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Journal Research,Vol.70,No. 4, December2002 (t 2002)
ofArchaeological
Leroi-Gourhan,a PhilosopherofTechnique
and Evolution
FranoiseAudouze1
INTRODUCTION
277
appearedinFranceseemfairly
3MostreviewsofLe gesteetla paroleatthetimeitoriginally superficial,
as iftheirauthors
hadencountered in comingtogripswiththebook'ssubjectmatter.
realdifficulty
4Formoredetailedaccounts,see Audouze( 1992,pp. 8-12) and Gaucher(1987).
280 Audouze
THE WORK
6The two volumes of Evolution et techniques were reprintedin 197 1 and 1973. Because Leroi-Gourhan
made some additionsand modificationsin the latteredition,I referto the second edition in thisessay.
Leroi-Gourhan,a PhilosopherofTechnique 283
7Thisis thephilosophic
meaningoftheterm.
a PhilosopherofTechnique
Leroi-Gourhan, 285
La chaneopratoire
Aftercompleting
thetwovolumesofEvolutionettechnique,Leroi-Gourhan
continuedtosearchfora better
methodtoanalyzetechnical
phenomena.He found
itintheearly1950sintheconceptofchaneopratoire sequence).At
(operational
a PhilosopherofTechnique
Leroi-Gourhan, 287
As further
definedby Lemonnier,
Operationalsequencesareseriesofactionswhichtransform fromitsnatural
a rawmaterial
statetoa manufactured aremadewithactionson matter,
state.Theseoperations preparatory
anda know-how.
phases,phasesofrestandtheyareassociatedwitha knowledge (Lemonnier
1980,p. 8)
in Evolution
A New Vision:Continuity
and Exteriorization
Liberation,
Mobility,
thesamepathway
inthebrain,thetwomainanthropoid toone
couldbe attributed
functions
andthesamephenomenon. 1993,p. 115)10
(Leroi-Gourhan,
10Leroi-Gourhanadopteda verydifferent
thesisfromFodorandMithen, whichpostulates a modularity
ofthemindwithmodulesonlyintertwining inthemindofprehistoric manatthebeginning ofUpper
Paleolithic(Fodor,1983;Mithen,1996).His conceptofevolution restsupona progressive transfor-
mationofa three-partcomplexcomposedofmanas anorganicbeing,hisknowledge accumulated on
different
mediums, as earlyas EarlyPaleolithic(Stiegler,1992a).
andtoolsthathedevelops,starting
292 Audouze
A Programmatology:
Memoryand Rhythms
Memory
Symbolismand Aesthetics
1' Much
earlier,he hadarguedhow theJapanesecostumewas totallyconditioned by its symbolic
functionto thepointofbeingratherunpractical (Leroi-Gourhan, 1946).
'*
Leroi-Gourhan s workon prehistoric
artis well knownto Anglo-Saxonreadersand has beenthe
subjectof manycomments (Conkey,1989). It is notanalyzedhere.Whilehistheory ofcave paint-
rulesis stillvalid,his stylistic
ingsorganizedaccordingto structural chronologyis obsolete.The
Chauvetcave (datedtoaround30,000and 26,500/25,000 B.P.)broughtthefinaldocumentation that
Aurignacian artwas in no wayonlyschematicand thattherewas no evolutionfromschematics to
realism.
a PhilosopherofTechnique
Leroi-Gourhan, 297
CONCLUDING DISCUSSION
and Brzillon, 1966), were further developed and refinedto become standardpro-
cedure foropen-airsites in the Old World. His influenceextendedto French ar-
chaeologists workingon living floors and settlementsin Mesoamerica, Central
America,and theNear East.
Equally importantly, Leroi-Gourhan,togetherwithknappingexperimentsde-
veloped in JacquesTixier's laboratory,was at theoriginoftheschool of prehistoric
technologythatdeveloped fromthe practiceof flintconjoining(or refitting) at the
siteofPincevent.These tworesearchgroups,whichjoined forcesinthe 1980s, have
been accumulatinga veryimportantbody of theoreticalknowledgeon techniques
and cognition,using the powerfulconcept of the chane opratoire.Technology
is now as essential a componentof Paleolithic or Neolithic researchprojects as
typology.Prehistorianssuch as Jacques Tixierand collaborators,Claudine Karlin,
Nicole Pigeot,Sylvie Ploux, PierreBodu, Jacques Pelegrin,Jean-MichelGeneste,
and Eric Boda, have broughtimportanttheoreticalor methodologicalcontribu-
tionsto prehistorictechnologyand cognition(Boda, 199 1; Geneste, 199 1; Karlin
et a/., 1991, 1992; Karlin and Julien,1994; Plegrin,1993; Plegrinet ai, 1988;
Pigeot, 1987, 1990; Ploux et al.y 1991; Tixier, 1988).
