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T H E FALSEHOOD O F IDOLATRY:
A N I N T E R P R E T A T I O N O F J E R X. 1-16
1
N a recent number of the J m l P. R. Ackroyd argued that Jer.
x. 1-16 displays a 'coherence and order' (perhaps reflecting an actual
liturgical usage), which may be seen in a pattern of contrasts between
'Israel's own and true G d and the worthleas idols whom she repudiates'.
He notes the inconclusiveness of arguments to the contrary based on the
shorter version of the pericope found in the LXX and the similarity of
its content to the apocryphal Epistle of Jeremiah. He also indicates
that an explanation of the similarity of this passage to the idol polemic of
Deutero-Isaiah may be explained in the relation of both to older cultic
traditions. He then concludes with the comment that the precise answer
.
to the question of authorship does not matter so much '. . a s the recog-
nition that this passage certainly belongs within that same religious
tradition as is so richly expressed in both prophets and psalmists'.'
In this paper I shall pursue a similar line of interpretation, attempting
(a)to show the natureof the 'critical consensus' which has operated in the
interpretation of this passage and to indicate some reasons for suspecting
its validity; and (b) to suggest an alternative to this consensus, based on
a brief examination of selected portions of the 'Jeremiah tradition'.'
B. An Alternative Position
Structure and content
We may &st of a l l note the person of address in this passage. Verses
1-5, a 2 per. pl. address to the 'house of Israel', are a warning against
foreign religious customs, especially the veneration of idols. The 2 per.
pl. extends through the heading and the initial two injunctions, is
broken by a 3 per. narrative describing idols and their manufacture
(m. 3-5a), and is resumed in v. 5b with the exhortation not to fear such
' His arrangement is: I-+a, 9,4b-5,8/11/6f., IO,IZ-16.Thehat,orparanetic,
part of the passage is baaed on a cultic renunciation of foreign gods delivered by
the prophet, which waa later combined with a h y m n to Yahweh and a 'liturgical
instruction' in Aramaic (v. I I). ' O p . cit., p. 122.
' See Volz'a opening comments' on w. 14-16, ibid., p. 124.
8 T H O M A S W. OVERHOLT
powerless human productions. The passage then proceeds as follows:
6-7 2 sg. praise addressed to Yahweh
gS 3 pl. speech about idols
10, 12 f. 3 sg. speech about Yahweh
14-15 3 per. speech about idols and their makers
16 3 sg. speech about Yahweh
Aa to formal structure, it will be noticed that the passage divides
naturally into six parts in which the subject alternates between the idols
and Yahweh. After the opening exhortation and the narrative which
justifies it, the alternation is between hymn-like praises addressed to
or spoken about Yahweh and narratives about the idols. This over-all
structure thus conforms to the main thrust or technique of the whole
pasaage, i.e. the contrast between the living God and powerless idols.
If we approach the passage from the point of view of its content, we
note that it consists of three pairs of contrasts: (I) In the narrative of the
first section (w.3-5a) we are introduced for the first time to the 'image',
which is characterized as follows :
(a) as something which is passive in origk (the dominant preposition
here is be)
wood cut from the forest by man
wood w e d by man
beautified with precious metals by man
fastened in position by
(b) as something which is passive in its present existence (o. ga is a
comparison beginning with 'like')
they do not speak
they must be carried
they can do neither evil nor good
In contrast to this passiveness w . 6-7 assert the greatnm of Yahweh
over the nations. It is fitting for trim to be feared (in explicit contrast to
a. 5)l (2) Verses &g hold the believers in idols to be stupid because of
the powerlessness of their images, and because these are the product of
human craftsmanship. Verses 10, 12 f. contrast with these created
images the 'living God', who creates and sustains the world. (3) Verses
14-15 speak of the corning destruction of foolish men and the false idols
.
which they have made, to which v. 16 contrasts ('. . not like these
.. .') the Creator God and Israel, who stands close to him in the special
relationship of election.
What are the terms in which Yahweh is described? He is great, the
king of the nations for all time. He is the living God,who wields power
on the earth, which he also establishes and sustains. He is the God of
THE FALSEHOOD OF IDOLATRY 9
his people Israel. The language of creation, rather than that of HtiLr-
guchichte, predominates, though the latter makes its presence felt in
v. 16. What, then, isthe functionofthis largely non-historical language 7
Presumably, it serves the purpose of contrasting the nature deities,
whose symbols the idols are, with Yahweh, who usurped their powers.
This possibility will be investigated in what follows.