SUZUKI Pianos

SP-37
Portable Keyboard

OWNERS MANUAL

SUZUKI
1
2
 WELCOME!
We would like to express our appreciation and congratulate you for purchasing this Suzuki
portable keyboard. This keyboard has been designed to provide you with years of musical
enjoyment. State of the art electronics and elegant functionality are a trademark of all Suzuki
Keyboards. Some of the features your new piano is equipped with include:

128 digitally sampled voices,

four part orchestration,
quick select buttons for voice and style,
built in metronome with range from 40 to 240 bpm,
auto accompaniment with 100 styles,
one touch function,
MIDI input and output sockets,
a numeric LCD display screen.

You will find many more features and functions listed within this owners manual. This keyboard
also has the latest MIDI features that allow you to interface with a personal computer or other
MIDI equipment for endless musical possibilities.

In order to fully appreciate all the unique features of this keyboard, please take a few minutes
to read the following pages of instruction and precaution. We will cover general precautions,
the function of each control button, and warranty information. Thank you and congratulations
again, for choosing this keyboard package from the Suzuki keyboard product line of portable
keyboards, home digital pianos, and the elegant digital grand ensembles.

SUZUKI
3
 GENERAL PRECAUTIONS

CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
!
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER OR BACK
NO USER-SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK OR INJURY:

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the
presence of not insulated or dangerous voltage within the products enclosure that may be of sufficient
magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important
operation and maintenance or servicing instructions in the manual accompanying the product.

!
1. CAUTION: Any changes or modifications in construction of this device which are not expressly approved
by the party responsible for compliance could void the users authority to operate the equipment.

2. NOTE: This equipment has been tested and found to comply with the limit for a Class A digital device,
pursuant to part 15 of the FCC rules. These limits are designed to provide reasonable protection against
harmful interference when the equipment is operated in a noncommercial environment. This equipment
generates, uses, and can radiate radio frequency energy and if not installed and used in accordance with the
instruction manual, may cause harmful interference to radio communications. Operation of this equipment in
a residential area is likely to cause harmful interference in which case the user will be required to correct the
interference at his own expense.

4
TAKING CARE OF YOUR DIGITAL PIANO
This Suzuki keyboard will supply you with years of musical enjoyment if you follow the simple
rules listed below.
LOCATION
Do not expose the instrument to the follow-
ing conditions to avoid deformation, discol-
oration, or more serious damage.
Direct sunlight (near a window)
High temperatures (near a heat source,
outside, or in a car during the daytime)
Excessive humidity
Excessive dust
Strong vibration
A C POWER CORD
Turn the power switch off when the instru-
ment is not in use.
Unplug the AC power cord during an
electrical storm.
Avoid plugging the AC adaptor into the
same AC outlet as appliances with high
power consumption, such as electric
heaters or ovens.
TURN POWER OFF WHEN MAKING
CONNECTIONS
To avoid damage to the instrument and
other devices to which it is connected,
turn the power switches of all related
devices off prior to connection or discon-
nection of MIDI cables.
HANDLING AND TRANSPORT
Never apply excessive force to the con-
trols, connectors or other parts of the
instrument.
Always unplug cables by gripping the plug
firmly, not by pulling on the cable.
Disconnect all cables before moving the
instrument.
Physical shocks caused by dropping,
bumping, or placing heavy objects on the
instrument can result in scratches and/or
more serious damage.
CLEANING
Clean the cabinet and panel with a dry
soft cloth. A wax based polish may be
used on the cabinet, although you will find
that rubbing with a soft cloth will usually
suffice. Do not use paint thinner or
petrochemical based polishes.
Avoid placing vinyl objects on top of the
instrument, vinyl can stick to and discolor
the surface.
To maintain the luster of the keys and
buttons wipe with a clean, lightly damp-
ened cloth, and then polish with a soft dry
cloth.
ELECTRICAL INTERFERENCE
This instrument contains digital circuitry
and may cause interference if placed too
close to radio or television receivers. If
interference occurs, move the instrument
further away from the affected equipment.
Do not switch the unit on and off in quick
succession, this places an undue load on
the electronic components.
SERVICE AND MODIFICATION
Opening and tampering with a digital
piano can lead to irreparable damage.
Please call the local music dealer or
factory before attempting to service or
modify this instrument.
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 TABLE OF CONTENTS

EASY SET UP AND QUICK PLAY ...................................... 7

PANEL CONTROLS ........................................................... 8
ORCHESTRATION ............................................................ 17
KEYBOARD VOICES ......................................................... 20
Voice Selection ................................................................ 20
RHYTHM SECTION ........................................................... 22
Rhythm Style Selection.................................................... 22
Adjusting the Tempo ........................................................ 23
Starting and Stopping the Rhythm Style .......................... 24
Fill-In ................................................................................ 25
Variation ........................................................................... 25
AUTO ACCOMPANIMENT (AUTO BASE CHORD) ........... 26
Single............................................................................... 27
Fingered .......................................................................... 28
Manual Bass Chord ......................................................... 29
Accompaniment Volume .................................................. 29
Starting and Stopping the Auto Accompaniment ............. 30
Fill-In ................................................................................ 31
Variation ........................................................................... 31
SELECT CONTROLS ........................................................ 32
Metronome ...................................................................... 32
Keyboard Percussion (Drum Kit) ..................................... 33
One Touch ....................................................................... 33
Tempo .............................................................................. 34
Transpose ........................................................................ 35
Touch (Velocity Curve) ..................................................... 35
Tune ................................................................................. 36
Demo ............................................................................... 36
MIDI .................................................................................... 37
MIDI IMPLEMENTATION CHART ...................................... 39
VOICE LIST ....................................................................... 40
STYLE LIST ....................................................................... 41
DRUM KIT LIST ................................................................. 42
CONNECTOR PANEL / PEDAL ........................................ 44
SPECIFICATIONS ............................................................. 45
WARRANTY ....................................................................... 46

6
EASY SET UP AND QUICK PLAY
POWER SUPPLY - This piano can be powered by an AC power adapter or by batteries.
Please note, to prevent possible damage due to battery leakage, remove the batteries from
the instrument if it is not to be used for an extended period of time. Battery leakage is not
covered under the Suzuki warranty.
USING THE AC POWER ADAPTOR - Plug the output cable of the sup-
plied power adaptor into the DC 12V IN jack on the back of the unit.
DC 12V
Then plug the input of the power adaptor into a convenient AC
power outlet. The internal batteries will be automatically discon-
nected when the AC power adapter is used.
Please note, make sure that you only use the recommended power
adapter, if you are unsure of which adapter to use, please check
with your Suzuki dealer.

USING BATTERIES - For battery operation this piano requires eight 1.5V
(R14), C cell batteries. When the batteries need to be replaced
the volume may be reduced, the sound may distort, or other prob-
lems may occur. If this happens, turn the power off and replace the
batteries.
1. Please note, when batteries are used, the sound of the piano may
OPEN W
distort at high volume levels. This is because the power of the
amplifier is reduced as the batteries drop in voltage.

2. TO REPLACE THE BATTERIES

OPEN W 1. Open the battery compartment cover located on the instruments
bottom panel.
2. Insert eight new batteries, be careful of the polarity.
Please note, when the batteries run down, replace them with a
3. complete set of eight new batteries. Never mix old and new
OPEN W
batteries and do not use different kinds of batteries at the same
time.
3. Replace the compartment cover, making sure that it locks firmly
in place.

THE MUSIC STAND - Insert the bottom edge of the music stand into the
slots located at the rear of the control panel.
MASTER
VOLUME

MAX
TURN THE PIANO ON AND ADJUST THE VOLUME - Slide the POWER
POWER
switch to the on position, and adjust the MASTER VOLUME.

ON
OFF

MIN
BEGIN TO PLAY!

7
 PANEL CONTROLS

ACCOMP VOL + POP 1 DANCE TECH. POP

EURO POP E. DANCE TRANCE

ROCK SOUL LOUNGE

MASTER ACOMP
VOLUME CHORD
8 BEAT 16 BEAT R&B 1

MAX REGGAE RHUMBA

POWER
POP 2 JAZZ
FINGERED

SINGLE COUNTRY BOOGIE

A/B
ON OFF
OFF POLKA R&B 2

MIN

METRO PERCUSS ONE TOUCH SYNCH START/STOP

1 2 3 START

The control panel is simple and elegant. The following is a brief description of all the fea-
tures located on the control panel.

1. POWER SWITCH - Slide the power switch up to the ON setting, to turn the piano on.
Slide the power switch down to the OFF setting to turn the piano off.

2. MASTER VOLUME - Use this sliding control button to adjust the overall volume of
the keyboard. Slide the button up to increase the volume and down to decrease the
volume.

3. ACCOMP (ACCOMPANIMENT) CHORD - Most of the rhythm styles have an addi-

tional auto accompaniment, often called the auto bass chord. These accompani-
ments are dedicated to the selected rhythm style, and will create fully orchestrated
rhythm, bass and chord accompaniments, based on the chord that you play with
your left hand.
The ACCOMP sliding control button selects the auto accompaniment mode. With
this function engaged, the keys to the left side of the split point are the auto accom-
paniment section of the keyboard, while the keys to the right are available for normal
playing. The auto accompaniment fingering modes are single, fingered, or off. Slide
the ACCOMP button until it is adjacent to the fingering mode you want. Please see
the Auto Accompaniment section of this manual for more information.

