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Grace Cahill
Evans Jarnefeldt
UHON 3540
8 March 2017
In Shakespeares play Twelfth Night, each characters love for a fellow character
creates a series of complicated love connections that will later culminate in a relatively
happy outcome for all involved. However, Shakespeares use of his character Viola, who
remains true to her original desire to be with Duke Orsino instead of falling for another
character, highlights her fellow characters fickleness with what they truly want in life
and love. Therefore, Viola acts as a beacon of truth and honesty with ones self in the
play. Her interactions with Duke Orsino and Olivia towards the end of the play serve as
the best examples of the other characters fickleness and Violas steadfast nature.
Viola interacting with Duke Orsino at the end of the play is one instance of Viola
remaining true to herself and her fellow characters changing what they truly want in their
life. Throughout the play, Duke Orsino only wants to be with Olivia and uses Viola
disguised as Cesario to relay his messages of love to her. On one of her first trips to see
Olivia, Viola claims, My lord and master loves you: O, such love Could be but
recompensed, though you were crown'd The nonpareil of beauty! (Act 1, Scene 5) While
relaying Duke Orsinos messages, Cesario becomes a trusted servant of Duke Orsino
and is heavily relied on. However, at the end of the play Duke Orsino is quick to sentence
Cesario (Viola) to death for marrying Olivia. Through this ordeal, Viola is confused,
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but is willing to do what Duke Orsino desires because she is his servant and she believes
this is what she must do to keep Duke Orsino happy. This instance of Duke Orsino seeing
Viola as a trusted ally and friend to seeing her as a threat to his happiness and desires
while Viola continues to stay true to making Duke Orsino happy even if it means dying,
demonstrates one instance of Viola remaining true to herself, while other characters
Similarly, at the end of the play after it is revealed that Cesario is actually Viola
and that Sebastian and Viola are brother and sister, Duke Orsino realizes his feelings for
Viola. He then states, And since you call'd me master for so long, Here is my hand: you
shall from this time be Your master's mistress (Act 5, Scene 1). From the beginning of
the play Viola has desired to be with Duke Orsino and spent the entirety of the play
serving him. So after Viola is sentenced to death and then is told that she is going to be
Duke Orsinos mistress, illustrates the fickleness of Duke Orsino and the unchanging
actions of Viola.
Violas interactions with Olivia are also a clear indicator of Violas steadfast
mindset and nature. From the beginning of the play, it has been known that Olivia had
been refusing suitors and Duke Orsinos advancements because of a loss she had
experienced and is still grieving from. As the Captain explained to Viola at the beginning
of the play, A virtuous maid, the daughter of a count That died some twelvemonth since,
then leaving her In the protection of his son, her brother, Who shortly also died: for
whose dear love, They say, she hath abjured the company And sight of men (Act 1,
Scene 2). But, when the dashing young Cesario came to relay Duke Orsinos love
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messages, Olivia found herself falling in love with him more and more after each visit.
Olivia states, Cesario, by the roses of the spring, By maidhood, honour, truth and every
thing, I love thee so, that, maugre all thy pride, Nor wit nor reason can my passion hide
(Act 3, Scene 1). Olivias shift from not wanting any sort of relationship for years to
falling for Cesario in a matter of days demonstrates a clear shift in this characters
and stays true to her original task of relaying Duke Orsinos messages. This instance of
Olivias changing nature and Viola remaining true to herself and her desires continues to
demonstrate how her characters role in the play is to be the honest and truthful character
Furthermore, in the final scene when all the characters come together, Olivia and
Duke Orsinos drastic changes in their desires only further suggests their fickleness. For
example, Olivias mindset changes from loving her new husband Cesario (Sebastian), to
hating Cesario (Viola) for saying that they didnt get married, and finally to loving both
Viola and Sebastian. This change after change after change that Olivia makes is simply
another instance of her characters inability to decide what she wants for herself and what
her true feelings are as opposed to Violas truthfulness with herself. On the other hand, as
explained above, Duke Orsino switches from seeing Cesario as an ally to a threat to a
wife. Duke Orsino and Olivia both change their minds multiple times throughout the
play, implying that they are unable to determine what they want for themselves in life and
love.
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Throughout the whole play, the character Viola had one objective: dissuade Duke
Orsino from marrying Olivia. From the beginning, Viola had feelings for Duke Orsino
and wanted to be with him, so she gained Duke Orsinos trust and becomes one of his
favorite servants. She continues to relay Duke Orsinos love messages to Olivia and
subsequently fights Olivias advances, all to please her true love Duke Orsino. Violas
steadfast nature reveals the other characters fickleness in their decisions of what they
want and who they love. Therefore, Violas function in the play is to illustrate the other
characters inability to choose what they want and to follow through on these desires. Her
character stands as the only one who knew what they truly wanted and was able to obtain
it.
The actor who would play Viola would need to play the part honestly and without
hesitating on the underlying meaning. From the beginning of the play, Violas intentions
and feelings were evident. Because of this, I do not think that too much energy should be
invested in determining some ulterior motive that her character might have. She is
supposed to be a breath of fresh air for people who desire order and honesty in
Works Cited