Amanut Ja PDF

-
2552

AL-SALAAM
Mr. Amanut Jantarawirote
A Thesis Submitted in Partial Fulfillment of the Requirements

for the Degree of Master of Fine and Applied Arts Program in Music Composition
Department of Music
Faculty of Fine and Applied Arts
Chulalongkorn University
Academic Year 2009
Copyright of Chulalongkorn University

..
..
......
1 . 1
1.1 .... 1
1.2 .... 2
1.3 ....... 2
1.4 ... 3
1.5 ..... 4
1.6 ..... 4
2 ... 5
2.1 ...... 5
2.2 .... 6
2.3 ... 6
2.4 .... 8
2.4.1 ...... 8
2.4.1.1 ...... 8
2.4.1.2 ....... 20
2.4.2 ..... 26
2.4.2.1 ...... 26
2.4.2.2 ...... 28
2.4.3 ..... 43
2.4.3.1 ... 43
2.4.3.2 .. 44

2.4.3.3
55
2.5 ..... 69
70
- (Al-salaam).. 71
I In the Name of God...... 71
II If They Turn Back ......... 81
III In Graveyard of Bitter Memories..... 106
IV They Desire That You Should Disbelieve...... 123
V We Prescribe to the Children of Israel... 146
VI It May Be That God Will Grant Love... 160
VII Nor Can Goodness and Evil Be Equal.. 173
183
.. 184
1
1

1.1

( )

()
-

2
1.2
1.

2.
3.

1.3
1. 7
23
2. (Woodwind ensemble)

3.

(Muhammad Habib
Shakir, 1866-1939)
3
1.4
1.
2.

3. 2
4.

2
5.

6.

7.

8.
4
1.5
1.
2.

3.
1.6

.. (2547)

2

2.1
2.2

2

(Question Across
the Field) (Michael Wright)

2.3
1. -
7 23

20
(Alexander Nevsky) (Sergei Prokofiev, 1891-1953)
(Dona nobis pacem) (Ralph Vaughan
Williams, 1872-1958)

7

3 again and ever again

4 2
dropped together dropped 2
2. 2
2

2
(Cyclic
Form)
3. Madrigalism
-
Madrigalism (Word painting)

As Vesta was from Latmos Hill descending
(Thomas Weelkes, 1576-1623)
came running down the hill
First two by two, then three by three, together, leaving
their goddess all alone. 2 3
1 all alone Madrigalism
(St. Matthew
Passion) (Johann Sebastian Bach, 1685-1750)
8
(Recitative)

4.
(Tone center) (Tonal Music)

2.4
2.4.1
2

2

(Texture)
(Tonality) (Atonality)
(Minimalism)
2.4.1.1
2

9
1 ( 2.1)
(
2.2)
5

1
2.1 1
2.2
1 1 1
( 2.3)
1
1, 4, 5 7
2.3 1 1-5 1
10
1 13 - 19 ( 2.4) 1

2.4 1 13 - 19
1 35 - 42 ( 2.5)
1 13 - 19 ( 2.4)
1
1
2.5 1 35 - 42
11
1 49 - 50 ( 2.6)

1 1
1
2.6 1 49 - 50
4 57 - 63 ( 2.7)
4
1
2.7 4 57 - 63
1
12
4 83 - 89 ( 2.8)
2.7

1

2.8 4 83 - 89
1
5 8 - 10 20 - 23 ( 2.9)
1

2.9 5 8 - 10 20 - 23
1
13
5 55 - 61 ( 2.10)

( 2.9)

2.10 5 55 - 61
1
1 29 - 30 ( 2.11)
1
1
1
2.11 1 29 - 30
14
1 32 - 34 ( 2.12)
1
1
2.12 1 32 -34
1 2
4 111 - 117 ( 2.13)

1
2.13 4 111 - 117
5 1 - 3 ( 2.14)
1
5
2.14 5 1 - 3
15
2 ( 2.15)

2
( 2.16)
2.15 2
2.16 2
2 2
2
2, 3, 4, 5

2 1 - 6 ( 2.17)
2 2 4

2
2 2 2

16
2.17 2 1 - 6
2 15 - 22 ( 2.18)
2
2
2.18 2 15 - 22
17
2 35 - 38 ( 2.19)
2
2.19 2 35 - 38
2 64 - 67 ( 2.20)
2 2
2.20 2 64 - 67
2
3 58 - 61 ( 2.21) 3
2
2 3
(pain) 4
2
2.21 3 58 - 61
2
18
4 14 - 21 ( 2.22) 4

2
2.22 2
2

2

2.22 4 14 - 21
2
19
2 11 - 16 ( 2.23) 2

2
2
2.23 2 11 - 16
2 52 - 54 ( 2.24)

2
2.24 2 52 - 54
20
2 41 - 46 ( 2.25)
2
2 2
2.25 2 41 - 46
2
2.4.1.2

(Monophony)
(Homophony) (Polyphony) (Heterophony)

21

20

1 Eb Gb
2 C
3 D
4 A C
5 F
6 Bb
7 Eb Gb
2 7 - 14 ( 2.26)
2 2
C C C
2.26 2 7 - 14
22
3 71 - 78 ( 2.27)
-
D 1 A
D
2.27 3 71 - 78
23
5 10 - 14 ( 2.28) F

1
2.28 5 10 - 14
24

3 ( 2.29)

2.29 3 27 - 32
25

2
( 2.30)
2

2.30 2 26 - 28
26
2.4.2
2.4.2.1
-
7

1. In the Name of God

1

2. If They Turn Back

2

3. In Graveyard of Bitter Memories -

4. They Desire That You Should Disbelieve

5. We Prescribe to the Children of Israel

4

27
6. It May Be That God Will Grant Love

7. Nor Can Goodness and Evil Be Equal

1

Arch form
A B C B A
Eb

2 6
2 2 6
3 5
3 5
4
A
28
1 1 Eb
2 2 C
3 2
4 2
5 1
7 1 2

2.4.2.2
1 In the Name of God
In the name of God, the compassionate, the merciful.
A - transition - A
A 1 - 24
Eb 1

29
1
2
25 - 34
Gb C
2 A
1 2

A 35 - 52
Eb 1

1

1
1
In the name of God God
1

1
30
2 If They Turn Back
If they turn back, then seize them and kill them wherever you find them,
And take not from among them a friend or a helper.
Then seize them and kill them wherever you find them;
And against these we have given you a clear authority.
2
2
2

4 89 91

1 - 14
C
2 2
2
2

2
15 - 38

2
31

2 24
seize them and kill them 1
31
34 36
2 39
39 - 85
2
2
2
2, 3 2, 3
C
8
1 1 G

C
2

1-14 2

15-38
32

39 - 85

2

clear 77 Ab G

3 In Graveyard of Bitter Memories
Lacrimosa
In graveyard of bitter memories,
Days so long, nights longer, numbing cold
In darkness of eternal dark
You shall forever rest.
Who is that carrying that mass of broken flesh?
Dripping blood from gory holes
Grazed and filthy in humiliates
Our clean white flesh and chokes us
Eyes nearly closed, staring,
Fixed, gaze mournfully,

33
Sleep then, you who are weary
And your pain will ease away
Mighty ally,
What questions must be asked?
What words uttered
Before you can see?
How much more blood do you want?
How many more corpse of the brave?
How many more pictures like this must you see?
Before you come to your sense?
(Question
across the field)
Lacrimosa (Requiem)

2

A B A
A 1 - 25
D
A

34
B 26 - 70
B

28 -32 37 - 38
2
1 1

62
1 2
A
A 71 - 90
D

1
Lacrimosa
(Wolfgang Amadeus Mozart, 1756-1791)
2
Lacrimosa

A A
( )
35
B
31 - 33 Dripping blood from gory holes
dripping
hole 37 - 38
2 58 -59 pain 3
2
B
4 They Desire That You Should Disbelieve
They desire that you should disbelieve as they have disbelieved, so that
you might be all alike;
Therefore take not from among them friends until they fly their homes in
god's way;
But if they turn back, then seize them and kill them wherever you find
them, and take not from among them a friend or a helper.
Except those who reach a people between whom and you there is an
alliance,
Or who come to you, their hearts shrinking from fighting you or fighting
their own people;
36
And if god had pleased, He would have given them power over you,
So that they should have certainly fought you;
Therefore if they withdraw from you and do not fight you and offer you
peace, then god has not given you a way against them.
4 2
4 89 - 90

A B
A 1 - 80
A
2 A

2
1
2
2

2 1 2
B
37
B 81 -138
B G C
1

1 1 1

1
5

A
2
2

B
1
1

disbelieve friend
34
38
5 We prescribe to the children of Israel
We prescribe to the children of Israel that whoever slays a soul,
Unless it be for manslaughter or for mischief in the land, it is as though

he slew all men;
And whoever keeps it alive, it is as though he kept alive all men;
And certainly our messengers came to them with clear arguments,
But even after that many of them certainly act extravagantly in the land.
We prescribed to them in it that life is for life, and eye for eye, and nose
for nose, and ear for ear, and tooth for tooth, and that there is reprisal in
wounds;
But he who foregoes it, it shall be an expiation for him;
And whoever did not judge by what god revealed, those are they that are
the unjust.
5 5 32 45

4 (
)

(AB)
39
A 1 - 46
5 F
5 32 1

2
B 47 - 81
B 5 45
A
1
5 Arch form

we

2

1 2
(Appoggiatura)

slew 55 68 wounds
( {0, 4, 8}) ( {0, 1, 6, 7})
40
6 It may be that god will grant love and friendship between you and those whom
you hold as enemies.
It may be that god will grant love and friendship between you and those
whom you hold as enemies.
And God is Powerful; and God is Forgiving, Merciful.
God forbids you not,
With regard to those who fight you not for your religion nor drive you out
of your homes,
That you should show them kindness and deal justly with them.
Surely god loves the doers of justice.
60 7 - 8

5

3
A B A B
A 1 - 40
A Bb F
Bb

41
4 9
(Ludwig van Beethoven, 1770-1827)

4 9
B 41 - 49
Eb

A 50 - 67
Ab F A

B 68 - 83
Eb

7
7 Nor can goodness and evil be equal.
Nor can goodness and evil be equal.
Repel evil with what is better:
Then will he between whom and thee was hatred become as it were thy
friend and intimate!
42
And no one will be granted such goodness except those who are
patience and self-restraint,
none but persons of the greatest good fortune.
And if whispers from the devil reach thee then seek refuge in god.
Lo! He is the Hearer, the Knower.
Peace be upon you.
1

1 1

41 34 - 36

Peace be upon you.

43
2.4.3
2.4.3.1

4 3
4 3 3 1
1 2 2
1 1
1
1.

2.

3. 3

1. 10
40
2. 3
3 3
44
3. 3

2.4.3.2
1.
1 1 - 5
( 2.31) 1

2.31 1 1 - 5

45
2 7 - 14 ( 2.32)
2
2
2.32 2 7 - 14
4 118 - 120 (
2.33)
2.33 4 118 - 120
2.

2
46
2 75 - 79 (
2.34) 2 2 1
1 G G
2.34 2 75 - 79

3 44 - 47 ( 2.35)
2.35 3 44 - 47

3 66 - 70 ( 2.36)

47
2.36 3 66 - 70
4
52 - 57 ( 2.37)

2.37 4 52 - 57
7 31 - 36 (
2.38)
2.38 7 31 - 36
48
3.
4 103 - 110 (
2.39)
2.39 4 103 - 109
6 57 - 65 (
2.40) 1

2.40 6 57 - 65
49
7 2 - 8 ( 2.41)
2.41 7 2 - 8
4.
1
13 - 19 ( 2.42)

2.42 1 13 - 19
50
1 20 - 24 ( 2.43)

2.43 1 20 - 24
1
43 - 48 ( 2.44)
2 1

1
2.44 1 43 - 48
51
2 48 - 51 ( 2.45)

2.45 2 48 - 51
2 70 - 74 ( 2.46)

2
2.46 2 70 - 74
4 32 - 37
( 2.47)
52
2.47 4 32 - 37
4
70 - 75 ( 2.48)

2.48 4 70 - 75
5 17 - 19 ( 2.49)

2.49 5 17 - 19
53
5 47 - 55 ( 2.50)

2.50 5 47 - 55
6 24 - 32 ( 2.51)

2.51 6 24 - 32
54
7
16 - 18 ( 2.52)

2.52 7 16 - 18
5.
7 1 49 - 50
( 2.53) 1 1
1
2.53 1 49 - 50 7
55
2 24 (
2.54)
1 1

2.54 2 24 - 28
2.4.3.3
56
1.
2 7 - 14 ( 2.55)
2
2.55 2 7 - 14
57
3 27 - 32 ( 2.56)

2
2.56 3 27 - 32
58
3 44 - 49 ( 2.57)
mournfully
2.57 3 44 - 49
59
4 111 - 115 ( 2.58)
2.58 4 111 - 115

1
60
5 8 - 13 ( 2.59)
1
1

2.59 5 8 - 13
61
5 23 - 28 ( 2.60)
2

2
2.60 5 23 - 28
62
6 30 - 35 ( 2.61)

2.61 6 30 - 35
63
7 16 - 22 ( 2.62)
1 1

2.62 7 16 - 22
64
2.

20

3 57 - 61 ( 2.63)
1
2
63 3 57 - 61
65
3 62 - 65 ( 2.64)
3

2.64 3 62 - 65
4 32 - 37 ( 2.65) 1 2
1
2
2.65 4 32 - 37
66
4 43 - 47 ( 2.66)

2.66 4 43 - 47
67
4 83 - 89 ( 2.67)
1
(Arpeggio)
2.67 4 83 - 89
6 49 - 55 ( 2.68)

2.68 6 49 - 55
68
7 1 - 8 ( 2.69)
1
2.69 7 1 - 8
69
- 7

70
(Instrumentation)
4 Flutes (3rd and 4th doubling piccolos)
3 Bb Clarinets (3rd doubling bass clarinet)
1 Bass Clarinet
1 Soprano Saxophone
2 Alto Saxophones
2 Tenor Saxophones
1 Baritone Saxophone
1 Double Bass
1 Timpani player (4 Timpani)
3 Percussion (Glockenspiel, Xylophone, Vibraphone, Chimes, Snare Drum, Bass Drum,

Cymbals, Suspended Cymbal, Triangle, Tambourine, Tam-tam)
Piano
Four Part Choir
23
(Duration ca. 23 minutes)

71
Full Score in C
Al-salaam
I
In the Name of God
Amanut Jantarawirote
5
Andante Maestoso
Flute 1, 2 &c 4 c

&c 5
4 c b b ww b ww

Flute 3, 4
&c 45 c b b
.
b b b .
3
Clarinet in B b 1, 2
F 3
Clarinet in B b 3 &c 45 c
Bass Clarinet
?c 45 c
Soprano Sax. &c 45 c
Alto Sax. 1, 2 &c 45 c
?c 5 c
Tenor Sax. 1, 2 4
?c 5 c
Baritone Sax. 4
Double Bass
?c 45 c
Soprano &c 45 c
Alto &c 45 c
j
V c b . j . . 45 b b . c b b
3
Tenor
p In the name of god, 3
5 b b . c b b
the com - pas - sio-nate, the mer - ci - ful.
? c b. . .
Bass
J 4 J
p In the name of god,
3 3
the com - pas - sio-nate, the mer - ci - ful.
5 ggg ggb gggb b ggggb b

&c 4 c
g b gg

Piano
p
?c 5 c
4
Timpani
?c 45 c
Percussion 1 &c 45 c
45
Glock.
Percussion 2 &c c b b
p
bw
45
Chime
&c c
p
Percussion 3
72
j j
b b ww ww
b .. b b . b b
3
Fl. 1, 2 & J
F p
bw b ww b b ww ww
Fl. 3, 4 &b w b b ww
p
B b Cl. 1, 2 &
& j
B b Cl. 3
b. . bw
p
? b. . w b . b .
B. Cl.
J J
p
S. Sx. &

2.
A. Sx. 1, 2 &
? w w.
2.
V

T. Sx. 1, 2
p p
B. Sx.
? bw . w
p
? bw w bw
9
D.B.
p

9
S &
A &
b. . bw
T V J
F In the name of god,
? b. w
. b . b .
B
J J
F
gb gg b gb b
In the name of god, In the name of
& ggg gg ggggb b ggg

9
gg b www gg b www ggb b www

Pno.
p
? ggb www w ggb b www
ggb ww
?
9
Timp.
& w
Tam-tam
Perc. 1
p
b ww
Perc. 2 & b b b b ww b b ww
p
bw
&
p
Perc. 3
73
ww>
16
b b ww ww b ww ww
b b ..
Fl. 1, 2 &
p F
. b w>
Fl. 3, 4 & ww b b ww ww
b b ww bw
p F
j
. . bw b .
B b Cl. 1, 2 & b . . b w . .
J

J p p
p
& j j w .
B b Cl. 3
b. b. w . .
p
. b . b w b. b. .
? w J J
p
B. Cl.
bw bw
S. Sx. &
p p

& w w . w. w . b ..