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PANEL CONTROLS

4 6
ACCOMP VOL + POP 1 DANCE TECH. POP

EURO POP E. DANCE TRANCE

ROCK SOUL LOUNGE

MASTER ACOMP
VOLUME CHORD
8 BEAT 16 BEAT R&B 1

MAX REGGAE RHUMBA

POWER
POP 2 JAZZ
FINGERED

SINGLE COUNTRY BOOGIE

A/B
ON OFF
OFF 5 POLKA R&B 2

MIN

METRO PERCUSS ONE TOUCH SYNCH START/STOP

START

4. ACCOMP (ACCOMPANIMENT) VOLUME - Use these buttons to adjust the volume

of the auto accompaniment only, the keyboard voice will not be affected. If the
metronome is engaged, use these buttons to adjust the metronome sound.
Press one of the ACCOMP VOLUME buttons, the current accompaniment volume
will appear on the display. You can use the ACCOMP VOLUME +, ACCOMP VOL-
UME buttons, or the /+ buttons from the numeric pad, to change the accompani-
ment volume value range from 00, no volume to 24, maximum volume. Press the
ACCOMP VOLUME +, ACCOMP VOLUME buttons or the /+ buttons simulta-
neously to recall the default accompaniment volume setting of 21. After three sec-
onds the display will recover to the selected voice number.

5. STYLE A / B BUTTON - The ten quick select style buttons are each assigned to a kit
A and a kit B. The style listed above the button belong to kit A, and the style listed
below the button belong to kit B. Press the A/B button to alternate between the two
kits. The indicator light will be lit when kit B is active.

6. QUICK SELECT STYLE BUTTONS - There are twenty rhythm styles that can be
selected quickly by pressing one of the Ten Quick Select Style Buttons. These styles
are assigned to kit A and kit B. Each kit consists of ten styles. The style name in the
kit A is printed above the style select button and the style name in kit B is beneath
the button. Press the A/B button to select the style kit, then press the quick select
style button that corresponds to the style you want in the kit you have selected. The
style number will be shown on the display for three seconds. Please see the Rhythm
section of this manual for more information.

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 PANEL CONTROLS

POP 1 DANCE TECH. POP

EURO POP E. DANCE TRANCE

ROCK SOUL LOUNGE VOICE/STYLE

8 BEAT 16 BEAT R&B 1

REGGAE RHUMBA
VOICE DIRECT

POP 2 JAZZ

COUNTRY BOOGIE
A/B

POLKA R&B 2

SYNCH START/STOP INTRO/ENDING FILL IN VARI

METRO PERCUSS ONE TOUCH START

7 8

7. METRO (METRONOME) - The built in metronome is a timing device that ticks at a

constant tempo, to be used as a timing reference to aid with practice or performance.
Press the START/STOP button to start the accompaniment, the beat indicators within
the display will flash in sequence to the tempo of the selected rhythm style. When you
press the METRO button, the metronome will be engaged, the metronome sound will
replace the percussive rhythm sound. Any change to the tempo will also affect the
metronome. Press the METRO button to stop the metronome sound and disengage
the metronome. Press the START/STOP button to stop the accompaniment, and the
metronome will also disengage. Please see the Select Controls section of this manual
for more information.

8. PERCUSSION (DRUM KIT) - Press the PERCUSSION button to engage the key-
board percussion mode. When the keyboard percussion mode is engaged, the keys
will play the percussion voices from the selected drum kit. The keys will not be avail-
able for normal play. There are five drum kits from which to choose, please see the
listing at the back of the manual. The drum kit is assigned by pressing the /+ buttons
from the numeric pad, or a number from 1-5 can be input directly. Please see the
Select Controls section of this manual for more information.

10
PANEL CONTROLS

POP 1 DANCE TECH. POP

10
EURO POP E. DANCE TRANCE

ROCK SOUL LOUNGE VOICE/STYLE

8 BEAT 16 BEAT R&B 1

REGGAE RHUMBA
VOICE DIRECT

POP 2 JAZZ

COUNTRY BOOGIE
A/B

POLKA R&B 2

SYNCH START/STOP INTRO/ENDING FILL IN VARI

METRO PERCUSS ONE TOUCH START

9. ONE TOUCH - The one touch feature will automatically select the optimum keyboard
settings for your selected rhythm style. Selection of the four orchestration parts, and
their voice will automatically be engaged or altered when selected. Press the ONE
TOUCH button to engage the one touch mode, the indicator light will go on, and the
settings will be changed based on the selected rhythm style. With the one touch
feature engaged any change in the rhythm style will automatically select ideal key-
board settings for that style. Press the ONE TOUCH button again, so the indicator
goes off, to disengage. Please see the Select Controls section of this manual for
more information.

10. DISPLAY - This Suzuki piano is equipped with a numeric LCD display. It will display
any of the features or functions of the piano that you are currently adjusting, the
voice number, accompaniment type or other parameter changes, in real time. After
three seconds the display will return to the default display, the piano voice number.
The lit orchestration edit indicator shows which part voice is currently displayed.
BEAT INDICATOR - There is also a three dot beat indicator within the display that
will flash in time to the tempo and beat of the selected rhythm style when it is en-
gaged. All the dots flash simultaneously on the first beat of each measure, then the
dots flash individually in sequence on the remaining beats.

11
 PANEL CONTROLS

G.PIANO

11 E. PIANO
VOICE/STYLE
L1 R1 HARPSI

12 N.GUITAR
VOICE DIRECT
A.SAX

L2 R2 7
ORCHESTRATION
S.SAX

CHOIR

SYNCH START/STOP INTRO/ENDING FILL IN VARIATION

START VOICE OOHS
A/B

11. VOICE / STYLE - There are 128 GM (General MIDI) voices, and 100 rhythm styles
available for selection on this piano. You can use the /+ buttons from the numeric
pad to change a voice or style number, or enter a voice or style number directly.
Press the VOICE/STYLE button to alternate between voice and style selection.
When the indicator is lit, the voice number will be shown on the display, and the
voice will be available for selection, this is the default setting.
Press button so that the indicator is not lit, the style number will be shown on the
display, and the style will be available for selection, after three seconds the button
will revert to voice selection. There is a complete list of all 128 voices and 100
rhythm styles listed in the back of this manual and on the piano cabinet. Please see
the Keyboard Voices section or the Rhythm section of this manual for more informa-
tion.
Please note, the VOICE DIRECT button must not be engaged for the numeric pad
to be used for number input with the VOICE/STYLE button.

12. VOICE DIRECT - When the VOICE DIRECT button is engaged, the numeric pad
buttons can be used as voice quick select buttons. There are twenty four voices that
can be selected quickly by pressing one of the twelve quick select voice buttons,
when voice direct is engaged. These voices are assigned to kit A and kit B. Each kit
consists of twelve voices. The voice name in the kit A is printed above the voice
select button and the voice name in kit B is beneath the button. Press the voice A/B
button to select the voice kit, then press the button that corresponds to the voice you
want in the kit you have selected. The voice number will be shown on the display.
Please see the Keyboard Voices section of this manual for more information.

12
PANEL CONTROLS

G.PIANO
13
1

E. PIANO
VOICE/STYLE
L1 R1 HARPSI

N.GUITAR
VOICE DIRECT
A.SAX

L2 R2 7
ORCHESTRATION
S.SAX

CHOIR

SYNCH START/STOP INTRO/ENDING FILL IN VARIATION

START VOICE OOHS
A/B
14 15

13. ORCHESTRATION (L1, L2, R1, R2) - The ORCHESTRATION group lets you
select and play from one to four parts at the same time using a variety of orches-
trations. One of the pianos 128 voices can be assigned to each part, L1, L2,
R1,and R2.
Use the L1, L2, R1,and R2 buttons to turn their respective voices on and off. A lit
indicator shows that voice part is on. Use the EDIT button to select the orches-
tration part voice that you want to change. Please see the Orchestration section
of this manual for more information.

14. SYNC (SYNCHRONIZED) START - Synchronized Start mode makes the auto
accompaniment standby. Press the SYNC START button and the indicator will
light up. The tempo lights in the display will flash to the beat of the selected
rhythm style. The rhythm style will start as soon as you play in the auto accom-
paniment section of the keyboard. The auto accompaniment will start with the
first recognized chord played in the auto accompaniment section of the keyboard,
depending on which fingering mode is selected. Press the SYNC START button
again to stop the auto accompaniment and put the keyboard back on standby.

15. START / STOP - This button starts the selected rhythm style immediately with the
percussive rhythm. The auto accompaniment will start with the first recognized
chord played in the auto accompaniment section of the keyboard, depending on
the fingering mode selected. Press the START/STOP button again to stop the
accompaniment.

13
 PANEL CONTROLS

G.PIANO

E. PIANO
VOICE/STYLE
L1 R1 HARPSI

N.GUITAR
VOICE DIRECT
A.SAX

L2 R2 7
ORCHESTRATION
S.SAX

CHOIR

SYNCH START/STOP INTRO/ENDING FILL IN VARIATION

START VOICE OOHS
A/B
16 17 18
19

16. INTRO (INTRODUCTION) / ENDING - All of the 100 rhythm styles can be started
with an appropriate introduction. As soon as you press this button, the rhythm of the
introduction will start followed by the main pattern.
Every style has an ending pattern. The accompaniment can be ended with this
pattern from the next measure by pressing the INTRO/ENDING button while the
accompaniment is playing. You can insert a fill-in during the ending to stop the
ending and return to the main pattern.

17. FILL IN - The fill-in provides the accompaniment with a short rhythm pattern of one
or two measures for each style. Press the FILL IN button at any time while the
accompaniment is playing to add a fill-in. If you hold down the FILL IN button, the
fill-in pattern will repeat until the button is released, then the main pattern will play
from the beginning of the next measure. If variation is selected the engaged rhythm
style will proceed to the variation rhythm pattern.

