Notes&from&Michael&

&
Binky&
written&and&arranged&by&Michael&League&
transcribed&by&Chris&McQueen&
recorded&on&groundUP,&GroundUP&Music&/&Ropeadope&Records&2012&
&
Binky&was&actually&the&first&of&the&batch&of&new&songs&set&to&be&recorded&on&
groundUP.&I&think&it&came&from&the&AfroKbeat&craze&that&had&been&dominating&my&
current&hometown&of&Brooklyn,&New&York&(the&working&title&was&Afropup).&
Everyone&that&was&cool&had&an&AfroKbeat&band.&I&was&not&cool.&I&figured&that&the&least&
I&could&do&was&write&an&AfroKbeat&song,&and&Binky&was&my&attempt&at&it.&As&is&
normally&the&case&with&compositional&intentions,&I&got&distracted&and&the&song&
drifted&out&of&the&desired&direction&into&some&strange&other&realm.&
&
We&rehearsed&it&for&the&first&time&at&Nates&tiny&apartment&in&Denton,&Texas,&during&a&
tour&in&May&of&2011.&It&was&MUCH&faster,&and&listening&back&to&it&now,&feels&a&little&
more&AfroKbeatish&that&way.&
&
One&of&the&most&interesting&things&about&the&recording&of&this&song&on&groundUP&is&
Nate,&Marcelo,&and&Keitas&very&intricate&and&wellKthoughtKout&percussion&parts.&
They&interact&with&the&bass&line&in&an&integral&way&sliding&them&over&even&by&an&
eighth&or&quarter&note&affects&the&groove&massively.&If&you&know&Nate,&you&know&
how&much&he&thinks&about&this&stuff.&
&
Similar&to&the&structure&of&the&song&Flood&on&Tell,Your,Friends,&the&hipKhopKish&
outro&to&Binky&is&a&metric&permutation&of&previously&stated&musical&material.&I&
know&that&sounds&really&nerdy,&but&I&cant&think&of&any&other&way&to&say&it.&Basically,&
the&chords&are&the&almost&the&same&as&the&previous&section&(letters&R&&&S).&The&
section&is&still&technically&in&3/4,&despite&the&fact&that&the&band&is&playing&with&a&4/4&
feel.&To&get&REALLY&nerdy,&do&this.&Take&the&dotted&quarter&note&of&the&original&feel&
(in&3/4)&and&isolate&it.&This&becomes&the&new&quarter&note&of&your&4/4&feel.&In&fact,&
everyone&can&play&the&written&parts&identically&and&if&only&the&drums/percussion&
switch&between&3/4&and&4/4&grooves,&everything&still&locks&in.&Try&it.&Its&pretty&
crazy.&
&
But&just&like&Flood,&no&one&should&know&(or&care)&that&the&outro&uses&previously&
stated&harmonic&material&in&a&metrically&relatedKbutKpermutated&manner.&They&
should&just&want&to&shake&their&butts.&So&if&you&play&everything&absolutely&correctly&
and&nobody&in&the&audience&is&moving,&the&band&is&missing&the&point.&
&
As&for&the&title,&we&used&Afropup&for&a&while&(I&couldnt&think&of&anything&that&made&
sense).&Normally,&song&titles&reveal&themselves&to&me&in&a&natural&way&that&relates&
deeply&to&the&emotion&or&imagery&that&Im&trying&to&convey&musically.&In&this&case,&I&
went&months&of&playing&it&with&no&luck.&I&got&desperate&one&night&in&Birmingham&
(Alabama,&not&UK)&and&asked&people&to&scribble&out&song&titles&on&napkins&at&the&
conclusion&of&the&tune.&There&were&some&pretty&funny&suggestions,&and&there&was&
Binky.&It&just&sounded&right.&Sometimes&you&have&to&go&with&your&gut.&
&
OffKtheKpage&stuff&to&try:&
1) Play&the&whole&thing&at&a&much&faster&tempo.&
2) Change&the&feel&of&the&first&A&section&to&anything&you&want.&The&melody&is&
very&versatile&and&sits&well&on&top&of&loads&of&different&grooves.&
3) Change&the&harmony&for&the&rampKup&(letters&R&and&S),&or&keep&it&static&
(stay&on&C#m)&and&then&revert&to&the&original&chords&after&building&
tension&for&a&while.&
4) Try&a&slow,&halfKtimish&groove&over&section&S&before&building&up&
5) Abandon&the&bass&line&on&the&sax&solo&and&just&groove&in&C#.&It&can&get&
really&open&here.&
6) On&the&groove&section&at&the&end&of&the&tune&(letter&U),&experiment&with&
pulling&each&part&in&and&out,&hipKhopKproductionKstyle.&It&works&nicely.&
7) On&that&same&section,&try&having&the&drums&play&a&more&3/4Kbased&
groove.&
C Melody
Binky Michael League