A. Sx. 1, 2
p p p

. w . w. b .
T. Sx. 1, 2 V bw
b w .

p
B. Sx.
? . bw . bw
p
? w bw w bw w
16
D.B.
bw b b
b . .
16
S & J
F
3
In the name of god, the com - pas - - - sio
j j b. b
A & b . . w . .
F 3
.
In the name of god, In the name of god, the com - pas - - - sio -
j w . . w
T V b. b. J
3
. b . b w b. b. . b b
In the name of god, In the name of god, the com - pas - - - sio -
? w J
B J
ggb b www
3
ggb www ggb b www

gg b www ggg b
god, In the name of god, In the name of god, the com - pas - - - sio
& ggb b www ggg

16
g b g
? ggb b www w
Pno.
gg b www
ww
ggb w ggb b ww w
ggb b ww
&
gg b www
?
16
Timp.
b
Vibraphone
Perc. 1 &
p
3 3 3 3
b b ww b ww b b ww
Perc. 2 & b b ww b b ww b b ww
Perc. 3 &
74
. >
j
. b b b w. b w b
J
22
&
p
Fl. 1, 2
F p
. j >
& . b b ww b w
J
p
Fl. 3, 4
F p
b b b b b
3 3 3
&
b b
3
B b Cl. 1, 2
b
p 3
3 3
3
& b
b
3 3 3 3
B b Cl. 3
b b p

? b bw
b b
3
B. Cl.
3
p
b b b
S. Sx. &
P
3
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?
22
D.B.
j
& . b b b b .
22
S
J w
3
nate, the mer - - - - - - - ci - ful.
& b b b b. j
3 3
A
b w
. b b b . b
T V J J b
3
? b J b
. b
B J J
()nate,
ggg b b b 3
the mer - - - - - - - ci - ful.
& gggb g ggg b gg b b gg b b b b

22
gg ggg b b b
3
gb gb g b 3
3

Pno.
w
& ggb ww
?
ggb b www gg b b www
b.
?
22
Timp.
b b b b
Perc. 1 & b
3 3 3 3
3 3 3 3
b ww
3 3 3 3
b b ww b b ww
Perc. 2 &
Perc. 3 &
75
j
b b b .. b b
J
26
&
Fl. 1, 2
F
b b b
& b b b

Fl. 3, 4
F
b 3
& b b b b b b b b b b
3 3 3 3 3 3
B b Cl. 1, 2

3 3 3 3 3 3
F 3
& b b b j
.
3 3 3 3 3 3
B b Cl. 3
b b b b
B. Cl.
? w bw b b
F
3
b b b b .
S. Sx.
b
& b b b
3
3
A. Sx. 1, 2 &
V b b
1.
b b b
T. Sx. 1, 2 2.
p
? b
B. Sx.
b b b b
p
? b b
b b b
26
D.B.
p

26
S &
A &
T V
B
?
b b b b b 3
b b b b
26 3
& b b
3
3
3 3 3
b 3 3
b 3 3 3
Pno.
? b . b
b . .
?
26
Timp.
ggg b b
Vibraphone
Perc. 1 & g
p
Perc. 2 &
Perc. 3 &
76
.
. b b b ..
3
.
b b .
3
3

31
Fl. 1, 2 &
3 3
3
Fl. 3, 4 &
.j .j
j 3 . . .
B b Cl. 1, 2 & b .. b b b .. b b .. b b b b b b .. b
J
.
J
J
p 3
P
j j j
& . . . . .
3
B b Cl. 3
b. b b.
p P
. b . b b . b w
? J b . . .
B. Cl.
J J
p P
3
S. Sx. & bw
A. Sx. 1, 2 & b ww
j
V b b b . b b b b b. .
3
J
T. Sx. 1, 2
F 3
F
? b b j
b
3
b . b b
3
b b .
B. Sx.
F
b b b . b b b
? b b .
31
D.B. J
F
3 3

31
S &
& j
A
b. .
F In the name of
T V
? b. b .
B J
F In
b
b J
the name of

31
&
F
3 3 3 3
b b
Pno.
? & J
3 3 3 3
? bw
31 3 3
Timp.
p f
gg gggb
&ggg b gg ggg b b ggg
g b
ggg
g gggb b ggg
g b
ggg ..
g b .
g
Perc. 1
F
b bw
j
Snare drum
.
Perc. 2 &
J J
p F
&
Chime
bw
f
Perc. 3
77

36
Fl. 1, 2 &
Fl. 3, 4 &
.j .j .j .j .j .j .j .j
. . . . . b . . . . . .
& b J . b

. b . b .
B b Cl. 1, 2
J J J . J J J J
& j j j j j j j j
B b Cl. 3
. . . . . b . . . . . .
.
? . j j
. . b . . . . . . b .
J
. .
J
B. Cl.
J J J J
S. Sx. &
& b . .
J
A. Sx. 1, 2
F
j j
V b w. . bw b. w
b . b. b w . . b.
J

J
T. Sx. 1, 2
F
?
. b. . b .
B. Sx.
? . b. . b .
36
D.B.
bw b. . w
& b . .
36
S
J J
F In the name of god, In the name of god,
j j
A & w b . . w b . .
god, In the name of god, In the name of
. . bw j
T V J b. b. w
F In
b.
the name of god, In the name of god,
? w b . b. w .
B
J J
()
b b b b b b
b
J b b J J J
36
&
3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3

b J b b b b b b b b
Pno.
& J J J
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3
?
36
Timp.
&
.
ggg b .. ggg b b ... gg b b ... ggg ..
Perc. 1
g g g b .
& J
j
.
j
.
j
.
j
.
Perc. 2
J J J J J J J
& bw bw bw
Perc. 3
bw
78
bw
bw

40
Fl. 1, 2 &
f
b b ww

Picc.
Fl. 3, 4 &
.j .j .j .j .j .j f
. . . b . . . b
& b J . b

. . . b . b b
B b Cl. 1, 2
J J J . J J
f
& j j j j j j
B b Cl. 3
. . . . . b . . . bw
. f
? . j j .
. . b . . . . . . b .
J

B. Cl.
J J J J
f
. . bw b
S. Sx. & J
F f
j
& b w. . b w . . b ww b b .

.
b

J J
A. Sx. 1, 2
F f
j j
. . b w . w . . b w
V bw b.
J b . .
J
T. Sx. 1, 2
f
?
. b. . b.
B. Sx.
f
? . b. . b.
40
D.B.
f
40
. b. w . b
S & J
f
In the name of god, the com - pas - - - -
j b b b
A & w . . b .
f
.
god, In the name of god, the com - pas - - - -
b. bw . . bw
T V J J
? bw b . b. .
In the name of god, In the name of god,
J b . .
B
J
f
()
b J b b b b b
b b J J b
b
40
&
3
b b
3
3 3 3 3 3 3 3 3 3 3 3

3 3 3

b J b b b b b b j j
Pno.
& J J ? b . .
3 3 3 3 3 3 3 3
3
3
3
3 b . .
?
40
bw

Timp.
F
.
&
.
ggg b .. ggg b b .. w
Cymbal
Perc. 1
g
f
& J . . w w
Sus. Cym.
j j

Perc. 2
J J J
f
& bw bw bw
Perc. 3
bw
79
w w
44 bw b ww b b ww bw
Fl. 1, 2 &
b ww b ww b b ww b ww
Fl. 3, 4 &
b j
B b Cl. 1, 2 & b b b b . b b b b b .. b ww
J
& j j
. bw
B b Cl. 3
b. b. b . w
? w b . b. w . b.
B. Cl.
J J
b b b
& b b . w
S. Sx.
J
j
A. Sx. 1, 2 & w b b b.
b . b.
b b
w . b ww
J
j j
V b w. . bw b . w .
b . b. b w . b.
J

J
T. Sx. 1, 2
?
. b. . b .
B. Sx.
? . b. . b .
44
D.B.
b b b b b .
44
S & J w
- - sio - nate, the mer - - - - - - - - - - - ci ful.
j
A & b b b. b . bw
- - sio - nate, the mer - - - - - - - - - - - ci - ful.
. bw j
T V b. J b. b . w
f In
b.
the name of god, In the name of god,
? w b . b. w .
B
J J
b b b b b
bb b b
& b b b b
44
b b b b
3 3 3
3 3 3 3 3 3 3 3 3 b 3
j
3 3
j j b.
Pno.
? w b . b. w .
w b . b. w . b.
J
? w
44
w w w

Timp.
Perc. 1 & w
Perc. 2 & w
&
Perc. 3
bw
80
b ww b b ww

48
Fl. 1, 2 &
f
b ww bb ww
Fl. 3, 4 &
f
- -
b -
B b Cl. 1, 2 & b ww b b b b b
- - -
f
B b Cl. 3 & w
b - b - b -
f
B. Cl.
? w
b
b - b - b -
f
-
b - b -
S. Sx. & bw b
f
- - -
& ww b b b
- - -
A. Sx. 1, 2
f
- - -
T. Sx. 1, 2 V b ww

b
b
b
b
bb

f- - -
?
w b - b - b -
B. Sx.
f
? w b - b - b -
48
D.B.
f
b b .. ww ww
& bw
48

3
In the name of god.
b b b b b . ww ww
3
& w .
J
A

. w w
In the name of god.
b b b b
3
T V w J
. w w
? bw
In the name of god.
b
b b b b J . w w
3
ggg b b ww
3
b b b J
god, In the name of god.
b b gg b w
48
& b b b b
f
3 3 3 3
? bb ww
Pno.
b b b
b b
? . b w w
b bw
48
b
3
Timp.
& w
Bass Drum
Perc. 1
f
Perc. 2 & w w
p f
bw bw bw
& bw bw bw
f
Perc. 3
81
II
If They Turn Back
Allegro con fuoco
5
Piccolo &4
5
Flute 1, 2 &4
Flute 3 & 45
5
Clarinet in Bb 1, 2 &4
5
Clarinet in B b 3 &4
? 45 b r
b b b

Bass Clarinet
p
5
Soprano Sax. &4
5
Alto Sax. 1, 2 &4
Tenor Sax. 1, 2 V 45
? 45 b r
b b b
Baritone Sax.

p
? 5 b r
4 b b b
Double Bass

p
5 j
&4
Whisper
> > > > >

Soprano
Seize them And kill them
& 45 j
Whisper
> > > > >

Alto
5 j
V4
Whisper
> > > > >

Tenor
?5 j
Whisper
4
> > > > >
Bass
? 45 b r
b b b b b

p
r
Piano
? 5 b b b b b b
4

?5
Timpani 4 #. #
F
5 .
&4 w w
Tam-tam
Percussion 1
F
Percussion 2 & 45
5
Percussion 3 &4
82
b b
#
5
Picc. &
f
b b n #

a2
Fl. 1, 2 &
f

Fl. 3 & b b #
f

& b b b b n #
a2
Bb Cl. 1, 2
R
F f
& b r
b b #
Bb Cl. 3
b
F f
? b r
b b b #
B. Cl.

F f
#
S. Sx. & b b
f
& b b b b #
a2
A. Sx. 1, 2
R
F f

b
V R b b b n #
a2
T. Sx. 1, 2
F f
? b r
B. Sx. b b b #
F f
? b r b b
b
5
D.B. #
F f
b # #
w
5
S &
f
If they turn back, then seize them and kill them
& # #
A
b w
f
b # #
T V w
f
? b # #
B w
f
? b r b b
5
b #
F f
? b r
Pno.
b b b
#
()
? r
w
5
Timp.
# w #
f
Perc. 1 & w w
f
& w
Bass Drum
Perc. 2
R
f
b b #
Xylophone
Perc. 3 &
f
83

10
Picc. &
Fl. 1, 2 &
Fl. 3 &
Bb Cl. 1, 2 &
Bb Cl. 3 &
B. Cl.
?
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?
10
D.B.
#
b
& # b
10
#
S
p
wher - ev - er you find them, and take not from a - mong them a freind or a help - er.
b
& b #
# #
A
p
b
V # # b #
T
b p
? b #
B # #
p
?
10
Pno.
? .
3 3 3
# # w
10
Timp.
#
f p
Perc. 1 & w
f
Perc. 2 &
Perc. 3 &
84

15
Picc. &
Fl. 1, 2 &
Fl. 3 &
Bb Cl. 1, 2 &
&
5
Bb Cl. 3
b #
p
?
b b
B. Cl.
S. Sx. &
A. Sx. 1, 2 &

1.
.
2.
V

T. Sx. 1, 2
p 3 p 3
?
3

3

3

B. Sx.
p
?
15
D.B.

15
S &
A &
T V
B
?
?
15
Pno.
?
15
Timp.
#
Perc. 1 &
Perc. 2 &
j j >
Vibraphone
&
w> b . > >
>
Perc. 3
P
85

18
Picc. &
Fl. 1, 2 &
Fl. 3 &
& j j
2.
Bb Cl. 1, 2

p
&
5 5 5 5 5 5
Bb Cl. 3
b # b # b # b # b # b #
?
b b b
B. Cl.
S. Sx. &
1.

2.
&
#
3 3
b b
A. Sx. 1, 2
p p
b
b .
3 3
V . .

T. Sx. 1, 2
3 3 3 3 3 3
?
3

3

3

B. Sx.
?
18
D.B.

18
S &
A &
T V
B
?
?
18
Pno.
?
18
Timp.
Perc. 1 &
Perc. 2 &

> . # >
& w b J
3
>
Perc. 3
86

21
Picc. &
Fl. 1, 2 &
Fl. 3 &
b
3 3
1.
Bb Cl. 1, 2 &
J J
p
&
5 5 5 5
Bb Cl. 3
b # b # b # b #
?
b b
B. Cl.
S. Sx. &
p

& # #
b b
A. Sx. 1, 2

b
3 3 3
V . .

T. Sx. 1, 2
3 3 3 3
?
3

B. Sx.
?
21
D.B.

21
S &
A &
T V
B
?
?
21
Pno.
?
21
Timp.
Perc. 1 &
Perc. 2 &
w w>
Perc. 3 &
87

23
Picc. &

Fl. 1, 2 & R
p

Fl. 3 &
p
b b
3 3 3 3 3 3 3 3
Bb Cl. 1, 2 &
J
&
5 5 5
Bb Cl. 3
b # b # b #
B. Cl.
?
S. Sx. &

& # #
b b
A. Sx. 1, 2

b .
3 3
V .
1.

