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  • Ives, C. - Central Park in The Dark PDF

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    50 visualizações32 páginas

    Ives, C. - Central Park in The Dark PDF

    Enviado por

    Maringui

    Direitos autorais:

    © All Rights Reserved
    Baixe no formato PDF ou leia online no Scribd
    Sinalizar o conteúdo como inadequado
    de 32
    Central Park In The Dark By Charles E. Ives Full Score ‘*Copyright 1973 « International Copyright Secured e All Performance Rights reserved by BOELKE-BOMART, INC. Hillsdale, N.Y. 12529 ‘This ‘eaition of Central Park in the Dark has the approval of The Charles ives Society, inc., which 4 furthering and supporting the preparation of critical editions, both new and revised, of the works a ERRATA Charles Ives “Central Park in the Dark” Page5 bars 25-29 Clarinet: Should read a major second higher. Page 15 bar77 Piano: The 3rd major third should read D-natural/F-sharp. Page 17 bar85 Oboe: The dotted 4 note G should be tied to the following C. Clarinet: The 3rd %« note should read F-sharp. Page22 bare9 Piano: ~—_The 4th % chord should be tied toa “is. bar101 Piano: The 2nd “chord should be tied to.@ “re Central Park in the Dark ° (1906) Edited by Jacques-Louls Monod. Charles E. Ives Molto Adagio 8 (as7-1984) Piocoto Flute Oboe C Trumpet Trombone Poreusaion Plano T (1 player) Molto Adagio div, Violin 1 PPP Viotle. IT ‘Viola Cette Base PPP © Copyright 1973 by Boetke-Bomart, Ino., Hilleda BBa2 International Copyright Seoured- Printed in USA. BCL. via vi Ya. Bhol. VLE Va. ov. Bbel. Pia 1 Soe con sord. Solo v1. PP —e vr Vir va. Baas Pia vit Va. Pia vit VL ve. BB 22 Bb CI. Vit va. BB 22 10 ob. Bb oI. Pial Pia vo va. BB 22 Pia mosso @ 0. Boel, q ~— mf Pit mosso Pia.1 Pia, Tempo I (non pit mosso) @ SSS 1 Allegretto con spirito Change to Eb Clarinet Allegretto con spirito @ The string orchestra throughout does not change tempo; It plays louder when the rest of the orchestra through. does, but the same Adagio te kept all Baas aw bet. Pia Pia. 13 ov. abet. Pia. Pia. VL via Ya, 14 oO. bol. Pia.T Piatt Vir va. iw —_fte- So S _ The email notes (Svs fower) in Flute and Oboe will be played if the string orchestra is not large, or if the Piano In aot heard sufficlently. poco accee. A rt. Ob, abet. poco accel, Pia Pia. vid via BB 22 Allegro moderato ico} F Allegro moderato 16 88. Eb. Plat Pia.IT vit BB a2 Fi. ov. Rbcl. Pia.t 18 accel. e crest. mL ob. wb Pia Piatt vi va. BB a2 19 Allegro con spirito f ov ‘simile 4 Bbc. Ben. Tre. tf Allegro con spirito ——— Pia ff 1A. higher Piatt va, 20 H, ©», Rol. Ben. Tb. Pia Pia.It VL viat Ya. BB 22 nL. oD. Eb cl. Bea, Te. Pia. Pia. VL Ya. BB 22 22 Ge strtngendo Ploe. Fi, on. BbGI. atringendo A Piatt vit va. BB 22 Pleo. om. on, Eb Pia.T Piatt Allegro vivace Allegro vivace vat vi. Va. BB 22 Fico. ‘maroato sempre Ta Fhe be FL. ov. Bel. Tet. Teb. Pere. Pint Piatt VI va. Allegro molto b é 4 ov. Bbo1, Pero. Pia.d Pia. vir va. 26 east atin. be FL. ob. Eb. Tet. Te. Plat Pia, I vit VL Va. ap ee Con fyoco accel. Pico. FI. on. bet. (triple tongue) Dr at LT al Con fusco Pia. Pia vt va. BB 22 27 28 77] o Pies. FI, ob, Bet. Bsn. Tet. Tb. Pero, Plat Pia. nen See Note on page 31 29 Adagio molto Bb Clarinet BbCI. (cra vit va. vir va. 30 (730) FL Be Cl. = — 88 (harmonies ad Wb). av. Sota vit va. vin BB 22 Note From measure 64, page 11, through measure 118, page 28, the J for winds, brass, pianos and drums grows gradually faster, but the J for the string orchestra keeps the same tempo throughout. The strings play louder with the rest of the orchestra to measure 116—that is, until the rest of the orchestra reaches measure 118. Here the strings will decrescendo down to ppp and before the rest of the orchestra has stop- ped playing the chord in measure 118. The strings finish thelr ten-measure phrasa, wherever they may be in it, when the rest of the orchestra stops playing measure 118, and then the strings go to measure 119 and the piece finishes as indicated. From measure 64 on, until the rest of the orchestra has played measure 118, the relation of the string orchestra's measures to those of the other instruments need not and cannot be written down exactly, as the gradual accelerando of all but the strings cannot be played in precisely the same tempi each time. This piece purports to be a picture-in-sounds of the sounds of nature and of hap- penings that men would hear some thirty or so years ago (before the combustion engine and radio monopolized the earth and air), when sitting on a bench in Central Park on a hot summer night. The strings represent the night sounds and silent dark- ness—interrupted by sounds [the rest of the orchestra] from the Casino over the pond—of street singers coming up from the Circle singing, in spots, the tunes of those days—of some “night owls” from Healy's whistling the latest or the Freshman March—the “occasional elevated”. a street parade, or a “break-down” in the dis- tance—ot newsboys crying “uxtries"—of pianolas having a ragtime war in the apartment house “over the garden wall”, a street car and a street band join in the chorus—a fire engine, a cab horse runs away, lands “over the fence and out”, the wayfarers shout—again the darkness is heard—an echo over the pond—and we walk home. This piece was first entitled, “A Contemplation of Nothing Serious” or “Central Park in the Dark in ‘The Good Old Summer Time’.” [It was first conceived as the second of two companion pieces, the first being “A Contemplation of a Serious Matter” or “The Unanswered Perenniaf Question”.] Charles E. Ives Comparison of Sources This is not mentioned in the Memos, The date, July-Dec. 1906, is on p. 4 of the 2nd sketch. ‘There are four sources (and one lost): = tet shateh July 30067) Atl vs Ca fection negative 02826), strings. ih 244 on botom S staves, other forftativa Stings nm 14, trace set at 42, “D" at 44, ae at 81, "E gt 103, 06-120, "at 116, Vat 119, love Runaway smeshos into faace, heard at 65 GPM, Sire 1 Dec. 617) 1808 wth JS th (OSE SANG ts, (Pe miasing photos of «8 wih rovsons and Fer teroetiay «punt sore by George F obec om P th naw Baars ba eores F Raaees teres ee ge BS ete th oh, soten ieee Fie ine 2 tr Ber" ioe sting ohase to bo ? mr io me sting pase to be r= font . 5°28 (96726-59).m. 1-190 (aking part insiatod smocty by measvie-numbers #10) Rein score by George F. Robert, apparently with no ‘silos by ves er 188 (3H848°75)postace 0 p34 (44578) “tend of posttaco”thexe two piocas were irs on- eg °° Contempiaion ot Serious Nat The Gnawa Forno Question’ hh Sentemptation of Nothing Serius" or Bemintbe Dain: The Good Oi Summer tome Tite: has "Central Park in the Dark” (Summer Time) “within the good aia” to be ingerted. 8 has C.P. coat oft hte he Tosting meatus eaging: has andarie. Shas Andante or Adio sbout Bd, 72,80, 0°60). have to The following notes exclude purely mechanical details which raise no real textuai question: = below cello ©, €-8 + up om callo C, e+ trom Fone e-S pom aida CPS" sraias on op ne Tiakbeac 3 foRh dere ss ‘ef ur) Satur 3) etude She me wi agra ar mais sven wit treme below: ‘same in each pat. 5. Vo, 2b: hes clean Ab, HA have Ab (probably a Wer 's has clearly Bk, rR have Bb [probably 8, Va.1.8:5 has leary gf have f wrong}, 9, Vo, 1b: 8 has Eb & Gb, :Ai have only Bb [revision in Pio provide eome’ upward movornont into this 10.3. chow: s has V2 a and Vie & b, eR have V2 & '¢ and Vib" ab” frevaion in P7 «to provide some ‘Soumward mover intanent 27) (The shove dts apt sao a he eptvons o YeeGi_9 hes “Clar (Sb)" staring wi ‘ace"a'has ths phan ory Gi te Yor ot 50-65). rR siso: alin ob Bane “acta notes)”, 47.G%. 8 continues with another bia ted into 78, 25,E shaathe Fa haveing. 24 srr ey eregen ane tg ed {2 4 86 overlapping ne ‘consistant 14 of Ie Sigs) tap Kin Re af ©) wan no appropriate a2'Shas "Cabout ao" fe. "(ever trom Healy)” ofS.bishadcf", SrA haved ifterent trom SiF ‘50-51, PI: 1H Rava 80-61 In PIU, But ere is ng shift ‘fom st to2ng Piano in 38, and atm.91 § has lind] Piano begins.” 50, Pf: The Lh octave ft was in S but not in eR [i 8 ‘evsion, nota geod one]. £0,212 DotA: Shas ont 08 ne 8d (good 60, 24:8 soa 1 hve oh have ob (core: poncingto mee . Bye mfaa ih A Tae notes rom Sb dough 6? afenotin 5, and must have buen added 1 P ssn e7-Shas Foabout Be 22=4 (butropeat Ie faster)" 7-781 repeat in Sas 70°90 {8.71.5 has a momo above P|. “as Hello the Gas man, li ihe toe man, Hell my mother ieaw, ee ity te eB ne 0 pra deste oar) had Bib?) hes Se Shalit wote2n heap 8” Koger ThPllin 2b 38 are as hae hve oly atied Ab inde he ab fevsion But leas nelural-sounding thansSaialary at 78.2.5). 77 8.1, end Ob. seem to} back to 2b ofS, a8 In 1 good here. 78,1 ad tet chord: 8 had cf changed to 1 ab excen tor olan) see nots fr 67-7. (08-90, Fl. 8 Ob: in S, les probably moant to keep the thm of (wnich would ead natural into 1)

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