18. VARIATION - All of the 100 rhythm styles include a variation of that style that can be
played simply by engaging the VARIATION button. If you press the VARIATION
button, then the INTO/ENDING button or the FILL IN button, the variation of the
introduction, the fill-in or the ending will play. Press the VARIATION button again to
disengage and return to the main pattern.

19. VOICE A / B BUTTON - The twelve buttons of the numeric pad can by used as quick
select voice buttons when the VOICE DIRECT button is engaged. The twenty four
voices are each assigned to a kit A and a kit B. The voices listed above the buttons
belong to kit A, and the voices listed below the buttons belong to kit B. Press the A/
B button to alternate between the two kits. The indicator light will be lit when kit B is
active.
14
PANEL CONTROLS
20 21
G.PIANO H.PIANO ORGAN
TEMPO +
1 2 3

E. PIANO VIBES P.ORGAN

VOICE/STYLE
L1 R1 HARPSI STRINGS A.BASS 22
4 5 6

N.GUITAR SYN.STRINGS SLAP BASS

OICE DIRECT
A.SAX TRUMPET CLARINET TRANSPOSE TOUCH

L2 R2 7 8 9
ORCHESTRATION
S.SAX BRASS FLUTE

CHOIR STL.DRUMS SYNTH

TUNE DEMO
0 +

VARIATION
VOICE OOHS POLY SYNTH CRYSTAL
A/B

20. QUICK SELECT VOICE - When the VOICE DIRECT button is engaged, there are
twenty four voices that can be selected quickly by using one of the twelve buttons of
the numeric pad as quick select voice buttons. The voice number for the selected
orchestration part will be shown on the display. Please see the Keyboard Voices
section of this manual for more information.
NUMERIC PAD - When the VOICE DIRECT button is not engaged use the /+
buttons to change, or the numeric pad to input numbers directly, while changing
voice, style or other settings.

21. TEMPO - Press one of the TEMPO buttons, the current tempo value will appear on
the display. You can use the TEMPO +, TEMPO buttons, or the /+ buttons to
change the tempo value range from 40 to 240 bpm (beats per minute). Press the
TEMPO +, TEMPO buttons or the /+ buttons simultaneously to recall the default
tempo setting for the selected rhythm style. After three seconds the display will
recover to the selected voice number.
There is a three-dot beat indicator within the display. It indicates the tempo and beat
for the accompaniment that is playing.
Please see the Select Controls section of this manual for more information.

22. TRANSPOSE - The transpose feature can shift the pitch of the keyboard up or down
in semitone intervals up to a maximum of 12 semitones, one octave. Transposing
the pitch of the keyboard makes it easier to play in difficult key signatures.
Please see the Select Controls section of this manual for more information.

15
 PANEL CONTROLS

G.PIANO H.PIANO ORGAN

TEMPO +
1 2 3

E. PIANO VIBES P.ORGAN

VOICE/STYLE
L1 R1 HARPSI STRINGS A.BASS 23
4 5 6

N.GUITAR SYN.STRINGS SLAP BASS

OICE DIRECT
A.SAX TRUMPET CLARINET TRANSPOSE TOUCH

L2 R2 7 8 9
ORCHESTRATION
S.SAX BRASS FLUTE

CHOIR STL.DRUMS SYNTH

TUNE DEMO
0 +
24 25
VARIATION
VOICE OOHS POLY SYNTH CRYSTAL
A/B

23. TOUCH - This piano offers four types of keyboard touch sensitivity settings, soft,
normal, hard, and off. These are also known as velocity or dynamic curves and are
designed to suit your style of playing. The TOUCH button is engaged and the nor-
mal setting is selected automatically when the piano is turned on.
Curve 1 (Hard) is a less sensitive keyboard response which requires a heavier touch to
obtain maximum sound levels.
Curve 2 (Normal) is an intermediate response suitable for most styles of music. Normal
is the default setting.
Curve 3 (Soft) is the most sensitive keyboard response which permits maximum sound
levels with a light touch.
Off does not offer any touch sensitivity. Each key plays at full volume no matter how hard
the piano key is hit. It is commonly used on Harpsichord and Organ voices.
Please see the Select Controls section of this manual for more information.

24. TUNE - The pitch of this piano is very accurate and stable, it is automatically set to
standard A440 pitch when the piano is turned on. The tuning feature makes it pos-
sible to tune the pitch of the instrument in fine intervals. If necessary, you can match
the piano to another instrument or singer. Tuning can be accomplished over 16 to
+16 semitone steps, or cents.
Please see the Select Controls section of this manual for more information.

25. DEMO - This piano has two different demonstration songs that are designed to
showcase the pianos ability. Use the DEMO button to turn the songs on and off.
Please see the Select Controls section of this manual for more information.

16
 ORCHESTRATION
One of the most valuable features on the piano is the orchestration feature that lets you play
and edit up to four voices at once.
The ORCHESTRATION button group allows the user to assign up to four keyboard voices
using a variety of orchestration settings. One of the pianos 128 voices can be assigned to
each part. There are two buttons for each side of the keyboard, two buttons for the left, L1
and L2, and two buttons for the right, R1 and R2. The four available parts are turned on and
off by the L1, L2, R1, and R2 buttons. The indicators on the outside of each of these buttons
tell you which parts are on and which are off, and thereby indicate the current orchestration
mode.
Use the EDIT button to select the indicators on the inside of the L1, L2, R1, and R2 buttons.
They show which voice part is currently on the display, and so, selected for change if desired.
EDIT
ORCHESTRATION INDICATOR
PART BUTTON

L1 R1 L1 R1

L2 R2 L2 R2
ORCHESTRATION ORCHESTRATION

ORCHESTRATION
PART INDICATOR EDIT
BUTTON

THE EDIT FUNCTION - The indicators inside the L1, L2, R1, and R2
buttons are for the edit button. Repeatedly pressing the EDIT
button makes the inside edit indicators light up in a clockwise
sequence. When an edit indicator is lit, that orchestration part is
available for voice selection, the current voice number will show
on the display. When you press a voice orchestration part button,
L1, L2, R1, or R2, the edit indicator for that part will also light and
you can select a different voice for that part. The orchestration
EDIT
BUTTON
EDIT button is used to select the voice part, L1, L2, R1, or R2,
that you want to change, the part does not have to be turned on.

L1 R1
1. Press the EDIT button until the edit indicator for the part you want
to change lights up. If you press one of the part orchestration
buttons L1, L2, R1, or R2, the edit indicator for that part will also
light and the part will be available for edit.

L2 R2 2. Use the voice quick select buttons, the /+ buttons, or the numeric
ORCHESTRATION
pad to enter a voice number directly. There is a complete list of all
the available voices listed in the back of this manual and on the
piano cabinet. Please see the Keyboard Voices section for more
information on selecting a voice.

17
 ORCHESTRATION
ORCHESTRATION MODES - There are a number of variations on the below orchestra-
tions. The L1, L2, R1, and R2 orchestration buttons are used to set up the exact
type of orchestration you want.
Single is one voice over the entire keyboard.
Dual is two voices simultaneously over the entire keyboard.
Split is different voices for the left and right portions of the keyboard.
Split & Dual is two voices simultaneously on the left portion of the keyboard and two
voices simultaneously on the right portion of the keyboard.
Please note, the ACCOMP CHORD sliding button must be in the OFF position
when engaging the single mode or the auto accompaniment manual base chord will
play on the left side of the keyboard. If the rhythm style or the auto accompaniment
is engaged it it will override the L1 or the L2 orchestration parts.

SINGLE VOICE MODE - In the single mode, either the R1 or the R2 part voice can be
played over the entire keyboard. The R1 and R2 single voice modes are selected
simply by pressing either the R1 or the R2 button. If the L1 or the L2 indicator is lit,
press that button so that the indicator turns off.
Please note, make sure that the ACCOMP CHORD control is in the off position or
the accompaniment manual bass chord will play on the left side of the keyboard.
L1 R1
R1

L2 R2
ORCHESTRATION The voice assigned to R1 is played across the
entire keyboard.

L1 R1

L2 R2
R2
ORCHESTRATION The voice assigned to R2 is played across the
entire keyboard.

DUAL VOICE MODE - Dual, or layer, refers to an additional voice that is tone mixed with
the selected keyboard voice. In the dual mode, both the R1 and the R2 part voices
are selected, so they can be played together across the entire keyboard. To select
the dual mode make sure that both the L1 and L2 indicators are out, then press both
the R1 and the R2 buttons simultaneously, or hold one down while pressing the
other. You can switch back to the single voice mode by simply pressing the R1 or the
R2 button again, to turn that part off.
Please note, make sure that the ACCOMP CHORD control is in the off position or
the accompaniment manual bass chord will play on the left side of the keyboard.

L1 R1
R1

L2 R2
ORCHESTRATION R2
The voices assigned to R1 & R2 are played together across
the entire keyboard.

