Escolar Documentos
Profissional Documentos
Cultura Documentos
3. Class Evening
090112062
Essence of art and its function to human nature is the second matter of Popes
Essay on Criticism. Firstly, Pope thinks that essence of art is human nature, that is, art
is the universal moral experience of man (Kantarcioglu 61). Then it is easily understood
that what a literary critic should look in for a work of art is whether it expresses mans
universal experience or not. On the other hand, Pope also supposes his ideas about
human nature that for him is both the source and test of art (62). Thus, the poet who is
faithful to human nature can easily control his wit with his common sense, or judgement
and the poet also should observe the human nature keenly. Thirdly, human nature is very
keenly observed by the ancient poets and critics that they expressed it in the medium of
art objectively so that Pope expresses the necessity of imitating ancients and its
importance of literary tradition in Essay on Criticism. In the way of supporting his view,
Pope gives an example and says that when Virgil was creating Aeneid, his great epic, to
celebrate the foundation of Rome, first of all he wanted to try his creative genius but
failed, then he found both human nature and the rules methodizing nature in Homer and
was able to create his great epic poem (Kantarcioglu 61). In short, as the view of Pope
in Essay on Criticism; essence of art is human nature, moral universal experience of
man and it has to be imitated as ancient pioneers.
of man (Kantarcoglu 62). It shortly means that form become less important than the
content, because the style for Pope is to express common experience of man. Secondly,
according to Pope art is superior to nature. He says that "Words are like leaves; and where
they most abound, Much fruit of sense beneath is rarely found", and analysis of this sentence
show that ornamental language in a work of art distorts human nature or impoverishes
the content but simplicity and accuracy in language is more important than its form (62).
Last of all; Pope in Essay on Criticism criticizes the poetic diction of the metaphysical
poets of 17th century. As to Pope in Essay on Criticism, metaphysical poetry is full of
exaggerated conceits, or hyperbolas that Pope thinks True ease in writing comes from art,
not chance, as those move easiest who have learned to dance. 'Tis not enough no harshness gives
offence. The sound must seem an echo to the sense (Kantarcoglu 63). For this reason, the
writers who write well are those who practice very hard and know the rules of writing.
Finally, Pope in Essay on Criticism defines the linguistic medium in a work of art as the
universal moral experience of man, content of a work and its function with the simple
linguistic medium, and metaphysical poetry and its slobbery diction.
3- Conclusion
In summary, one of the best great critic Alexander Pope in Essay on Criticism
suggest poets and critics to follow general principals of good poetry and criticism that
for him they should pursue Aristotles objectivity and intelligence and Horaces creative
imagination and his reality at first. Then Pope suggests to critics and poets, by giving
main idea of art, to imitate human nature itself as the best Greek and Roman poets and
critics did. After all he touches on the language style of metaphysical poets that he
supports the idea of following Quintilians sound and clarity, and Longinuss formal
techniques to create sublime on a work of art. For me as a Roman Catholic Alexander
Pope in Essay on Criticism shows a worldview which synthesizes element of Roman
Catholic outlook, classical principals and deism. What if Pope was born in protestant
family in England? And what if he did not have an illness which expelled him from
society by himself? I think the conclusion of his sense of art and his thought of good
criticism or good poetry would be changed due to the conditions he had lived, but at last
Essay on Criticism is a masterpiece criticism in the history of humanity one of the best.
Kutlu 6
Works Cited
Bresler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 4th ed. New
Jersey: Prentice Hall, 2007.
Habib, Rafey A. M. Modern Literary Criticism and Theory. Malden; Blackwell, 2005.