A


shakers

congas
11
B


17
C

24
D E

F
36

44

51
G

55

59

H



legato V.S.
Copyright 2012
2 C Melody

I

62

66 J




Open for solos

K

76 Play melody 1st & last x

83
L

4x
M Esus9 Fmaj9 Esus9 Dm9

90

96 N Bsus7 C6 Bsus7 Bbmaj7(#11)

4x

98 O Esus9 Fmaj9 Esus9

Dm9

P
Bsus7 C6 Bsus7 Bbmaj7(#11)

102

Q
104



legato
 C Melody 3

106

R 1st x only

108

4x - build throughout

S

melody on synth only 1st x

112

115

118

Slower

120 T rit. Swung 16ths Drums

Melody 2nd/4th x

U with

126 Repeat and fade



sass


on repeat

130




B-flat Melody
Binky

Michael League
A






shakers

congas

11 B




19

C

26 D E

40 F



46

G

51

55

59

H




legato V.S.
Copyright 2012
2 B-flat Melody

62 I

64

Open for solos
K Play melody 1st & last x


68 J

80 L

86

4x
Gmaj9 F#sus9 Em9

92 M F#sus9

96 N C#sus7 D6 C#sus7 Cmaj7(#11)

4x
Gmaj9 F#sus9 Em9

98 O F#sus9

P
C#sus7 D6 C#sus7 Cmaj7(#11)

102

104 Q



legato
 B-flat Melody 3


106

R

108

1st x only

4x - build throughout
x

melody on synth only 1st



S
112

115

118

120

T
Slower

Swung 16ths Drums

rit.

Melody 2nd/4th x

U Repeat and fade

126

with sass



on repeat

130


Guitar
Binky Michael League

A

shakers


congas

11

B C

D


27

mf

E
33

F
39

45

G
51 Esus9 Fmaj9 Esus9 Dm9

55 Esus9 Fmaj9 Esus9 Dm9

59 H Bsus7 C6 Bsus7 Bbmaj7(#11) Bsus7 C6



Copyright 2012
2 Guitar

Bbmaj7(#11)

Bsus7
I C#m9 arp chord with open E pull-offs, let ring
62

C#m

66 J





72

K
Open for solos

76 Play melody 1st & last x

82 L




86

4x

M Esus9 Fmaj9 Esus9 Dm9

92

N Bsus7 C6 Bbmaj7(#11)


96 Bsus7

4x

O Esus9 Fmaj9 Esus9 Dm9

98

P
Bsus7 C6 Bsus7 Bbmaj7(#11)

102

 Guitar 3
104 Q Bsus7 C6 Bsus7 Bbmaj7(#11) Bsus7 C6

R arp chord with open E pull-offs, let ring

107 Bsus7 Bbmaj7(#11) C#m9

109

4x - build throughout

S C#m9 melody on synth only 1st x

112

sim.

