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AND
A D V A ITA SAIVGAM A OF KASHMIR
A COMPARATIVE STU D Y
Dr J a id e v a S in g h
T H E R A M A K R IS H N A M IS S IO N IN S T IT U T E
OF CULTURE
Gol Park, C alcutta 700 029
VEDNTA
AND
ADVAITA SAIVGAMA OF KASHMIR
A COMPARATIVE STUDY
D r J a i d e v a S in g h
T H E R A M A K R ISH N A M ISSIO N IN S T IT U T E
OF CULTURE
Gol Park, C alcutta 700 029
Published by
Swami L o kesw aran and a, Secretary
T he Ram akrishna Mission Institute of C ulture
Gol Park, C alcutta 700 029
Copyright 1985
Price : Rs 5/-
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T H E PHILO SOPHY OF VEDANTA
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VEDANTA AND ADVAITA SAIVGAMA
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T H E PH ILO SO PH Y OF VEDANTA
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VEDANTA AND ADVAITA AIVAGAMA
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T H E PH ILO SO PH Y OF VEDANTA
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VEDANTA AND ADVA1TA AIVGAMA
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T H E PHILOSOPHY OF VEDANTA
W qTTOR f^ F T T : ^T9T: ^ q r: I
<ftt srcrcrc fefroT: ^trt : 5nmr% t o TOrrfr n
^nn
As, from a well-blazing fire, sparks of like form
issue forth by the thousands, even so, my friend, the
jivas are produced from the Imperishable an d also go
there.
T he following quotation from the Aitarcya Upanisad
is even more pronounced:
iffaTT fTOPTTOT STTT I *PTT fTOTOffl* 313^1
By cleaving asunder the suture of the skull, he entered
by th at door. This is the door, nam ed the suture of the
skull .
So, Atm is Brahm an Himself in the hum an body. In
fact, Brahm an and Atm a are synonymous in the
Upanisads. This is clear from the four mahvkyas (great
statements) of the Upanisads, viz. 1. ^TTS^, T h a t am
I 5, 2. drdHfa, T h at thou a rt, 3. s m rT O V^T., This
A tm is B rahm an, 4. T am Brahman*.
I t should be clearly borne in mind that jiva is not
A tm . Jv a is the psychological or empirical Self. Atm
is the met-empiricai or metaphysical self. Jv a is Atm
reflected in or conditioned by biiddhi. Atm is also called
Purusa, not in the popular sense of a hum an being, but
in hermeneutic sense, puri sele iti puru^ah\ i.e. Brahm an,
who abides in the pura or city of the body. T he hum an
body is known as Brahmapura, the tabernacle of God.
Brahm an is cidakas'a, Atm is clnrmlra, Jiva is ciddbhasa.
T h e destiny of the Jiva is to become Brahm an. As the
P rana U panisad puts it: WTT TO: FPTOnTT: W gt
<mr i
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VEDANTA AND ADVAITA &AIVAGAMA
'Tf'CS^f^rr: ^ W W r: 5 W MMTW ^ P f T , fW T
fTRTT $W s frs# I g tfisw rs^ m '<R^r I
vi. 5.
As the rivers that flow towards the ocean, liaving reached
it, disappear; their nam e and form are destroyed an d they
arc designated the ocean, even so of this spectator, these
sixteen parts (5 organs of sense+ 5 organs of action -\-
manas+ 5 lanmdtras) that te n d . towards the Pum$ay
on reaching the Purina, disappear; their nam e and form
are destroyed and they are designated simply Purtt$a~
T h at one continues partless and im m ortal.
T h e empirical self and the metaphysical Self dwell in
the same body.
W hen the jlv a recognizes the metaphysical Self, h e
is freed from sorrow. As the M undaka Upanisad puts it:
T ^otpt ref qRqM^ra* i
eNfftrq-: faopT ST%, ^T^ft 11
snrrir P m : s p f i w sffrefa ^ r rw : i
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T H E PH ILO SO PH Y OF VEDANTA
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VEDANTA AND ADV A IT A &ATVGAMA
^1111
W hat is here in this city of B rahm an is an abode, a small
lotus-flower. Witliin that is a small space. T h a t should be
searched out, th at is w hat one should desire to under
stand.
This is a description not of the physical heart b u t o f
the mystic heart. One has to m editate on it. This leads
to the transformation of the empirical m ind into the
Divine.
