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TABLATURE EXPLANATION

TABLATURE: A slx·I:lne slatt that graphi:caliy represents tile guaar fingerboard, with tile top Hne Indi'cating the highest sounding string {high E). By pl8ici1ng a number on the appropriate line, the :string and fwel 01 any note can be indica1ed.

The number 0 represents an open string.

~~~8~;~~~1; _~ign: rl' ---------,,------1!::.-. ---r-----~~ .. Ic---~---.~

3rd .lring- G 1------------t--------+-----+-------1

4lhiatrlng- D I----------I--------+----~------~

51h .Ir!;ng- A 1----------lJI----------I--------+----~'-----..j

'61h airing- LowlE ~-------"""""-------- ......... ----ii__-------'-

5th aulng. ard 11&1

1 sl ,Irllillj. 151h frill, 2rnhtrln;g, 15ih Irel, played IQg&therr

an e>pen E chord

PERFORMANCE NOTES

Stem Direction and Rlght-IHand fingering:

In music of two or more pans, notes with downwarc stems are played by the thumb: notes w~th upward stems are played by the firn9'ers;. a note with a double stem {up and down) is played by the thumb. The letters p, i, m and.8 are used to specify which rigJhthand fingers are to play the indicated notes (p= thumb; i= index; m= middle; a= ring).

Barre:

The letter C and accompanying Roman numeral indicate which tr,et ~5 to be barred by the left-hand index finqer, A dotted line indicates how long the barreis to be held.

String Numbers and left-hand Fingering:

Numbsrsinsids circles indicate: on which string a note is to be played, and uncircled numbers Indicate whic:h lett-hand fiingers to use (1:: index; 2 :: middle; 3 :: ring,; 4= little).

(D

J

7 Study 6 (GluUani)

8 Study 7 (Carcassi)

11 Study a (GOIrcassi)

12 Study 9 (Giuliani)

13 Study 10 (Giulliani)

] 4 Study 11 (Aguado)

IS Stuldy 12 (GiuliGni)

17 Joyful; Joyfull W,e Adore Thee (Beelhoven)

18 Rondo (Carcassi)

20 Alillegretto (CaruIIJi)

23 Waltz (Carcassi)

25 Maestoso (Giuliani)

26 Scorborouqh Fa~r (Anonymous)

28 Vivace (Giuliani)

30 Estudio (Carulli)

33 Grozioso (G~ulliani)

34 Alleqro (Giu'liani)

36 Etude (Carcassi)

40 Loqrlrno (Iorreqo)

41 Moderato (Giuliani)

44 Study lin A (Carcassi)

46 Bouree (J .S. Bach)

4 8 ~ablatur;e Explanation

CONTENTS

CHERRY LANE MUSIC: THE PRINiT COMP'I\'IIIV

Study 1 (Aguodo) Study 2 (Corcassi) Study 3 (Carcassi) Study 4 (Carcossi) Study 5, (Corcassi)

EXECUTIVE: Michael LeflellS, President; Kaihleen A, Maloney, Director of Customer SelVice; Len Ha~dle'r, Creative SelVlces, Manager; Roc~ SiambBrg, .Advertising and Prornouon Manager; Karan DeCrenza, EXe1::utive Secretary: Karen Carey. Division Secretary, MUSIC: lMarl\ 'F'hOilips, Director 0'1 Music; Jon Chappell. Associate Direcior of M",sk:; Steve GorenbeUl!. Music 'Edfror;

I(,ervy O'Srien. Music EdlWf~ GordiOn H,,'lb~rg. Director, Mus[c Engraving.

ART: Ker5lln A. Falrbenc, All D'm.dol; Rosemary Cappa, Art Aselstant,

PRODlilCTION,: Daniel Rosenbaum, PlOdUClMon Manager: James Piacef1tilllo, P'rod'l.lclion Coordinator.

STUDY 1

Arr. Ben Bolt

Dionisio Aguado

Allegro

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STUDY 2

An. Ben Bolt

Matteo Carcassi

Prelude

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STUDY 3

ArT. Ben Bolt

Matteo Carcassi

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Matteo Carcassi

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STUDY 5

AIr. Ben Bolt

Matteo Carcassi

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I r;. STUDY 6

Arr. Ben Bolt

Mauro Giuliani

Allegro

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Matteo Carcassi

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"1- . . STUDY 8

AJ'r. Ben Bolt

Matteo Carcassi

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STUDY 9

Arr. Ben Bolt

Mauro Giuliani

A d

(CIl) ell

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"'" .. ~ 'J -e STUDY 10

Arr. Ben Bolt

Mauro Giuliani

a

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13

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oJ STUDY 11

An. Ben Bolt

Dionisio Aguado

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International Copyright Secured All Rights Reserved

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" STUDY 12

Arr. Ben Bolt

Mauro Giuliani

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International Copyright Secured All R.ights Reserved

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" Q OJ JOYFUL, JOYFUL WE AD'ORE THEE

Arr. Ben Bolt

Ludwig van Beethoven

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International Copyright Secured All Rights Reserved

17

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Arr. Ben Bolt

Matteo Carcassi

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MODERATO

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BEN BOLT (1987)
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Andres Se,govia

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BEN BOLT

Ben Bolt was ployingl lead guitar in rock bands O'f age 12 and was per'forming pro~essionalilly Olt o'ge 116 !In Miami night clubs.

After 'graduating nom Musica en compostelo. Bolt studleo with Abel cortevoro in Paris. cortevoro invited him to attend ~lne 1974 International Guitar Seminary in Brazil under fulll scholorshtp,

lin 1975 Bolt competed with students from 113 countries and WOIl the coveted Merit Prize as Outstanding S~lJdleflt at the Hrst InmemationallMasters Class in Mon1evideo, Uruguay.

Bolt also studied under the direction of Guido scraorsolc. file dis1illguishe,d ltallon composer, at the intemational music conservotorv in iMOn1evidleo<.After gradluating wii~11 the, hlighest honors, Bolt wem on concert tours throuqhout Centrol and South Amsnco.

At his concert dlebut in UmguOIY, critics proclaimed him to be "0 true rnnestro." A Panama reviewer stoted' ... he has a roppon with the composer t'hOlf spells the difference between mere tecnnlccl abiliily and vlrtuosltv.'

BaH is enendorsee of lakamine quitors, Truce {ICOUStiC amps, and D; Addorio strings. He records for Rosemary Records, His books and tapes me distributed] woridwide through major music publishers.

Bolt resides In Knoxville, Tennessee, where he teaches all styles of guitar, He is also Professor of GUitar at Corson-Newman Colleqe in Jefferson City, Tennessee.

IS~N 0-89524-682-1

5'1495>

Cherry Lane Music Company. Inc.

q~M]I ~n prU1tM l.i}tt!llC"

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