Escolar Documentos
Profissional Documentos
Cultura Documentos
ELECTRONICA
COMPUTERKULTUPFIfGE LINZ
ORF-V1MALE 86
STEINA and WOODY VASULKA/Hybrid Head Study, 1984
Inge Graf + ZYX (Osterreich) Dieses neue Werk wird unweigerlich unse-
Seit 1980 gemeinsame k6nstlerische Arbeit ren Hauptanliegen folgen, parallel zu tech-
(Musik, Video, Bilder, Objekte, Medien- nologischen, asthetischen and philosophi-
design) . Die Arbeiten von Inge Graf + ZYX schen Bestrebungen unserer Zeit, wie sie
arrangieren minimalisierte Klangstrukturen sich in den Gedanken Capras and den
aus dem Synthesizer (ZYX), synchronisiert Reflexionen von uns Praktikern wider-
mit Video- und Filmsequenzen and anderen spiegeln ."
stilistischen Versatzstbcken.
Eine Beschreibung des fur die COMPUTER-
KULTUR TAGE produzierten Bandes wollen
Inge Graf + ZYX jetzt noch nicht abgeben :
Wir beschreiben grundsatzlich und aus
Gberzeugung unsere Arbeiten niemals
selbst, weil wir meinen, daB eine Arbeit in
einem bestimmten Medium fur sich selbst
stehen soll und zur Beschreibung eine
gewisse Distanz notwendig ist, die Inter-
pretation erst erm6glicht"
a.o. Prof. forcomputer art and computer graphics tions, performances, objects and video tapes. Since 1969 protagonists of video art. Founders design, Halifax and the State University of New
at the University of Paris VIII . Working with Represented at international exhibitions and of the "Kitchen" (New York). Foremost in the York, Buffalo Peter Weibel produces the video
computer graphics and computer animation, sales to important museums. Ulrike Rosenbach development of video art. for the COMPUTER CULTURE DAYS called
development of software since 1970 . Together produces thevideo forthe COMPUTER CULTURE "Gesange des Pluriversums" (Chants of Pluri-
"Our digital system (Digital Image Articulator) is
with Monique Nahas Herve Huitric produces a DAYS "Eleven - Verstehen ist wie Hitze" (Eleven verse) .
a device, designed to operate under condition of
tape for the COMPUTER CULTURE DAYS . - Understanding is like heat). Strange streets with numinous names: the 42nd
real time (60 fields of video per second). In this
"Understanding is like heat - a poetic video- domain of time, our interest centers on the. most street is called "only tomorrow", the 43rd street
"This movie is made of four short parts, showing
visualization dealing with the process of clarifica- singular aspect - the phenomenum of moving "is", the 44th street "yesterday". The dictator-
different variations on natural or more or less
tion, which in nature, ever and ever braking up image, a mode in which images can be seen and ships of "egos" in competition, where every
realistical elements . It uses a software "RODIN"
developed by the authors, using B-Spline sur- the way of chaos, goes trough flowing and modified in actual progress. This concept either "ego" wants to be king and sovereign coming to
blooming, and, including us and making us a amplifies or suppresses certain property of an end. The "ego-less" subject is delighted by
faces to modelize free shapes, and a Key para-
part of it, educates us, that we can only be our- images ; colour, texture, point/square/size, etc. the emancipation of partial drivings, which has
metric interpolation for the animation .
selves, if we realize ourselves as a part of nature ." Generically, our tool is somewhat outside pushed technology. Soul is vanishing in
The first part: "Y-A-PAS-EU-D'ADAM" illustrates industrial tool design by its architecture and its corporate heaven . Company-logos as newsings.
the birth of Eve. The second one: "UN JEU purpose. From simplicity to multiplicity : The multiple
D'ENFANT' is a self deforming coward car. The models of the pluriverse . The universe, with its
This new work commissioned by you will inevi-
third one "DU CUL, DU CUL, RIEN QUE DU CUL', glorification of the one and only hierarchical point
tably follow the mainstream of our concerns in
a parody of an erotic movie. The last one is a of view is turning to a perverse and pluriverse
John Sanborn (USA) parallel to technological, estetic and philo-
sequence of reflections computed with a ray- Beginning in 1977, artistJohn Sanborn has been world with many points of view is turning to a
sophical concerns of our time as reflected in the
tracing on B-Spline surfaces" . perverse and pluriverse world with many points
known for his innovative, experimental, and thoughts of Capra and reflections of our own as
of view is turning to a perverse and pluriverse
popular creations in the field of video art. Colla- practitioners".
borations with Robert Ashley, TwylaTharp, Mary world with many points of view. Multiple verse,
Yoichiro Kawaguchi (Japan) Cantos of the pluriverse .
Perillo, Dean Winkler, Lee Breuer, King Crimson
One of the most prominet computer artists of Jane Veeder (USA)
and Philip Glass. Artist-in-Residency at the Tele-
Japan . He workswith asystem of Koichi Omura, In the second half of the 70iesshe started to be a
vision Laboratory at WNET/13 from 1977-1984.
which connects 50 PCs to an entire system, thus computer artist . Gene Youngblood claims her to
John Sanborn's work is exhibited and broadcast Inge Graf + ZYX (Austria)
achieving similar capacity to the CRAY 1. be among the most important of the contempo-
world-wide (Whitney Biennial, Museum of Since 1980 artistical cooperation (music, video,
Kawaguchis' work is based on the theory of rary computer-artists . Representations at the
Modern Art, New York, the Berlin Film Festival, images, objects, media-design). The works of
Benoit Mandelbrot. most important US-media-exhibitions . Sales to
Pompidou Center, Paris., the Locarno Video Inge Graf + ZYX arrange minimalized sound
Festival, etc.) . museums. Extensively active as a lecturer. structures produced on a synthesizer (ZYX),
I am using the medium of simultation, comput- synchronized with video- and film-sequences
Bernd Kracke (West-Germany/USA)
'We intend to create a short 3 minute video- and other stylistic means.
Media artist, studied at the University of fine arts, er, the Big Brain, to simulate the Big Body. Visual
graphics/dance work. We intend to use a new
Hamburg, diploma work : new perspectives of patterns pulse out the energy economies of the Inge Graf + ZYX are not yet willing to give a
piece of digital animation hardware called the
creating public places and areas. 1980-82 universe of the planet, of the organism . This is a description of their tape : "We principally do not
"Harry" (created by Quantel) which is a video/
Fellow at the C.A.VS./M.I .T ; installations, dangerous area. Reich knew all about this stuff describe our works. We think that a work in a
paintbox, multiframe-animation system .
performances and video-tapes. years ago, and look what happened to him. I will certain medium should stand for itself. Only a
The "Harry" can digitally record up to 2500 chance it. We are the center of this whole thing, certain distance allows interpretation" .
Bernd Kracke produces thevideo for the COMPU- the contineous torus-center of time and matter,
frames of real-time video, allowing subsequent
TER CULTURE DAYS "Still Live". frame-by-frame access. and the position is reclaimed now:'