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LatinJazzisatermusedloosely,usedtocoinanycombination
ofJazzandLatinmusic.Althoughitfrequentlyreferstothemix
ofAfroCubanstyleswithJazzitcanalsobeusedtodescribe
JazzmixedwithCalypso,BossaNovasandotherLatinrhythms.
DontforgetJazzandLatinbothsharesomeAfricanheritageso
theblendcomesnaturally.Doyourhomeworktoplay
comfortablyinallthesestylesandpickupsomerecords.
SomepopulardrummerspioneeringinthisareaincludeAntonio
Sanchez,HoracioHernandezandDafnisPrieto.
Formoreinformation,visitourLatinsection
ListeningList:
HoracioHernandez StanGetz
HiltonRuiz WillieBobo
ChuchoValdes RayBerretto
GonzaloRubalcaba MongoSantamaria
DaniloPerez HerbieMann
SergioMendes JaoGilberto
PonchoSachez AstrudGilberto
ArturoSandoval CalTjader
TitoPuente PerezPrado
ChicoOFarrill ChanoPozo
MarioBauza DafnisPrieto
Beats:
Thissectionisbrokendownintofiveparts:
1)PlayingTheSonAndRhumbaClaves
2)GainingClaveIndependenceWithParadiddleInversions
3)GainingClaveIndependenceWith3Beatand5BeatFigures
4)IdeasBasedOnStickings
5)MoreIdeasBasedOnStickings
1)PlayingTheSonAndRhumbaClaves
Herearesomeexercisestogetyouplayinglikethepros.
Playthehihatpartwithonelimbandthesnarepartwithanotherlimb.Tryeverycombination.
Note:Thesepatternsareallin3:2clave.Trythemallin2:3bystartinginthesecondmeasure.
SonClave RhumbaClave
SonClave RhumbaClave
WhenyouarepracticingthepreviousSonandRhumbaclaves,playthesepatternsonthe
highhatwithyourfootwhenyouaren'tusingyourleftfootaspartofthefirst4examples.
Playtheabove2barpatternsonthebassdrum
whenyouaren'tusingitaspartofthefirst4examples.
TogetagreatClaveworkoutcheckoutHeracioHernandezbook:
"ConversationsinClave."
TrythistwolimbideaandsubrhythmsontothesnarelinefromthegreatbookfromTedReid:
"SyncopationfortheModernDrummer"
HerearesomeClaveindependenceexercisesinvolvingparadiddleinversions.
Onceyou'vemasteredthem,mixthemtomakephrases.
2)GainingClaveIndependenceWithParadiddleInversions
3)GainingClaveIndependenceWith3Beatand5BeatFigures
Hereareexercisesthatusegroupsofthreeunderaclavetogainindependence.Movethemaroundyourlimbs.Ifa
limbisnotbeingused,playanappropriaterhythmwithit.(See1)
Exercise1
Exercise2
Exercise3
4)IdeasBasedOnStickings
GrabyourGeorgeStone,"StickControl"bookandplayonelimbastherighthandanotherastheleft
andClaveonanother.Remembertoputanappropriaterhythmontheleftoverlimbonceyouare
comfortable.
Exercise1
Exercise2
5)MoreIdeasBasedOnStickings
Herearesomeotherideasbasedonstickings.GrabyourGeorgeStone,"StickControl"bookandplayonelimbasthe
righthandanotherastheleftandClaveonanother.Remembertoputanappropriaterhythmontheleftoverlimb
onceyouarecomfortable.
Exercise1
Exercise2
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