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II
THE PARA ADVAITA PHILOSOPHY
OF SAIVAGAMA
1. U ltim a te R ea lity
Most of the systems of Indian Philosophy recognize
ultim ate Reality as simply prakdsa, as self-luminous
Light or sva-prakasa which illumines everything in the
world. But Saiva Pliilosophy maintains th at para samvit
or, Cit or ultim ate Reality is not simply prakdsa; it is
prakdia-vimariamaya. I t is not simply spiritual Light
bu t also creative Energy. Vimarsa is reviewing Energy
of Siva, His kartrlva sakti. I t is like a m irror in
which Siva secs His glory, His creative power, His
beauty.
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VEDANTA AND ADVAITA AIVGAMA
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T H E PH ILO SO PH Y OF &AJVAGAMA
2. S vatan tryavad a
T he Absolute in this system is known as Cit or Parama
Siva or Mahesvara or Anuttara.
I t is called M ahesvara because o f its absolute
sovereignty of willsvatantratd or svdtantrya. Svdtantrya is
the svabhava or own-being of the Absolute. I t is this
sovereign Free Will that brings about the objectification
of the ideation of the Absolute. I t is free as it does not
depend on anything else outside itself.
I t is beyond space, time, causality, etc., for they owe
their own existence to it.
faf?r: to iw w u n fe rr i
N5 TOTT?*PT: n
Isvara Pr. I, pp. 203-4
m T STOFTT sffadT II
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VEDANTA AND ADVAITA AIVGAMA
3. X b hasavad a
From the point of view of the creativity of the Divine,
this system is known as svatantryavada; from the point of
view of manifestation, it is known as dbhdsavada.
In the U ltim ate Reality, the entire objective world
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T H E PH ILO SO PHY OF AIVAGAMA
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VEDANTA AND ADVAITA SAIVGAMA
Is. Pr. 5, 7.
The Divine being whose essence is Cit makes the
collection of objects th at are internally contained app ear
outside by His Will w ithout any external material even as
a Yogi (makes his m ental object appear outside by his
mere will).
T he Divine being does not create like a pot-m aker
shaping clay into pots. H e simply manifests outside w hat
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T H E PH ILO SO PH Y OF SAI V GAMA
4. Sadadhv
T he activity of para sakti is described also from another
point of view. It manifests initially as para vdk. T he whole
universe consisting of subjective and objective order is a
proliferation of para vdk under six forms known as fadadhva
which means six courses.
T hree of them arc under the vacaka aspect which means
the subjective or grahaka aspect of manifestation, and the
other three are under the vacya or the objective aspect.
At the level of para vdk, vacaka and vacya, i.e. the word
and the referent, are in an indistinguishable unity.
T he first adhva or step of this differentiations is the
polarity of varna and kald.
Varna, a t this stage, does not mean letter, or colour,
or class. Varna means the characteristic measurc-index
of the function-form associated with the object. Varna
is the function-form; kald is the predicable.
This adhva is known as para or supreme or abheda, for
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VEDANTA AND ADVAITA &ATVGAMA
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T H E PH ILO SO PH Y OF AIVAGAMA
<t*tt u
Paratnsika, 24
As the great banyan tree lies only in the form of
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VEDANTA AND ADV AITA AIVGAM a
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T H E PH ILO SO PH Y OF AIVAGAMA
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VEDANTA AND ADVAITA ^AIVGAMA
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T H E PH ILO SO PH Y OF ATVGAMA
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VEDANTA AND ADVAITA AIVGAMA
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T IIE PH ILO SO PH Y OF SAIVAGAMA
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VEDANTA AND ADVAITA 6A l VA GAMA
6. B ondage
T he bondage of the individual is due to innate
ignorance or anava mala. I t is the prim ary limiting condi
tion which reduces the individual to an aim or limited
creature. I t comes about by the limitation o f the iccha-
iakti of the Supreme.
In association with asuddha adlwdy he becomes further
limited by maylya and karma mala. M aylya m ala is the
limited condition brought about by maya. I t is bhitina
vedya prathd which brings about the consciousness of
difference. This comes about by the limitation of jnana-
sakti of the Supreme.
Anava m ala leads to K arm am ala, e.g. good or evil
actions. This leads to maylya m ala which brings about
the experience of pleasure, pain, birth, and death due to
the vasanas or habit-cnergics of good and evil actions.
I t is the force of the vasanas that carries the jivas from one
life to another.