T. Sx. 1, 2
3 3 3
B. Sx.
?
?
23
D.B.

23
S &
A &
T V
?
Whisper and repeat "seize them and kill them" in free rhythm,

entering one person at a time in one beat interval.
B
?
23
Pno.
?
23
Timp.
#
f
Perc. 1 & w

b b
Xylophone
Perc. 2 &
p
3 3 3
&
w
Perc. 3
88

25
Picc. &
# #

& R R

Fl. 1, 2
p

Fl. 3 &
b b
&
1.
Bb Cl. 1, 2
3 3 3 3 3 3 3 3
Bb Cl. 3 &
B. Cl.
?
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?
pizz.
. . .
25
D.B.
F

25
S &
&
A
V
T
B
?
?
25
Pno.
?
25
Timp.
Perc. 1 &
b b b b b
Perc. 2 &
3 3 3 3 3 3 3 3 3 3
Perc. 3 & #w w
89

27
Picc. &
# #

& R R

Fl. 1, 2

Fl. 3 &
b b
3 3 3 3
Bb Cl. 1, 2 &

J
F
3 3 3 3
&
5 5 5
Bb Cl. 3
b # b #
F
?
b b
B. Cl.
S. Sx. &
2.
&
3 3
b
A. Sx. 1, 2
F

b
3
V . .

T. Sx. 1, 2
F 3 3 3
?
3

3

B. Sx.
F
? . j
. . . .
27
D.B.

27
&
S
A &
T V
B
?
?
27
Pno.
?
27
Timp.
Perc. 1 &
b b b b b
Perc. 2 &
3 3 3 3 3 3 3 3 3 3
b
&
3
Perc. 3
b
f
90

29
Picc. &
# #

& R R

Fl. 1, 2

cresc.
Fl. 3 &
b b
cresc.
3 3 3 3 3 3 3 3
Bb Cl. 1, 2 &
J J
cresc.
&
5 5 5 5
Bb Cl. 3
b # b #
?
cresc.

b b
B. Cl.
cresc.
S. Sx. &

cresc.
& # #
b b
A. Sx. 1, 2

cresc.
b .
3
3
.
3
V

T. Sx. 1, 2
cresc.3 3 3 3
?
3

3

B. Sx.
? j . . . . . .
j
29
D.B.

29
S &
cresc.
A &
cresc.
T V
cresc.
B
?
cresc.
?
29
Pno.
?
29
Timp.
#
F
Perc. 1 &
b b b b
Perc. 2 &
3 3 3 3 3 3 3 3 3 3
#w
Perc. 3 &
91

31
Picc. &
# #

Fl. 1, 2 & R R

cresc.
&

Fl. 3
cresc.
b b
3 3 3 3 3 3 3 3
Bb Cl. 1, 2 &
J J
cresc.
&
5 5 5 5
Bb Cl. 3
b # b #

?
cresc.

b b
B. Cl.
cresc.
S. Sx. &

cresc.
& # #
b b
A. Sx. 1, 2

cresc.
b .
3 3 3
V .

T. Sx. 1, 2
3 3
cresc.
3 3
?
3

3

B. Sx.
cresc.
? j
. . . . .
31
D.B.
cresc.

31 Talk
S &
f
&
Talk
V
Talk
f
?
Talk
f
?
31
Pno.
?
31
Timp.
Perc. 1 &
b b b b
Perc. 2 &

3 3 3 3 3 3 3 3 3 3
Perc. 3 &
92

33
&

Picc.
# #

Fl. 1, 2 & R R

Fl. 3 &

b b
3 3 3 3 3 3 3 3
Bb Cl. 1, 2 &
J
&
5 5 5
Bb Cl. 3
b # b #

?
b b
B. Cl.

S. Sx. &

& # #
b b
A. Sx. 1, 2

b .
3 3
.
3
V

T. Sx. 1, 2
3 3
3
?
3

B. Sx.

? . j
. . . .
33
D.B.

33 Shout
&
> >
S
cresc. Kill them
&
Shout

> >
A
cresc. Kill them
V
Shout

> >
T
cresc. Kill them
?
Shout

> >
B
cresc. Kill them
?
33
Pno.
?
33
Timp.
Perc. 1 &
b b b
Perc. 2 &

3 3 3 3 3 3 3 3
Perc. 3 &
93
35 w w
Picc. &
#w w
w w
Fl. 1, 2 &

. w
Fl. 3 &

Bb Cl. 1, 2 &
Bb Cl. 3 &
B. Cl.
?
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?
35
D.B.

35
S &
A &
T V
B
?
b > b
? > b # > b n &
5
# b
5
35
b n > b >

5
5
> >
5

Pno.

5
? b # #
b n b b b b n
5
5
> b > >

5 5
?
35
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
94
37 w w
Picc. &
w w
w w
Fl. 1, 2 &
w w
Fl. 3 &
Bb Cl. 1, 2 &
Bb Cl. 3 &
B. Cl.
?
& # #
3
S. Sx.
p

& #
3 3

# # #
A. Sx. 1, 2
p
3
V #
a2 3
T. Sx. 1, 2
#
p
B. Sx.
?
?
37
D.B.

37
S &
A &
T V
B
?
#
#
& # b b
# # # #
37 5
5
b >
p
7
#
5 6 6
5
b #
Pno.
? # b # ?
5
b # # #
5 6 6
&
> 5
5 7
?
37
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
95
b
b

39
&
F
Picc.
# b # #
#
&

Fl. 1, 2
F
b

Fl. 3 &
F
b
b #
#
Bb Cl. 1, 2 &
F
# # #
Bb Cl. 3 &
F
?
> > >
B. Cl.
f
b b
S. Sx. & w #
F
& # b
A. Sx. 1, 2
# # ww
F
V #
w
T. Sx. 1, 2
F
?
>f > >
B. Sx.
?
arco

39
> > >

D.B.
f
b b
& w #
39
& b
A
#w

T V # #w
B
? w #
If
b
they turn back, then seize them and kill them
# #
& # #
39
Pno.
F
? w w w
w w w
? w w w
39
Timp.
& w w
Tam-tam
Perc. 1
F
b
Perc. 2 & b
F
&
Snare Drum
Perc. 3
F
96
#
n #
& b
42
Picc.

#

#
#
& b
a2

Fl. 1, 2

Fl. 3 &

#
b
Bb Cl. 1, 2 &
# b # # .
.
#
&
# #
Bb Cl. 3
.
? # #
# .
> >
B. Cl.
#
& # #w b
#
S. Sx.
p

& # b # w
a2
#w # #
b
A. Sx. 1, 2
p
#
V w b
# # #
T. Sx. 1, 2
p
?

> > > > >
B. Sx.
?
42
> > > > >

D.B.
& # #w b b
42
S
# .
wher - ev - er you find them f and take not from a - mong them a freind or a help - er.
A & # b w # b .
wher - ev - er you find them f and take not from a - mong them a freind or ahelp - er.

T V # #w # # .
wher - ev - er you find them f and take not from a - mong them a freind or a help - er.
? w # #
B # # # .
f
() #
wher - ev - er you find them and take not from a - mong them a freind or a help - er.
#
&
# ? # & #
b #
42
b
Pno.
?w w w w w
w w w w w
?w w
42
Timp.
#
Perc. 1 & w
#
Perc. 2 & n
Perc. 3 &
97
b
b # .

47
&
p
Picc.
f 3
b b # .
Fl. 1, 2 &
f 3
p
Fl. 3 &
Bb Cl. 1, 2 &
Bb Cl. 3 &
B. Cl.
?
b b # .
S. Sx. &
f
3
p
b
& b # .
3
A. Sx. 1, 2
f p
b
V b # .
3
T. Sx. 1, 2
f p
B. Sx.
?
?
47
D.B.
f
# # #

47
S &
P Then seize them and kill them wher - ev - er you find
& # b
P Then
A
seize them and kill them wher - ev - er you find
V # #
P Then
T
? # # #
P Then
B
w
&w # #
47
Pno. P
?
. . . . .
?
# #
3 3 3

47
Timp.
#
f p
Perc. 1 &
Perc. 2 &
Perc. 3 &
P
98
# b
b
b b
51
Picc. &
p
# b
3 3
b b
3 3
Fl. 1, 2 & a2
b
p
3 3 3 3
Fl. 3 &
& #
a2
b . b b n .
Bb Cl. 1, 2
Bb Cl. 3 &
B. Cl.
?
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
? w # w
arco
w
51
D.B.

F
& #w
51
them.
A & w
them.
T V #w
them.
B
? w

them
b
& # J
51

Pno.
? & b
. . 3
?
51
Timp.
# #
P
w
Tam-tam
Perc. 1 &
p
# b
Xylophone
& b
3 3 3
b b
Perc. 2
p
3
Perc. 3 &
99
# b
b
& b b b
55
Picc.
3
b # b b
3 3 3
b
3 3 3
3

& b b b

Fl. 1, 2
3 3 3 3 3
3
Fl. 3 &
Bb Cl. 1, 2 & b .

b b n
#
.

Bb Cl. 3 &
B. Cl.
? b . b b n # .
p
S. Sx. &
A. Sx. 1, 2 &
#.
1.
T. Sx. 1, 2 V J
P
B. Sx.
?
?w w # w w
55
D.B.

j
55
&

S
P
& j

A
P
V j

T
P
? j
B
PIf they turn back, then seize them and kill them

b
55
&
p
3

Pno.
& b
3
? j
55
Timp.
#
Perc. 1 &w
p
# b
& b
3 3 3 3 3
b b b
Perc. 2
3
&
Snare drum
Perc. 3
J
p
100
# b
b
3

59
Picc. &
F
# b
3 3
b
b
&

Fl. 1, 2
F
3 3
# b
Fl. 3 & b
p 3 F3
# b
Bb Cl. 1, 2 & b b n

F3
&
b b n
Bb Cl. 3
p
B. Cl.
? b b n
S. Sx. &
&
a2
b b n
A. Sx. 1, 2
p

V # . # # .. b b n
2.
J #
T. Sx. 1, 2
#
P p
? # # #
B. Sx.
p
? w # w w # w
59
D.B.

p
&
59
# #
# #
S
p wher - ev - er you find them. wher - ev - er you find them.
&

# # #
A
V
# #
# #
T
? # # #
B

59
&
Pno.
& ?
?
59
Timp.
# #
Perc. 1 &
# b
Perc. 2 &
3
Perc. 3 &
101
b #
b
& J J
63
Picc.
F
b # j
b # b j 2. # #

1.
& J
F
Fl. 1, 2
b # # # # #
Fl. 3 & J
F
1 b j 2 # #
Bb Cl. 1, 2 &
F
# # # #
Bb Cl. 3 &
F
?
b
3
#
B. Cl.
F
b
S. Sx. & b
F 3 3
b
3
&
a2 3
b
A. Sx. 1, 2
F
j
V b # # #
J
T. Sx. 1, 2
P F
?
b
3

#
B. Sx.
F
? w w w

63
w

D.B.
F f
b j #
63
S &
F If they turn back, then seize them and kill them
& j #
A
#
F If they turn back, then seize them and kill them f If they turn
T V b j #
F If they turn back, then seize them and kill them
#
B
?
J
#
F If they turn back, then seize them and kill them f If they turn
# #
63
&
F

Pno.
?
3
b # #
#
? j
63
Timp.
F
Perc. 1 &w w
p F
b #
Perc. 2 & J b j
P F
Perc. 3 &
J

p F
102

b
# b J
b
67
Picc. &

3 3
b b #
3 3
# b J
3
#w .
& b
a2
p
Fl. 1, 2
3
3
3
#w # # .
&
p
Fl. 3
#w b # . # b J
3
& b b
1
Bb Cl. 1, 2

p 3
3
3
#w # # .
Bb Cl. 3 &
p
?
j

B. Cl.
b

# b J
S. Sx. & b
3 3
3
& j
A. Sx. 1, 2
# # #
J
F
j j
V # # # #
# J J
T. Sx. 1, 2
?
j

B. Sx.
? w
67
w w

D.B.
# # # J
&
67
f If they turn back, then seize them and kill them.
j #
j
A & # # # #
back, then seize them and kill them. seize them and kill them.
# # # J
T V
f If they turn back, then seize them and kill them.
? #
B # J # # #
J

j
back, then seize them and kill them. seize them and kill them.
j #
& # # # # # #
#

67

# # #
? # # # # #
Pno.
J J
?
67

3 3
Timp.
Perc. 1 & w
b

# b J

Perc. 2 & b
3 3
3
3
Perc. 3 &
J

J

103
. . .
J # J #
70
Picc. &
f j j
.. # .. # # # ..
J # J #
Fl. 1, 2 &
f
. # . # # #.
Fl. 3 & J J
f j j
. . .
# #
Bb Cl. 1, 2 & .
J # .
J # .
f
. # . # # #.
&
Bb Cl. 3 J J
f
? j

B. Cl.
f
. # . # .
S. Sx. & J J
f
j
& b
# # # # #
J
A. Sx. 1, 2
f j
b
V # #
J
T. Sx. 1, 2
f
? j

B. Sx.
f
? w w .
70
D.B.

b
# # #

n
n
J # #
70
S &
b
& # #
J
A
If
b
they turn back, then seize them and kill them
T V
#
# #

n
n
J # #

b
? #
B J #

b

& #
# # #

#
# #
70

J
f b
# # # # #
? # #
Pno.
?
70
Timp.
f
> > > > > >
Perc. 1 &
f
b
Perc. 2 &
# # #

J # #
f
Perc. 3 &
J

f
104
w w w w

73
Picc. &
w w w w
b
. J b #.
& J

Fl. 1, 2

. b b
J #.
Fl. 3 & J

.
# b . w w w w
3
& # . b b
Bb Cl. 1, 2
J #.
3
J
& . . b b
Bb Cl. 3
J # . j

. b
3
b
? J # . j

3
B. Cl.
# # .

w w w w
S. Sx. &

. J b
# b ..
& # b # . j

3 a2

A. Sx. 1, 2

. J b
3
V # # .. b # . j
3
T. Sx. 1, 2
3
? j
. b
b # . j
3
B. Sx.
# # .

. b b
? J # . j
73
D.B.
#w # .

# # b .. .
. J b

.
b .
73
&
J
S
Wher - ev - er you find them; and a - gainst these We have gi-ven you a clear au - tho - ri - ty.
& #
# .. . b b
A
J # . j
and a - gainst
# b
Wher - ev - er you find them; these We have gi-ven you a clear au - tho - ri - ty.
.. . #.
V # . b b
T
J J
and a - gainst
? # # . b
.. J b # . j
B
and a - gainst
. b b # . j
. b b
73
& J #.

. b b # . j
Pno.
? . b
J b #.
?
# w #
73 3 3 3 3 3
Timp.

> > > >. >
Perc. 1 & . w

w
Bass drum
Perc. 2 &
3 3

& .
Perc. 3

3
105
#

b
79
Picc. &
#
5

& b
a2

Fl. 1, 2
#
5
Fl. 3 & b

5
3
#
&
b
3
Bb Cl. 1, 2

5
#
&
b
3
Bb Cl. 3

#
5
?
B. Cl. b

5
3
#
&
3
b
S. Sx.
#
&
a2 3
b
A. Sx. 1, 2
#
V
a2 3
b
T. Sx. 1, 2
? #

5

b
3

B. Sx.
#

? b
79
D.B.

5
3

. J b b # . j j
79
&

S
And a - gainst these We have gi-ven you a clear au - tho - ri - ty.
& j j j
. .
A
And a - gainst these We have gi-ven you a clear au - tho - ri - ty
V . b b j
T
J # . j
And a - gainst these We have gi-ven you a clear au - tho - ri - ty.
B
? . j
j
.
j

And a - gainst #

these We have gi-ven you a clear au - tho - ri - ty
b
79
&
3
5
#

Pno.
?
b
3
? j j j
# .
79 3 3 3 3 3
Timp.
# >

Perc. 1 & w

#
&
3
b
Perc. 2
>

Bass Drum
Perc. 3 & J

106
III
In Graveyard of Bitter Memories
3
Andante Tranquillo
& c .. . b .
. . # # 4 # c .. # .
# # .
Flute 1, 2
p
3
& c .. . . 4 #
c
n .. # ..