115

C#m9

119 T

arp chord with open E pull-offs, let ring

Slower
F#m11

123

Swung 16ths Drums

rit.

mp

Melody 2nd/4th x

U C#m Repeat and fade F#m C#m F#m

126

hi voicing, reverb

C#m F#m C#m F#m D

130

Bass
Binky Michael League

shakers



A




congas mp

11 B







18 C



25 D





mf
31 E







37

43 F







G Esus9
Esus9 Fmaj9

50


Fmaj9
Esus9

Dm9 Esus9 Dm9

54


Copyright 2012
2 Bass
59 H Bsus7 C6 Bsus7 Bbmaj7(#11) Bsus7 C6

62 Bsus7 Bbmaj7(#11) I


mp legato

65

68 J

Open for solos

74 K



Play melody 1st & last x


80 L

86

Esus9

4x


92 M Esus9
Fmaj9 Dm9

96 N Bsus7 C6 Bsus7 Bbmaj7(#11)

Esus9

4x


98 O Esus9
Fmaj9 Dm9


 Bass 3

102 P Bsus7 Bsus7

C6 Bbmaj7(#11)

104 Q Bsus7 C6 Bsus7 Bbmaj7(#11) Bsus7 C6

107 Bsus7 Bbmaj7(#11) R


mp legato

109




4x - build throughout

112 S melody on synth only 1st x
C#m9 E
F#m C#m9 E A A F#m


116 C#m9 E A F#m C#m9 E A F#m

alt changes last time: A E D
120 T

mp

rit. Slower

123 Swung 16ths Drums

Melody 2nd/4th x
126 U Repeat and fade

key bass - heavy
130








Piano
Binky Michael League

A

shakers

Bass Gtr

congas mp

11 B

18 C

25 D





mf
31

35 E






42 F




Copyright 2012

2 Piano
Esus9 Fmaj9 Esus9
G
49

54 Dm9 Esus9 Fmaj9 Esus9 Dm9

Bsus7 C6 Bsus7 Bbmaj7(#11) Bsus7 C6

H
59

Bsus7 Bbmaj7(#11) E A F#m

62

I

C#m9



bass

mp legato

C#m9 E A F#m C#m

65

J
C#m C#m7

68


Piano 3
C#m6
72
C#7 F#7 C#m6/E

Open for solos

K
C#m
C#m7

76 Play melody 1st & last x

C#m6
80
C#7 F#7 C#m6/E

L
84 C#m C#m7

C#m6
C#7 F#7 C#m6/E

88

M Esus9
4x

Fmaj9 Esus9

92 Dm9











V.S.

4 Piano

N
Bsus7 C6 Bsus7 Bbmaj7(#11)

96

4x Fmaj9 Esus9 Dm9

98 O Esus9

P
Bsus7 Bsus7 Q Bsus7 C6

102

C6 Bbmaj7(#11)

Bsus7 Bbmaj7(#11) Bsus7 C6 Bsus7 Bbmaj7(#11)

105

E A F#m C#m9 E
108
R C#m9

bass

mp legato
4x - build throughout

S
x
A F#m

melody on synth only 1st



111

C#m9 E A F#m


Piano 5

114

C#m9 E A F#m
C#m9 E

alt changes last time: A

117

A F#m C#m9 E A F#m

E D

T
120
rit.

C#m9 F#m11

U C#m Repeat and fade F#m11

Slower Melody 2nd/4th x

125 Swung 16ths Drums

C#m


thick synth

key bass - heavy

F#m9
129 D

C#m

F#m11

C#m

F#m9

 Binky Michael League
shakers % % % A
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& '% '% & & '% !$
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6 Open for solos
76 K Play melody 1st & last x
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C#m C#m7 C#m6 F#7 C#m6/E
$$$$ 0 % 0% 0 % 0% 0 % 0% 0 % 0% 0 % 0%
& & & & & & & & & & & & & & & &
0 % 0% C#7 0 % 0% 0 % 0% # $ $ "
# ++ ++ ++ ++ ++ ++ ++ ++ # "
Pno.
++ ++ ++ ++ ++ ++ ++ ++ ++++++ +++ +++ ++++++ +++ +++ ++ ++ ++ ++ ++ ++ ++ ++
$ + + +
++ + + + + + + + + + + + + + + + + + + + + + + - + + + + ++ + + + $ + + + + $ + + + + $ + + + +
$
*$$ $ +& %+& & %& & %&
, + %+ ( ( -+ %+ +
& / ## % $ ""
+ + + + -+ + + -+++
&
 7
M 4x N
92 Esus9 Fmaj9 Esus9 Dm9 Bsus7 C6 Bsus7 Bbmaj7(#11)

