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Cultural Memory and Early Civilization: Writing, Remembrance, and Political Imagination by
Assmann, Jan
Review by: David Gottlieb
The Journal of Religion, Vol. 93, No. 2 (April 2013), pp. 233-234
Published by: The University of Chicago Press
Stable URL: http://www.jstor.org/stable/10.1086/670784 .
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A SSMANN , J AN . Cultural Memory and Early Civilization: Writing, Remembrance, and Po-
litical Imagination. Cambridge: Cambridge University Press, 2011. ix1319 pp.
paper. $95.00.
The growth over the past two decades of the field of the study of memorya growth
referred to by one of the fields pioneers, Jeffrey Olick, as metastatichas cen-
tered on an exploration of what scholars have come to call social or, more recently,
cultural memory Jeffrey K. Olick and Joyce Robbins, From Collective Memory
to the Historical Sociology of Mnemonic Practices, Annual Review of Sociology, 24
1998: 10540. The flourishing of memory studies has been attributed, at least
by some scholars in the field, to a combination of sociohistorical context post-
modernism and seismic historical event two world wars, the fall of communism.
There is broad agreement that the field is still dominated by European scholars,
for whom these formative experiences became embedded in tapestries of cultural
introspection and national commemoration. The dean of cultural memory studies
has for the past three decades been the Egyptologist Jan Assmann, now professor
emeritus at the University of Heidelberg and honorary professor at the University
of Constance. His interest in cultural memory and his collaboration on memory
studies with the cultural anthropologist Aleida Assmann also his wife have their
roots in some of the most terrible crimes and catastrophes in the whole of human
history vii. That interest took flower in the late 1980s, as the erosion of com-
munist regimes and the fall of the Berlin Wall ignited debate over the recent past
and its importance for the political reinvention both of Germany . . . and of
Europe xii.
For the Assmanns, this moment helped give rise to the thesis that the contents
of cultural memory, the ways in which they are organized, and the length of time
they last are for the most part not a matter of internal storage or control but of
the external conditions imposed by society and cultural contexts 5. At long last
available two decades after its publication in German in an elegant translation by
David Henry Wilson, Cultural Memory and Early Civilization reflects the reach of Ass-
manns scholarship. He credibly asserts that cultural memory, as currently consti-
tuted, springs from four well-defined historical sources, whose mnemotechnics
formed the basis of contemporary identity, politics, and power. In so doing, he has
authored a work of signal importance for the study of religion.
Undergirding four cultural case studies with a wide-ranging section on mem-
ory theory, Assmann articulates a socio-constructivist 33 concept of cultural
memory as a deliberate creation, rather than a natural outgrowth, of the culture
from which it arises. The careful construction of cultural memory relies on repe-
tition and interpretation, which are functionally equivalent processes in the pro-
duction of cultural continuity 72. One aspect of this reformulation of cultural
memory is retrieval, which includes and relies upon the art of deliberate forget-
ting. Employing the thought of Levi-Strauss, Assmann asserts the existence of
an alliance between power and forgetting 55 that plays a formative role in the
development of a structural amnesia that permits a society to define itself both
prospectively and retrospectively. This leads Assmann to a broad theory of political
imagination that includes the ethnological and educational stratification of cultural
memory.
The four case studies focus on two cultures Greece and Israel whose mnemo-
historical foundations have survived the eclipse of the ancient world and two
Egyptian and Hittite culture whose foundations have not. Religions role in these
trajectories receives the requisite attention; in the chapter on Egypt, Assmann cre-
ates a compelling portrait of the Egyptian temple as an embodiment of canon and a
233
A LPERT, R EBECCA T. Out of Left Field: Jews and Black Baseball. New York: Oxford
University Press, 2011. ix1236 pp. $27.95 cloth.
234