Escolar Documentos
Profissional Documentos
Cultura Documentos
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Contents
1. Kyvie 5
2. Gloria 13
3. Sanctus 24
4. Benedictus 27
5. Agiius Dei 31
Composer's note
A Little Jazz Mass was originally written for upper voices and was first performed at the
2004 Crescent City C h o r a l Festival, N e w Orleans, i n June o f that year.
1 have always loved jazz. A t the beginning of m y w r i t i n g career I w o r k e d from time to
time as an arranger for the n o w defunct BBC Radio Orchestra and, w h i l e a m e m b e r of the
King's Singers, 1 was luclcy enough to perform w i t h such artists as George Shearing,
Richard Rodney Bennett, John D a n k w o r t h , A r t Farmer, and the W D R Big Band. These
experiences and influences have a l l had an impact on the music that 1 compose.
In this mass setting I have w r i t t e n a piano part w h i c h may be played exactly as written.
However, I w o u l d encourage the pianist to improvise fi-eely o n the chord structure, and
w o u l d also encourage the addition o f bass and drums and any other instruments that may
be appropriate for the performance.
1 a m grateful to Cheryl Dupont, the conductor o f the N e w Orleans Children's Chorus, for
enabling this w o r k to come to life i n such a great jazz city, and to a l l the c h i l d r e n i n the
Crescent City C h o r a l Festival C h o i r 2004, w h o gave it such a great start. I a m also grateful
to N e i l Richardson, a wonderftil musicia n w h o , more than twenty years ago, gave me m y
r s t opportunity as a professional arranger at the BBC.
A notated bass part, w i t h chord symbols, is available to purchase from the publisher
(ISBN 978-0-19-335655-9).
The original v e r s i n of this piece for upper voices (SSA) is also available to purchase
(ISBN 978-0-19-343328-1).
1. Kyrie
Easy tempo J = c . l l 2
SOPRANO
ALTO
TENOR
BASS
Easy tempo . = c . l l 2
e-1
PIANO* <
1
mp
A.
K y - ri - e,_ Ky - ri - e,.
P
T.
K y - ri - e,^ Ky - ri - e,.
P
B.
K y - ri - Ky - ri - e,
w
Al
* T h e p i a n o p a n c a n be p l a j ' e d as w r i t t e n o r u s e d as a g u i d e . B a s s a n d d r u m k i t c a n j o i n a d l i b .
K y - ri le - i - son,_ K y - ri - e e - le 1 - son.
mp
A.
lei K y - ri - e
-j
e - le
r - i - son.
^7
f i
/o cresc.
K y - ri le - 1 - son,_ K y - ri -
cresc.
1/
Ky - ri - e_
r
e son, K y - ri -
creso.
Ky - ri - e lei son, K y - ri -
cresc.
Ky - ri - e lei son, K y - ri -
Ti
3 1
-Ty-
7
J3
/
S.
A. m
- e e - le I - son,. Chri - ste, Chri - ste, Chri - ste e
J
T.
8^
B. I
16
K y - ri - e, K y - ri - e_ e - le - 1 -
i:
mf
i
22
mp
S.l
i
S.2
- son._ K y - ri - e,
I K y - ri - e,_
P
mp
- son._ K y - ri - e,_
25 mp
Ky - ri le - i - son, Ky - ri -
te -o-
Ky - ri e,_ Ky - ri - e
mp
Ky ri - e, lei - son, Ky - ri
mp
Ky - ri - e,. lei - son,_ Ky - ri
A l
i
28
-e e - le 1 - son. Ky - ri - e_ e
Ky - ri - e, Ky - rie e - le 1 - son.
I e e - le Ky - ri
r
1 - son,_ e
-e e - le 1 - son,^ Ky - ri
fo: 1 i f 1
10
31
3\
Ky - ri e e - le 1 - son,- C h r i - ste,
cresc. I r
m i 3/
m
Al
cresc.
w
11
40 mp
K y - ri - e e - le - i - K y - r i - e,-
mp
A.
J Jj J
K y - ri - e_ e - le - 1 - son.. K y - ri - e,.
m
mp
T.
mp
MI
i
mp
TT
13
2. Gloria
>
^
^>r
-J-
3 ^ ^
^
rR4=
w r r r r p r r r^ r .
' LT '
Glo - ri - a in ex - cel - sis De - 0 glo - r i - a!
1
>^ 1 ^ L 1 Y >- - -
/
~1 T'^^ kE i
i F [
[ i ^ ^ ^
i ^ ^ > >-
i
^ .
4 l J ^ >-
55
1 . J = ^- j ^ - J - J J 1. > - J h .
r r r r >- r- -M
>-
f
Glo - ri - a in ex - cel - s s De - 0, glo ri - a!
i .
