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The Chicago Defender and The Revolutionary Theatre readings, evaluate the role of men
and women in the past and the influence the different genders brought to the community based
on social, political and cultural roles of men and women associated with literature. Myiti
Sengstacke Rice, the author of the Chicago Defender, discusses people reliance on the press and
word of mouth in receiving news of the world. However, the role of men and women reveals
through bold steps taken by a son of slaves to print newspapers in 1905. Newspaper publication
influenced two decades of the 20th century based on a prolific movement known as Great
Northern Migration that educated a majority of people over 100 years based on the American
History (Rice 7). On the other hand, Robert Leach, the author of revolutionary theatre evaluates
the role of men and women in the theatre as an arena of action associated with the creation of
joy, energy and intelligence in peoples theatre. Moreover, Robert Leach emphasizes on the
development of shared emotions and aspirations among men and women in the theatres over the
centuries. Therefore, the two readings evaluate the importance of men and women in the society
to facilitate change and enable progress within social, political and cultural aspects, which gives
the society an opportunity of development and acquiring relevant information useful in the
community.
In the Chicago Defender, Robert Sengstacke Abbott appears to advocate for the rights of
people that bring justice to race in his community. Robert defends the people as his mantra and
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heels for the reconstruction of an era. Robert takes the role of changing the society around him as
a young man to bring justice and advocate for the rights of people as his manly role in the
community with the aim of assisting the community around (Rice 7). The social structure of the
community according to him requires equity and effective legislations that bring the community
together despite race or different people in the community around him speak language especially
where he comes from in the society. Additionally, Abbott step father, John Herman who is
educated and a man who has always been mistaken as a white man presented himself as a hater
of racial injustices as taught by Abbott. The two men promoted and advocated for the rights of
people within the community as their manly duties in protecting the community and allowing for
development as part of social development in the region. The role the men played in the region
promoted peaceful coexistence and advocated for the development of various sections of the
social structure.
The revolutionary theatre evaluates the effects of Sergei Mikhailovich, and Sergei
Tretyakov runs for the Moscow Proletkult in 1923-1924. The run for the two men brought love,
life and working compassion in the region. The community around worked together and realized
their roles in the regions, which brings development and recognizes the vital aspects in the
community that individuals need to uphold for the progress of the community. The two men
politicians genuinely attempted Bogdanov's comrade cooperation to fulfill precept that makes
works class intelligentsia. The two men brought the community together as a combined effort of
both men and women into enabling the progress of the community into various developments in
the community. Comradeship promoted by the men and women in the region-facilitated efforts
of the two men into changing the community and enabling changes in the region within.
Additionally, Revolution Theatre presents Eisenstein and Tretyakov as part of men and women
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in the middle class who genuinely work towards the improvement of class backgrounds that
honor Artists of USSR. Revolutionary theatres promote the togetherness of the middle class by
promoting social progress in the theaters by implementing the strategies put in place by the
USSR. Men and women come together to work genuinely in revolutionary aspects of the theatres
that bring improvement of social backgrounds honoring various institutions such as the USSR.
Revolutionary Theatre brings different groups of people both men and women into
working as a family in the theatres to promote progress and advancement of the social structure.
The men and women in the theatre aim at mounting productions that involve studying, thinking
theatrical ideas of the community around(Robert & Robert 182). The men such as Eisenstein in
revolutionary theatre advocate for the Montage of Attractions that inspires energy explorations
and practical works associated with groups for development and refinement of the community
around and social structures of individuals. In Revolutionary theatre, various groups promote
development by allowing people to work together and attract montage as part of practical works
Both, the Chicago Defender and the revolutionary theatre present the role of men and
women as part of community initiative aimed at bringing people of the together to work and
advocate for social development as part of one community in the region. Chicago focuses on the
rights of people and promotion of justice in the community while Revolutionary Theatre focuses
on working compassion of people in the community as part of a social initiative that brings
strongest defense mechanism for race as he facilitates the destruction of the American race
prejudice. The move forces Robert S. Abbott to launch a six-column sheet called the Chicago
Defender to advocate for the removal of elements associated with race developments in the
region. The move to publish the sheet of paper plays a role of man in the society whose
intensions is to bring political stability that brings people together without engagement of race.
Abbott was dedicated to changing the politics of the region, which forced him as his associates to
launch a door-to-door sale campaign to enable all the people in the region to buy the sheet of the
paper entitled the Chicago Defender to prevent any political move that advocates for race
progression in the region (Rice 7). The men in Chicago defender reading facilitate the
development of equity in the region without engaging any racial aspects as part of any political
move in the region. Besides, the men publish newspapers that control the acts of racial
progression by condemning the act through publications and moving door to door to sell the
newspapers and educate the people on the need to abolish racial discrimination but instead
promote the rights of individuals in the region as part of their democratic rights.
On the other hand, revolutionary theory advocates for an equal creation of designs and
writers for artists Meyerhold, Lissitsky and Tretyakov. Additionally, the creation of projected
productions such as I want a baby involved democratic collaboration that extended to the actors
example for a democratic society that assists in the creation of new world from top to bottom.
Robert & Robert (182) suggests that the revolutionary theatre advocates for engagement of
political moves that allow for the progress of the community together by producing relevant acts,
which promote peace and development in general. The plays produced by revolutionary theatre
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individuals stage connectedness struggles that ravage in Soviet life areas over a period. The men
and women involved in the revolutionary theatre production come together as a form of unity to
promote development while condemning acts of discrimination (Robert & Robert 175). The
plays acted in the theatres brings all people together as part of a political move that does not
discriminate individuals but instead brings people together for a common good in the society.
The men in the theatres who promote for the creation of the plays give way for collectivism and
industrialization for a five-year period to defeat any acts of opposition. Therefore, the men and
women associated with revolutionary theatre promote peace and development without opposition
artists in a region.
Chicago defender and the revolutionary theatres advocate for political moves that do not
engage elements of discrimination or opposition, which oppress the community around them as
part of democracy. Individuals presented in both Chicago defender and the revolutionary theatres
come together as men and women whose interest in politics is to bring equity and development
as part of the main elements of democracy. The men advocate for the development of regions
without opposition and racial discrimination to enable for progressive change in the societies.
The men and women involved in Chicago defender advocated for the newspaper
publication in the region, which later became the culture for prominent black people in the region
(Rice 7). The publications enabled for the development of a culture that succeeded thousands of
African Americans movement in the North as majority prepared to leave the south as influenced
by the brutal burning of humans. The publication of the Chicago Defender promoted a culture in
the region, which forced people to move in areas that favored their ways of living without
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engagements of discrimination in the region. The men in the region advocated for the cultural
movements to prevent any harassment or opposition in the region. On the other hand,
revolutionary theory men and women advocated for a culture that engulfed theatre development
into the realization of realism and socialist as part of the first Congress Soviet Writers in 1934
for the development of the region (Robert & Robert 181). The move by the men and women in
the revolutionary theatre promotes artistic depiction that enables for ideological transformation
Conclusion
Men and women in both the Chicago Defender and the revolutionary theatre promote
discrimination but instead promote communal social works in the regions as part of human
development.
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