18
ORCHESTRATION
SPLIT VOICE MODE - In the split ,or lower mode, the keyboard is divided into two sec-
tions, at the split point, the G2 key. In the right hand section one voice will sound
and in the left hand section a different voice can be assigned. Selecting a split mode
is simply a matter of pressing the buttons corresponding to the desired left and right
voiced parts you wish to play. The piano allows four different split modes.
Please note, the L1 and L2 orchestration parts will not be available when the rhythm
sytle or the auto accompaniment is engaged.
L1 R1
L1 R1 L1 R1 R1

L2 R2
The voice assigned to L1 is played to L2 R2 L2
ORCHESTRATION
the left of the split point, the voice ORCHESTRATION
The voice assigned to L2 is played to
assigned to R1 is played to the right the left of the split point, the voice
of the split point. assigned to R1 is played to the right of
the split point.
L1 R1
L1 L1 R1

L2 R2 R2 L2 R2 L2 R2
ORCHESTRATION ORCHESTRATION
The voice assigned to L1 is played to The voice assigned to L2 is played to
the left of the split point, the voice the left of the split point, the voice
assigned to R2 is played to the right of assigned to R2 is played to the right
the split point. of the split point.

SPLIT AND DUAL MODES - There are five possible combinations of the split and dual
modes. Remember, select the dual voice mode by pressing the R1 & R2 (or the L1
& L2) buttons at the same time, or press one while holding the other.
Please note, the L1 and L2 orchestration parts will not be available when the rhythm
style or the auto accompaniment is engaged.
L1 R1
L1 R1 L1 R1 R1

L2 R2 R2 L2 R2 L2 R2
ORCHESTRATION The voice assigned to L1 is played to ORCHESTRATION
The voice assigned to L2 is played to
the left of the split point, the voices the left of the split point, the voices
assigned to R1 & R2 are played assigned to R1 & R2 are played
together to the right of the split point. together to the right of the split point.

R1
L1 R1 L1 R1
L1
L1

L2 R2
L2 L2 R2
L2 R2
ORCHESTRATION The voices assigned to L1 & L2 are ORCHESTRATION
The voices assigned to L1 & L2 are
played together to the left of the split played together to the left of the split
point, the voice assigned to R1 is point, the voice assigned to R2 is
played to the right of the split point. played to the right of the split point.

L1 R1 L1 R1
The voices assigned to L1 & L2 are played together
to the left of the split point, the voices assigned to R1
L2 R2
L2 R2 & R2 are played together to the right of the split point.
ORCHESTRATION

19
 KEYBOARD VOICES
VOICE SELECTION - There are 128 GM (general MIDI) voices available on this piano.
There is a complete list of all 128 voices in the back of the manual and on the piano cabinet.
G.PIANO H.PIANO ORGAN

1 2 3

E. PIANO VIBES P.ORGAN

VOICE/STYLE
L1 R1 HARPSI STRINGS A.BASS

4 5 6

N.GUITAR SYN.STRINGS SLAP BASS

VOICE DIRECT
A.SAX TRUMPET CLARINET

L2 R2 7 8 9
ORCHESTRATION
S.SAX BRASS FLUTE

CHOIR STL.DRUMS SYNTH

0 +

INTRO/ENDING FILL IN VARIATION

VOICE OOHS POLY SYNTH CRYSTAL
A/B

QUICK SELECT - There are twenty four voices that can be selected
quickly by pressing one of the twelve numeric pad buttons when
they are engaged in the quick select voice mode. These buttons
are assigned to a kit A and a kit B. The voice name in kit A is
printed above the button and the voice name in kit B is beneath
the button.

L1 R1
1. Use the orchestration part button, L1, L2, R1, or R2 or the or-
chestration edit button to select the orchestration part on which
you want to change the voice. The edit indicator for that part
L2
ORCHESTRATION
R2
should be lit.

2. Press the VOICE DIRECT button to engage the voice quick select
mode, the indicator will light up, and the numeric pad can now be
VOICE DIRECT used as quick select buttons.

3. Choose a voice kit by pressing the A/B button. The twelve quick
select voice buttons are each assigned to a kit A and kit B. The
voice name above the button belongs to kit A, and the voice name
A/B listed below the button belongs to kit B. Press the A/B button to
alternate between the two kits. The indicator light will be lit when
kit B is active.

ORGAN 4. Use the buttons of the numeric pad as voice quick select buttons.
3 Press the button that corresponds to the desired voice, in the kit
P. ORGAN
that you have selected. The voice number will be shown on the
display.

20
KEYBOARD VOICES
SELECTING ONE OF THE 128 VOICES
L1 R1
1. Use the orchestration part button, L1, L2, R1, or R2 or the or-
chestration edit button to select the orchestration part on which
you want to change the voice. The edit indicator for that part
L2
ORCHESTRATION
R2
should be lit.

2. Press the VOICE DIRECT button to disengage the voice selection

mode, so that the indicator is not lit. The numeric pad is now
available for direct number input.
VOICE DIRECT

3. The VOICE button indicator should be lit to show that the default
voice select mode is engaged, the display will show the currently
VOICE/STYLE selected voice for the orchestration part you have selected.

4. Use the /+ buttons or the numeric pad to select a voice number

from the list of 128 voices at the back of this manual or on the
piano cabinet
Please note, when using the numeric pad, you must enter three
digits to select a voice number from 001-154. For example, to
select voice No. 2 you must enter 002. The voice number will
show on the display.

KEYBOARD PERCUSSION (DRUM KIT SELECTION) - When keyboard

percussion has been engaged, by pressing the PERCUSS button,
the entire keyboard will play the percussion voices from the se-
PERCUSS
lected Drum kit and will not be available for normal play. This
piano has five different percussion drum kits, that can be played
on the keyboard. The keyboard percussion sounds are graphi-
cally depicted above the piano keys. There is a Drum Kit listing in
the back of this manual. Please see the Select Controls section
of this manual for more information.

21
 RHYTHM
RHYTHM STYLE SELECTION - This piano offers 100 professionally produced rhythm
styles and a variation of each style pattern to choose from. There is a complete list of all
100 styles in the back of the manual and listed on the keyboard cabinet.
For dynamic effect you may select from 5 different drum kits.
Please note, the L1 and L2 orchestration parts will not be available when the rhythm style
is engaged. Please see the Orchestration section of this manual for more information.

POP 1 DANCE TECH. POP

EURO POP E. DANCE TRANCE

ROCK

8 BEAT
SOUL

16 BEAT

REGGAE
LOUNGE

R&B 1

RHUMBA
98 VOICE/STYLE

VOICE DIRECT

POP 2 JAZZ

COUNTRY BOOGIE
A/B

POLKA R&B 2

QUICK SELECT - There are twenty rhythm styles that can be selected
quickly by pressing one of the ten quick select buttons. These
buttons are assigned to a kit A and a kit B. The rhythm style
name in kit A is printed above the style quick select button and
the rhythm style name in kit B is printed beneath the button.

1. Press the A/B button to select the style kit. Selection of the kits
will alternate as the A/B button is pressed repeatedly. The indica-
A/B
tor will not be lit when the style kit B is selected.

2. Press the quick select button that corresponds to the rhythm style
COUNTRY
you desire, in the kit you have selected. The style number will
POLKA show on the display. After three seconds the display will revert to
the voice number display screen.

22
RHYTHM
G.PIANO H.PIANO ORGAN

1 2 3

E. PIANO VIBES P.ORGAN

0 VOICE/STYLE

VOICE DIRECT
L1 R1 HARPSI

N.GUITAR
STRINGS

SYN.STRINGS
A.BASS

SLAP BASS

A.SAX TRUMPET CLARINET

L2 R2 7 8 9
ORCHESTRATION
S.SAX BRASS FLUTE

CHOIR STL.DRUMS SYNTH

0 +

INTRO/ENDING FILL IN VARIATION

VOICE OOHS POLY SYNTH CRYSTAL
A/B

SELECTING ONE OF THE 100 RHYTHM STYLES

1. Press the VOICE/STYLE button to engage the style selection
VOICE/STYLE
mode, the indicator will go out.

2. Use the numeric pad or the +/ buttons to select a style number

while the indicator is not lit, and the style number is on the display.
Please note, when using the number pads, you must enter two
digits to select a style number from 00-99. For example, to select
style No. 4 you must enter 04. The style name and its number
will be shown on the display. Please refer to the back of the
manual or the piano cabinet for a list of all available styles.

3. After three seconds of inactivity the display will revert to the voice
number for the currently selected orchestration part. The VOICE/
STYLE button will revert to voice selection and the indicator light
will turn back on.

ADJUSTING THE TEMPO - There is a three dot beat indicator within the
TEMPO +
display that indicates the tempo and the beat for the accompani-
ment playing. Each rhythm style has its own preset tempo. The
tempo can be adjusted before or during rhythm style play by
pressing either of the TEMPO + buttons. When you change the
style before play, the tempo will be set to that default value. If you
change style during play, the tempo will keep its current value,
press the /+ TEMPO buttons simultaneously to set the tempo to
the default value of the new style. Please see the Select Controls
section of this manual for more information.

23
 RHYTHM

VOICE/STYLE
L1 R1

VOICE DIRECT

L2 R2
ORCHESTRATION

SYNCH START/STOP INTRO/ENDING FILL IN VARIATION

START

STRAIGHT START - The START/STOP button starts the selected

rhythm style immediately with the percussive rhythm. Press the
START/STOP START/STOP button again to stop the accompaniment.

STARTING WITH AN INTRODUCTION - All of the 100 styles can be

started with a appropriate introduction. As soon as you press the
INTRO/ENDING
INTRO/ENDING button, the rhythm of the introduction will start
followed by the main pattern. Press the START/STOP button to
stop the accompaniment or the INTRO/ENDING button again to
stop with an ending pattern.
Please note, if you want the selected rhythm style to be engaged
again after the ending pattern has been completed, press the
FILL IN button while the ending pattern is engaged.