X 1 1 / 1 1
\ 1 [=
> >- i
1 \ 0--)
[ j j - J ^ ~0 ir si
14
- i
rbf^ i
^ ^ ^ ^
15
76
^2
G r a - ti as a Bi-mus ti - b i
80
j j j -1 JcJ.
t
17
89 mp espress.
J J J J J J IJ J J J J i
D o - m i - ne De - us, Rex cae - le stis. D e - US P a - ter_ o m - ni - po -
mp
A.
i Do mi ne De - us,_ De - US P a - ter_
i U U J
o m - ni - po -
mp
f- p r
Do mi - ne De - us,_ De - US P a - ter_ o m - ni - po -
mp
B.
r r r
Do - mi - ne De - us,_ De - US P a - ter^ o m - ni - po -
P2
- tens._ D o - m i - ne Fi - li u - n i - ge n i - t e . Je - su
mp
fe -0-
- tens._ Do ne Fi - li. Je - su
P mp
mp
^
18
95
i
Chri - ste,. Je - su Chri - ste.
98
3\
De i, F i - li - US Pa - tris.. Qui
= = = : ^
3/
Di.
Qui
mf
Qui
mf
Qui
101
J04
P
- re - re_ no-bis. Qui tol - lis pee - ca - ta mun - di,_
20
110 '
{jpick iip in
new lempo)
21
Tempo I J = c.208
^ ^ ^ ^ ^^
rc-j-r r
Quo - ni-am Tu so - lus san - ctus, quo
ni-am,
f-
-
W J
y j j j '
9?
- - - -. >-
-^^ h .
'1r-
1.
'5' r Lr r- r r r f 1
138 -----
j n j
i
glo - ri - a De - i Pa tns. men, a - men.
i. ^
i
F?^ ^ m
3. Sanctus
/4'2 Gentle and rocking J = c.76
p espress
146 ^
p espress.
25
150
D o - m i - nus_ De - US Sa-ba-oth.
i*
4 4 4 4'-'
Jo
-3-
3-
mf I Q 1
r f
mf
26
J ~ 3 rl: A.
fdim. = '
r
27
mi
165 rit.
Tr r r r r
ho-san-na in ex - cel - sis.
rit.
alicea
4. Benedictus
1 1 n
i ^ ^
28
177
no - mi - ne Do - mi - ni, no - mi - ne Do - mi - ni.
TENOR mp
T.
Be - ne
180 mp
86
i h .. j =1
5:^ 1 : 1 1
- dic - t us, be - ne - dic - tus qu i ve - n it in
1 ^ ^ 1
be - ne - dic - tus qu i ve - n it , qu i ve - n it.
30
89 f
no - mi - ne Do - mi - ni, no - mi - ne Do - mi - ni. H o - s a n - na in ex
A.
in no - mi - ne, no - mi - ne Do - mi - ni. H o - s a n - na in ex
fe
no - mi - ne, m no mi - ne Do - mi - ni. H o - s a n - na in ex
B. 3/
Ho - san - na in ex
192
195
1 J'i^
^ ,^
m
attacca
5. Agnus Dei
199 Bluesy feel J = c.63
205 espress.
. 3
A gnus De A - gnus D e I3 qui
2 ? f f 3 r ir
mp
1F
r-00^
If playing this movement with bass, the first four bars should be played as a piano solo, with the bass entering at bar 203.
32
207 cresc.
210 mp
i 3-
A.
se re re
P
T.
mi se - re re
P
B.
se - re
33
2!3 cresc. /
cresc. / _
r r r r ^)
no bis. m i - s e - re - re,. mi - se - re - re no - bis.
^"'"'i cresc.
i i i f f
mp
216
I 3. 1
219
f'H j j i p
j i ii
Titfespre
22J
gnus De A - gnus De
i mf
f
cresc.
*If playing vvith bass, omit the piano left hand in bars 219-222 to allovv a bass solo. The left hand re-enters at bar 223.
35
229 mp
i
)
mp
si
3
- ca - ta mun \, mun-di:_ m i - s e - r e - re no-bis,
mp
T.
Mi se
mp
B.
Mi
232
cresc.
,.3
mi - se - re - re no bis,_ mi-se - re - re,..
cresc.
241 3 3
m
tol liSj qui tol lis pee - ea ta m u n - d i ,
cresc.
pirr./ri r
3 3
tol lis,. qui tol-lis pee ea-ta mun-di. pee - ca - ta m u n - d i ,
cresc.
:^
-r-
244
f
Do-na no-bis pa - cem,_ do-na n o - b i s pa - eem,_ pa -
/ cresc.
3
Do-na no-bis pa-cem. do - na n o - b i s pa cem, pa -
i
Do - na no - bis, do - na no bis pa cem, pa -
cresc.
i i i i i i
f
TJl
38
f
247
r5--m
m
i i i if
>
>-
^5
ff
1 r
- / ?
1
^
r