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to be read on the screen rather than on a printed page TO MAKE A FINAL POINT
TO A TARGET AUDIENCE about the issue youve been researching.
What happens when text moves from page to screen? First, the digital text becomes unfixed and
interactive. The reader can change it, become writer. The center of Western culture since the
Renaissancereally since the great Alexandrian editors of Homerthe fixed, authoritative,
canonical text, simply explodes into the ether.
~ Richard Lanham, The Electronic Word
What new possibilities does writing for the screen open up? Clearly, one thing you can
do as a digital writer is to combine modes of expression, mix your prose with images,
hyperlinks, videos, and audio files. You can also experiment with structure.
This raises the question of what it means to compose a digital essay. For the purposes of this
assignment, heres what Id like to emphasize:
A digital essay is multimodal. While work as a digital writer should be rooted in writing -
- to write an essay that draws on the resources of the web -- you will also make
strategic use of images and video as well as various elements of graphic design
(headings, borders, layout, spacing, font size and color).
A digital essay is a coherent whole. The elements of a digital essay (images, links,
colors, vidoes, sections, sources, text, graphs) need to purposefully and noticeably
crafted/designed to work together as parts of a cohesive structure.
A digital essay is intertextual. Digital writing lets you see something about writing and
research that can often be overlooked through print texts writing is a conversation,
and texts within that conversation are linked.
When you quote or reference another text you demonstrate how your ideas are
based off of other preexisting opinions; this a a form of intertext.
You can link readers out to other texts; you can draw links between your text
and others through tangible, direct ways.
You can create a more visual example of how the texts you are using are part
of a conversation, how they are related, linked, and interdependent.
Digital composition allows the reader to add another layer(s) or dimension(s) to his
work. It asks you to make new and complicated decisions as writers and designers. In
the digital space, not only do writers make decisions on the textual level, but they also
must carefully consider:
Videos: You have a similar affordance here as images, except consider events or situations
that it might be helpful for readers to watch firsthand instead of read your version of the
events.
Infographics: Graphs and charts either found or created can make excellent visual
evidence and can also provide a visual aid help readers connect the dots.
Hyperlinks: Hyperlinks can be highly gestural for readers. Essentially, you can guide
readers out to places they can read more about certain issues, terms, people, and events you
are bringing up. Readers can be linked to your sources, to helpful information, and to other
interesting reading. Hyperlinks can be used to guide readers to where you want them to go
next for more reading and continued exploration.
You might only want to bring readers attention to something, to clear up a misconception, to convince
readers to take a certain action, etc. You also do not have to use this essay to discuss everything you
know, think, or have read about the issue.
YOUR ESSAY MUST BE COHESIVE AND EFFECTIVE, AND YOU MUST USE YOUR OWN
RHETORICAL KNOWLEDGE TO MAKE CHOICES YOUR PURPOSE, YOUR AUDIENCE,
YOUR GENRE, AND THEN THE CONTENT AND ORGANIZATION ITSELF BASED ON
YOUR SITUATION.
1. LENGTH-- Im not giving you a solid length requirement, but rather an average. A strong
digital essay should be 2000-2500 words.
2. SECTIONS-- You must have a minimum of 5 clearly distinguished sections (including the
intro and conclusion) that are arranged in a purposeful order the focus on different
aspects of your argument (background, history, refuting a point, making individual
points.).
Your intro, body, and conclusion should engage readers with the issue and leave them
with something to do or think about. Intros and conclusions are hard.
Intro- Dont just dive in with bland info; start with something to hook them right off
the bat.
Conclusions- Dont just reiterate what the readers has already read at the end.
Leave them with a final question, scenario, point, suggestion something thought-
provoking that would plant a seed or stick with them.)
3. DESIGN-- It should be designed with multiple layers (images, colors, layouts, videos,
hyperlinks) that considers multiple modes, rhetorical appeals, intertextually, and digital
tools. The layers of your work should ultimately come together like a puzzle, with all the
pieces and strategies working together and creating a coherent, whole message.
2. RHETORICAL KNOWLEDGE Think about the individual writing situation. You are in
charge of your own purpose, your own target audience, and -in many ways- your own
genre use. You have to consider what you want to happen, who you want to target, and
how you will communicate it.
4. COMPOSING PROCESSES We will be brainstorming and drafting and revising and all of
the same super fun stuff that we always do. Continue to engage in the process and
figure out what kind of process methods work for you. Pay attention to how you go about
the act of writing and pulling your ideas together and what kinds of things you do well and
also struggle with or need to work on.
5. CRITICAL REFLECTION You must review your own work and research in order to
examine what youve been thinking and learning and to determine what your purpose
should be, who your audience should be, and what further evidence you might need.
HELP WITH BRAINSTORMING AND DECISION-MAKING
Here are a few tips to help you outline/draft how to present your information--
1. Start with a hook. Get the audience engaged right off the bat. Dont just dive into the
issue.
2. Know what background knowledge your audience will need about the problem.
Readers often need a section of the essay early on that gives them background
knowledge or convinces them that the problem exists.
3. Know what your message or your "take-away point" is (your thesis). Word this as
clear as you can on your draft to help keep you focused. This can come up at the
beginning or be left for the end, but it should be clear.
4. Know what kind of claim (your message) you are making. This can tell you a lot about
how to organize the information.
5. Know what reasons (list them out) you will need to give your audience in order to
get them to accept your message. Use these reasons to order your essay and create
sections.
6. Make space to deal with varied ideas or information. This can be done in a section of
the essay or dispersed throughout. If your audience
7. Plan for actual sections (for background information, for each reason, to address other
perspectives, for possible solutions, etc.) not just paragraphs.
For well-known issues, its often good to address other views right off the bat.
For issues where you are raising awareness, other views can be handled later in the
essay.
8. Plan for multiple sources to be used within each section.
9. Think about what NEW information, images, videos, examples, etc. you might need
to add to your essay. You might need to find a new piece of evidence to develop a
particular section. Remember each point you bring up or section you have should utilize
several sources.
10. Think about creative ways to end the essay-- story, question, quote, call-to-action,
point.