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OXTORD

A Little Jazz Mass


for mixed vo ices

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Contents
1. Kyvie 5
2. Gloria 13
3. Sanctus 24
4. Benedictus 27
5. Agiius Dei 31

Composer's note
A Little Jazz Mass was originally written for upper voices and was first performed at the
2004 Crescent City C h o r a l Festival, N e w Orleans, i n June o f that year.
1 have always loved jazz. A t the beginning of m y w r i t i n g career I w o r k e d from time to
time as an arranger for the n o w defunct BBC Radio Orchestra and, w h i l e a m e m b e r of the
King's Singers, 1 was luclcy enough to perform w i t h such artists as George Shearing,
Richard Rodney Bennett, John D a n k w o r t h , A r t Farmer, and the W D R Big Band. These
experiences and influences have a l l had an impact on the music that 1 compose.
In this mass setting I have w r i t t e n a piano part w h i c h may be played exactly as written.
However, I w o u l d encourage the pianist to improvise fi-eely o n the chord structure, and
w o u l d also encourage the addition o f bass and drums and any other instruments that may
be appropriate for the performance.
1 a m grateful to Cheryl Dupont, the conductor o f the N e w Orleans Children's Chorus, for
enabling this w o r k to come to life i n such a great jazz city, and to a l l the c h i l d r e n i n the
Crescent City C h o r a l Festival C h o i r 2004, w h o gave it such a great start. I a m also grateful
to N e i l Richardson, a wonderftil musicia n w h o , more than twenty years ago, gave me m y
r s t opportunity as a professional arranger at the BBC.

A notated bass part, w i t h chord symbols, is available to purchase from the publisher
(ISBN 978-0-19-335655-9).

The original v e r s i n of this piece for upper voices (SSA) is also available to purchase
(ISBN 978-0-19-343328-1).

Duration: c.l2 minutes


A Little Jazz Mass
BOB C H I L C O T T

1. Kyrie
Easy tempo J = c . l l 2

SOPRANO

ALTO

TENOR

BASS

Easy tempo . = c . l l 2
e-1

PIANO* <
1
mp

A.

K y - ri - e,_ Ky - ri - e,.

P
T.

K y - ri - e,^ Ky - ri - e,.

P
B.

K y - ri - Ky - ri - e,

w
Al

* T h e p i a n o p a n c a n be p l a j ' e d as w r i t t e n o r u s e d as a g u i d e . B a s s a n d d r u m k i t c a n j o i n a d l i b .

Oxford University Press 2004 and 2006 Printed i n G r e a t B r i t a i n

O X F O R D U N l V E R S m ' PRESS, M U S I C D E P A R T M E N T , GlEAT C L A R E N D O N STREET, O X F O R D O X 2 6 D P


Photocopying this copyright material is I L L E G A L .
mp

K y - ri le - i - son,_ K y - ri - e e - le 1 - son.
mp
A.

lei son, K y - ri - e e - le 1 - son,


mp
T.

lei son,_ K y - ri - e e - le 1 - son,


mp
B.

lei K y - ri - e
-j
e - le
r - i - son.

^7

f i

/o cresc.

K y - ri le - 1 - son,_ K y - ri -
cresc.

1/
Ky - ri - e_
r
e son, K y - ri -
creso.

Ky - ri - e lei son, K y - ri -

cresc.

Ky - ri - e lei son, K y - ri -

Ti
3 1
-Ty-
7

J3
/
S.
A. m
- e e - le I - son,. Chri - ste, Chri - ste, Chri - ste e

J
T.
8^
B. I

16

- le - i - son, Chri - ste, Chri - ste, Chri - ste e - le - i - son,_


19 mf

K y - ri - e, K y - ri - e_ e - le - 1 -

i:
mf
i

22
mp
S.l
i
S.2

- son._ K y - ri - e,

I K y - ri - e,_

P
mp

- son._ K y - ri - e,_
25 mp

Ky - ri le - i - son, Ky - ri -

te -o-
Ky - ri e,_ Ky - ri - e

mp

Ky ri - e, lei - son, Ky - ri

mp

Ky - ri - e,. lei - son,_ Ky - ri

A l

i
28

-e e - le 1 - son. Ky - ri - e_ e

Ky - ri - e, Ky - rie e - le 1 - son.