A school of comparativeethnologyand culturaltechnologywas created di-
rectlyundertheinfluenceofEvolutionand Technique,Leroi-Gourhan's firstmajor
work.Major figuresof thismovementare RobertCresswell withhisjournal Tech-
niques & Culture(1993), Balfet (1991a,b), Bromberger(1987), Digard (1979),
Lemonnier(1980, 1992), and Martinelli(1988). Many of these researchershave
shown a deep interestin understandingthe reciprocal influencesof social orga-
nization and techniques. Some French social anthropologistsalso having been
influencedby Leroi-Gourhan,tryto relatetherationalityinscribedin theevolution
of techniquesto theanalysisof theMarxist"productiveforces"and to linktogether
technicaland social orproductionprocesses (among them,Digard, 1979). But here,
alongside Leroi-Gourhan,one mustalso mentiontheinfluenceof Haudricourt,his
contemporaryin social anthropologywith an agronomic and a linguisticback-
ground.Haudricourtcreated the ethnoscience approach in France (Haudricourt,
1968, 1987; Sigaut, 1991). Much more thanLeroi-Gourhan,Haudricourtstressed
thesocial and culturalaspect of techniques(Bonte, 1992). A memberof theethno-
science school, and froma muchyoungergeneration,Georges Guille-Escuretalso
acknowledgesa directconnectionto Leroi-Gourhanin his theoryof thesocial fact
(Guille-Escuret,1994).
It took much longer for Leroi-Gourhan's influenceto be feltin the United
States and GreatBritain,where language and an altogetherdifferent set of scien-
tificprioritieshad establishedalmost insurmountablebarriers.It was at thetimeof
thetranslationof Prhistoirede I*art occidental (Treasuresof PrehistoricArt)that
rock art specialists such as Andre Rosenfeld and Peter Ucko became interested
in his work,but thenonly in a verycriticalfashion.They were able to perceive
the weaknesses butnot the innovativeaspects of his work (Ucko and Rosenfeld,
1967).
300 Audouze
ACKNOWLEDGMENTS
REFERENCES CITED
B. (1992a). Leroi-Gourhan,
Stiegler, partinauditede l'anthropologie.Les Nouvellesde l'Archologie
48/49:23-30.
Stiegler,B. (1992b). La programmatologie de Leroi-Gourhan. Les Nouvellesde l Archologie48/49:
31-36.
B. (1994). La technique
Stiegler, etle temps,L La fauted%Epimthe, Galile/Citdes Sciencesetde
VIndustrie, Paris.
Tixier,J.(d.) (1988). Technologie prhistorique, Editionsdu CNRS, Paris.
Ucko,P.,andRosenfeld, A. (1967). PaleolithicCave Art,McGraw-Hill, NewYork.
White,R. (1989). Production complexity and standardisation in earlyAurignacian bead and pendant
manufacture: Evolutionary implications. C, and Mellars,P. (eds.),TheHumanRev-
In Stringer,
olution:Behaviouraland BiologicalPerspectives on theOriginsofModernHumans,Edinburgh
University Press,Edinburgh, Scotland,pp. 366-390.
White,R. (1997). Substantial acts:Frommaterials to meaningin UpperPaleolithic In
representation.
Conkey,M. W.,Soffer, O., Stratmann, D., andJablonski, N. (eds.).BeyondArt:UpperPaleolithic
Symbolism, CaliforniaAcademyof Sciences.San Francisco,pp. 93-121.
Yamanaka,I. (2000). Le Japonvu par AndrLeroi-Gourhan, 1937-1939, Vol. L Osaka Culture
Association, Kyoto,Japan.
Yamanaka,I. (2001). Le Japonvu par AndrLeroi-Gourhan, 1937-1939, Vol.2, Osaka Culture
Association, Kyoto,Japan.