Comp ete METHOD SNARE DRUM VOLUME 1 [aN eNOractice exercises 5 and 8 with special ratique os exercicios 5 ¢ 8 destacando ‘emphasis on the accents. bastante os acentos. OT, (TD), ID1.4 COMBINATIONS atrernateD AND REPEATED STROKES) PARTI he following exercises are very important for the development of technique and stick control. When laying repeated notes, play both ‘strokes with a wrist movement and do not let the sticks bounce after the first stroke. To make the wrist muscles stronger, try to practice these exercises on surfaces that do not allow the sticks to bounce. Be patient and allow several weeks for the wrist ‘muscles to develop, making possible the speed of the tempos in these exercises. COMBINAGOES ‘ALTERNANCIA E REPETICAO DE TOQUES) s exercicios que se seguem so muito importantes para o desenvolvimento do controle das baquetas. Quando repetidos faca os dois toques somente com 0 movimento do pulso (nao aproveltando ainda o reboque da baqueta). Para fortalecer os miisculos que irdo executar 0 duplo movimento de pulso, treine os exercicios também ‘em superficies onde a baqueta nao possa repicar. Algumas semanas de treino disrio serdo necessérias para que os mésculos do pulso. se desenvolvam e apresentem uma mudanga sensivel no andamento deste exercicios. @ 404A Ay AOA) PARTELhe next exercise is called " Rhythmic préximo exercicio 6 chamado de Progression” and itis very important for "Progresso" e seu dominio é internal rhythmic development. Always fundamental para o desenvolvimento keep the metronome at Eighth musical do. percussionista. Mantenha Note=120. o metrénomo sempre em Colcheia=120.LAMS, APOJATURA SIMPLES ormu coor Corea ne.MULTIPLE BOUNCE STROKE TOQUE MULTIPLO 1.13. he “multiple bounce stroke" is an fiers ke, fo eae ee ae eae ea Byron ‘ stroke" (triple, adept. ie oe Te HEAP ounce sro Sars th oe “ite ste, bee 2k bounce several times after the first stroke. To begin, boxes see gle te et tke, Tebea after the main stroke, thus playing a triple stroke. Re rake NS 2 eo. Hes goer ame atk ute Sees nee sa Try to mak te sani of every soe qua a1 saan ai a segs SRL ae epi OY ree eek patie ee are ror aoe ule unc os re notte th a tiple soon feta oe As in chapter I.8 /“double strokes", adapt the 2 neers ais skeet SOE SBE als, Bn oe, oque _miltilo" € @ continuacso do Toque simples" e Serd a pratics aa execucso do. "ru sinfgnico” Fede’ foates, 2 part do, oaue lupo" (toque triple, foque quadrupl} , Serdo denominados de" "TOQU MULTIPLO”, Proceda como para o "toque duplo", sé que agora deixe a baqueta repicar 2 vezes apés 6 ataque (foque triple). Apds faga 0 mesmo procedimento como toque quadruple. Procure igualar_o méximo _possivel a IL-1.PROGRESSIVE EXERCISES EXERCICIOS PROGRESSIVOS Allegretto R Re R oR hor R OR eet et ore rane Allegro P sempre j Vivo © Sheer or oro teeAPOJATURA TRIPLA Bo ooPROGRESSIVE EXERCISES EXERCICIOS PROGRESSIVOS Vivo —— Me eepmeee Spe PREETI a ae rete Boe peepaar DUETO N°6, t+ ~ t+ t+ " * pot pt pe[DYOaEE:S DUETO N°B Vivo d 4 “e at sy ~~ ‘t sy a ~ d (Coca |F Cy ere at ay ay PURE CR RR ET ¢ fF iF F at at m 14 = 1 cea | a3ETS DUETO N°16 AllegrettoDUETO N°20