#
. #
. # n
Flute 3, 4
p
3
Clarinet in B b 1, 2 &c 4 c
?c 3 c
Bass Clarinet 1, 2 4
3
Soprano Sax. &c 4 c
Tenor Sax. 1, 2 Vc 43 c
Baritone Sax.
?c 43 c
. . w w w #w
Double Bass
?c 43 c
p
Mezzo-Soprano &c 43 c j
. . j
P In a grave - yard of
3
Soprano &c # #. 4 #. c #w
p
La - cri - mo - sa La - cri - mo - sa La-cri-mo - sa La-cri-mo - sa.
&c 3
Alto #. 4 #. c #w
p
. 3 c
w
La - cri - mo - sa La - cri - mo - sa La-cri-mo - sa La-cri-mo - sa
Tenor Vc 4
p # # #. n # n #w
?c
Bass 43 c
p
43
repeat untill bar 24 with q = c 132
&c c

Piano
p
?c 43 . . c w w w
. . w w w
p
?c 3 c
Timpani 4
3
Percussion 1 &c 4 c
107

11
Fl. 1, 2 &
Fl. 3, 4 &
B b Cl. 1, 2 &
?
B. Cl. 1, 2 b ww # ww b n ww
p
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
nw w bw w bw w
? #w nw w
11
D.B.
j j j . j
& j
11
w w . w
b
Mezzo
bit - ter me - mo - ries Days so long, nights lon - ger, In the dark - ness of e - ter - nal
S & b - b #
p numb-ing cold La - cri - mo - sa La - cri -
A & - # # n
p La - cri
-
numb-ing cold - mo - sa La - cri -
T V b
p
-
numb-ing cold La - cri - mo - sa La - cri -
B
? # n
p numb-ing cold La - cri - mo - sa La - cri -

11
&
Pno.
?
11
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
108
Moderato

20
Fl. 1, 2 &
Fl. 3, 4 &
>
& .
2.
B b Cl. 1, 2
F
?
ww b b ww ww b ww b ww ww
B. Cl. 1, 2
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
? bw #
20
D.B. b bw w
j b b
20
& w w . w

Mezzo
dark you shall for e - ver rest. f Who is that
S & # b b .
- mo - sa La - cri - mo - sa La - cri - mo - sa La - cri-mo - sa La-cri-mo - sa
A & #

.

T V b b .
B
? b # n b b b b ..
- mo - sa La - cri - ma - sa La - cri - mo - sa La - cri-mo - sa La-cri-mo - sa
b #
20
&
f
#
Pno.
? b
?
20
Timp.
p
bw
Chime
&
bw
Perc. 1
Perc. 2 &
Perc. 3 &
109
>
>

28
&
J
Fl. 1, 2
F >
# >
& J

Fl. 3, 4
F

3
b w> >
b ww n
& w b # # b .
1.
B b Cl. 1, 2

F p
> # . # # b
3
# # #
3
?
>
B. Cl. 1, 2
F F p
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?
28
D.B.
p
j
b
& j b . # n
3

28
# #
.
Mezzo
car-ry- ing that mass of bro - ken flesh? F Drip - ping blood
S &
A &
T V
B
?
# n
j #
& . # # b b b n
28
b b b #
F
3
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
b
Pno.
? # # b b bb b n
5 3
J # b b n n b n
p w
? #
28
Timp.
f 3
Perc. 1 &
Perc. 2 &
Perc. 3 &
110
# n
3