SYNCHRONIZED START - Synchronized Start mode makes the accom-

paniment standby, and the rhythm style start with play in the
accompaniment section of the keyboard.
Press the SYNC START button, the beat indicator dots in the
SYNCH
START display will blink at the current tempo, showing that the synchro-
nized start mode is ready. The rhythm style will start as soon as
you play in the auto accompaniment section of the keyboard. You
may add an introduction by pressing the INTRO/ENDING button
after pressing the SYNCH START button.
Press the START/STOP or the SYNCH START buttons to stop the
accompaniment. If the SYNCH START button is used, the syn-
chronized start mode will return to standby mode. Use the
INTRO/ENDING button to stop with an ending pattern.

24
RHYTHM

FILL - IN - The fill feature will insert a short rhythmic pattern of one to
two measures in length, depending on the rhythm style selected
and the variation. Holding down the FILL IN button will extend the
FILL IN
fill indefinitely. It is also possible to start the rhythm style with a
fill-in by pressing the FILL-IN button.

VARIATION - The main pattern of the rhythm style is played in a loop.

There is a main pattern and a variation for most styles and their
introduction, ending and fill-in patterns. To select the variation of
VARIATION
the main patterns, press the VARIATION button. If you press the
VARIATION button, then press the INTRO/ENDING button, the
variation pattern will play after the variation introduction. If you
press the VARIATION button while the accompaniment is playing,
the corresponding variation will begin playing from the top of the
next measure.

25
 AUTO ACCOMPANIMENT
AUTO ACCOMPANIMENT (AUTO BASS CHORD) - Most rhythm styles have their own
auto accompaniment, dedicated to that rhythm style. These auto accompaniments create
fully orchestrated rhythm, bass and chord progressions based on the chords that you play
with your left hand. The selected rhythm style determines the characteristics of the auto
accompaniment. The auto accompaniment section of the keyboard is assigned by the split
point, the G2 key. The keys on the left of the split point are reserved for the auto accompa-
niment. The keys to the right are available for normal playing.
Please note, the L1 and L2 orchestration parts will not be available when the auto accom-
paniment is engaged. Please see the Orchestration section of this manual for more infor-
mation.

AUTO ACCOMPANIMENT - This piano has two auto accompaniment

fingering modes, single and fingered.

1. Slide the ACCOMP CHORD control until the indicator is in the

ACOMP
CHORD
location corresponding to the fingering mode you want.

2. Press the START/STOP or the SYNCH START buttons to start the

rhythm style, or press the INTRO/ENDING button to start with an
FINGERED
introduction. Depending on the mode, you can play chords in the
SINGLE
auto accompaniment section of the keyboard as described later in
OFF
this section of the manual. The auto accompaniment will start
with the percussive rhythm as soon as a recognized chord is
played. Slide the ACCOMP button to the OFF position, and only
the percussive rhythm, without the auto accompaniment will
sound. The introduction, ending and variation are still available.

3. Press the START/STOP or the SYNCH START buttons to stop the

accompaniment, or press the INTRO/ENDING button to stop with
an ending.

26
AUTO ACCOMPANIMENT
SINGLE (INTELLIGENT) MODE - Single fingering mode makes it simple to produce four
types of orchestrated accompaniment chords using a minimum of fingers, ( one, two,
or three fingers at the most), while playing in the auto accompaniment section of the
keyboard. In this mode, keys in the auto accompaniment section of the keyboard
are used to produce major, seventh, minor, and minor-seventh chords. The auto
accompaniment will start with the percussive rhythm as soon as a recognized chord
is played. The accompaniment produced is perfectly matched to the selected rhythm
style.

Major Chord: Press any key in the auto accompaniment section

of the keyboard. The key you press determines the root note of
the major chord.

Minor Chord: Press the root key and a black key to its left (minor
3rd key) in the auto accompaniment section of the keyboard
simultaneously.

Seventh Chord: Press the root key and a white key to its left (7th
key) in the auto accompaniment section of the keyboard simulta-
neously.

Minor-Seventh Chord: Press the root key and both a white key
to its left (7th key) and a black key to its left (minor 3rd key) in the
auto accompaniment section of the keyboard simultaneously.

27
 AUTO ACCOMPANIMENT
FINGERED MODE - The fingered mode is ideal if you already know how to play chords on
the keyboard. It allows you to play the chords in the auto accompaniment section of
the keyboard that produce the selected auto accompaniment pattern.
Please note, if a chord played cannot be recognized (fingered beyond the table), the
previous chord will keep playing. An unrecognized chord cannot start a bass chord
in the straight start mode, and cannot start the auto accompaniment in the synchro-
nized start mode. The Fingering Guide table below lists all of the 31 playable
chords of this mode.

FINGERING GUIDE

Chord Mark Fingering

Major M 1-3-5
Major sixth M6 1-3-5-6
Major seventh M7 1-3-(5)-7
Major seventh sharp eleventh M7 #11 1-(2)-3-#4-(5)-7
Major add ninth M9 1-2-3-5
Major seventh add ninth M7 9 1-2-3-(5)-7
Major sixth add ninth M6 9 1-2-3-(5)-6
Augmented Aug 1-3-#5
Minor m 1-b3-5
Minor sixth m6 1-b3-5-6
Minor seventh m7 1-b3-(5)-b7
Minor seventh flatten fifth m7b5 1-b3-b5-b7
Minor add ninth m9 1-2-b3-5
Minor seventh add ninth m7 9 1-2-b3-(5)-b7
Minor seventh add eleventh m7 11 1-(2)-b3-4-5-(b7)
Minor major seventh mM7 1-b3-(5)-7
Minor major seventh add ninth mM7 9 1-2-b3-(5)-7
Diminished dim 1-b3-b5
Diminished seventh dim7 1-b3-b5-6
Seventh 7 1-3-(5)-b7
Seventh suspend fourth 7sus4 1-4-5-b7
Seventh add ninth 79 1-2-3-(5)-b7
Seventh sharp eleventh 7 #11 1-(2)-3#4-(5)-b7
Seventh thirteenth 7 13 1-3-(5)-6-b7
Seventh flatted fifth 7 b5 1-3-b5-b7
Seventh flatted ninth 7 b9 1-b2-3-(5)-b7
Seventh flatted thirteenth 7 b13 1-3-5-b6-b7
Seventh sharp ninth 7 #9 1-#2-3-(5)-b7
Major seventh augmented M7aug 1-3-#5-7
Seventh augmented 7aug 1-3-#5-b7
Suspended fourth sus4 1-4-5

Please note, the notes listed in parentheses can be omitted.

The listed chord fingerings are all in root note position, other inversions can be used with the exception of:
1. The M6 chords are only recognized in root note position. All other inversions are interpreted as m7.
2. The 6 9 chords are only recognized in root note position. All other inversions are interpreted as
minor chords.
3. The m6 chords are only recognized in root note position. All other inversions are interpreted as
m7b5.
4. With aug and dim7 chords the lowest note played is assumed to be the root.
5. With 7#11 chords the lowest note played is assumed to be the root or b7.

28
AUTO ACCOMPANIMENT
MANUAL BASS CHORD - When the single or fingered mode is
selected, you may play in the auto accompaniment section
of the keyboard without starting the auto accompaniment,
do not press the START/STOP or SYNCH START buttons.
The voice on this section of the keyboard will be a layered
bass and chord voice determined by the current style. This
SYNCH START/STOP is a split voice mode, with the right hand playing the main
START
voice.
Please note, this mode will override the single and dual
orchestration modes for parts R1 and/or R2. Make sure
that the auto accompaniment is off if you want to utilize the
single or dual voice orchestration modes. Please see the
Orchestration section of this manual for more information.

ACCOMP VOL (ACCOMPANIMENT VOLUME) - The ACCOMP

VOL buttons can be used to adjust the volume of the
ACCOMP VOL +
selected accompaniment pattern. If the metronome is
engaged the accompaniment volume will adjust the metro-
nome sound. The main volume of the orchestration parts
will not be affected by the accompaniment volume adjust-
ments.

1. Press one of the ACCOMP VOL + buttons, the current

accompaniment volume value will appear on the display
screen.

2. Use the ACCOMP VOL button to decrease the volume,

or the + ACCOMP VOL button to increase the volume, from
00 no sound to 24 maximum sound. The standard volume
value of 21 can be recalled instantly by pressing both the
and + ACCOMP VOL buttons at the same time.

3. After three seconds the display screen will revert to the

voice number for the selected orchestration part.

29
 AUTO ACCOMPANIMENT

VOICE/STYLE
L1 R1

VOICE DIRECT

L2 R2
ORCHESTRATION

SYNCH START/STOP INTRO/ENDING FILL IN VARIATION

START

STRAIGHT START - The START/STOP button starts rhythm style

immediately, the auto accompaniment will start as soon as you
START/STOP
play a recognized chord in the auto accompaniment section of
the keyboard, depending on the mode selected. Press the
START/STOP button again to stop the accompaniment.

STARTING WITH AN INTRODUCTION - All of the 100 styles can be

started with a appropriate introduction. Press the INTRO/END-
ING button, the introduction, followed by the main pattern will
INTRO/ENDING start as soon as you play a recognized chord in the auto accom-
paniment section of the keyboard. Press the START/STOP
button to stop the accompaniment or the INTRO/ENDING button
again to stop with an ending pattern.
Please note, if you want the auto accompaniment to be engaged
again after the ending pattern has been completed, press the
FILL IN button while the ending pattern is playing.

30
AUTO ACCOMPANIMENT
SYNCHRONIZED START - Synchronized Start mode makes the auto
accompaniment standby. The auto accompaniment will start as
soon as you play a recognized chord in the auto accompaniment
section of the keyboard.

