3rd Position Review OPTIONAL DUET WITH RHYTHM GUITAR (Employing the four preceding Major Scales in Position IIT) When played as a duet: 1.) Melody guitar as written-Rhythm guitar optional Latin Beat... 2.) Melody guitar play consecutive 8th notes as d j)-Rhythm guitar straight 4. ra (-5) Dm, ee ASTD? Gm7* G7 # FT # Bb? cm?” % Omi TYPE 4 i ® cme Ebme D7“ Gm7*7__c Cpz E7 . Dee Cm? F7 % ~ Bb ~Gm7% Cp" FT Bb ¢ Dm7 (sus4) , m7, eae cme FLEET pe 2 cme FT # Bb eo Bb7(susd) + | ° 4 J ¢ TYPE 3 Eb - Pmle Gmie Fmile © Dae Cte orn cee ee ee ee Fle 4e Fm7¢ Bb? 4 Fm?” Bb7 % Eb 7 oR 6 Fm? Bb7, abe Eb(ma’)/# pew Fm7e Bb7 cmie 114' a Fm Bb? 2 Eb ee @ Bbm7o Ja ed : @ TYPE aby J Bbmy, Ja cmy. J © Bhp? A Ab J J Fm sl Bhai J J D7 coe oe of Ab F7 Bom7¢ E57 Ab) Boni cmgy Bom eee JAX g cs) TYPED, cm? - Ebm7 7 Fm7 “ Ebm7 # F7 Bbm7 7 @ fb eae Abia Ebm7e_Gbm67 FT < Bbm® Ebm7e Ab? # 5) Fm? ¢ Bb7+Bb7 Ebm7¢ Abt ¢ Fm7B7 Bb, Ele Abt ee EbmTy ably Dey Do, im Db 4 Bbm7 2 115 le fineChord Forms (DOM. )7th(sus4) (Root 2) ie y7th(>s) (DOM. )7th(b9) (Root 2) 9th (Root 5) min 7 E> iE? Bee SI Dim a. TKOaIR HE 22 (As min x) written: C7(-5) C-57 Root 6 C7(b5) ete. EXERCISE Gma7_Gé Am7__D7(b9) Ge Am7 Bm?__E7(-9) Il IL (v) Iv pte (v) (vil) VI Am7 D7(susG) D7(b5) Ge co Gé (v) i TL (The dom7(b5) form shown above may also be named from the éth string). 9 MINOR 9th (DOM. )7th(+9) MAJ; oth (Root 5) 9th (Root 5) 6th (Root 5) = ae” pers erat ar es a6 : written: B7(+9) B7(94) B7(29) ete. EXERCISE Fm9 E7(+9) Ebma? VI Db9 D7(b9)_ED. 9 E7(+9) £9 Ebma7, Fm9 VI v m Vv 1m The +9 chord used above would be called: E7th sharp 9.....E7th raise 9..... or E7th augmented 9th. This explicit reference to the altered degree is important.....Major Scales in Ist Position ‘i:2¢3) (MOST USED) Ab MAJOR (FINGERING TYPE 4) 1108S gy atiad @ © ® © Db MAJOR (FINGERING TYPE 3), anes asies ee 4a ® 6e@ © 6 ©Ist Position Review OPTIONAL DUET WITH RHYTHM GUITAR (Employing the two Preceding Major Scales in Position I) Melody guitar play consecutive 8th notes as written and as Jy 2) Rhythm guitar play waltz beat for both 1 1 TYPES De 2 Dip eo Ghee Gee be © (sus4) Boe - Eo 2 7 Ab? » Ab? Ebme 2 ab7d d Duma oe Bome « Ebmb vp Abt ew 2 pmte 2 Bee bmi 6 bb / are ob Sd arg gh oe RIC hms pr 7 Beg, <——~ J Beem ar PES yee aay De De a Eby pit) 2 coo Ab ee Rmie 6 Bbmie ow Seer eee eee ee eee eee ee Ab 7 7 Bbm7e 2 mt) -BPyBb : cme opie 2 Od SS a 118 Ritard-- fineMajor Scales in 4th Position MOST USED) G MAJOR (FINGERING TYPE 1A) oo ESo 412 4124 2412 ES. ® So Oo © © # fine D MAJOR (FINGERING TYPE I) ns, vit tasers eietenerel sy * veo 6 ® oS a 7 TineA MAJOR (FINGERING TYPE 2) aio i gee VSS @ E MAJOR (FINGERING TYPE 3) a4;at? .y24 at orn YOO 6 © © o fineChord Forms ——— {MINOR MIN. (maj?) MIN. 7a? Ma th] [MINOR MIN. (maj?) MIN. 7th’ MIN. 6th Fa 5) (Root 5) (Root 5) (Root 5) fa 6) (Root 6) (Root 6) (Root 6) 1oitix EXERCISE Dmé Gmé Dm___Dm(maj?) Dm7__(or G9)__Gm_Gm(maj7)_—_—Gm7__(or C9) v IV mI (1) or I I These same minor chord sequences are often found written like this: Dm__At Dm7___Dmé Gm__D+ Gin?__Gmé (also: C#+) (also: FB+) MIN. 9th Tth+ 9 MAJ. 7th Min. 7th (Root 6) (Root 6) (Root 6) ae? gaa? > 9th > pe] rote rowaae roxe44 EXERCISE : 7 Am? Ab7(+9) Gma?,Am7 C6 __Bm7_E7 (-9) av IV $url $v van (vy VI Am7__Am9__Ab7(49)_D+ G Am9 Ab7(+9)_Gma? x =e a i : = = SSS SS (Substitution tip: 55 and #5 forms are almost always interchangeable - also +9 and b9).