Escolar Documentos
Profissional Documentos
Cultura Documentos
The Sed festival (Heb Sed), named after the jackal god "Sed", was the most important
celebration of kingship
in ancient Egypt. Its origin rooted in the pre-dynastic times (before 3150 BC) and lasted until the
Ptolemaic
Period, celebrating the continued rule of the pharaoh. The festival started during the month of
Choiak, the
fourth month of the inundation season. Some kings have built a whole new festival temple
dedicated to this
Frontal view Heb Sed Court at King Djoser's Step Pyramid complex at Saqqara
The festival aimed to renew the reigning king's power that had become depleted over time,
endangering the
continued existence of the state. This was a replacement of the more ancient ritual of killing the
king who
became unable to continue his reign effectively because of ageing. The rituals represented a
symbolic burial of
the old king and a repeat coronation to continue to reign as a new king. The ceremonies also
represented a
The first festival was traditionally celebrated in the king's 30th regnal year, since 30 years was a
round number
signifying a generation. The festival was then repeated every three years thereafter. Amonhotep
III (18th
Dynasty) who reigned for 37 years - celebrated three Sed festivals, while Ramses II (19th
Dynasty) - who
reigned for 67 years - celebrated 13 or 14 festivals, as he often left 2 instead of 3 years between
his Heb Seds.
Pharaohs who did not reign that long had to be content with promises of "millions of jubilees" in
the afterlife.
However, several kings celebrated their first Sed at a much earlier date. Hatshepsut (18th
Dynasty) held her
first jubilee during her 16th regnal year, as she counted her 4 years of co-regency with
Thuthmose II (her
husband and the preceding king) and the 7 years co-regency with his son Thuthmose III. She thus
marked the
30 years count since the death of her father, Thutmose I, from whom she derived all of her
legitimacy to rule
Egypt. The festival was commemorated at Karnak, where blocks from the reconstructed Red
Chapel show her
as king, and running with the Apis bull between the markers.
Amenhotep IV (Akhenaton) dedicated his festival to the solar-god Aton on his 3rd regnal year.
Since a Sed-
festival was a royal jubilee intended to reinforce the pharaoh's divine powers and religious
leadership, this gave
him advantage against the powerful priests of Amon-Ra. His early celebration coincided with the
festival that
his father, Amenhotep III would have celebrated in his 40th year as king. There is a possibility
that Akhenaton
The ceremony implied certain temple rituals and offerings in cycles of scenes that are best
preserved in the Sun
Temple of King Niusera (5th Dynasty) in Abu-Ghurab (6 miles southwest of cairo, near Abu-Seer).
On the first
day, the king presented offerings to the gods; then was seated and crowned on a raised platform
provided with
two thrones that represented Upper and Lower Egypt. Images of provincial deities in a series of
shrines were
shown beside the double throne, specifically the cobra-goddess Wadjet of the Delta town of
Buto, and the
vulture goddess Nekhbet of el-Kab; symbols of Upper and Lower Egypt. The priests carried the
statues of the
gods and presented offerings, in a sign of giving thanks for past loyalty or to secure good
relationships in the
future.
the platform on the west side of the complex where the king was seated
The king was then attired a short kilt with a bull's tail in its back, which probably gave the festival
a less formal
name: "The Feast of the Tail". In the open space between the two rows of shrines, the king ran a
ritual race
alongside the Apis Bull four times as the ruler of Lower Egypt wearing the Red Crown, and four
times as that of
Upper Egypt wearing the White Crown. The course was bounded by two points symbolizing the
borders of Egypt
to reinforce his dominion over the whole kingdom, and at the same time he dedicates it to the
gods. In doing
so, he proved that he was still physically able to rule the country, and was thus rejuvenated and
reborn. Finally,
he was carried in a procession to visit the chapels of the gods. He was carried first as king of
Lower Egypt by
the "Great Ones of Upper and Lower Egypt" to the chapel of Horus, where he receives the crook
and the flail.
