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The Chords Lei g aLLreviated as much as possible. See Plate 8 lor an


2 fbllo^riiig
explanation of the manner of playing them ,
^

Major Keys
Nr2 I

IS
N?4
i i m

J 2
J -*1
M=1 y
i
f-7t

1 1
JN. 1 NT 3


G
J J 1 J
-

a ^

V3:
'

^4-
f 1 f
i
Hi
1"
f 4 9 i 1
1 - - J
1 ^

G 4 -

ieHfJ-^
J
N?l
J
? j n NP3
S
* >

H- 1 - - - -fl
i
#
h-- f 1

1

I> 1

9 f

#
fl

5* 1
i * i ^ tf j ^ 8

m 1

^
1
d -
u J
,,
i


1=4

'

4
^3:


-J
"
i
i

jiiLlLj
^ 4- 1 1 J-
=5
1 1 1

N?l ! N?3 1

J
4

1
4)N

r -4 J-
a

i i
i ::: i


t
i

i

,
(

*
-jt

4
4


A.

~
m t

N3

#
E 1

}& m


1 1

vT*^

4,
^
j

i 1
r?2
,

:czii:!
f.
t 1:.*..

H '
i J -

F
ft m /f ir J

-I
9
B-
W- .....
4
-
tt;
nil

i 1 ^-

V ^
p r *r
'
1

r 1
! o
8 The Notes in the preceding Oiords kre intended to be plaj^ed an
its Arpetfj;io thus

If theHands of the Piipil he too Small to reach an Octave, the lover Note of
the Treble and the upper Note of the Bafs may be omitted thus

I
When the Learner is fufficiently advanced, the Preludes shou'd be lengthened by prefixing a Rurito any of
the Sets of Chords in the foregoing Pages, preserving the Arpeggio as in Example 1 thus

o 1
Mi
Major
16"
18
-

v..

19

A Still greater variety may "be olitained^"by transposing

firom one Key to another the Rim^or the Set of Chords^ or "both,

as for instance, the Rnn in C may he transposed to G, and played

-with the Chords of G, or vice versa^ or the vfhole Prelude in C


may he transposed to G, &c ,

The Arpeggios also may he occasionally varied hy changing


the motion of the notes in the Chords \. thus

or
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