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There are four built in shrines at the four corners of the well.
The well has 344 steps in all. The water can be reached easily by getting
down through these steps. The level of water inside the well can vary based
upon the season and the rains. Normally, Adalaj step well level of water
remains at 2 stories level.
The entire corridor is surrounded by 3 feet tall parapet wall for safety
reasons. This step well can serve as a wonderful picnic spot in the village
of Adalaj. When you get down in the step well, you will feel as if you are
getting down under the soil in the most mysterious land. Be extremely
careful while getting down as some people may feel dizzy due to height
phobia and may slip due to the steps condition. If you shout from the
bottom of the well, there will be 5 repetitive echoes of your own sound.
This is a real engineering wonder. There are various shloks written in
Sanskrit on all the walls of the step well. The step well is also full of artistic
sculptures of the renowned kings of Gujarat of that time. The stone
structures are also engraved with artistic designs of flowers and other
natural elements like sky, clouds and the rain. There is a Samadhi of queen
Rudabai just at the step well entrance.
The Vav is positioned in the north-south
direction. The length of the step well is
75.3 meters. It is the only best
architectural wonder of its kind which has
three entrance stairs which leads the
visitors to the stepped corridor. The
platform of the Adalaj Vav rests on 16
pillars. The corners of the platforms
comprises of four shrines, with doors,
windows and balconies. The corridor is
also completely bounded by a one-meter
high parapet wall. The walls of the Vav or
the step well are absolute showcases of
sculptures from ancient past.
SKETCH OF PLAN, SECTION & COLUMN DETAIL
MAIN PLAN & SECTION VIEW OF
ADALAJ STEP WELL
Built entirely of sandstone, one can enter into this step-well from
three sides, which consist of octagonal landings with huge carved
colonnades and intricately carved niches. The architecture of this well also
shows the influence of the earlier Solanki rulers of Gujarat. Carvings of
leafy creepers-typical adornment of Islamic architecture-co-exist with
Hindu symbolism. Among the other carvings on the panels are a king
sitting on a stool with two bearers, a scene depicting women churning
buttermilk, musicians accompanying dancing women apart from abstract
representations of various Hindu Gods and Goddesses. One can also see a
few Buddhist and Jain influences on some of the pillars and walls.