C Mel
$ ! " ! " ## $! $"
# " ##" ) ) ) ) " ) ) ) " ) ))) ) ))) "%
##"4 ) ) ) ) ) ) ) )) ) ) ) ## % "
F#sus9 Gmaj9 F#sus9 Em9 C#sus7 D6 C#sus7 Cmaj7(#11)
Bb Mel
$$$ ! #" ! " ## !$
##"4 ## $ ""
# " #" ) ) ) ) " ) ) ) " ) ))) ) ))) ) )) )
"% ) ) ) )) ) )) %
Esus9 % Fmaj9 Esus9
% % Dm9 Bsus7
% C6 Bsus7
% Bbmaj7(#11)

Gtr
$ ! #" +%
& 5 5 & + ! 1 " + & 5 5 & +
+ 5 1
1 # # 4 +
+ & 5 & +
+
% + 1
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+
% +% 1
& + 1
# " #" ++ ++ " 5 11 " ++ + -1 # # # "
## !$
+ "% + , + 1 + + -+ 1
## $ ""
%
Esus9 +
Fmaj9 / - / Esus9 Dm9 Bsus7 C6 Bsus7 Bbmaj7(#11)
/ + %
Bass 5 -+ " + & 5 5 & + 5 1# $
! % % % & 5 & % & %
+ + ) + 1
*$ ! ##" + & 5 5 & + ! ## ##"4 + & 5 & + & + 1 ## $ ""
" ", , " " , , "% %
Esus9 Fmaj9 Esus9 Dm9 Bsus7 C6 Bsus7 Bbmaj7(#11)
5 " %& 5 5 & % 5 %& 5 & %& %
$ ! #" %
# #" + & 5 5 & +% "! 1 " + + 1 #
## !$ ##"4 % & 5 & % & %
+ + + 1 + + + 1
## $ ""
Pno. 11
++ ++ ++ ++ - 11 ## / ++ ++ ++ 11 ++ ++ - ++ 11
/ % %& 5 & %& % "
*$ ##" % & 5 5 & % ! 5 / +/ -+ " %& 5 5 & % 5
" + ## ##"4 +% & 5 & +% & + 1 +
" "+ + " -+ + + 1 + %
" + ) + 1 ## % "
98 O 4x Fmaj9 Esus9 C6 Bsus7 Bbmaj7(#11)
Esus9 Dm9 P Bsus7
C Mel
$ ! " ! " $
! 4 $
&
# " ##" ) ) ) ) " ) ) ) " ) ) ) ) ) ) ) ) ## "% ##" ) ) ) ) ) ) ) ) ) ) ) ) ## %
F#sus9 Gmaj9 F#sus9 Em9 C#sus7 D6 C#sus7 Cmaj7(#11)
Bb Mel
$$$ ! #" ! " ## $! ##"4 #$
# " #" ) ) ) ) " ) ) ) " ) ) ) ) ) ) ) ) "% ) ) ) ) ) ) ) ) ) ) ) ) #%
Esus9 % Fmaj9 Esus9
% % Dm9 Bsus7 C6 Bsus7 Bbmaj7(#11)