I e e - le Ky - ri
r
1 - son,_ e

-e e - le 1 - son,^ Ky - ri

fo: 1 i f 1
10

31

- le - 1 - son. K y - ri - e e - le 1 - son,_ C h r i - ste,

3\

Ky - ri e e - le 1 - son,- C h r i - ste,

-lei son, K y - ri - e e - le 1 - son,_ C h r i - ste,

cresc. I r

m i 3/

-lei son, K y - ri - e e - le 1 - son,_ C h r i - ste.

m
Al

cresc.
w
11

40 mp

K y - ri - e e - le - i - K y - r i - e,-

mp
A.
J Jj J
K y - ri - e_ e - le - 1 - son.. K y - ri - e,.

m
mp

T.

Ky-ri - e e - le - i - son. K y - ri - e,_

mp

Ky-ri-e e - le - i - son._ K y - ri - e,_

MI
i
mp

TT
13

2. Gloria

Q u i c k 4 with svving J = c.208


>
^
^>r
-J-

3 ^ ^

^
rR4=
w r r r r p r r r^ r .
' LT '
Glo - ri - a in ex - cel - sis De - 0 glo - r i - a!

1
>^ 1 ^ L 1 Y >- - -
/

~1 T'^^ kE i
i F [
[ i ^ ^ ^
i ^ ^ > >-
i
^ .

4 l J ^ >-

55

1 . J = ^- j ^ - J - J J 1. > - J h .
r r r r >- r- -M
>-
f
Glo - ri - a in ex - cel - s s De - 0, glo ri - a!

i .
X 1 1 / 1 1

\ 1 [=

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[ j j - J ^ ~0 ir si
14

Et in ter - ra pax ho - mi - ni - bus


62

bo - nae vo - lun - ta tis,

- i
rbf^ i
^ ^ ^ ^
15

76

^2

- ra - mus_ te, glo - ri - fi - ca - mus_ te._


16

G r a - ti as a Bi-mus ti - b i
80
j j j -1 JcJ.

00_ prop - ter magn - am glo - ri

t
17

89 mp espress.

J J J J J J IJ J J J J i
D o - m i - ne De - us, Rex cae - le stis. D e - US P a - ter_ o m - ni - po -
mp
A.
i Do mi ne De - us,_ De - US P a - ter_
i U U J
o m - ni - po -
mp

f- p r
Do mi - ne De - us,_ De - US P a - ter_ o m - ni - po -
mp
B.
r r r
Do - mi - ne De - us,_ De - US P a - ter^ o m - ni - po -

P2

- tens._ D o - m i - ne Fi - li u - n i - ge n i - t e . Je - su

mp

fe -0-

- tens._ Do ne Fi - li. Je - su

P mp

- tens. Do mi - ne Fi - li, Fi - li,. Je - su

mp

- tens. Do mi - ne Fi li, Fi - li, Je - su

^
18

95

Chri - ste, Je - su Chri - ste._ Do - mi - ne De - us, A - gnus

i
Chri - ste,. Je - su Chri - ste.

Chri - ste,- Je - su Chri - ste.. oo_

Chri - ste,. Je - su Chri - ste._

98

3\
De i, F i - li - US Pa - tris.. Qui

= = = : ^
3/
Di.
Qui

mf

Qui
mf

Qui
101

tol - lis pee - ca - ta mun - di,_ mi - se - re - re, mi - se -

J04

P
- re - re_ no-bis. Qui tol - lis pee - ca - ta mun - di,_
20

110 '

tris,_ mi-se-re-re, mi - se - re - re no-bis. _

77 > -^W / -ir

{jpick iip in
new lempo)
21

114 Tenipo l J = c.208

Tempo I J = c.208

^ ^ ^ ^ ^^

rc-j-r r
Quo - ni-am Tu so - lus san - ctus, quo
ni-am,

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-

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y j j j '
9?

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1.

'5' r Lr r- r r r f 1

Quo - ni - am Tu_ so - lus san - ctus, quo - ni


23
24

138 -----
j n j
i
glo - ri - a De - i Pa tns. men, a - men.

i. ^
i

F?^ ^ m

3. Sanctus
/4'2 Gentle and rocking J = c.76

p espress
146 ^

San - ctus,_ San - ctus Do-mi-us. San - ctus.

p espress.
25

150


D o - m i - nus_ De - US Sa-ba-oth.

i*
4 4 4 4'-'

Jo

-3-

P l e - n i sunt cae - li et ter - p l e - n i sunt cae - l i et ter - ra glo - ri - a

3-

mf I Q 1

r f
mf
26

poco rit. a tempo


I5S Z^'-

tu - a._ H o - san - na,_ ho-san-na in ex

J ~ 3 rl: A.
fdim. = '

poco rit. a tempo

r
27

mi
165 rit.