& . # #
32
Fl. 1, 2
J
p
. #
# n b
& #
J
Fl. 3, 4
p
3
~~~~~~~~~~~~~~~~~~~~~
3
>
3
j
2.
& . j
3
B b Cl. 1, 2
b. b b b
>
p ~~~~~~~~~~~~~~~ p
# . # > b. b b b b
?
3
J b b b
a2
>
B. Cl. 1, 2
p p 3
S. Sx. &
& j
2. 3
b n b b b
A. Sx. 1, 2
p
j
b # b
3
V b b b n b b b b
3
T. Sx. 1, 2
b .. J
p
3
b b
3
? b b b . J b
3
B. Sx. b b
p
~~~~~
3
?
~~~~~~Glis~~~~~
32
sando

D.B.

j
32
& j j
3
Mezzo
b. b b. b n b b b
p
from go - ry hole Grazed and fil - thy in hu - mi - li - ates
S &
& j
3
b. b b b
A

p Grazed and fil - thy in hu - mi - li
j
- ates
V b. b b b
3
T
b
p
Grazed and fil - thy in hu - mi - li - ates
? b. b 3
B J b b b
p Grazed and fil - thy in hu - mi - li - ates
b b
b b b b n b j j

32
&
J J # n b
fb p
b b n b
b b b
Pno.
? J J # n b

J J
? j
b @ # @

32
Timp. b.
p
Perc. 1 &
Tam-tam
&
Coin
Perc. 2
F
Perc. 3 &
111
Andantino

37
Fl. 1, 2 &
Fl. 3, 4 &
1. b . . > b
B b Cl. 1, 2 &
p
3
B. Cl. 1, 2
?
b >
& j j
b
3
S. Sx.
b
p f p

& j j

A. Sx. 1, 2
f J
j
V bw . b
J
T. Sx. 1, 2
J f
? j j
.

B. Sx.
f
?
arco

37
D.B. w w

U U

37
& j j #
#
3
b
Mezzo
f
Our clean white flesh and chokes us
S &
A &
T V
B
?
b
b
j
b
37
&
#
f
3 5 3 5

? b
Pno.

b
3 5 3 5
b b
F
?
37
Timp.
Perc. 1 &
& w
Bass drum
Perc. 2

w w
Snare drum
Perc. 3 &

112
> > > ..

R
1.

41
Fl. 1, 2 &
p
3
Fl. 3, 4 &
b > . b
B b Cl. 1, 2 &
B. Cl. 1, 2
?
. . .. b > w
S. Sx. & R
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?
~~~~~~~~~~~~~~~~ w ~~~~~~~~~~~~~~~
41
D.B. w ~~~~~~~~~~~~~~~~~
Glissando ~~~~~~~~
Glissand o
~~~~~~ w
& b b. b j
41
Mezzo
J
p Eyes near-ly closed, star - ing p Fixed,
S &
p Fixed, gaze
A &
p Fixed, gaze
T V
p Fixed, gaze
?
B
() p
b b b
Fixed, gaze

41
&
5 3 3 5 5 3
Pno.
? 5 3 3 5 5 3

b b b
()
?
41
Timp.

Mallet stick roll inside piano
?
Perc. 1 &
p
Perc. 2 &
& w w w w
p
Perc. 3
113
b b

J
&
45

Fl. 1, 2
f
b b b

&

Fl. 3, 4
f
& # # b ww # n w
3
B b Cl. 1, 2
#
F f
P 3

? b w b ww b # w
# # #
3

B. Cl. 1, 2
p 3 P f
#w n b
S. Sx. &
F 3
f

w bw
& #
3
A. Sx. 1, 2
bw bw
F f

V #
b b n b ww n ww
#
3

T. Sx. 1, 2
P 3 F f
B. Sx.
? b bw w bw
P f
? b bw w bw
45
D.B.
P f

45
&
# # n
3

Mezzo
gaze mourn - -
F
- ful - - ly,
p
S &
mourn - - - -
F- ful -
ply
A &
mourn - - - - F- ful -
ply
T V
F p
mourn - - - - - ful - ly
?
B
F p
b b n
mourn - - - - - ful - ly
n # #
# b b
45 3
& # #
P f

3 3
? #
Pno.
? #
b b n # #n
b b
3
&
# #
? bw
45
Timp.
?
Perc. 1 ~~~~~~~~ ~~~~~~~
Glissando &
F
Perc. 2 &
Perc. 3 &
114
b b
3
51 b ww ww w .
&
p
Fl. 1, 2
3
b b
3
b b ww b ww
&

Fl. 3, 4
p
3
& b b b b b b
3
ww
3
B b Cl. 1, 2

p

3
b w
3
? # w

B. Cl. 1, 2
p
b w
S. Sx. &
p

& n

b ww

A. Sx. 1, 2
p

ww
V b

T. Sx. 1, 2
B. Sx.
? b w
p
? b w w w
51
D.B.
p
. b b b

51
Mezzo &
p
3
Sleep then
S &
A &
T V
B
?
b b

&
# b
b www
51
w
F
6 6 6 6 6 6 6

Pno.
? b w b b
&
b w
?
51
Timp.
Perc. 1 &

Vibraphone
& b b
3
Perc. 2
3 3 3
ww

Glock.
Perc. 3 &
p
115
# # #
1.
55
n
Fl. 1, 2 &
3
Fl. 3, 4 &
B b Cl. 1, 2 &

B. Cl. 1, 2
? b b @ @
p p
S. Sx. &
&
2.
b
3
# .
A. Sx. 1, 2
p

V #
3
T. Sx. 1, 2
# # ..
p
?
B. Sx. b
p
? #w w
55
D.B. b
& # # #
55 3
Mezzo n. b
you who are wea - ry And your
S &
A &
T V
B
?
b n # n b
b
b

55 6
&
6 6 6 6 6 6 6 6 6 6
b
#
Pno.
& b n b b ?
b
?
55
Timp.
Perc. 1 &
#
Perc. 2 & b n b
3 3 3 3 3 3
Perc. 3 &
116

.
58
&

Fl. 1, 2
& w #

Fl. 3, 4
p
b. ww ww # w
B b Cl. 1, 2 &

p

? @ b @ @ @@ @ # @ @ # @ @.
w @ @ # w @ @ # w w
B. Cl. 1, 2
S. Sx. & w w #
p

& b. w w
#w w #w ww
A. Sx. 1, 2
p
V # ww ww ww
# # ww
T. Sx. 1, 2
p
?
B. Sx. w #w #w w
?
58
D.B. w #w #w w

58
& # .
b #
Mezzo
pain will ease a - way
S &
A &
T V
B
?

j j # #
& b # n
58 3
. b . . . b . . #
3 5 7
p . . . #

5 3
b . n ... b .. ..
Pno.
? # .. . # # ..
# #
?
58
Timp.
Perc. 1 &
Perc. 2 &
.
Bass drum
Perc. 3 &
p
117
. w w
62
w .
Fl. 1, 2 &
F

Fl. 3, 4 & w .
#w . w
F
. w . . w
B b Cl. 1, 2 &
. w . . w
F
? . .
B. Cl. 1, 2 w #w n ww # w
F
S. Sx. &

&
2.

A. Sx. 1, 2
F

V
2.
T. Sx. 1, 2
.
F
?
B. Sx. #w
F
?
62
D.B. # w n w # w
F
j w .
& . w
62
Mezzo
J
f
Migh - ty al - - - - ly, Migh - ty al - - - ly,
S &
A &
T V
B
?
# # #
& #
62
Pno. F 5 3 5 3 5 3 5
p
?
?
62
Timp. w
F
Perc. 1 &
b b

Xylophone
&
3 3
b b
Perc. 2
& w .

Perc. 3
F p
118
w w w
. . w
66
Fl. 1, 2 &

Fl. 3, 4 & w w. # .. . ww
. w . . w
& b
2. 3

B b Cl. 1, 2
. w . . w

B. Cl. 1, 2
? w # w n w . #w
2.
w
. w . . w
S. Sx. &
F

& . b
3
A. Sx. 1, 2
. . . .
T. Sx. 1, 2 V w w # . . w w #
?
w #w nw #w w
B. Sx.
? w # w n w # w w
66
D.B.
j w .
& . J w
66
Mezzo
Migh - ty al - - - - ly, Migh - ty al - - - ly,

p
S &
J

J

f What ques - tion must be asked What word ut - tered Be - fore you can see?
A &
J

J

T V
J

J

?
B
J J

66
&
Pno.
?
66
. . . .
3 3 5 3 3
Timp.
f
Chime
& w
w
Perc. 1
F
Perc. 2 &
& w .

Perc. 3
F
119

Andante Espressivo
w . w
b
J
71
&
a2
Fl. 1, 2
f
w . w
& J b
a2
Fl. 3, 4
f
. . . #
3
& b b
#
j
B b Cl. 1, 2 # . #
f b
# #
3 3 3 3
? w #w nw
B. Cl. 1, 2 w
f
w . w
S. Sx. & J b
f
b b b
3
& # #
3
# . # #
3 3
A. Sx. 1, 2

f 3 3 3
3
V b b
#
3
T. Sx. 1, 2
f 3 3
? w #w nw
B. Sx. w
f
? w #w nw
71
D.B. w
f
w w
J b
71
Mezzo & J

F
How much more blood do you want?
w w
S & J J b
f How much more blood do you want?
& # n
A
f How much more blood? How ma - ny more corpse?

F
# n
T V
f How much more blood? How ma - ny more corpse?
? # n
B
f
F
How much more blood? How ma - ny more corpse?

71
&
Pno.
? w #w nw w
w #w nw w
f
?
71
Timp.
w
Perc. 1 & w
f
w . . w
Perc. 2 & J J
f
Perc. 3 & w
f
120
w . w

J
75
Fl. 1, 2 &
F
w . w
Fl. 3, 4 & J
Fj j
.
3
w
B b Cl. 1, 2 & . # . b w
F j
w # b b.
3
?
B. Cl. 1, 2 bw w bw w
F
w . w
S. Sx. & J
F
& w. # # b . b. b w
3
J
A. Sx. 1, 2
F 3
# b . ww
T. Sx. 1, 2 V b b
F
?
B. Sx. bw w bw w
F
?
75
D.B. bw w bw w
F
. w . w
J J
75
Mezzo &
How ma - - - ny more corpse of the brave?
. w . w
S & J J
F
How ma - - - ny more corpse of the brave?
&
b b
A
T V b b
F
?
B b b

75
&
Pno.
?
bw w bw w
bw w bw w
F p
?
75
Timp.
F 3
Perc. 1 &
Perc. 2 &
Perc. 3 &
121

79
Fl. 1, 2 &
p

Fl. 3, 4 &
p

B b Cl. 1, 2 &

p

?
3

1.
B. Cl. 1, 2

p

S. Sx. &
p

&

A. Sx. 1, 2
p

V

T. Sx. 1, 2
p
?
B. Sx.

p
?
79
D.B.
#w nw w bw w w
p
. . . w w
J J b
79
Mezzo & J J J
F
How ma - ny more pic-tures like this must you see? be - fore you
& b # n
Whisper
S
P
p La - cri - mo - sa La - cri - mo - sa La - cri - mo - sa
& # n
Whisper
A
#
p La - cri - mo - sa La - cri - mo - sa
P La - cri - mo - sa
b
V
Whisper
T
p La - cri - mo - sa La - cri - mo - sa P La - cri - mo - sa
? # n b
Whisper
B
p La - cri - mo - sa La - cri - mo - sa P La - cri - mo - sa

79
&
Pno.
?
79
Timp.
Perc. 1 &
Tam-tam
&
Coin
Perc. 2
p

Snare drum
Perc. 3 &
p
122

#

85 1.
Fl. 1, 2 &

3
Fl. 3, 4 &
B b Cl. 1, 2 &
B. Cl. 1, 2
? #
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?
85
w w
D.B.
w . w . U
w
& J J
85
J J
p
Mezzo
come to your sense? Migh - ty Al - ly Migh - ty al - ly
S &
p La - cri - mo - sa
A &
T V
?
B
p
b b
La - cri - mo - sa
# U
85
&
Pno.
p 3

?
?
85
Timp.

Chime
Perc. 1 & w

Perc. 2 &
&

Perc. 3

123
IV
They Desire That You Should Disbelieve
b # b
Allegro
bw w
Piccolo &c w
b p p
# b # b b
ww b b # b
3
&c

Flute 1, 2
p F
#
3
b b
3
b w .
Flute 3 &c
p p
3
b # b b # b w
3
&c ww
1.
Clarinet in Bb 1, 2
3 p p
# b b
&c
3
Clarinet in Bb 3
b w
p
?c b # b .
3
Bass Clarinet w w
p p
b # b #
Soprano Sax. &c w
3 p p
# b . b #
&c b # b J b .
3 1.
Alto Sax. 1, 2
b ww J
p F
b # b b
33
Tenor Sax. 1, 2 Vc ww
3 p
?c b # b
3
Baritone Sax. w
p
?c b # b

3
w
3 3 3
Double Bass
p F
Soprano &c
Alto &c
Tenor Vc
Bass
?c
&c
Piano
?c
?c
w
3 3 3 3
p
Timpani
Percussion 1 &c
&c w
Bass drum
Percussion 2

Percussion 3 &c
124

10
Picc. &
# # . # 1.w .
# b
2.

a2
Fl. 1, 2 &
F p
3 3 3
. .
Fl. 3 &
p
b
bw p w # b # n
.
2.
& b #
1.
Bb Cl. 1, 2

p F 3
3
3
3
b w b
Bb Cl. 3 &
p
? # .
B. Cl. J
F
w
S. Sx. &
&
2.
A. Sx. 1, 2
p

V . .
#
2.
T. Sx. 1, 2
#
p p
? # . J b j
B. Sx.
# . .
F p
?

10

3 3 3 3
D.B.

10
S &
A &
T V
B
?

10
&
Pno.
?

10

3 3 3 3
Timp.
# # # .
Xylophone
&
3
Perc. 1
b
F 3
Perc. 2 &
Perc. 3 &
125
b b

.
#
17
&
f
Picc.
w . w ..
3
# 1.
#

2.
&
Fl. 1, 2
p f
. . . .
Fl. 3 &
p f
w b b

.
3
1.
#
& w .
2.
Bb Cl. 1, 2

p f f
Bb Cl. 3 &
# .

# .

p f
? . . . .
B. Cl.
p
b
#
S. Sx. &
3
j j
# # .. # # # . . # #
3 3
& b b #
J . J . .. # ..
#
3

A. Sx. 1, 2
F 3 f

3 3
V w. ..
2. 1.
T. Sx. 1, 2
#
p f
? . .
B. Sx. .
f
?
17

3 3
D.B.
f F

17
S &
A &
T V
B
?

17
&
Pno.
?
17

3 3
Timp.
f F
Perc. 1 &
Perc. 2 &
Perc. 3 &
126

22
Picc. &
Fl. 1, 2 &
Fl. 3 &

1.
&
3
b
Bb Cl. 1, 2
F
Bb Cl. 3 &
B. Cl.
?
p
&
3
b
S. Sx.
F
A. Sx. 1, 2 &
j j j j j
V # # .
a2
T. Sx. 1, 2
# # # w
B. Sx.
? j j
j b j # .
j
w
?

22

3 3 3
D.B.

22
S &
A &
j j j j j
T V
# # # # . # w
f They de - sire that you should dis-be-lieve as they have dis-be-lieved, so that you might be all a - like;
?
j j j b j # .
j
w
f They
B
de - sire that you should dis-be-lieve as they have dis-be-lieved, so that you might be all a - like;

22
&
Pno.
?

22

3 3 3
Timp.
Perc. 1 &
Perc. 2 &
F
& J . j j j
.
Snare drum

Perc. 3
J J J
F 3 3 3
127
bw

b # n #
28
Picc. &
f
3
bw
3
3
& b # n #
1.
Fl. 1, 2
f
3 3
3
Fl. 3 &
. j # #
& # # # # w
3
# # # # #
3
Bb Cl. 1, 2
p p
Bb Cl. 3 &
#w w
p
? w b
3
B. Cl.
F

# .
3
& # #
3
S. Sx.
# J

& w w
2.
#
1.

A. Sx. 1, 2
p
V w
1.
T. Sx. 1, 2
p
?
B. Sx. w
p
?

28

3 3 3
D.B.
28
# .. #
S &
f there - fore take not from a-mong them
# # # .. #
A & #
f there - fore take not from a-mong them
T V
B
?

28
&
Pno.
?

28

3 3 3
Timp.
b w
Xylophone

Chime
& w #
b n #
3 3
Perc. 1
p f 3
Perc. 2 &
Perc. 3 &
128
b n #
# # n
b n #
34
Picc. &
p b n #
3 3 3 3
# # n
3
& b n #
a2
Fl. 1, 2
p
3 3 3 3
# # n b n b
3
Fl. 3 & b n #
p
3 3 3 3
3
# # n # b n #
& # # # # # # # # n #
3
#
a2 3
b
3
Bb Cl. 1, 2

p
3
3
#
& # n b n
3
#
3
b n
3
Bb Cl. 3

p
3
3
? # #
3
B. Cl.
F 3 p
I
# # b n #
& # n
3
b n #
3 3

S. Sx.
F p
3
3 3
A. Sx. 1, 2 &
T. Sx. 1, 2 V
? # #
3
B. Sx.
F 3 p
?

34

3
D.B.
# b # b b
w
34
S &
friends un - til they fly their home in god's way;
b #
A & # # n # w
friends un - til they fly their home in god's way;
T V
B
?
#
# # n #
b n #
34
&
p
3 3 3 3
3
#
Pno.
? # # n #
3
b n #
3 3
&
3
3
?

34

3 3 3
Timp.
w
Cymbal
Perc. 1 &

&
Bass drum

Perc. 2
. w
Sus. Cym.
Perc. 3 &
p
129
# b b
. b b n
n #
39
Picc. &
F p
# # # b
3 3
b
3

3 3
# .. b b b n
3
n #
3 3
Fl. 1, 2 &
b
3
F p
3
#
3
# n #
#. b b
3
Fl. 3 &
F p
3 3
3
# # b
n ##
3
b b b
3
Bb Cl. 1, 2 & # .. b
b b n
3
F
p
3
& #
3 3
# b b
3
Bb Cl. 3
#.
3 F p
? # b # n b # b n b
b n b b
3

3 3
B. Cl.
p p
3 3 3
3 3 3 3
3
# b b b n # n
. b
3
S. Sx. &
F p
3 3
3
b # n b
a2 3
&
3
# # b n b b b n #
3
b n

3 3 3 3 3 3 3 3 3

A. Sx. 1, 2
p 3
p
b # n b # b n b b b
3 3
V
3
#
a2
b n
3 3 3 3 3 3 3
T. Sx. 1, 2
p 3
p
? # b # n b # b n b b 3
b n
3
b
3
B. Sx.
p p
3 3 3
3 3 3 3
3
? # b # n b # b n b
b n b b
3

39 3 3
D.B.
p p
3 3 3
3 3 3 3
3

39
S &
but
&

A
but
T V
but
B
?
>
# # b
#
b
but
. b b n # n
# # ..
39
&
p
3 3 3
3
>
#
#
Pno.
b b
& # # # ...
b b n # n
3 3 3
? b
39

3 3
Timp.
Perc. 1 &
Perc. 2 & w

Perc. 3 &
130
w w w
43
#.
&
F
Picc.
w w w #.
a2
Fl. 1, 2 &
F
w w w #.
Fl. 3 &
F
w w w #.
Bb Cl. 1, 2 &w w w #.
F
Bb Cl. 3 &
w w w #.
F
? b n b b #
b #
# #
3
B. Cl.
F
3 3 3 3 3 3 3 3 3
3
w
3
w
3 3 3 3
w #.
S. Sx. &
F
A. Sx. 1, 2 &w w w #.
F
V b n b b # b #
3 3 3 3 3 3 3
# #
3 3 3 3 3 3 3
T. Sx. 1, 2
F3 3

? n b n b b # b # b #
# #
3
B. Sx.
F
3 3 3
3 3 3 3 3 3
3 3 3 3 3 3
? n b n b b # b #
b #
# #
43 3
D.B.
F
3 3 3 3 3 3 3 3 3
3 3 3 3 3 3
b #
& . #. #
43
S J
f
if they turn back, then seize them and kill them wher - ev - er you find
& j
A
b . #. # #
f #
b #.
T V . J #
f
? b #. #
B . J #
wf

43
&
Pno.
f
&w
?
43
Timp.
Perc. 1 &
Perc. 2 & . w . .
f
&w
Tam-tam
Perc. 3
f
131
w bw w w
& #
47
Picc.
p f p
w bw w w
Fl. 1, 2 & #
p f p
w bw
Fl. 3 & #
p f
w bw w
bw
Bb Cl. 1, 2 & ##
w j

j
p f p f J J
&
Bb Cl. 3
w bw
# f
p 3 bw
? # # # w

B. Cl.
F f
3 3
bw w
3
w
S. Sx. & #
p f p
w bw
A. Sx. 1, 2 & #
p f
V # #
3
#
3 3 3
T. Sx. 1, 2
F f
? # # #

3
B. Sx.
F f
3 3
3
? # # #
47 3
D.B.
F f
3 3
3
& # b b j j
47
S
#
f
F p
them, and take not from a - mong them a freind or a help - er. They de - sire that
& # b b j j
A
#
f They
F p
them, and take not from a - mong them a freind or a help - er. de - sire that
V # b b
T
#
F b p
them, and take not from a - mong them a freind or a help - er.
? # b
B #
F p
them, and take not from a - mong them a freind or a help - er.

47
&
Pno.
&
?
47
>
3
> > >

Timp.
Perc. 1 &
Perc. 2 &
F
&
Snare drum
Perc. 3
J
F
132
b b

53
Picc. &
F
3 3
Fl. 1, 2 &
Fl. 3 &
j
& # j # j .
Bb Cl. 1, 2
# #

# .
#

ww
J J J
Bb Cl. 3 &
B. Cl.
?
S. Sx. &

& #

A. Sx. 1, 2
p
T. Sx. 1, 2 V
? b b
3
3

B. Sx.
F
?
53
D.B.
j j j
# # .
53
& # .
# #
S
you should dis - be-lieve as they have dis - be-lieved, so that you might be all a - like;
& j j j
b # . .
A
you should dis - be-lieve as they have dis - be-lieved, so that you might be all a - like;
T V
B
?

b b b
& b .
53
F
3 3 3
b
3
b
Pno.
& b b ?
3
3
.
3
3
?

53

3 3
Timp.
b b
3
Perc. 1 &
F3
Perc. 2 &
& . j j
j
.
Perc. 3
J J J
3 3 3
133

58
Picc. &
Fl. 1, 2 &
Fl. 3 &
Bb Cl. 1, 2 &
Bb Cl. 3 &
B. Cl.
?
S. Sx. &
j b b
& b .. b .. n # b # #
# b
. b
J
A. Sx. 1, 2
T. Sx. 1, 2 V
B. Sx.
?
?
pizz.

58
D.B.
p

58
S &
A &
V # # # # #
> > > > > > #
> > > > >
T