1. Press the SYNC START button, the beat indicator dots in the
display window will blink at the current tempo, showing that the
synchronized start mode is ready. You may add an introduction by
SYNCH
START pressing the INTRO/ENDING button after pressing the SYNCH
START button.
2. The auto accompaniment will start with the rhythm style, as soon
as you play a recognized chord in the auto accompaniment sec-
tion of the keyboard, depending on the mode selected. If the auto
accompaniment is not engaged (the auto accompaniment indica-
tor is off), only the percussive rhythm will play.
3. Press the START/STOP or the SYNCH START buttons to stop the
accompaniment. If the SYNCH START button is used, the syn-
chronized start mode will be on standby. Use the INTRO/END-
ING button to stop with an ending pattern.

FILL-IN - The fill feature will insert a short rhythmic pattern of one to two
measures in length, depending on the rhythm style selected and
the variation. Holding down the FILL IN button will extend the fill
FILL IN
indefinitely.

VARIATION - The main pattern of the rhythm style is played in a loop.

There is a main pattern and a variation for each style and their
introduction, ending and fill-in patterns. To select the variation of
VARIATION
the main patterns, press the VARIATION button. If you press the
VARIATION button, then press the INTRO/ENDING button, the
variation pattern will play after the variation introduction. If you
press the VARIATION button while the accompaniment is playing,
the corresponding variation will begin playing form the top of the
next measure.

31
 SELECT CONTROLS
POP 1 DANCE TECH. POP

EURO POP E. DANCE TRANCE

ROCK SOUL LOUNGE

8 BEAT 16 BEAT R&B 1

REGGAE RHUMBA

POP 2 JAZZ

COUNTRY BOOGIE
A/B

POLKA R&B 2

SYNCH START/STOP INTRO/ENDING

METRO PERCUSS ONE TOUCH START

METRO (METRONOME) - The built in metronome is a timing device that

ticks at a constant tempo to be used as a timing reference, to aid
with practice or performance. The metronome will tick with the
beat of the selected rhythm style.

1. Press the START/STOP button to engage the rhythm style.

START/STOP
2. Press the METRO button, the metronome will be engaged. The
metronome sound will replace the rhythm sound immediately and
the beat indicators within the display will flash in sequence to the
METRO
tempo of the selected rhythm style. If the auto accompaniment is
playing the metronome sound will replace the percussive rhythm
sound only.
If you adjust the tempo of the rhythm style by using the TEMPO
buttons, the metronome will adjust accordingly.
Use the ACCOMP VOL button to adjust the volume of the metro-
nome sound.

3. Press the METRO button again to disengage the metronome.

Press the START/STOP button to stop the accompaniment and
the metronome will also be disengaged.

32
SELECT CONTROLS
PERCUSS (KEYBOARD PERCUSSION and DRUM KIT SELECTION) -
When keyboard percussion has been engaged, the entire key-
board will play the percussion voices from the selected Drum kit.
These voices are graphically depicted above the keys. There
are five drum kits, based on the Standard Kit, that can be as-
signed. Please see the Drum List at the back of this manual for
a complete listing.

1. Press the PERCUSS button, the display screen will show the
currently selected drum kit number with a P- prefix.
PERCUSS

2. Use the + button to increase the drum kit number or the button
to decrease the drum kit number from P-1 to P-5. The number
pad can also be used to directly enter a value ranged from 1 to 5.
Press the +, buttons simultaneously to recover the default
setting of P-1, Standard.

3. Press the PERCUSS button again to disengage the keyboard

percussion mode, the display will revert to the currently selected
voice number.

ONE TOUCH - When the one touch engaged the piano will automatically
change the four orchestration parts and their voice selections, to
a predetermined optimum setting in one quick operation. There is
a one touch setting for each rhythm style. When you change the
rhythm style, with the one touch feature engaged, the one touch
settings will immediately change to the new style. The selected
one touch settings may be edited to create a unique setting of
your own.

1. Press the ONE TOUCH button turn engage the one touch feature,
the indicator light will turn on. The ideal settings for the selected
rhythm style will be engaged.
ONE TOUCH

2. If the rhythm style is changed, the ideal settings for the new
rhythm style will change automatically, while the one touch feature
is engaged. Please see the Rhythm section for more information
about choosing a rhythm style.

3. Press the ONE TOUCH button again to disengage the one touch
feature, the indicator light will turn off.

33
 SELECT CONTROLS
G.PIANO H.PIANO ORGAN
TEMPO +
1 2 3

E. PIANO VIBES P.ORGAN

L1 R1 HARPSI STRINGS A.BASS

4 5 6

N.GUITAR SYN.STRINGS SLAP BASS

A.SAX TRUMPET CLARINET TRANSPOSE TOUCH

L2 R2 7 8 9
ORCHESTRATION
S.SAX BRASS FLUTE

CHOIR STL.DRUMS SYNTH

TUNE DEMO
0 +

VOICE OOHS POLY SYNTH CRYSTAL

A/B

TEMPO - There is a three dot beat indicator within the display that indi-
cates the tempo and the beat for the accompaniment playing.
Each rhythm style has its own preset tempo. The tempo can be
adjusted before or during rhythm style play by pressing the either
of the TEMPO + buttons. When you change the style before
you play, the tempo will be set to that default value. If you change
style during play, the tempo will keep its current value, press the
/+ TEMPO buttons simultaneously to set the tempo to the new
styles default value.

1. Press one of the TEMPO + buttons, the display screen will show
TEMPO +
the current tempo.

2. Use the + button to increase the tempo or the button to de-

crease the tempo from 40 to 240 bpm (beats per minute). The
number pad can also be used to directly enter a value ranged
from 00 to 240. Press the +, buttons simultaneously to recover
the default setting of the currently selected rhythm style.

3. After three seconds the display screen will recover to the default
voice screen.

THE BEAT INDICATORS - The three dots of the beat indicator

within the LCD screen display flash to indicate the tempo and
beat as the rhythm style plays. All dots flash simultaneously on
the first beat of each measure, then the dots flash individually in
sequence on the remaining beats.

34
SELECT CONTROLS
TRANSPOSE - The transpose feature can shift the pitch of the keyboard
up or down in semitone intervals up to a maximum of 12
semitones, one octave. Transposing the pitch of the keyboard
makes it easier to play in difficult key signatures.
Please note, transpose does not affect notes that are sounding,
or the keyboard percussion.

1. Press the TRANSPOSE button, the indicator will turn on and the
display screen will show the current transpose value.

2. Use the + button to increase the level or the button to decrease

TRANSPOSE the level from 12, one octave lower, to 12, one octave higher, or
continue pressing the TRANSPOSE button to cycle through the
values. The number pad can also be used to directly enter a
value ranged from 00 to 12. Press the +, buttons simulta-
neously to recover the default setting of 00, and disengage the
TRANSPOSE button.

3. After three seconds the display screen will recover to the default
voice screen.

TOUCH - The piano offers four types of keyboard touch sensitivity set-
tings, soft, normal, hard, and off. These are also known as veloc-
ity or dynamic curves and are designed to suit your style of play-
ing.
Curve 1 (Hard) is a less sensitive keyboard response which requires
a heavier touch to obtain maximum sound levels.
Curve 2 (Normal) is an intermediate response suitable for most styles
of music. Normal is the default setting.
Curve 3 (Soft) is the most sensitive keyboard response which permits
maximum sound levels with a light touch.
Off does not offer any touch sensitivity. Each key plays at full volume
no matter how hard the piano key is hit. It is commonly used on
Harpsichord and Organ voices.

1. The normal setting is selected automatically when the piano is

turned on. Press the TOUCH button, the indicator will turn off and
the touch feature will be disengaged.
TUNE

2. Press the TOUCH button again so that the display screen shows
the currently selected velocity curve number with a C- prefix.

3. Use the + button to increase the curve number or the button to

decrease the number. You may also use the numeric pad to enter
a value 1-3. Press the /+ buttons simultaneously to recover the
default setting of C-2, normal.
35
 SELECT CONTROLS
TUNE - The pitch of this piano is very accurate and stable, it is automati-
cally set to standard A440 pitch when the piano is turned on. The
tuning feature makes it possible to tune the pitch of the instrument
in fine intervals. If necessary, you can match the piano to another
instrument or singer. Tuning can be accomplished over 16 to
+16 semitone steps, or cents.

1. Press the TUNE button, the indicator will light up and the display
screen will show the current tuning value followed by Tune will
appear on the display screen.
TOUCH

2. Use the + button to increase the level or the button to decrease

the level from 16 to +16, or continue pressing the TUNE button
to cycle through the values. The number pad can also be used to
directly enter a value ranged from 00 to 16. Press the +, but-
tons simultaneously to recover the default setting of 00, and
disengage the tune feature.

3. After three seconds the display screen will recover to the default
voice screen.

DEMO - This piano has two different demonstration songs that are
designed to showcase the pianos ability.

1. Press the DEMO button, ALL will appear on the display initially,
DEMO
and will change to the demo song number as it plays, with a d
prefix.

2. Use the /NO, +/YES buttons to change the song. The songs will
play repeatedly.

3. Press the DEMO button again to stop the demonstration. After

exiting the demonstration the display will recover to the selected
voice number.

36
MIDI
MIDI stands for Musical Instrument Digital Interface. This is a world wide standard commu-
nication interface that enables electronic musical instruments and computers (of all brands)
to communicate with each other so that instructions and other data can pass between
them. This exchange of information makes it possible to create a system of MIDI instru-
ments and devices that offers far greater versatility and control than is available with iso-
lated instruments. Whether you interface with computers, sequencers, expanders or other
keyboards your musical horizons will be greatly enhanced. For further information on MIDI
and MIDI equipment that is available, please contact your local Suzuki music store.
MIDI OUT MIDI IN FOOT VOLUME PHONES DC 12V

LINE OUT

2 1

MIDI CONNECTION - The MIDI terminals are located on the rear panel of the piano.