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T H E PH ILO SO PH Y OF ATVAGAMA
7. L ib era tio n
Liberation, according to the system, means pratyabhijfta
o r recognition of ones true nature which means akrtrima-
ahain-vimarsa, the original, pure I-consciousncss. T he pure
I-consciousness is immediate, non-relational awareness.
T o be integrated to the divine I is liberation.
As A bhinavagupta puts it:
jfteft ?rnT ^ F * r: f f r n T an tra I, p. 192.
Moksa or liberation is nothing else but the awareness
o f ones true nature.
T h e highest attainm ent, however, is that of Siva-
consciousness in which the entire universe appears as I
o r Siva.
Updyas:
I t is not simply by intellectual understanding that one
gains awareness of true I-consciousncss.
T here lias to be Sakli-palathe descent of Divine Sakti
o r anugraka or grace.
In order to earn grace, one has to undergo spiritual
discipline. Tliis is known as updya or yoga.
T h e updyas are divided under four heads, viz.
(I) A nupaya, (II) Sam bhavopaya, (III) Saktopaya,
a n d (IV) Anavopaya.
I. Auupdya
T he prefix as in anupaya means slight. When,
through extreme saktipata, the aspirant realizes the Self
a n d gets absorbed in the divine consciousness without
an y particular effort simply by once hearing a word from
the guru, one is said to have attained Self-realization
through anupaya.
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VEDANTA AND ADVAITA SAIVACAMA
II. Sambhavopaya
This is also known as icchopaya, abhedopaya, avikal-
paka or nirvikalpa yoga.
I t is called icchopaya, because it comes about by a
mere orientation of the Will. I t is called abhedopaya, be
cause it brings about a complete identification of T a n d
cS iv a\ I t is called nirvikalpa upaya, for the mystic experi
ence of the union of jlva and Siva occurs when there is
complete cessation of all thought-constructs.
Sam bhava yoga is that ( 1) in which there is a sudden
flash of the I-consciousness of Siva (2 ) in which all idea
tion ceases completely (3) which occurs to those whose
entire consciousness is in the inner Bliairava principle.
I I I. Sdktopaya
In Sam bhava upaya, one has to resort to Sam bhu as
prakasa. T h a t is why it is called Sambhavopaya.
In Saklopaya, one has to resort to cit-sakti or vimarsa-
sakli for realization. Therefore, this is called Saktopaya.
Sdktopdya is also known as jndnopaya, bhavanopdya, mantro-
paya.
Saklopdya consists mostly in Manlra-sakti, Satlarka,
Bhdvana, and Suddha-vidyd.
Manlra-sakli
Since vikalpa or though t-cons true t is the very n ature
of mind, it cannot become completely vikalpa-free. T here
fore, die best way is to catch hold of one suddha vikalpay
viz. I am Siva, and rum inate over it through mantra.
W hat is mantra ? Mantra is not simply a conglomeration
of letters recorded in a book. It is, really speaking,
awareness a t a higher level of m ind of the veiled atmasakti,
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T H E PH ILO SO PH Y OF iSAIVAGAMA
^ T u rn :
^TfR; i m t f^ n w r ^ i
T h a t which is unlimited consciousness transcending
all limited expressions of Reality from the earth right
up to Siva category, th at alone is tlie highest R eality;
tliat am I. Therefore, I am both transcendent to and
im m anent in the universe.
T h e pracdce of this Suddlia vikalpa is saktopaya. Sakti
assumes the form of mantra. Since I-consciousncss is the
sakti of Siva, pondering over that Sakti is saktopaya which
brings about the absorption of the individual Self in the
Divine Self of Siva.
Sat-tarka
A bout sat-tarka, Abhinavagupta says in T antrasara
(p. 23) ^ SrTf ltd* i.e. Sat-
tarka is the reflection th at re-inforces continuity of ideas
sim ilar to the Suddha vikalpa. Sat-tarka leads to bHavana.
Bhavana is creative contemplation.
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VEDANTA AND ADVAITA SAIVGAMA
Bhdvana
A bhinavagupta defines bhdvana in the following words
m ^ fc iF d ^TTsqgr ?PTT I
c<Bhdvana is th at contemplation which enforces clarity
of a thing which though real and existent appeared as
non-existent and unreal previously owing to obscurity.
Constructive imagination plays an im portant role in
bhdvana.