F if they turn back, then seize them and kill them wher - ev - er you find them,
? # > > > > > > # > > > > >
B # # # #
#
& # # # # #
58
Pno.
p
?

?
58
Timp.
#
& # # #
# #
Xylophone
Perc. 1
p
Perc. 2 &
Perc. 3 &
134

64
Picc. &
Fl. 1, 2 &
Fl. 3 &
j j j j
& # # # # # # . # j w
J # # . w
Bb Cl. 1, 2
F J J J J
Bb Cl. 3 &
B. Cl.
?
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?
64
D.B.
F
j j j . #
& # # J # # w
64
S
J
F They de -sire that you should dis - be-lieve as they have dis - be-lieved, so that you might be all a - like;
A & j j # j # b j # # .
j
w
F They de -sire that you should dis - be-lieve as they have dis - be-lieved, so that you might be all a - like;
V # # # # # # >
> > > > > > > > > >
T
? # > > > > > > > > > # > >
B # # # #
# #
& # # # #
64
Pno.
F
?

?
64
Timp.
#
Perc. 1 & # # # # #

F
w
Tam-tam
Perc. 2 &
p
& J . j j
j
.
Perc. 3
J J J
F 3 3 3
135

70
Picc. &
Fl. 1, 2 &
Fl. 3 &
j j j j j
# # . # . 2.
Bb Cl. 1, 2 & J J # J # J # . .
J
f f J
Bb Cl. 3 & j
f
B. Cl.
? j
f
S. Sx. &
A. Sx. 1, 2 &
j
V
J
T. Sx. 1, 2
B. Sx.
? j
f
?

70
D.B.
f
# # . # w
& J J # J # J
70
S J
f They de - sire that you should dis- be-lieve as they have dis- be-lieved, so that you might be all a - like;
j j j b j
A &
J
# . w
f They de - sire that you should dis- be-lieve as they have dis- be-lieved,
>
so that you might be all a - like;
V b b b b
> > > > > > > > > >
T
f if they turn back, then seize them and kill them wher - ev - er you find them
? # > > > > > > > > > # > >
B # # # #
f
b b b # b
if they turn back, then seize them and kill them wher - ev - er you find them,
#

#

#

#

#
&
70
f
?
Pno.
?

70

3 3 3
Timp.
f
b b b # b
Perc. 1 & # # # # #
f
Perc. 2 &
f
& J . j j
j
.
Perc. 3
J J J
f 3 3 3
136
b n # # n w

76
&
p
Picc.
p f # # # #
3 3
# # #
3
3
b n # # n
&
a2
f
Fl. 1, 2
p 3 f p
3 3 3 3
# # #
b n # # n #
Fl. 3 &
p f f
3 3 3 3 3
# n # # #
3
b n #
3
#
a2
Bb Cl. 1, 2 & #
w w p f
3 3 3
p
& j
Bb Cl. 3
. # w
# # p
? j
B. Cl. # . w
p

b n # # n # # #
S. Sx. & # w
p f p
3 3 3 3
3 3

A. Sx. 1, 2 & # #
F
# #
V # w # w . # ww
J
T. Sx. 1, 2
F
? j #
B. Sx. # . w #
F
?
76
D.B.

76
S &
A &
T V
B
?
# # n # # #
b n
#
76
&
p f p
3 3 3 3
3 3
Pno.
?
76
Timp.
& #
Glock.
Perc. 1

f
& #
Vibraphone
Perc. 2

f
Perc. 3 &
137
j
. b. n b
82
Picc. & # #
p
Fl. 1, 2 &
Fl. 3 &

&
Bb Cl. 1, 2
#
Bb Cl. 3 &
#
B. Cl.
?
S. Sx. &w w
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
n b
? b # b

#
pizz.

82
D.B.

p

82
S &
A &
b b . . b b .
T V J b
F Ex - cept those who reach a peo - ple be - tween whom and you there is an al-
B
?
#
b b
b n b b
# b
82
&
p
3 3 3 3 3 3 3 3
3 3 3
n b
Pno.
? b # #
b
?
82
Timp.
Perc. 1 &
&
3
Perc. 2
F 3
Perc. 3 &
138
b .
& b # b . b J b
89
Picc.
Fl. 1, 2 &
Fl. 3 &
b j
& b b b. b
1.
Bb Cl. 1, 2 b b
p
Bb Cl. 3 &
B. Cl.
?
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?

b

b
89
D.B. b

89
S &
A &
b . b .
T V .
J b b b
J b
li - ance, or who come to you, their heart shrink - ing from fight - ing you or fight - ing their own peo -
B
?
b b b
b b b b b b
& b
#

89
3 3 3 3 3 3 3 3 3 3 3
3 3 3
?
Pno.
b
b b
?
89
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
139
& w
96
Picc.
Fl. 1, 2 &
Fl. 3 &
&
Bb Cl. 1, 2
w
Bb Cl. 3 &
B. Cl.
?
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
n b
?
b # b #

96
D.B. b

96
S &
F
or
j
A & # . b. n # # . b #
F Ex - cept those who reach a peo - ple be - tween whom and you there is an al - li - ance, or
. b
T V . b b .
J
b b .
ple; Ex - cept those who reach a peo - ple be - tween whom and you there is an al - li - ance, or
?
B
b F
or

# b
b n b
# b #
# b
96
&
3 3 3 3 3 3
3 3 3 3 3 3 3 3
? b n b
Pno.
b # b #
?
96
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
140

103
Picc. &
Fl. 1, 2 &
Fl. 3 &
Bb Cl. 1, 2 &
Bb Cl. 3 &
B. Cl.
?
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
? b
b
103
D.B. b b
F
b . b .
b

J . b b b
103
S & J w
who come to you, their heart shrink - ing from fight - ing you or fight - ing their own peo - ple;
j j
& . b. b b b b. b w

A
b .
who come to you their heart shrink - ing from fight - ing you or fight - ing their own peo - ple;
b .
T V J . b b b
J b w
who come to you, their heart shrink - ing from fight - ing you or fight - ing their own peo - ple;
? b . b.
J b b . b w
B J
() b b
b b
who come to you their heart shrink - ing from fight - ing you or fight - ing their own peo - ple;
b b b b b
& b b 3
103

F
3 3 3 3 3 3 3 3 3 3
3 3 3

Pno.
? b
b b b
?
103
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
141

110
Picc. &
Fl. 1, 2 &
Fl. 3 &
Bb Cl. 1, 2 &
Bb Cl. 3 &
B. Cl.
?
b b b
S. Sx. &
f
3 3
b . w
1. 3 3

2.
&
3 3
A. Sx. 1, 2
f
w b b w b
3 3
w
3 3

w
1. 3 3
V
2. 3 3
T. Sx. 1, 2
f 3 3 3 3
? .
b b.
3 3 3 3 3 3 3
. .
>f > > > > > > > > .
B. Sx.
F
? arco 3 .
110
b b.
3 3 3 3 3 3
D.B.
> > > > > > > > > . . .
f F
b > b.
J

J b b.
110
S &
and
3 3
if god has pleased, He would have giv-en them po - wer
>
J

A & J b b.
and
3 3
>
J

T V J b b.
and
3 3
b >
? b.
B J J

3 3
and if god has pleased, He would have giv-en them po - wer

110
&
Pno.
? . . . b. .
110
Timp.
f 3 3
F 3 3
Perc. 1 &
Perc. 2 &
Perc. 3 &
142

116
Picc. &
Fl. 1, 2 &
Fl. 3 &

& #

Bb Cl. 1, 2

&

Bb Cl. 3

? .
B. Cl.

w #w
S. Sx. &
# ww w b .
A. Sx. 1, 2 &
b ww w b .
T. Sx. 1, 2 V
?
b. nw
3
B. Sx.
.
? w w w
116
b. nw
3
D.B.
# w

116
&
3
>
S
o - ver you, cer - tain - ly
& # w
3 3

> > >
A
# w
o - ver you, so that they should have cer- tain - ly fought you; cer - tain - ly
V
3
>
T
o - ver you, cer - tain - ly
? # w

3 3
>cer- tain - ly fought

> you; >
B

o - ver you, so that they should have cer - tain - ly
gg gg ggg gg ggg ggg #gggg

116
& g g g
p

Pno.
? w
w
? . >
w w w
116
3 3
Timp.
3
Perc. 1 &
Perc. 2 &
Perc. 3 &
143
b

& b
123 3 3
Picc.
P

3 3 3
b
3 3 3
b
3

& b
a2
Fl. 1, 2
P
3 3 3 3 3 3 3 3 3

3 3
b
3

& b
3
Fl. 3
P 3 3 3 3 3 3 3
j j
3 3
3
. . .. b .
& . . b
Bb Cl. 1, 2
J J

& j j
. . . w

Bb Cl. 3

. b. .
? J J
B. Cl.
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
? w
?
123
D.B.
. . . .
J
123
S & J
p there - fore if they with - draw from you and do not fight you and of - fer you peace, then
j .
& . . b b
A
J
p there - fore

if they with - draw from you and do not fight you and of - fer you peace,
. . . .
T V J J
p there - fore
.
if they with - draw from you and do not fight you and of - fer you peace,
? b. .
B J J
p
()
there - fore if they with - draw from you and do not fight you and of - fer you peace,
gw
& gggww
123
F
w
Pno.
? w
?
123
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
144
b n . bw
& J
129
j
Picc.
F
33
. ww
b b .
& J

Fl. 1, 2
F
3
b n . bw
Fl. 3 & J
F
3
j j

. . .
& b n . b . n b .

Bb Cl. 1, 2
J
F
Bb Cl. 3 & j
. b. b w

F
b. b
? .
B. Cl. J
F
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?
129
D.B.
. . .
J J
129
S &
f
god has not gi - ven you a way a - gainst them
& b n . b. n
A
J
f

then god has not gi - ven you a way a - gainst them
V . b. b
T J
f
? . b. b
B J
f
j
& b n .. b www
129 3
b .
F
j
b bw
Pno.
? .
. bw
3
?
129
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
145

134 attacca
Picc. &
Fl. 1, 2 &
Fl. 3 &
j b. U
. bw w
& b n . b. nw w
Bb Cl. 1, 2
J
j U
Bb Cl. 3 & . . w w
. b. bw U
B. Cl.
? # J w
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
?
134
D.B.
. b .. b ww U
w
& J
134
god has not gi - ven you a way a - gainst them.
U
& b n . b. nw w
A
J

. w U
w
T V

. b. bw U
? # J w
B

134
&
Pno.
?
134
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
attacca
146
V
We Prescribe to the Children of Israel
a2
# # n b # n # # 5 b #
Andante Maestoso
&c 4 . n b c
F
Flute 1, 2

3 3 3 3 3 3
3
b b #
# # # n #
# # 5 . b
3
Flute 3, 4 &c 4 # b . c

3 F
3 3 3 3 3
Clarinet in B b 1, 2 &c 45 c
Clarinet in B b 3 &c 45 c
Bass Clarinet
?c 45 c
Soprano Sax. &c 45 c
5
Tenor Sax. 1, 2 Vc 4 c
?c 5 c
Baritone Sax. 4
?c 45 c
Double Bass
w w w w
p
Soprano &c 45 c
Alto &c 45 c
Tenor Vc 45 c
?c 5 c
Bass 4
5
&c 4 c
Piano
?c 5 c
4
?c 45 c
w w w w
p
Timpani

&c w j 45 c j
Chime
. . .
3
>
Percussion 1
F F
147
j
b .
.
J
6
Fl. 1, 2 &
F
3
# # .
& J
a2

Fl. 3, 4
F
3

# # n b
3
B b Cl. 1, 2 &
F
& #
b n
3 3

B b Cl. 3
F
? # #
5
3
B. Cl.
.
F
b
S. Sx. & # n

p 3
3
F

& #
#
#
A. Sx. 1, 2
p
3
F
#
3
V # .
a2
T. Sx. 1, 2
3 F 5
? # #
5
3
B. Sx.
.
F
? #
5
#
6 3
D.B.
w w w w . .
F

6
S &
A &
T V
? j
. b b
3
F
We pres-cribe
f
to the chil - dren of
F
Is - rael
..
.
J
6
&
Pno.
F
? # #
5
3
.
F
? j
6
Timp.
w w w w . .
F
j j
&
> . .
3
Perc. 1
f F
& .
Bass drum
Perc. 2
J
F
Perc. 3 &
148

12
Fl. 1, 2 &
f
3

Fl. 3, 4 &
f > >
3

# n #
# b # b # b
3
&
a2
..
B b Cl. 1, 2
w
p
f
&
b n # > b > b b b .

3 3
B b Cl. 3
f w
p
? j
. b b
3
B. Cl.
.
f p
>
& # n # # b # b

S. Sx.
> . w
3
f> p
>>
3
>
& # # # b # b n ww

b b ..
A. Sx. 1, 2
3
3
f p
T. Sx. 1, 2 V . # w
f 3 p
? #
3
B. Sx.
. w
f p
? #
12 3
D.B.
. w w w
f p

12
S &
A &
T V
? j
. b b
3
.. F We pres -cribe to the chil - dren of Is - rael

12
.
&
f
3
Pno.
? #
3
w w
f p
?
12
3
Timp.
. w
f p
& .
3
Perc. 1
f
Perc. 2 & .
f 3
Perc. 3 &
149

17
Fl. 1, 2 &
Fl. 3, 4 &

B b Cl. 1, 2 & b b b

b b
b b b b j . w w
. b b
J
P p
B b Cl. 3 & b j
b b b b . w w
P p
B. Cl.
? b b b w
j j
b .
j
b b b
>> >
S. Sx. & b
F3
> >3 >
& b
b
A. Sx. 1, 2
F 3
T. Sx. 1, 2 V
B. Sx.
?
? b w
17
D.B. b b b b
b b
17
S &
P who - ev - er slays a soul
&
b

A
P
who - ev - er slays a soul
T V b b b
P who - ev - er slays a soul
B
? b b b w
j j
b .
j
b b b
that who - ev - er slays a soul un - less it be for man - slaugh - ter or for

17
&
Pno.
?
17
Timp.
Perc. 1 &
b
Glock.
Perc. 2 &
p
Perc. 3 &
150
b b
3
3

22
& 3
Fl. 1, 2
p
3
Fl. 3, 4 &
B b Cl. 1, 2 & w
b b ww ww # b b b b b
b
b
P
B b Cl. 3 & w
w w b
P b
? b b . . b b b
B. Cl. b . J J J
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
? # w
22
D.B.
.
F
b b
22
S &
F it is as though he slew all men
A & b b b b
T V b b
? b J b . . b b b
B b . J J
mis - chief in the land
b b F
it is as though he slew all men he slew all men

22
&
p
3 3
Pno.
? #
.
F
?
22
Timp.
Perc. 1 &
Perc. 2 &
Xylophone
& #
3

Perc. 3
p
151
b b ww
# b
a2
&J
27
Fl. 1, 2
p f p
b
3
& # # b .. w
3
a2

Fl. 3, 4
P 3 p

b b
3
&w b .
2. 1.
B b Cl. 1, 2
. f p
P3 3
# # .
3
&
3
B b Cl. 3
. P
? b b
6
B. Cl. w > #
f p
b b #
b
S. Sx. &J
p f p

b # b .
3
&
3
A. Sx. 1, 2
# .
P3
a2 >
b b
3
T. Sx. 1, 2 V # n
f 6 6
p
? b
> b # n
B. Sx.
f p
?w b b
27 6
D.B.
> # nw w
f p
.
27
S &w
F who-ev - er keep it a-live,
& b .
w
A
F
# .
who-ev - er keep it a - live,
T Vw
F who-ev

- er keep it a - live,
? .
B w
F and who-ev - er keep
b b #
it a -live,
b
&J
27
Pno.
p f p
?w b b
6
> #
f p
?
27
Timp.
>
F
w
Chime

Perc. 1 & w
F

Bass drum
&
>
Perc. 2
f
b
Perc. 3 & J b # b

p f p
152
b b b b b ..

32
Fl. 1, 2 &
F
b b b b .
& b b .

Fl. 3, 4
F

B b Cl. 1, 2 & # .. # .. b b
b

F

B b Cl. 3 & # . # . b
F
? . . b b
B. Cl.
F
# w
S. Sx. & #
F

# .. # . b b
& . b

A. Sx. 1, 2
F
# . # .. b b
V . b

T. Sx. 1, 2
F
B. Sx.
? w
F
? w
32
D.B.
F
.
& . b w # . # b
32
S
J
f he kept a-live all men f and cer - tain-ly Our mes - sen - gers came to them
A & b j b. b w . . b b
f f
b J b. b w # . # . b
he kept a-live all men and cer - tain-ly Our mes - sen - gers came to them
T V
f he f and cer
. .
kept a-live all men - tain-ly Our mes - sen - gers came to them
? . b b. b w b b
B JJ J
f it is as though he kept a-live all men f and cer
b b gg b g b b gg b b gg g

- tain-ly Our mes - sen - gers came to them
b b gg b g g
b b g b b g
32
&
Pno.
F
? w
w
F
? w
32
Timp.
p F
Perc. 1 &
Perc. 2 &
Perc. 3 &
153
b b b b ..
3
3

38
&
p
Fl. 1, 2

& 3b b ..

Fl. 3, 4
p3 3

b b
3
B b Cl. 1, 2 &
3
f
&
3
B b Cl. 3
b
f
? b
B. Cl.
3
f
b
&
f
S. Sx.
3

b b
3
A. Sx. 1, 2 &
f

3
bb
3
T. Sx. 1, 2 V
3
f
B. Sx.
? b
3
f
? b
38
D.B.
3
f
b
38
S &
3
with clear ar - gu-ment
& b
3
A
T V b
3
? b j j
b b . j
3 3
B
3

b b gg
with clear ar - gu-ment but ev-en af -ter that ma - ny of them cer -tain-ly act ex-tra- va -gant -ly in the land

38
&
Pno.
?
38
Timp.

Chime
Perc. 1 & w
p
Perc. 2 &
w w w w
Tam-tam
Perc. 3 &
p
154
j > >j
# # # n ww ww
& J
J
44
> >
Fl. 1, 2
p
j > >
# j
# # ww ww
& J J
p > >
Fl. 3, 4

j > > j
# # # # # # n n ww
B b Cl. 1, 2 & J J
> >
p
> >
B b Cl. 3 & J
J
w
p
? j b > j b
>
3
B. Cl.
# # nw
F
S. Sx. &
A. Sx. 1, 2 &
b > j
V J b
a2 3
T. Sx. 1, 2
> # # n
F
? j b > j
> b
3
B. Sx.
# # n
F
? w w
44
D.B.
p

44
S &
A &
T V
? b b
B J J
F We pres-cribed to them in it that

44
&
Pno.
? w w w
44
Timp.
w w
F p

3
& b #
Glock. 3 3
b
Perc. 1
F

3
& b #
Xylophone 3 3
b
Perc. 2
Perc. 3 & w w
F p
155

49
Fl. 1, 2 &
Fl. 3, 4 &
B b Cl. 1, 2 &
B b Cl. 3 &
B. Cl.
?
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
B. Sx.
?
? .
49
D.B.
b j
& J J J b b j b . b J b
49
S J J J J
P is for life,
f
is for eye, is for nose, is for ear, and that there is re - pri - son in
& b J b
j b j # j j b j j j j
A

P f
b J j J b J b J b b
is for life, is for eye, is for nose, is for ear, and that there is re - pri - son in
V J
T
J J J
P is for life, is for eye, is for nose, is for ear, and
f that there is re - pri - son in
? b . .
j
. j . J
b
J b . b J b
B
J J
f
life and eye and nose and ear and that there is re - pri - son in

49
&
Pno.
?
49
Timp.
.
b
& b
Chime
Perc. 1
p
Perc. 2 &