1. MIDI In - This terminal receives MIDI data from an external MIDI device.

2. MIDI Out - This terminal transmits data from this instrument to other MIDI devices.
The transmitted data includes the note and touch velocity produced while playing on
the keyboard, as well as voice changes, wheel operation, and recorded playback for
the melody tracks. Demo songs and auto accompaniment are not transmitted.

MIDI CHANNELS - The MIDI system in this unit has 16 channels numbered from 1-16.
Each of the channels is responsible for a voice. When the instrument receives from
an external device, the active channel is determined by the control message. The
transmission channels on this keyboard are fixed as follows:
Channel 1: Master voice
Channel 2: Layer voice
Channel 3: Split voice
Channel 4: Bass in manual bass chord mode
Channel 7: Chord in manual bass chord mode
Channel 10: Percussion sound

For more detailed information regarding transmitted MIDI data please see the MIDI
Implementation Chart.

37
 MIDI

Output from an external MIDI devise - Connect the MIDI In terminal of

the piano and the MIDI Out terminal of an external device. Data
MIDI OUT MIDI IN
generated on another devise can sound on your piano.

Output to and external sound generator - Connect the MIDI Out

terminal of the piano and the MIDI in terminal of an external
device, keyboard, synthesizer, or sound module, and the external
devise will respond to your playing. In this way you can play two
instruments at the same time or play on your piano to the sound
of another MIDI devise.

Connect with a computer - You can transmit your performance to a

computer to utilize advanced recording, composing and editing
available from software on the computer. MIDI music stored on
the computer can be played back through your instrument.

38
MIDI IMPLEMENTATION CHART

Function Transmitted Recognized Remark

Basic Channel 1 CH 1-16 CH
Channel changed 1-16 CH 1-16 CH
Default Mode 3 3
Note Number 9-120 0-127
Velocity: Note On
Velocity: Note Off X
Pitch Bender
Control Change: 0 X Variation page
1 X X Modulation
5 X X Portamento value
7, 10 Volume, Pan
11 X Expression
64, 66, 67 Sustain, Sostenuto, Soft Pedal
65 X X Portamento yes/no
80, 81 Reverb, Chorus program
91 Reverb, Chorus send level
98, 99 X X NRPNL, NRPHH
100 ,101 X X RPNL, RPNH
121 Reset all controllers
123 All notes off
Program Change 0-127 0-127
System Exclusive X X
Sys. Common: Song Select X X
Sys. Common: Song Position X X
System: Clock X X
Real Time: Commands X X

Mode 1: OMNI ON, POLY

Mode 2: OMNI ON, MONO
Mode 3: OMNI OFF, POLY
Mode 4: OMNI OFF, MONO

39
 VOICE LIST
No. VOICE No. VOICE No. VOICE No. VOICE
PIANO BASS REED SYNTH EFFECT
001 Grand Piano 033 Acoustic Bass 065 Soprano Sax 097 Rain
002 Bright Piano 034 Finger Bass 066 Alto Sax 098 Soundtrack
003 Electric Piano 035 Pick Bass 067 Tenor Sax 099 Crystal
004 Honky-tonk Piano 036 Fretless Bass 068 Baritone Sax 100 Atmosphere
005 Rhodes (Elec.1) 037 Slap Bass 1 069 Oboe 101 Brightness
006 Chorused (El.2) 038 Slap Bass 2 070 English Sax 102 Goblins
007 Harpsichord 039 Synth Bass 1 071 Bassoon 103 Echoes
008 Clavichord 040 Synth Bass 2 072 Clarinet 104 Sci-Fi
CHROM. PERCUS STRINGS PIPE ETHNIC
009 Celesta 041 Violin 073 Piccolo 105 Sitar
010 Glockenspiel 042 Viola 074 Flute 106 Banjo
011 Music box 043 Cello 075 Recorder 107 Shamisen
012 Vibraphone 044 Contra bass 076 Pan Flute 108 Koto
013 Marimba 045 Tremolo Strings 077 Bottle Blow 109 Kalimba
014 Xylophone 046 Pizzicato Strings 078 Shakuhachi 110 Bagpipes
015 Tubular Bells 047 Orchestral Harp 079 Whistle 111 Fiddle
016 Dulcimer 048 Timpani 080 Ocarina 112 Shanai
ORGAN ENSEMBLE SYNTH LEAD PERCUSSIVE
017 Hammond (Draw) 049 String Ensemble 1 081 Square 113 Tinkle Bell
018 Percussive Organ 050 String Ensemble 2 082 Sawtooth 114 Agogo
019 Rock Organ 051 Synth String 1 083 Caliope 115 Steel Drum
020 Church Organ 052 Synth String 2 084 Chiffer 116 Woodblock
021 Reed Organ 053 Choir Aahs 085 Charang 117 Taiko Drum
022 Accordion 054 Voice Oohs 086 Solo Vox (Voice) 118 Melodic Tom
023 Harmonica 055 Synth Voice 087 Fifth 119 Synth Drum
024 Tango Accordion 056 Orchestra Hit 088 Bass + lead 120 Reverse Cymbal
GUITAR BRASS SYNTH PAD SOUND EFFECT
025 Nylon Guitar 057 Trumpet 089 New Age 121 Guitar Fret Noise
026 Steel Guitar 058 Trombone 090 Warm 122 Breath Noise
027 Jazz Guitar 059 Tuba 091 Polysynth 123 Seashore
028 Clean Guitar 060 Muted Trumpet 092 Space Voice 124 Bird Tweet
029 Muted Guitar 061 French Horn 093 Bowed 125 Telephone Ring
030 Overdrive Guitar 062 Brass Section 094 Metallic 126 Helicopter
031 Distortion Guitar 063 Synth Brass 1 095 Halo 127 Applause
032 Guitar Harmonics 064 Synth Brass 2 096 Sweep 128 Gunshot

Please note: For voices in the table, the No. is the displayed voice number. The MIDI
program number for any voice listed is one less than the display number. For ex-
ample voice 001 Acoustic Grand Piano MIDI program number is 000.

40
STYLE LIST
No. STYLE No. STYLE No. STYLE No. STYLE
DISCO 8BEAT/16BEAT SWING LATIN / AFRICA
00 Disco 1 29 8Beat 1 60 Swing 1 81 Tango 1
01 Disco 2 30 8Beat 2 61 Swing 2 82 Tango 2
02 Disco 3 31 8Beat 3 62 Shuffle 1 83 Rhumba 1
03 Disco 4 32 8Beat 4 63 Shuffle 2 84 Rhumba 2
04 Disco 5 33 16Beat 1 64 Slow Fox 85 Bossa Nova 1
05 Disco Polka 1 34 16Beat 2 65 Fox Trot 86 Bossa Nova 2
06 Disco Polka 2 35 16Beat 3 66 Dixie 1 87 Cha Cha
07 House 36 16Beat 4 67 Dixie 2 88 Samba 1
BALLAD ROCK 68 Dixie 3 89 Samba 2
08 Ballad 1 37 60s Rock COUNTRY 90 Salsa
09 Ballad 2 38 70s Rock 69 Country 1 91 Mambo
10 Ballad 3 39 70s Rock 70 Country 2 92 Cumbria
11 Guitar Ballad 40 Rock 1 71 Cntry. Rock 93 Sp Bolero
12 Pop Ballad 41 Rock 2 72 Cntry. Waltz 94 Caribbean
13 US Ballad 42 Rock 3 73 Cntry. Dance MARCH/POLKA
14 Jazz Ballad 1 43 Rock 4 74 Bluegrass 95 March 1
15 Jazz Ballad 2 44 Rock 5 WALTZ 96 March 2
16 Slow Ballad 45 Rock 6 75 Waltz 1 97 March 3
DANCE 46 Rock 7 76 Waltz 2 98 Polka 1
17 Dance 1 47 Rock & Roll 1 77 Waltz 3 99 Polka 2
18 Dance 2 48 Rock & Roll 2 78 Waltz 4
19 Dance 3 49 Rock & Roll 3 79 Waltz 5
20 Dance 4 JAZZ 80 Waltz 6
21 Techno 1 50 Big Band 1
22 Techno 2 51 Big Band 2
POP 52 Big Band 3
23 Pop 1 53 Blues 1
24 Pop 2 54 Blues 2
25 Pop 3 55 R&B1
26 Pop 4 56 R&B2
27 Pop 5 57 Jazz 1
28 Pop 6 58 Jazz 2
59 BeBop