Next, as king of Upper Egypt, he was carried to the two chapels of Horus of Edfu and Seth of
Ombos, where he
was handed a bow and arrow, with which he shoots an arrow in each one of the four directions.
"Raising The Djed Pillar" was an important part of the Heb Sed ceremony that started during the
beginning of
the 12th Dynasty (or perhaps as early as the 6th) to represent Osiris's triumph over Set. The
pillar stood on a
shrine, and with the help of the priests, the king would raise a wooden djed column using ropes.
Offerings were
presented before the pillar and below the ropes, and re-enactments of the myth of Osiris and
Isis were
performed. Later, a poem describing Isis and Nephthys' search for Osiris was added to the
ceremony.
This ritual symbolized the myth of Osiris and Isis. The myth tells the story of Set killing his
brother Osiris,
placed him in a coffin which he threw in the Nile. Hapi, the Nile god carried the coffin to the sea,
where
eventually it was cast ashore of Byblos in Syria. The waves cast it into a tree on the shore, which
became a
resting place for the hidden body of Osiris. The Phenecian king, intrigued by the tree's quick
growth and
unaware of its content, ordered it cut down and installed as a pillar in his palace. Isis, her sister
Nephthis and
the jackal Anubis went ranging allover in search of the coffin. After a long quest Isis reached
Byblos and went
to serve into the kings palace. In return for her caring of their young prince, the king gave her
the pillar as a
gift. Isis extracted the coffin out, and consecrated the pillar which became known as the Pillar of
Djed.
Amenhotep III altered the ritual to take place on the great artificial lake he built at Malkata,
where he and
statues of various deities sailed along in barges in order to symbolically recreate the voyage of
the sun god
through the underworld. Probably this was a reviving of a more ancient tradition, as a limestone
relief shows
Senusert I (12th Dynasty) celebrating his Sed festival while holding an oar, with an inscription
that reads,
"hastening by boat to Min, the god in the midst of the city".
The festival is believed to have originated from the very beginning of Egypt's recorded history
during the Pre-
dynastic era. The oldest example of this Sed festival is believed to be that found on the
decoration of the ritual
mace head of King Narmer (1st Dynasty), though it is possible that it does not represent the Heb
Sed. A small
ebony label found attached to a jar from the tomb of King Den (1st Dynasty) at Abydos depicted
the king
running around the ritual course and carrying the Heb Sed insignia. To the left of the figure is a
platform raised
on few steps on which a double shrine stood. The king is once again depicted in the shrine sitting
on a throne
From the 4th Dynasty onwards, there are much evidence that the festival was celebrated over
periods of time.
One of the more remarkable signs of the Heb Sed can be found at the Djoser (3rd Dynasty) Step
Pyramid
complex at Saqqara, where remnants of the Heb Sed court were found, as well as an inscription
on a false
doorway inside the pyramid. Also at Saqqara, reliefs were found at the tomb of Pepi I (6th
Dynasty) that
showed the king performing the ritual run. At the Bent Pyramid at Dahshour, Snefru (4th
Dynasty) is seen on a
stele wearing the Heb Sed robe. Karnak also show some traces of a small Heb Sed temple of
Amonhetep II
Akhenaton's celebration is found in the colonnaded court of the Temple of Aton at Karnak. Aton
is seen taking
part in a Sed festival of its own, contrary to the tradition of gods giving Sed festivals to the king
and never
taking part in the ritual themselves. It remained to be celebrated by the later Libyan-era kings
(22nd Dynasty)
such as Shoshenq III, Shoshenq V, Osorkon I, and Osorkon II. The later built a massive temple for
the goddess
Bastet at Bubastis, with a red granite gateway decorated with scenes of this jubilee that showed
him seated in
his Heb Sed kiosk and wearing the typical robe for the ceremony. Carved reliefs from the Greek
Period at Kom
Ombo also show Ptolemy VIII receiving Heb Sed symbols from the god Horus.
Pictures 1, 2 & 3 are from the Heb Sed Court at King Djoser's Step Pyramid complex at Saqqara.