Perc. 3 &
156

55
Fl. 1, 2 &
Fl. 3, 4 &
B b Cl. 1, 2 &
B b Cl. 3 &
B. Cl.
?
b b b b
& . b J w
S. Sx.
J
f 3
F f
j j j j j j j j j
& b .. .. b b .. b .. .. b b b b b
J J

J J J
b
J
J J
A. Sx. 1, 2
P J
Fj
j j j j j j j j
V . b . b b .. b .. .. b b b b b b

J b
J . J . J J J J J J
T. Sx. 1, 2
P F
? j b
b b b
. b J w
3
B. Sx.
f F f
?
55
D.B.

55
S &
wounds;
& #
n
A
b .
wounds;
T V
wounds;
B
? w
wounds;

55
&
Pno.
?
55
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
157
j j j

b
J J
j b . b w
62
J # # .
&

Fl. 1, 2

j j j
b b b b . # w
& J J b
J J
Fl. 3, 4

B b Cl. 1, 2 &
B b Cl. 3 &
B. Cl.
?
& J b . b b b b w
S. Sx.
J J
p F p
j j j j j
& b .. b b b n # b . n b
j b . b w
J J J . J
A. Sx. 1, 2
J J # # .
j j j j j
b
V b . b b b # .. b b b b . # b
J J J . J w
T. Sx. 1, 2
J J
? j j
b .
j
b b b b j
B. Sx.
w
p F p F
?
62
D.B.
j b j j
j b . b
62
S & w
f and that there are re - pri - son in wounds;
& j j j
# # .
A
f
b j b j j
and that there are re - pri - son in wounds;
V # n . j

T
f and that there are re - pri - son in wounds; but
? b j b . J b .
B
J J
f and that there are re - pri - son in wounds; but

62
&
Pno.
?
62
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
158
ww .. .. ww

69
Fl. 1, 2 &
P F
.. .. ww
Fl. 3, 4 & ww
P F j j
j
b .. .. b . J . w b
B b Cl. 1, 2 & J J

F
j j
B b Cl. 3 & . . . w
J
F .
b . . b b
B. Cl.
? J J J
F
. . . w
S. Sx. & J J J
F
j j j
& b .. .. b . J . w b
J J
A. Sx. 1, 2
F
j j j
V b .. .. b . J . w b
J J
T. Sx. 1, 2
F
B. Sx.
? b b b . b. w
F
? b. w
69
D.B.
f
.
69
S & J
and who - ev - er did not judge by what god re - vealed,
j
A & b b . b

.
and who - ev - er did not judge by what god re - vealed,
T V b b b . J
he who fore -goes it, it shall be an ex - pi - a - tion for him; and who - ev - er did not judge by what god re - vealed,
B
? b b b . b b . b
J
he who fore -goes it, it shall be an ex - pi - a - tion for him; and who - ev - er did not judge by what god re - vealed,

69
&
Pno.
? . w
69
Timp.

f
Perc. 1 &
Perc. 2 &
Perc. 3 &
159

76
Fl. 1, 2 &
w w .

4. to Picc.
&
f
Fl. 3, 4
p
1.w w .
B b Cl. 1, 2 &
f p
B b Cl. 3 &
B. Cl.
?
w w .
S. Sx. &
f p
A. Sx. 1, 2 &
Vw
2.
T. Sx. 1, 2 w .
f p
B. Sx.
?w w .
f p
?w w .
76
D.B.
f p
b.
& . . J b w
76
S
J
those are they that are the un - just, those are they who are the un - just.
j b.
J
& b. b b w
A
b .

. b . b w
.
those are they who are the un - just, those are they who are the un - just.
T V J
J

? b. b . b.
B J b J b w

76
&
Pno.
?w j
.
76
Timp.
w
f F
&w
Chime
Perc. 1
f
Perc. 2 &
Perc. 3 &
160
VI
It May Be That God Will Grant Love
3 b > . b > b > > . b > b > > . J > b > > . b > b >
Allegro Vivace
&4 J J J J
Piccolo
J J J
F .
b
3
Flute 1, 2 &4

p
.
Flute 3 & 43
p
3
Clarinet in B b 1, 2 &4
3
Clarinet in Bb 3 &4
? 43 b > . b n b > . b b b j . b b.
Bass Clarinet J J J b b n
J b J
P
> >
3
&4 b . b
J
Soprano Sax.
J
F
3
Alto Sax. 1, 2 &4
Tenor Sax. 1, 2 V 43
? 43 j .
b
>
Baritone Sax.
P
?3
Double Bass 4
3
Soprano &4
Alto & 43
3
Tenor V4
?3
Bass 4
& 43
Piano
?3
4
?3
Timpani 4
3 >. > > >. > > >. > > >. > > >. >
& 4
Tambourine

Percussion 1
Percussion 2 & 43
3
&4
Triangle
Percussion 3
P
161

10
Picc. &
. . . . . . . . . . .
b b b b b b b b
Fl. 1, 2 &
. . . . . b . . . . . .
Fl. 3 &
B b Cl. 1, 2 &
B b Cl. 3 &
B. Cl.
?
F
&
b > > b b > b > b > . J > b > > . >
b b >
S. Sx.
J J J J J
A. Sx. 1, 2 &
V b
1.
T. Sx. 1, 2
F
j . b b b j . b
b
? b b b n b
B. Sx. b n > J J >
?
10
D.B.
F

10
S &
A &
T V b
F It
B
?

10
&
Pno.
?
10
Timp.
> >. > > >. > > >. > >
Perc. 1 &

Perc. 2 &
Perc. 3 &
162

17
Picc. &
. . . . . . . . . .
b b b b b b b b
Fl. 1, 2 &
. . . . . . b . b . . .
Fl. 3 &
B b Cl. 1, 2 &
B b Cl. 3 &
? j . b n > b j b b n > .
J . J J

>
B. Cl.
S. Sx. &
A. Sx. 1, 2 &
j j > j j > > . > j > . j j

V . b . b J b
> > > >
T. Sx. 1, 2
B. Sx.
?
? j . b n > b j b b n > .
J . J
pizz. 17
J
>
D.B.

17
S &
A &
j j j j . b j . j j
T V . b . b J b
may be that god will grant love and freind-ship be - tween you and those whom you hold as
B
?

17
&
Pno.
?
17
Timp.
Perc. 1 &
Perc. 2 &
Perc. 3 &
163

24
Picc. &
. . > .
b 1. b > . > b > > . > b > >
J J J J
& J J

Fl. 1, 2
F
. .
Fl. 3 &
B b Cl. 1, 2 &
B b Cl. 3 &
? b
J #
B. Cl.
J b
f
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V b
B. Sx.
?
? b b

24
D.B.
b . j j . j j . b J j
& b b
24
F It may be that god will grant love and freind - ship be - tween you
& b .
. . . . . .
A
p may that gid grant freind - ship you
T V b . . b . . . b . . b .
p
b .
en - e-mies. may that god grant freind - ship you
B
? . . . . . .
p .
. b . . . b . . . . b b b
may that god grant freind - ship you
24

&
p
. . . . . . b .
Pno.
?
24
Timp.
& . . .

Perc. 1
p
Perc. 2 &
Perc. 3 &
164
b > . b > b >

J J
30
Picc. &
p
b > > . > b > b > . b > b >
J J
J J
a2
Fl. 1, 2 &
p
b > . b > b >
Fl. 3 & J J
p
b > . >
b b >
&
a2
B b Cl. 1, 2
J J
p
b > . >
b b >
B b Cl. 3 & J J
p
? b b # j
B. Cl.
b b .
>
b b n
p
b > . b > b >
S. Sx. & J J
p > > j >
b . j b
& . . . b . . . . . . . .
A. Sx. 1, 2
p
. . . . . . . . . .
V b .. b

T. Sx. 1, 2

? j
b . b b n
>
B. Sx.
p
? b b > . b b n
J
30
D.B.
p
j
& b . j b.
30
S
and those whom you hold as en - e - mies.
&
. . . . .
A
and those hold en - e - mies.
. . b . .
T V b .
.
? b . . . .
B
. . . . . b . . . .
b b . . .
30
b b b
&
. .
? b . . .
Pno.
b . b . .
?
30
Timp.
& .

Perc. 1
.
Snare drum
Perc. 2 &
p
Perc. 3 &
165
> . b > b > > . > b > > . > b >

b
J J J J J J
35
Picc. &
> . b > b > > . > b > > . b > b >

J J J J J J
Fl. 1, 2 &
> . b > b > > . > b > > . b > b >

Fl. 3 & J J J J J J
> . > b > > . > b > > . b > b >

& b J
B b Cl. 1, 2
J J J J J
>. > b > > . > b > > . b > b >

B b Cl. 3 & b J
J J
J
J

J

? j j j
B. Cl. b .
>
b b b j b
J b b n b .
> b b.
>. > b > > . > b > > . b > b >

S. Sx. & b J
J J
J

J

J

j j j j j
. b . b . j b
& . . b . .
. . . b . . . .
. . . . b b
. . . . . . . . . . . . . . . . . .
A. Sx. 1, 2

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
V b .. b n b b .. b b .. b
b

T. Sx. 1, 2

? b j j j
B. Sx.
> .
b b b j b
J
b b n b .
> b .
>
? b J . b b b b
b b j
b .
35
J J n j
b .
D.B.
>
b
35
S &
f and
A & b
f and
T V b
f and
B
?
f and
.
. . . . .
b b b b b b b . . . . .
b
. . . .
b b
& b
35
Pno.
? b b . . b . b . . b . b . .
.
?
35
Timp.
Perc. 1 &

Perc. 2 & .

.

.

Perc. 3 &
166

41
Picc. &
Fl. 1, 2 &
Fl. 3 &
.j . . . .j . .j . . . .j . .j . . . .j .
& b
b J b J b J b J b J b J
B b Cl. 1, 2

F
B b Cl. 3 & j j j j j
b . . . .
j
b . . . . b . . b . . . . b . . . b .
F
B. Cl.
?
b . b .
S. Sx. &
f
j j j j j j
& . . . . . . . b . . . . .
2.
A. Sx. 1, 2 . . .
F. . .j . . . .j
.j . . .j .j
b . b b .. n b b . j b
V b . b b . b
b .
T. Sx. 1, 2
J J J J J J b
F
? b > b . b n b > b . b b b j b
J b b n
B. Sx. J J
F
? b > . b n b > . b b b j b b b n
41
D.B.
J b J J
F
41
b b n b b J b
S &
god is power-ful; and god is for - giv-ing, mer - ci - ful, for - giv- ing.
j
A & b b
b b J
T V b b b

b
B
? b b b b b J
god is power-ful; and god is for giv-ing, mer - ci - ful, for - giv- ing.

41
&
Pno.
? b b b b

41
Timp. b b
F
> >. >.
Perc. 1 & . J
J

J

J

J

J
F
> > >
Perc. 2 &
J

J

J

J

J

J

F
Perc. 3 &
167

47
Picc. &
Fl. 1, 2 &
Fl. 3 &
.j . . . .j . b b > > j > > > j >

& . b b j b b . b j b b
B b Cl. 1, 2
b b J b . b b b b . b b b
J J J J J
p
B b Cl. 3 & j j
b . . . . b . .
B. Cl.
?
> . b . > b .
S. Sx. & J J
. . . . . . . .
j j
A. Sx. 1, 2 & . . . . . b
b

b
b

b
b
b
b

. . .j .j
. . . . . . . .
b . b
V b . J
b
J b b b b b
b

T. Sx. 1, 2

? b > b . b b.
B. Sx. J J b b . b . . b . b . .

? b > . b b.
47
D.B.
J J b . b . . b . b . .

& b b b b . b b j b b . b b j b
47
S J J
God for - bid you
p
not, with re - gard to those who fight you not for
A & b
God for - bid you not,
V b b b b b . b b j b b . b b j b
T
J J
p
God for - bid you not, with re - gard to those who fight you not for
? b b
B
b

b b b
God for - bid you not,
b
b J b b b b J b
47
&
p
b b b
J b b b b J b
Pno.
? & b b
? b b b
47
Timp. b
>
Perc. 1 & . J
J

>
Perc. 2 &
J

J

Triangle
Perc. 3 &
168
2 3
53
Picc. & 4 4
2 3
Fl. 1, 2 & 4 4
Fl. 3 & 24 34
> j> >
b . b j > > j > . . . .
& b . b b b b . b b j 2 b
4 b 3
4 #
B b Cl. 1, 2
J b b b . b b
J J J
B b Cl. 3 & 24 34
. . . .
? 2 3 . b
B. Cl. 4 4 b .
p
S. Sx. & 24 34
. . . . . . . . .
& b b b b b 24 b . 34 # . . . .
A. Sx. 1, 2
b b b n
. . . . . . . . . . . . . .
b
Vb b b b b 2 b b b
4
3 b
4

T. Sx. 1, 2
? b b . b 24 . 34 . b
B. Sx. . . b . b . b .
p
? b 2 3
arco
b . b . . b
53
D.B. . . b . 4 b . 4 b .
p
b . b J b b b . b b j 24 b 34 .
53
S & J J
your re - li - gion nor drive you out of your homes, P that
2 3
A & 4 4 .
P that
b . b J b b b . b b j 2 b 3 b
T V J J 4 4
your re - li - gion nor drive you out of your homes, p with re -
B
? 24 34 b
() p
b b b b b b b
b b b b
with re -
b b b 2 b 34 b
53
& 4
b b b b b b b
b b b b b
b
Pno.
& 24 b 34 b
b
? 2 3
53
Timp. 4 4
Perc. 1 & 24 34
Perc. 2 & 24 34
2 3
Perc. 3 &

4 4
169
. . . . . . . . . . . . . . . . . . . . . . . . . .
J
58
Picc. &
. . . . . . . . . ... .. . . . . .j . . . . . . .
b
b
& J

Fl. 1, 2

. . . . . . . . . . . . . . . . . . . . . . . . . .
Fl. 3 & J

B b Cl. 1, 2 &
B b Cl. 3 &
? j
j j b . j j
b > . j b
>. > > > > > > >
B. Cl.
S. Sx. &
A. Sx. 1, 2 &
T. Sx. 1, 2 V
? j
j j b . j j
b > . j b
>. > > > > > > >
B. Sx.
? j
j j b . j j . j b
58
b >
>. > > > > > > >
D.B.
.
& . . . . . . . . . . . . b . . . . . .
58
S
J
you should show them kindness and deal just - ly with them, that you should show them kind - ness
A & . . . . . . . . . . . . .j . . . . . .
you should show them kindness and deal just - ly with them, that you should show them kind - ness
j j . j j . b j b
T V . b b J
gard to those who fight you not for your re - li - gion nor
? j j . b J j b
B . j b . j b
().
ggg . ggg. ggg. ggg . ggg. . ggg . ggg .
gard to those who fight you not for your re - li - gion nor
gg b b ggg
& gg
58
g g g g g g g
p
g . ggg . ggg. ggg. ggg . ggg. .
b b ggg ggg . ggg .
Pno.
& ggg g g g g g g g
?
58
Timp.
Perc. 1 &

p
Perc. 2 &
Perc. 3 &
170
. . . . . . . . . . . . . . . . . . . . . . b . . . . b . .
J J J J
64
Picc. &
. ... .j . . . . . . F. . . . .j . . . . . . j j
b . . . . b . .
.J . . . .J .
& J J

Fl. 1, 2
F
. . . . . . . . . . . . . . . . . . . . . . b . . . . b . .
Fl. 3 & J J J J
F
. . .j .j

B b Cl. 1, 2 & b .. b
J J
F
B b Cl. 3 & j j j j
. b b . . . . b .
f > > > F
? j > . > b >
j b > J J b b. b n
>. > J
B. Cl.
f F
b b b .
b b b . .
S. Sx. & J J
f
b
& b b b n
A. Sx. 1, 2

F
b . j j b b b
b b
a2
V > b
>
T. Sx. 1, 2
f F
> . > b
? j j J b b. b n
b > J
>. > J
B. Sx.
f F
> . > b
pizz.
? j j J b b. b n
64
b > J
>. > J
D.B.
f F
. . . . . . b b n
& b
64
and deal just - ly with them. and god is power - ful; and
A & . . . . . . b
and deal just - ly with them. and god is power - ful; and
j j
T V . b b b b
drive you out of your homes. and god is power - ful; and
B
?
. j
j
b b b b
and
()
gg . ggg . ggg . ggg . ggg . ggg.
drive you out of your homes. god is power - ful; and
& gg
64
g g g g g
g . ggg . ggg . ggg . ggg . ggg.

Pno.
& ggg g g g g g
? b b

64
Timp.
F
>.
Perc. 1 &

J

J
F
>
&
Perc. 2
J J
F
&

Perc. 3
F
171
b . . . . b . . b . . . . . b . b . . . . b .

. b > . b >
& J J J J J J J J
70
j
Picc.
j j j j j
b . . . . b . . b b . . . . b . . b . . . . b . . f j
.J . . . .J . J. . . . .J . .J . . . .J . b .J. .. .. ..
Fl. 1, 2 &
b . . . . b . . b . . . . . b . b . . . . b . . . . . .
Fl. 3 & J J J J J J J
. . .j .j . . .j .j . . .j .j a2 b > . >
b . b
B b Cl. 1, 2 & b .. b n b . b b .. b J J
J J J J J J
f
> . >
& j j j j j j b b
J
b . . . . J
B b Cl. 3
b . . . . b . . b b . . . . b .
f
? b .
Jb
b b b jb b b n
J b b .
J b b. j
b . b
B. Cl.
J >
. . .
b b . b . . b . J b b . b . b . b > . >
& J J J J J b J
S. Sx.
J
f
j j j . j j
b b b b ..
& b b .. b b .. b
J J J . . . . . . . .
A. Sx. 1, 2
j j j . . . . . . .
. ..
V b b b b b .. b . b ..
T. Sx. 1, 2
b J J J
? b b.
J
b b b jb b b n
J b b .
J b b. j
b . b
B. Sx.
J >
b > . b
? b . b b b jb b b n b b . b b. J
70
D.B.
Jb J J J
b b b b
70
S &
god is for - giv-ing, mer-ci - ful. Sure-ly god loves the do - er of just-ice.
A & b b b

T V b b b

? b b b
B
b
.
god is for giv-ing, mer-ci - ful. Sure-ly god loves the do - er of just-ice.
b
70
&
Pno. F
& ?
b .
? b b b b b
70
Timp. b b b
> >. >. >.

Perc. 1 & . J
J

J

J

J

J

J
> > > >

Perc. 2 &
J

J

J J

J

J

J
Perc. 3 &

172
b > > . b > b > > . > b > > . > b >
b
attacca
J J J J J J
77
Picc. &
j j j j j j j
b . . . .
b .J. .. b .J. .. .. .. b .J. .. b .J . . . b .J. .. b .J. .. .. .. b .J. ..
Fl. 1, 2 &
. . . . . . . . b . . . . . . . . . . . .
Fl. 3 & J J J J J J J
b > > . b > b > > . > b > > . b > b >
& J
B b Cl. 1, 2
J J J J J
b > > . b > b > > . > b > > . b > b >
& J J J J
B b Cl. 3
J J
? j j j
B. Cl. b n b > . b b b jb
J b b n b > . b b .
b > > . b > b > > . > b > > . b > b >
& J
S. Sx.
J J J J J
j j j j
b . b j b . . b . j b
A. Sx. 1, 2 &
. . . . . . . . . . . . . . . . . . . . . .
b . . . . . . . . b . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
T. Sx. 1, 2 V b b .. b n b b .. b b.
b .
b

? j j j
B. Sx. b n b > . b b b jb
J
b b n b > . b .