Tr r r r r
ho-san-na in ex - cel - sis.

rit.

alicea

4. Benedictus

7(59 Easy tempo J = c. 108


X3
1
9-

1 1 n
i ^ ^
28

177

no - mi - ne Do - mi - ni, no - mi - ne Do - mi - ni.

TENOR mp
T.

Be - ne

180 mp

Be - ne - dic - tus qui ve niL in

- dic - tus, be - ne - dic - tus qui ve nit m


29

86
i h .. j =1
5:^ 1 : 1 1
- dic - t us, be - ne - dic - tus qu i ve - n it in

1 ^ ^ 1
be - ne - dic - tus qu i ve - n it , qu i ve - n it.
30

89 f

no - mi - ne Do - mi - ni, no - mi - ne Do - mi - ni. H o - s a n - na in ex

A.

in no - mi - ne, no - mi - ne Do - mi - ni. H o - s a n - na in ex

fe

no - mi - ne, m no mi - ne Do - mi - ni. H o - s a n - na in ex

B. 3/

Ho - san - na in ex

192

- cel - sis, Ho san - na, ho


31

195

- san-na in ex - cel in ex - cel SIS..

1 J'i^
^ ,^

m
attacca

yb' Richard and Calherine Wehher

5. Agnus Dei
199 Bluesy feel J = c.63

205 espress.

. 3
A gnus De A - gnus D e I3 qui

2 ? f f 3 r ir
mp

1F
r-00^
If playing this movement with bass, the first four bars should be played as a piano solo, with the bass entering at bar 203.
32

207 cresc.

210 mp
i 3-

- \, mun - di,L mi - se - re - re no-bis, mi - se - re - re no

A.
se re re

P
T.

mi se - re re

P
B.

se - re
33

2!3 cresc. /

- bisv m i - s e - re - re,. mi - se - re - re no - bis,

cresc. / _

no bis. m i - s e - re - re, mi - se - re - re no - bis,


cresc.
/

no bis. m i - s e - re - re,_ mi - se - re - re no - bis,


cresc.
/

r r r r ^)
no bis. m i - s e - re - re,. mi - se - re - re no - bis.

^"'"'i cresc.
i i i f f

mp
216
I 3. 1

mi - se - re - re no bis. mi-se - re - re:_


mp
I -3-
J 1
tefe

mi - se - re - re no bis. mi-se - re - re:_


mp

m i - se - re - re no bis. mi-se re - re:_


mp

mi - se - re - re no bis. mi-se - re - re:.


34

219

f'H j j i p
j i ii

Titfespre
22J

A gnus, A - gnus De - i,. A - gnus,


mf espr

gnus De A - gnus De

i mf
f

A - gnus De - i, qui tol - lis pee - ca

cresc.

*If playing vvith bass, omit the piano left hand in bars 219-222 to allovv a bass solo. The left hand re-enters at bar 223.
35

229 mp

i
)

ta, pee - ca - ta mun di: mi-se - re - re,_ mi-se-re - re

mp

si
3
- ca - ta mun \, mun-di:_ m i - s e - r e - re no-bis,
mp

T.

Mi se
mp
B.

Mi

232
cresc.

no - bis, mi-se-re - re no - bis,_ mi-se - re - re,


cresc.

,.3
mi - se - re - re no bis,_ mi-se - re - re,..

- re no bis, mi-se - re - re.

cresc.

i bis, mi-se - re - re,_


- re re no
37

241 3 3

A gnus De - i , qui tol-lis pee ca - ta mun-di, mun - di,_


cresc.

m
tol liSj qui tol lis pee - ea ta m u n - d i ,

cresc.

pirr./ri r
3 3
tol lis,. qui tol-lis pee ea-ta mun-di. pee - ca - ta m u n - d i ,
cresc.
:^

tol lis,. qui tol lis pee - ea ta m u n - d i ,

-r-

244
f
Do-na no-bis pa - cem,_ do-na n o - b i s pa - eem,_ pa -
/ cresc.

3
Do-na no-bis pa-cem. do - na n o - b i s pa cem, pa -

i
Do - na no - bis, do - na no bis pa cem, pa -
cresc.

Do bis, do bis pa cem, pa -

i i i i i i
f
TJl
38

f
247

cem,_ do-na no-bis pa-cem, do-na no-bis pa - cem,

r5--m
m

i i i if
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>-

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ff

1 r

- / ?
1
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