Gtr
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# " #" ++ & 5 5 & ++ " 5 11 " + + -11 ##
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, , %
Esus9 Fmaj9
/+ - /+ Esus9 Dm9 Bsus7 C6 Bsus7 Bbmaj7(#11)
/
Bass
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, ,
Pno.
1 + +
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8
104 Q
$ +
C Mel
++ + + 6# ++ + +2 + ++2 + $$$$
# 3 & ++ ++ + ++ 1 + + + + + + 1+ + + ++ + ++ ++ ++ + + ++))0++ & 0+ + + +
+ + +-+
, , , ,+ ,
legato
$$ ++
Bb Mel
++ + + 6 # ++ + ++ ++ ++ + +2 + ++2 + ++--0++ 0+ + + +
# $ 3 & ++ + + ++ 1 + + + + + + 1+ + + + ++ + + & + + +-+ ))))))
, , , , ,
Bsus7 legato C6 Bsus7 Bbmaj7(#11) Bsus7 C6 Bsus7 Bbmaj7(#11)
$
Gtr
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Bsus7 C6 Bsus7 Bbmaj7(#11) Bsus7 C6 Bsus7 Bbmaj7(#11)

Bass
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$
Pno.
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108 R
$
C Mel ( (
$$ $ ! # 61st# x only
# " # 6# 6
6 ## ## $
%

Bb Mel ) ( (
) ) ) ! # 61st# x only
6
6 ## ## $
# ) ) " # 6# %

Gtr
$$$$ ! #C#m9 arp chord with open E pull-offs, let ring
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## $
%
++++++++++++ +++++++ ++++++++++++ +++++++
Bass
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legato
" mp %
E A F#m C#m9 E A F#m
$$$$ ! #C#m9
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Pno. bass
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"
mp legato
& ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ## %
 4x - build throughout 9
112 S melody on synth only 1st
2 x 7 7 +2
$ 2 + +, +2 +, 2
C Mel
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+ + ++ +2 & + 5 & % 5 & % / & %& 5 & +5 +
# "#
5 & 5 &,
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& +,
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Bb Mel
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+ 1
Gtr
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sim.
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Bass
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)) )) )) )) )) )) )) ) ) )) )) )) ) )
alt changes last time: A
" ) ) ) ) ) )
2 +2 72
+,+ 7 2 2 +2
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5 & + 5 & + + & + 5 & +,+ + + + + / & %& 5 & +5 & ++
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117 T
%
C Mel
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&
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Bb Mel ) ) ) ) & + 5 & , $
( (
# ) ) , & +, 5 & + 5 & + +,7 + # + + +,+ + + 1 ##
,
, %
arp chord with open E pull-offs, let ring
Gtr
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Bass
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D mp
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7E2 ,7
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Pno. A F#m C#m9 E A F#m C#m9
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)) )) )) )) )) )) )) ) *#
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10 Melody 2nd/4th x
Slower U Repeat and fade
122 rit. 8 Swung 16ths Drums''' with sass
C Mel
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# " # 5 + ++++
+
Drums
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8 sass
%
Bb Mel
)) ( ( ( " 5 5 ''' ! # on repeat with + + +++
# ) ) )) " +
on repeat
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''
F#m11 Drums C#m
hi voicing, reverb
F#m
8
Gtr
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-----
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6 ## " "
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mp
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Bass
" 5 5 ''' ! key bass - heavy %
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"
Drums
6# '' +++
++ F#m11
$$$$ 8 6 thick synth 6
( ( ( " 5 5 ''' ! # C#m
# " #6 6 66
key bass - heavy
''
Pno. F#m11
$
*$$ $ # # 8# " ( # 5 %
* * * " ' &' '' 5
128
"#'''''

C Mel
$ $$ % % % $
3 3
&
# $ 3 + ++ + + & 5 3 + +++
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%
Bb Mel
)) 3 + +++ %& 33
# ) ) )) 3 + + + + +% & 5 3
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C#m F#m C#m F#m C#m F#m D

Gtr
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Bass 5 3 5 5
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+++ +++ +++ +++ 5 ++ 5
+ +++ + 1
++ ++ ++ -+ %
$ C#m
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1 C#m
6 F#m11
6 C#m
6 F#m9
1
# $ 6 6 3 11 6
6 66 6
6 5 11 -D++ ## $
+
Pno.
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