that is neither too hot nor too cold (447) and continues that way even past the ending. Since it
is such a perfect day outside the readers expect nothing but happiness and a great day -- even
though once again, they find that to be untrue. Even as the story comes to a close the weather is
still perfect when the grandmother dies and OConnor states, her face smiling up at the
cloudless sky (459). This is both ironic because of how it is a perfect day and she was smiling.
OConnor really did a wonderful job inserting this great technique of irony in his story.
Little did the grandmother and her family know but they would fall subject to Flannery
OConnors theory of Geography in A Good Man Is Hard To Find. Fosters theory about
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geography is ...when writers send characters down south, its so they can run amok (Foster,
17). The family becomes victims to geography, the south, when they climb inside their vehicle
and start their vacation to Florida little did they know that death hitched a ride as well. The
farther the family went south, the more terrible things began to occur. As they got to Georgia, the
most south you can go besides Florida, they reached trouble. They had been killed, along with
the grandmother who had been ...shot three times (459). OConnor certainly incorporated
Fosters theory of geography of the south in that truculent part of the story.
landscape. Throughout A Good Man Is Hard To Find, readers may notice they various
landscape references OConnor makes; believe it or not, they have meaning. Fosters theory is
that all landscape has meaning. These are just a few of the lows he listed: swamps, crowds,
fog, darkness, fields, heat, unpleasantness, people, life, death (Foster, 173). OConnors story
may start as a happy family vacation, but not too much later readers see the storys tone shift by
the lows OConnor gives within his writing. The Misfit makes the grandmothers family all
sit down in a ditch (OConnor, 453). By doing this, OConnor symbolizes the low point in
Speaking of symbols, that happens to be another theory of Fosters. He states that if you
think a character, object, or place might have a secret, it probably means something (Foster,
107). Throughout the short story readers read numerous times about the grandmother and her
grandchildren arguing about silly things. The author purposefully incorporated these small
disputes to symbolize the clash of generations between the two distinct ages. One of the many
clashes they had were when the grandmother referenced Gone With the Wind and the kids just
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looked at her with googly eyes, not having a clue as to what she was talking about. (OConnor,
448). In the end, because of the huge clash of generations, it is very hard for the grandmother to
feel empathetic for her grandchildren because she isnt able to relate to them in any sense.
Foster is able to crack open that enormous mysterious iceberg and demonstrate the true
content within literature and bring about its true meanings. His theories can be applied and
interpreted in all works and it was quite evident in OConnors A Good Man Is Hard To Find.
OConnor used Fosters theories to make the story an experience and not just a read. It just goes
to show that there is more than what meets the eyes and literature can bring you numerous ways
of perception.
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Works Cited
Foster, Thomas C. How To Read Literature Like A Professor. New York: HarperCollins, 2003.
Print.
O'Connor, Flannery. "A Good Man Is Hard To Find." Perrine's Literature Structure, Sound &