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Bhopali
Bhopali, also known as Bhoop, Bhoopali or Bhupali, (Hin: / ) is a Hindustani classical raga. It is a
pentatonic scale (uses 5 notes in ascending and descending scale). Most of the songs in this raga are based on Bhakti
rasa. Since it uses 5 notes, belongs to the "Audav jaati" of ragas.
Raga Bhoopali, Raga Yaman and Raga Bhairav tend to be the three basic ragas of Hindustani music, learnt first by its
students.[1]
Contents
1 Theory
1.1 Aroha & Avaroha
1.2 Vadi & Samavadi
1.3 Pakad & Chalan
1.4 Bandish
1.5 Organization & relationships
2 Behavior
2.1 Samay (Time)
2.2 Seasonality
2.3 Rasa
3 Historical Information
3.1 Important Recordings
3.2 Film Songs based on Bhoopali
4 See also
5 References
6 External links
Theory
Karhade (2011) explains that raga Bhopali consists of just 5 notes - (sa, re, ga, pa and dha).[2] It does not use
Ma (also called Madhyam) and Ni (also called Nishadh).[2]
The Introduction consists of two parts - Aroh (where the notes are simply recited on an ascending scale) and
avaroha (where the roles are simply recited on a descending order)[2]
Thereafter, with these same five notes, different combinations are made by the singer, similar to short phrases, also
called "chalan".[2]
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Writing about the musical theory of Indian classical music is fraught with complications. There is no universally
accepted set of rules or formal method of writing notations. However, the Bhatkhande and Paluskar paddhatis are the
two ways of writing down musical notations. Indian music has always been more of an aural tradition, and written word
has never been an essential part of imparting talim (training/knowledge).
Samavadi
Dhaivat - Dha (here-after D but not to be confused with note D of western music notations)
S R G R S D1 S R G
or:
S R G R S D1 S R G P G D P G R S
or:
G R P G G R S R D1 S
or:
G R S D1 S R G R P G D P G R S
1. S R G R S D1 S R G
2. S R G R S D1 P1
3. P1 D1 S R G R G
4. S R P G
5. G R S R G P
6. G P D P D D S
7. P G P D P D S R G R G
8. G R S D P G R S
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Note: Normally written swaras (individual notes) indicate the middle octave. A swara immediately followed by 1
indicates the mandra saptak (lower octave) and ' indicates the taar saptak (higher octave
A few movements in Bhopali are important to note. There is typically a slide when descending between Sa and Dha, as
well as between Pa and Ga. These slides parallel each other and can be used to create a symmetry about how the Swaras
are developed. Also, many performers will bring out the Kalyan flavor of Bhopali by using abhasi of the notes Shuddha
Ni and Tivra Ma. That is to say, these notes are only vaguely suggested in passing ornaments, not actually sung for long
enough for the Swara to become a clear part of the Raga. Some examples would be:
(N1)D1 S
P(m)P(m) D P
Bandish
This bandish is bound with Teentaal (16 beats).
ASTHAYI:
D2 S D2 P |G2 R2 S R2|
G2 _ G2 P |G2 R2 S _ |
S R2 G2 P |R2 G2 P D2|
G2 P D2 P |G2 R2 S _ |
ANTARA:
G2 _ G2 G2|P _ D2 P|
S' _ D2 P |G2 R2 S _|
Related ragas: Deshkar (a pentatonic raga belonging to the Bilawal Thaat with the same scale as Bhoopali). Shuddha
Kalyan is another similar raga.
Behavior
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Bhopali - Wikipedia https://en.wikipedia.org/wiki/Bhopali
Behavior refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of
the concepts are fluid, changing, or archaic. The following information cannot be accurate, but it can attempt to reflect
how the music existed.
Samay (Time)
Raat ka pehla pehr First part of night.(7 to 10)
Seasonality
Certain ragas have seasonal associations.
Rasa
Bhakti Rasa (Devotional)
Historical Information
Important Recordings
E ri Aaj Bhaeelawa
Pratham sur saadhe (vilambit)
Hindi:
See also
Durga
Shivaranjani
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References
1. Pathak Yajurvedi, Dr. Sarita. "Lecture - Raag Bhopali (Edusat)" (https://www.youtube.com
/watch?v=ORL5A4WraCo). www.youtube.com. Bharti College, University of Delhi. Retrieved 5 December 2016.
2. Karhade, Aradhana. "Raag Bhopali (Uploaded 20 January 2011)" (https://www.youtube.com/watch?v=VV-
DgnPPhSo). www.youtube.com. Karhade, A. Retrieved 5 December 2016.
3. "Songs based on Raaga Bhopali" (http://www.soundofindia.com/raaga_details.asp?raaga=17).
www.soundofindia.com. Sound of India. Retrieved 5 December 2016.
Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors) The Raga Guide: A Survey of 74
Hindustani Ragas. Zenith Media, London: 1999.
Parrikar, Rajan. "Short Takes: Bhoopali and Deshkar." Rajan Parrikar Music Archive Short Takes Bhoopali and
Deshkar Comments. SAWF Magazine, 5 Aug. 2002. Web. 2 Oct. 2015. <http://www.parrikar.org/hindustani
/bhoopali/>.
External links
SRA on Samay and Ragas (https://web.archive.org/web/20070514235610/http://www.itcsra.org
/sra_others_samay_index.html)
SRA on Ragas and Thaats (https://web.archive.org/web/20070514234610/http://www.itcsra.org/sra_raga
/sra_raga_that/sra_raga_that_index.html)
Rajan Parrikar on Ragas (http://www.parrikar.org/hindustani/bhoopali/)
Bhoop / Bhopali (http://omenad.net/ragrang/lakshan_bhoop.htm)
Film Songs in Bhupali (http://chandrakantha.com/raga_raag/film_song_raga/bhupali.shtml)
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