Suddha- Vxdya
Bhavana leads to Suddha-vidya. This makes manifest
the light of supreme I-consciousness. W ith the appearance
of suddhavidya, jiieya or object of knowledge appears as a
form of jnana (knowledge). Jrlana terminates in the jiidta
or the knower. Finally, this is displaced by the trans
cendental I-consciousncss in which the distinction between
the jnald, jiiana, and jneya totally disappears.
IV . Anavopaya
For those who are not competent to practise Saktopaya,
there is anavopaya. Axxu means the psychological self,
the mind-body complex. I t is because this discipline
starts from the mind-body complex that it is known as
anavopaya. I t is also called kriyopaya and bhedopaya.
These upayas arc not watertight compartments. Gener
ally, one passes into the other.
Usually, the support of the citta of the individual
practising anavopaya is either his ( 1) buddhiy (2 ) gross
prdna, (3) subtle prana known as varna, (4) the body and
the disposition of its organs in particular ways, known as
karanay or (5) some external object known as sthana-
kalpana.
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T IIE PHILO SO PH Y O F &UVAGAMA
o <o fe w : n
No one sounds it voluntarily, nor can any one prevent
its being sounded. T he deity abiding in tlic heart of living
creatures sounds it himself.
Abhinavagupta says about it:
c^rt ^ R ic w r ^ t: i
II (Tan. 6, 216)
There is one varna which is nada in whicli lie all the
varnas (letters) latently without distinction. As it is cause
less, it is called anahata} i.e. unstruck, natural, uncaused.
By anusandhatia or m ental observation of the above
process, pram and apatiabecome equilibrated and then the
dorm ant kundalini that lies in three and a h alf folds a t
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VEDANTA AND ADVAITA SA1VGAMA
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I ll
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VEDANTA AND ADVAITA SAIVGAMA
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COM PARATIVE STUDY
N CN *\
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VEDANTA AND ADVAITA &AIVOAMA
T he Status o f th e W orld
The world, according to Sankara, is milhyd or false. I t
is simply an adhydropa or adhydsa or false imposition on
B rahm an due to ajtidna or nescience just as a snake is a
false imposition on a rope.
In none of the Upanisads which form the original, real
V edanta, the rajju-sarpa or rope-snake analogy is to be
found. Nor anywhere in die Upanisads has die world
been designated as adhydropa or adhydsa Sankara has
borrowed it from Nagarjuna.
T he problem for advaita is: How does the one B rahm an
become m any 5? Sri Aurobindo righdy says diat Sankara
cut the Gordian knot by dismissing die world as illusion.
M M . D r Gopinath Kaviraj says that according to
adhydsa, S ankaras advaita becomes exclusive advaita, an
advaita by excluding the world.
For Advaita Saivagama, the world is an dbhdsa, b u t
abhasa or appearance is real. T he dbhasas only prove
the glory and richness of Siva. The world lies only as
a potency in Siva, just as a banyan tree lies as potency
or Sakti m die seed. M anifcstadon only means making
explicit w hat is implicit. Variety is not contradictory to
unity. The Advaita Saivagama m aintains diat parinama-
vada and vivartavada are not the cxhausdve theories of
manifcstadon. Manifestation is brought about by the
Svdtantrya or the autonomy of Siva.
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COM PARATIVE STUDY
*TlMHIcHI W&ft
im r ^ ^ r r i
^jcT ^PRT-
sriwr <p j ^ rr^ 11
This alma cannot be attained by instruction, not by
intelligence, nor by learning. To him alone, I t reveals
Its subtle form whom It chooses.
This stanza plainly speaks of grace, but Sankara dis
misses grace by a linguistic lour de force. He takese$a as
standing for sadhaka, though it is a pronoun standing for
the noun alma, mentioned in the stanza.
At another place, curiously enough, Sankara admits
grace. Commenting on the following B rahm asutra
TOfaWFTRT 5 (Br. su. 3, 2, 5)
Sankara says:
d d 3 ^ R T % i TOT73T irfW TIW t SRft:
A tm a in th e H um an B ody
According to Sankara, dtma in the hum an body is only
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VEDANTA AND ADVAITA A.IVGAMA
D ifference in th e U payas
Saivagama has four upayas, viz. (i) anupdya>
(ii) sambhavopaya, (iii) sdklopaya, and (iv) anavopdya.
These have been explained in the previous section.
According to V edanta, ravana, m anana, and nididhya-
sana arc the only means to liberation. This partially
represents &aklopaya of Saivagama. There is no tiling like
sambhavopaya or anavopdya in Vedanta.
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COMPARATIVE STUDY
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