41
 DRUM KIT LIST
DRUM KIT LIST 1

No.-Key Standard (0) Room (8) Power (16) Electronic (24) TR-808 (25)
P-1: Standard P-2: Room P-3: Power P-4: Electronic P-5: TR-808
27-D#1 High Q High Q High Q High Q High Q
28-E1 Slap Slap Slap Slap Slap
29-F1 Scratch Push Scratch Push Scratch Push Scratch Push Scratch Push
30-F#1 Scratch Pull Scratch Pull Scratch Pull Scratch Pull Scratch Pull
31-G1 Stick Stick Stick Stick Stick
32-G#1 Square Click Square Click Square Click Square Click Square Click
33-A1 Metronome Click Metronome Click Metronome Click Metronome Click Metronome Click
34-A#1 Metronome Bell Metronome Bell Metronome Bell Metronome Bell Metronome Bell
35-B1 Kick Drum 2 Kick Drum 2 Kick Drum 2 Kick Drum 2 Kick Drum 2
36-C2 Kick Drum 1 Kick Drum 1 Power Kick Drum Elec Kick Drum Synth Kick Drum 1
37-C#2 Side Stick Side Stick Side Stick Side Stick Synth Side Stick
38-D2 Snare Drum 2 Snare Drum 2 Power Snare Drum 2 Elec Snare Drum 2 Synth Snare Drum
39-D#2 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap
40-E2 Snare Drum 1 Snare Drum 1 Power Snare Drum 1 Power Snare Drum 1 Snare Drum 1
41-F2 Low Floor Tom 2 Room Low Floor Tom 2 Low Floor Tom 2 Elec Low Floor Tom 2 Synth Low Floor Tom 2
42-F#2 Close Hi-hat Close Hi-hat Close Hi-hat Close Hi-hat Synth Close Hi-hat
43-G2 Low Floor Tom 1 Room Low Floor Tom 1 Low Floor Tom 1 Elec Low Floor Tom 1 Synth Low Floor Tom 1
44-G#2 Pedal Hi-hat Pedal Hi-hat Pedal Hi-hat Pedal Hi-hat Synth Pedal Hi-hat
45-A2 Low Tom Room Low Tom Low Tom Elec Low Tom Synth Low Tom
46-A#2 Open Hi-hat Open Hi-hat Open Hi-hat Open Hi-hat Synth Open Hi-hat
47-B2 Low-mid Tom Room Low-mid Tom Low-mid Tom Elec Low-mid Tom Synth Low-mid Tom
48-C3 Hi-mid Tom Room Hi-mid Tom Hi-mid Tom Elec Hi-mid Tom Synth Hi-mid Tom
49-C#3 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Crash Cymbal 1 Synth Crash Cymbal 1
50-D3 High Tom Room High Tom High Tom Elec High Tom Synth High Tom
51-D#3 Ride Cymbal 1 Ride Cymbal 1 Ride Cymbal 1 Ride Cymbal 1 Ride Cymbal 1
52-E3 Chinese Cymbal Chinese Cymbal Chinese Cymbal Reverse Cymbal Chinese Cymbal
53-F3 Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell
54-F#3 Tambourine Tambourine Tambourine Tambourine Tambourine
55-G3 Splash Cymbal Splash Cymbal Splash Cymbal Splash Cymbal Splash Cymbal
56-G#3 Cowbell Cowbell Cowbell Cowbell Cowbell
57-A3 Crash Cymbal 2 Crash Cymbal 2 Crash Cymbal 2 Crash Cymbal 2 Crash Cymbal 2
58-A#3 Vibra Slap Vibra Slap Vibra Slap Vibra Slap Vibra Slap
59-B3 Ride Cymbal 2 Ride Cymbal 2 Ride Cymbal 2 Ride Cymbal 2 Ride Cymbal 2
60-C4 Hi Bongo Hi Bongo Hi Bongo Hi Bongo Hi Bongo
61-C#4 Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo
62-D4 Mute Conga Mute Conga Mute Conga Mute Conga Mute Conga
63-D#4 Hi Conga Hi Conga Hi Conga Hi Conga Hi Conga
64-E4 Low Conga Low Conga Low Conga Low Conga Low Conga
65-F4 High Timbale High Timbale High Timbale High Timbale High Timbale
66-F#4 Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale
67-G4 High Agogo High Agogo High Agogo High Agogo High Agogo
68-G#4 Low Agogo Low Agogo Low Agogo Low Agogo Low Agogo
69-A4 Cabasa Cabasa Cabasa Cabasa Cabasa
70-A#4 Maracas Maracas Maracas Maracas Maracas
71-B4 Short Whistle Short Whistle Short Whistle Short Whistle Short Whistle
72-C5 Long Whistle Long Whistle Long Whistle Long Whistle Long Whistle
73-C#5 Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro
74-D5 Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro
75-D#5 Claves Claves Claves Claves Claves
76-E5 Hi Wood Block Hi Wood Block Hi Wood Block Hi Wood Block Hi Wood Block
77-F5 Low Wood Block Low Wood Block Low Wood Block Low Wood Block Low Wood Block
78-F#5 Mute Cuica Mute Cuica Mute Cuica Mute Cuica Mute Cuica
79-G5 Open Cuica Open Cuica Open Cuica Open Cuica Open Cuica
80-G#5 Mute Triangle Mute Triangle Mute Triangle Mute Triangle Mute Triangle
81-A5 Open Triangle Open Triangle Open Triangle Open Triangle Open Triangle
82-A#5 Cabasa Cabasa Cabasa Cabasa Cabasa
83-B5 Shaker Shaker Shaker Shaker Shaker
84-C6 Belltree Belltree Belltree Belltree Belltree
85-C#6 Castanets Castanets Castanets Castanets Castanets
86-D6 Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo
87-D#6 Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo

42
DRUM KIT LIST
Please note: For the drum kit list on the previous page, in the first
title row, the number in the bracket, after the kit name, is the
MIDI program number.
The Drum number that is shown on the LCD display is listed
in the second title row.

The No. refers to MIDI note number, and Key refers to the
key on the keyboard.

43
 CONNECTOR PANEL / PEDAL
These connector jacks are located on the back panel of the piano.

1 2 3 4
MIDI OUT MIDI IN FOOT VOLUME PHONES DC 12V

LINE OUT

1. MIDI OUT / MIDI IN - This piano contains MIDI in and MIDI output ports. MIDI jacks
allow communication with other products equipped with MIDI interfaces. Please see
the MIDI section of this manual for further details.

2. FOOT VOLUME (SOFT) PEDAL - If desired, plug the volume or soft pedal into this
connector. The volume pedal acts as the master volume control on the control
panel. When the volume pedal heel is down (tip up), the volume is at minimum.
When the volume pedal is down (heel up), the overall volume is maximum.

3. HEADPHONES / STEREO LINE OUT - You can play in total silence, without disturb-
ing others in the room, by plugging a set of headphones into the appropriate socket
located on the back of the keyboard. When headphones are plugged into the jacks
the main speaker system is turned off.
This audio output jack also supplies the pianos output signal to external amplifica-
tion.

4. DC 12 V - Plug the AC power cord into the DC 12V jack to utilize a power outlet
instead of the batteries.

44
SPECIFICATIONS
SPECIFICATIONS

KEYBOARD Synchro start

61-note, touch sensitive keyboard Start/Stop
Introduction/Ending
VOICES Fill-In
128 Voices Variation
Five Drum kits
Twelve quick select voice buttons with, AUXILIARY JACKS
Twenty four voices available Headphone / Line Out
Foot Volume Pedal
VOICE MODE Power In
Four part orchestration MIDI In/Out
Split voice
Dual voice PEDALS
Split and Dual Foot Volume Pedal

SET UP VOLTAGE: 12V DC or Battery

Power: On/Off
Main Volume Control: Min-Max AMPLIFIER: 12.5W x 2
Accomp Volume buttons
DIMENSIONS
NUMERIC PAD: 0-9 plus & + 1390 x 327 x 138 mm, stand exclusive, L x W x H
1390 x 480 x 760 mm, including stand, L x W x H
DISPLAY: Numeric LCD
WEIGHT: 34.7 Kg
DEMONSTRATION: 2 songs
STANDARD ACCESSORIES
SELECT CONTROL Adapter
Metronome Music stand
Keyboard Percussion Owners manual
One Touch
Tempo
Transpose
Touch (Velocity Curve): soft, normal, hard, off
Fine Tuning

AUTO BASS CHORD MODE

Single
Fingered
Off

AUTO ACCOMPANIMENT STYLE

100 Auto accompaniment styles
Ten quick select style buttons with,
Twenty styles available

ACCOMPANIMENT CONTROL

45
 WARRANTY

This product, except the exterior cosmetic parts, is warranted

by the Suzuki Corporation to the original purchaser to be free
from defects in material and workmanship under normal use
as follows:

1. For a period of 90 days from the date of purchase, the

Suzuki Corporation will pay the labor charges to repair the
defective product. After tis one year period, you must pay
all labor charges.
2. In addition, the Suzuki Corporation will supply, at no
charge, new or rebuilt replacements for defective parts for
a period of one year from the date of purchase.

In the event repairs are needed, the original purchaser will

return the product to an Authorized Suzuki Retail Center with
the proof of purchase. The dealer will then repair the product or
return it to the Suzuki distribution center in San Diego, California
for repairs. Upon completion of the repair, the unit will be returned
to the dealer freight prepaid. This warranty will not apply to this
product if it has been misused, abused, or altered. This warranty
is void if the product has been opened. Without limiting the forego-
ing, bending, dropping of unit, or visible cracks and/or scratches
are presumed to be defects resulting from misuse or abuse.

Neither this warranty nor any other warranty expressed or implied,

including implied warranties of merchantable, shall extend beyond
the warranty period. No responsibility is assumed for any inciden-
tal or consequential damages.

In the United States Contact:

Suzuki Corporation
San Diego Distribution Center
P.O. Box 261030
San Diego, CA 92196

In all other Countries Contact: Original retailer where product

was purchased for additional warranty details.

46
NOTES

47
 SUZUKI
Portable Keyboards

SP-37
OWNERS MANUAL

SUZUKI
P.O. BOX 261030
SAN DIEGO, CALIFORNIA 92196
(858) 566-9710
Visit us on the web at www.suzukimusic.com

Copyright 2003 Suzuki Musical Instrument Corporation

48