? b n b > . b b b b j
J b b b .
77
J J n j
b .
D.B.
>

77
S &
A &
T V
B
?
b . . . . . . . b . b b . . . . . . . . .
&b b b b b b b b b
77
Pno.
? b b . b . . b . b . . b . b . .
. .
? b
b
77
Timp. b b b b b
>. >. >.

&
Perc. 1
J J J J J J J
> > >

&
Perc. 2
J J J J J J J
&

Perc. 3
attacca
173
VII
Nor Can Goodness and Evil be Equal
b ww ww b ww ww
b b ww ww
Andante Maestoso
Flute 1, 2 &c
F
bw ww b b ww ww b b ww ww b b ww
Flute 3, 4 &c b w
F
&c w . b ww bw
1.
w .
2.
Clarinet in B b 1, 2

F
Clarinet in B b 3 &c
bw .

w .

F bw
?c bw . bw . w .
Bass Clarinet
F
Soprano Sax. &c bw bw

F

&c w . w.
2. 1.
Alto Sax. 1, 2 w w .
F

Vc bw b w . b w. w . w. b w .
2. 1.

Tenor Sax. 1, 2
F
Baritone Sax.
? c bw . w . bw . bw
F
Double Bass
? c bw w bw w bw w bw
f
b b
Soprano &c b b . b J
Nor can good-ness and
3
j
e - vil be e - qual. Re - pel e - vil with what is bet - ter
Alto &c b b b b b b .. b b b
Nor can good-ness and 3
b
b b . b J
Tenor Vc b
3
b b b .. b b b
b
Bass
?c b b J
gg b b www
3
gg b www
ggb www
& c g b www gg b b www ggb b www
g
F gg b www
gg b b www gg b b www
Piano
? c gb www b ww ww
g ggb www ggb w & gg b www ggb w
Timpani
?c
&c w
Tam-tam
Percussion 1
F
bw b ww b b ww b ww
&c b w b b ww b b ww b b ww
Glock.
Percussion 2
F
b w
Chime
Percussion 3 & c bw
F
174
j ww> . j b
b b .. . b b w.
J J
8
Fl. 1, 2 &
p F P
j w> . j
&
. b bw . b b ww
J > J
Fl. 3, 4
p F P

B b Cl. 1, 2 & b .

p
B b Cl. 3 &
. p
B. Cl.
? b .
p

S. Sx. &
p

& b ..

A. Sx. 1, 2
p

V b ..

T. Sx. 1, 2
B. Sx.
?
p
? w
8
D.B.
p

b . j b b b b b b b j
8
&
3
S
J J J
F Then will he be-tween whom and
3
3
thee was hat - red be - come as it were thy friend and
j j
. j b b b b b j b j
3
&
3
A
b
F Then will he be-tween whom and
3

thee was hat - red be - come as it were thy friend and
j
V . J
J
b
J b b b b
T
J
F Then will he be-tween whom
3

3 3
b b b
and thee was hat - red be - come as it were thy friend and
? . J b J b b
B J J J
F Then will he be-tween whom
3 3 3

ggb b www ggb
and thee was hat - red be - come as it were thy friend and
ggg ggg b ggg b gg g ggg b b

8
& g b g ggg b b g
Pno.
& ggb b www gg b www

gg b www gg b b www
?
8
Timp.

ggg b gg b

ggg b b
Vibraphone
&
Per. 1
g gg g
p
b b ww b ww
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175
b w b

12
&
p
Fl. 1, 2
Fl. 3, 4 & b w
p
b b b b b
b b
3 3 3
&
3 3
b b
3
B b Cl. 1, 2
p
33
3 3 3 3 3
& b b
3 3 3
b
3 3
B b Cl. 3
b b
p

? b bw w
b b
3
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3
p
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A. Sx. 1, 2 &
T. Sx. 1, 2 V
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?
?
12
D.B.

& b J
12 3
S
in - ti - mate! P and
j
& b. b b b
b b b
3 3 3
in - ti - mate! P And no one will be grant such good - ness ex - cept

3
those who are pa - tience and
V b
3
T
in - ti - mate!
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3
() b b b
in - ti - mate!
b b
gg b b b b b
12 3 3
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3 b 3 3

Pno.
?
& b . b . b
ggb b www
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12
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g
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b b ww
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176
j
b b b .
.
b b a2 b b

J
15
Fl. 1, 2 &
p
b b b b w
& b

Fl. 3, 4
& b b
3 3 3 3
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& b
3 3 3 3
B b Cl. 3
B. Cl.
? bw b b
b b .
S. Sx. & J
p
j
& b b b . b

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p

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2.
T. Sx. 1, 2
b b b
p
?
B. Sx.
b b b b
p
? b b b b
15
D.B. b
p
b . b
J b b b b
15
S &
p
3 3
self - restraint, none but per - sons of the great - est good for - tune.
b . b b b b
A & J b b
p
3 3
self - restraint, none but per - sons of the great - est good for - tune.
b b
T V b b b . j
P
p
3 3
b b b b b
none but per - sons of the great - est good for - tune.
? . b b
B
J
P none
3 3
b b p
b 3
but per - sons of the great - est good for - tune.
b b
15 3
& b 3
3 3
b b
3 3 3
Pno.
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.
?
15
Timp.
b
ggg b
Vibraphone
Per. 1 & g
p
Per. 2 &
Per. 3 &
177
b b . b b b
J
19
Fl. 1, 2 &
F
3 3
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B b Cl. 1, 2 &
B b Cl. 3 &
B. Cl.
?
b b n
S. Sx. & b b .
J

3
j
& b b b.
b b b . n b b
3

J
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3
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3
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J
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b
3
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3

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F
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19
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S &
A &
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19
&
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?
19 3 3
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gg
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g b ggg b gg
gg b b gg
gg b
g
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b bw
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p
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178
23 bw b ww ww
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F
bw ww b b ww
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F
B b Cl. 1, 2 &
& j
B b Cl. 3
b. . bw
f
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B. Cl.
J
f
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bw bw b w.
1.
V bw
2.

T. Sx. 1, 2
? w
b .
B. Sx.
? b . . b .
23
D.B.
b b
23
S &
F And if whis - per from the de - vil reach thee
A & b b
b b
T V
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B
F
b
b
b

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J J
23
&
F
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b b
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3 3 3 3 3 3 3 3 3 3 3 3
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23
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f
.
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gg b . gg b ... gg b b ..
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gg gg
F
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f
179
b ww
b b ww ww
26
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Fl. 3, 4
w
& w b b ww ww
j
j b. .
1.
& w
2.
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b . .
f
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F

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F
.
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T. Sx. 1, 2
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? . b . .
26
D.B.
26
b w
S & J
3
then seek re - fuge - in god.
& b w
A
J
3
b w
T V J
3
w
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B J
()b
3
b b b
b
b J J J
26
&
3 3 3 3 3 3 3 3 3 3
b
3 3
b b b b
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3 3 3 3 3 3 3 3 3 3
3 3
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26
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gg b b ... .
& g
ggg b ..
g .
ggg b ..
g
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& bw bw
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bw
180
j b . w
ww
b b .. b w bw
J
29
Fl. 1, 2 &
p f
bw . j b w b . b ww
&b w b
J
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p f
b
& b w . b b b b b
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J
p f
& w . bw j
.
B b Cl. 3
b.
p f
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J b . . w
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J
p f
bw b b
S. Sx. &
p f

& w . b .. b b b b
b . . w
J
A. Sx. 1, 2
p f
bw j
V b w . b . b . . b w
. .
J
T. Sx. 1, 2
p f
? bw
b . .
B. Sx.
p f
? b . b n b . .
29
D.B.
f
b . b b
&
29
f
3
then seek re - fu - ge in god Lo! He is the Hear - er,
A & b b b b b b
f
3
b . b b
then seek re - fu - gee in god Lo! He is the Hear - er,

T V
f
3
b b b
then seek re - fu - ge in god Lo! He is the Hear - er,
? b b b
B
f
3
()b b b b b b
then seek re - fu - gee in god Lo! He is the Hear - er,
b b
J J b b
29
&
3
b b
3
3 3 3 3 3 3 3 3 3 3 3
3 3 3
b b b b j j
b b
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3 3 3 3 3 3 b . . w
3 3
?
29
bw w

Timp.
p
b b ..
& gggg . w
Cymbal
Per. 1
f
w w
Sus. Cym.
Per. 2 &
f
Per. 3 & bw bw bw

181
w
33 b ww b b ww bw b ww
Fl. 1, 2 &

b cresc.
ww bw b ww b ww
bw
Fl. 3, 4 &

b j
b b
cresc.
& b . b b b .. w b ww
J bw
B b Cl. 1, 2
cresc.

B b Cl. 3 & bw j
b . b . w w

? b. w . b. bw
cresc.
b . J
B. Cl.
J

b b
cresc.
& b b . w bw
S. Sx.
J

j
cresc.
A. Sx. 1, 2 & b b .. b . b b w . b ww ww
J
j
V bb w .
cresc.
b . b w . b . w . b. b ww
J J
T. Sx. 1, 2

?
cresc.
b . . b . w
B. Sx.

? b .
cresc.
. b . w
33
D.B.

b b
cresc.
b b . . b
33
S & J

Lo! He is the Know - - - er, the Hear - - er.
cresc.
A & b . b b b .

b b
cresc.
V b b . . b
T
J

? b . b b
cresc.
B
b .
b
b b b b
b b b bb b b
cresc.
& b b b b b J
33
b
3 3 3 3
b b
f
3 3 3 3 3 3 3 3 3 3
j
3 3
j j b. bw
Pno.
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cresc.
b . bw
b. b . w . b.
J
? w
cresc.
. b
33
w w

Timp.

cresc.
Per. 1 & w
cresc.
Per. 2 & w w
cresc.
F
Per. 3 & bw
cresc.
182
b b ww ww ww
37
&
p
Fl. 1, 2
f
b w w w
b w w w
Fl. 3, 4 &
p f
B b Cl. 1, 2 & b b ww
f
B b Cl. 3 &
bw w
f
B. Cl.
? bw w
f
bw
S. Sx. &
f
A. Sx. 1, 2 & b ww
f
T. Sx. 1, 2 V b b ww ww
f
?
bw w
B. Sx.
f
? bw w
37
D.B.
f
b b ww ww
&
37
S
J
3
Peace be up - on you.
j
& b b b b b ww ww
3
w w

V b b b b w w
T
J
3
? b
b b b b w w
J
B
ggg b b www
3

37
& gg b w
Pno.
f
? ggg b w
gg b w
? b b w w w
37
b
3
Timp.
& w w
Bass drum
Per. 1
& w w
Tam-tam
Per. 2
f f
bw bw
Per. 3 & bw bw

183
. 2552. . 1. :
,
. 2553.
. 1. : ,
. 2547. . 3. :
,
. 2549. .
1. :
Kostka, Stefan. 1990. Materials and Techniques of Twentieth-century Music. Englewood

Cliffs, NJ: Prentice Hall.
Muhammad Habib Shakir. The Koran. (Online). Available from :
http://quod.lib.umich.edu/k/koran
Bach, Johann Sebatian. St. Matthew Passion. Mineola, N.Y. : Dover, c1999.
Beethoven, Ludwig van. Symphony no.9. New York; Boosey & Hawkes, 1941.
Bernstein, Leonard. Chichester psalms. Jalni Publications : Boosey & Hawkes, c1965.
Britten, Benjamin. War Requiem. New York : Boosey & Hawkes, c1962.
Mozart,Wolfgang Amadeus. Requiem. Mineola, N.Y. : Dover Publications, 1998.
Prokofiev, Sergei. Alexander Nevsky. New York : Leeds Music Corp., c1945.
Vaughan Williams, Ralph. Dona nobis pacem. London : Oxford University Press, 1971.
Stravinsky, Igor. Les noces. Mineola, N.Y. : Dover, c1998.
Stravinsky, Igor. Symphony of psalm. London : Boosey & Hawkes, 1998.
184
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085-068-1476

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-

Mr. Amanut Jantarawirote

A Thesis Submitted in Partial Fulfillment of the Requirements

4 111 - 117 ( 2.13)

2.13 4 111 - 117

1. In the Name of God

2. If They Turn Back

3. In Graveyard of Bitter Memories -

4. They Desire That You Should Disbelieve

5. We Prescribe to the Children of Israel

6. It May Be That God Will Grant Love

7. Nor Can Goodness and Evil Be Equal

1 In the Name of God

In the name of God, the compassionate, the merciful.

2 If They Turn Back

And take not from among them a friend or a helper.

And against these we have given you a clear authority.

3 In Graveyard of Bitter Memories

In graveyard of bitter memories,

Days so long, nights longer, numbing cold

In darkness of eternal dark

You shall forever rest.

Who is that carrying that mass of broken flesh?

Dripping blood from gory holes

Grazed and filthy in humiliates

Our clean white flesh and chokes us

Eyes nearly closed, staring,

Fixed, gaze mournfully,

Sleep then, you who are weary

And your pain will ease away

What questions must be asked?

What words uttered

Before you can see?

How much more blood do you want?

How many more corpse of the brave?

How many more pictures like this must you see?

Before you come to your sense?

4 They Desire That You Should Disbelieve

So that they should have certainly fought you;

5 We prescribe to the children of Israel

We prescribe to the children of Israel that whoever slays a soul,

Unless it be for manslaughter or for mischief in the land, it is as though

And whoever keeps it alive, it is as though he kept alive all men;

And certainly our messengers came to them with clear arguments,

But he who foregoes it, it shall be an expiation for him;

And God is Powerful; and God is Forgiving, Merciful.

God forbids you not,

Surely god loves the doers of justice.

7 Nor can goodness and evil be equal.

Nor can goodness and evil be equal.

Repel evil with what is better:

none but persons of the greatest good fortune.

Lo! He is the Hearer, the Knower.

Peace be upon you.

2.33 4 118 - 120

2.39 4 103 - 109

4 111 - 115 ( 2.58)

2.58 4 111 - 115

4 Flutes (3rd and 4th doubling piccolos)

3 Bb Clarinets (3rd doubling bass clarinet)

1 Timpani player (4 Timpani)

3 Percussion (Glockenspiel, Xylophone, Vibraphone, Chimes, Snare Drum, Bass Drum,

Four Part Choir