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REVIEWS

RON FRICKE, IN HIS LATEST OFFERING, SAMSARA, SPEAKS TO


Moving in circles THE VIEWER THROUGH HIS GRAPHICALLY INTENSE IMAGERY AND
WEAVES A TELLING STORY WITHOUT WORDS.

Director Ron Fricke and writer Mark Magidson reunite after mystic land never invaded by mankind. The beautiful sand
a decade to bring their wordless camera flair to screen; this painting being meticulously created by monks in a Buddhist
time to depict the concept of life, death and rebirth called monastery with innocent little students peering over, does
Samsara. Given the absence of a plot or words, there can make you wish to never leave this place.
be as many interpretations of the film as there are viewers. After 30 minutes of elegant visuals, however, you are
But that does not take away from the fact that it is an brought unprepared into visuals of the mundane urban
amalgamation of stunning visuals much like its decade-old existence we have today. Towering high-rises and ugly
predecessor, Baraka. human settlement replace the serenity of nature. That is
The opening scene starts with three doll-like when you realise that the beautifully created fountains of
Javanese girls doing a traditional dance. Their gaze Dubai Mall are nowhere close to natures majestic Epupa
at the camera pierces straight to your heart. This is Falls.
subsequently followed by an almost never-ending visual In the end, Fricke tries to unite the viewer with the
of volcanic eruptions. It is difficult to keep pace with solitude in nature experienced at the beginning of the
Frickes visual narrative, but you learn to, with every movie only replacing it with religion. People circling the wall
arresting frame. From the awe-inspiring serenity of the of Kaaba in Mecca resemble the million stars of a galaxy
sleeping dead to the Buddhist monastery, you give up surrounding its black hole. While Samsara might resemble
your quest to know where these places might be and a painting to most viewers, it also happens to be a mirror
just agree to flow with the images. The birds-eye view wherein we can see the reflection of our own evolution.
of the heavenly temples of Angkor Wat appear like a
- SUMERU SALLA

AMIDST A HOST OF INNOVATION BOOKS THAT CONCENTRATE


ON THE HOW TOS, HOW STELLA SAVED THE FARM USES A
REFRESHING ALLEGORICAL NARRATIVE TO BRING FORTH
The innovative sheep INNOVATION LESSONS.

Innovation is business worlds latest pin-up idol. In fact, not so promising resultswe empathise with her. We
if you type the words innovation books in Google, learn from her mistakes, cheer and take heart from her
chances are you may get around 4,69,000,000 results. victories.
So what makes How Stella Saved the Farm different? Through the eyes of each of the characters living on
Simplethe book is a parable. the farm such as Bull, the COO; Stella, the sheep who
Deirdre, the new CEO of Windsor Farm (an animal- comes up with the innovative idea; Mav, the stallion
run farm), discovers that her farm is in trouble. Despite in charge of the innovation experiment; and Einstein,
being, faster, stronger and more efficient, the farm the cock who is the resident scientistthe authors
was barely managing to stay afloat. Pushed to a bust some of the greatest myths of innovation without
cornerbankruptcy or a takeovershe realises that resorting to heavy jargon and fancy graphs and charts.
innovation is the only way out. To my mind, one of the most important lessons that
The authors of How Stella Saved the FarmVijay this parable brings home is this: Evaluate innovation
Govindarajan and Chris Trimblegive us eight simple leaders based on whether they executed a disciplined
but essential lessons on innovation through Deirdres experiment and not on results, ROI or profits. Results
journey. Each time she falters or stumbleswhether will happen. In a country where failure is still taboo,
it is winning the trust of her second in command, such an outlook will encourage more managers to take
allocating resources, choosing a team to work on the the path of innovation. And miracles will happen
innovation project or standing steadfast in the face of in time.
- POORNIMA SUBRAMANIAN
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