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1.What is the First Past the Post System? Critically comment on the practice
with highlights on ways to make it better.
Answer:
First Past the Post system implies that the candidate who gets most votes than all other
candidates is declared winner and people vote essentially for a party member. All other votes
are disregarded. The person elected from the constituency is held accountable for the progress
of the region.
Merits:
1. It is simple and less complicated for illiterate masses as there is only one candidate
from a constituency unlike Proportional Representation system.
2. It ensures a stable government as voting is based on the merit of the candidates.
3. Candidates are linked with constituencies and therefore can easily reach out to the
people.
Demerits:
1. Smaller parties that have a presence throughout the country but lack a strong hold in
constituencies are penalized.
2. The system in particular does not ensure stable government as India has seen mixed
results through this system.
3. Slight changes in vote share can cause dramatic change in the vote share and there is
wastage of votes.
4. Expenditure is higher on elections.
Suggested Reforms:
The Alternative Vote (AV) can be a solution to address wastage of votes. The voter has the
chance to rank the candidates in order of preference. The voter puts a '1' by their first choice a
'2' by their second choice, and so on, until they do not have to express any further preferences
or run out of candidates. Candidates are elected outright if they gain more than half of the first
preference votes. If not, the candidate who lost (the one with least first preferences) is
eliminated and their votes are redistributed according to the second (or next available)
preference marked on the ballot paper.
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Adopting a mix of Proportional Representation and First Past the Post system might help to
address these issues, as the Indian population is not fully literate and aware yet to completely
switch to a different system. Reserving a certain percentage of total seats in Parliament
through Proportional Representation might ensure better representation of candidates in the
legislature.
3. The Speaker of the Lok Sabha is expected to politically neutral while not being
apolitical. Comment.
Answer:
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The Speaker is the member of the Lok Sabha and also its Presiding Officer at the same time. It
is the Speaker's task to ensure that decorum of the Parliament is maintained under all
circumstances. He/she is expected to voluntarily quit the party membership after being
elected as Speaker, and avail the benefit of exemption from disqualification guaranteed by the
Constitution. Paragraph 5 of the 10th Schedule, even as it aims at curbing defection, gives
meaning and substance to the convention that the Speakers must be politically neutral while
performing his/her duties. He/she is expected to exercise a casting vote in the case of equality
of votes, under Article 100. Even here, he/she is expected as per convention, to vote for status
quo, rather than for change, notwithstanding whether the vote would be in favour of his/her
party or not.
The Speaker is considered the guardian of the rights and privileges of the House, its
Committees and members. It is through the Speaker that the decisions of the House are
communicated to outside individuals and authorities. He/she decides the form and manner in
which the proceedings of the House are published. He/she issues warrant to execute the
orders of the House, wherever necessary, and delivers reprimands on behalf of the House.
The entire Lok Sabha is under the authority of the Speaker.
Therefore, Lok Sabha Speaker is expected to be politically neutral while not being apolitical.
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But, with the inclusion Section 8(4) in this Act, the MPs and MLAs have got a protective shield
to continue on their posts, provided they had appealed or filed an application for revision
against their conviction in higher courts within three months from the date of conviction.
Sub-section 4 of Section 8 of the Act, 1951 is an exception carved out from sub-sections (1), (2)
and (3). In 2013, Section 8(4) of the Representation of People Act, 1951 was declared
unconstitutional being beyond the legislative competence of the Parliament due to public
pressure and many MPs were found guilty as well.
Thus, law always protects the purity of electoral process. But it is equally important that the
public, police and judiciary remain vigilant and prepared for an impartial enquiry. If they come
to know of any unfair practices, the matter must be reported as no law can be implemented in
true letter and spirit unless there is a strong will behind it.
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6. Write a short note on the contribution of Amir Khusrau to Persian literature.
Answer:
Amir Khusrau (1252-1325) was an iconic figure in the cultural history of the Indian
subcontinent. He was a Sufi mystic and a spiritual disciple of Nizamuddin Auliya of Delhi. It is
said that he composed ninety-nine works on different themes and numerous verses of poetry.
His poetry was written in different forms of lyric, ode, epic and elegy. His writing style
represents the first instance of Persian styles being composed in the Indian context, which was
known as the Sabaq-i-Hindi (the Indian style). Among the important works composed by him
are:
1. Mutla-ul-Anwar,
2. Shirin Khusrau,
3. Laila Majnun and
4. Ayina-I-Sikandari
These works were dedicated to Alauddin Khalji. Among his five Diwans (Ghazals) are Tuhfat-us-
Sighar, Baqiya Naqiya and Nihayat-ul-Kamal. He has written Ghazal, Qata, Rubai, Do Beti and
Tarkibhand. He also wrote masnavis (narrative poems), which have been of great historical and
literary value. Among these are:
1. Qiran-us Sa’dain,
2. Miftah-ul Futuh (dealing with the military success of Jalauddin Khalji),
3. Tughluq Nama (describing Ghiyasuddin Tughluq’s rise to power) and
4. Khazain-ul Futuh (giving an account of Alauddin Khalji’s conquest of the South).
Amir Khusrau was also a musician, scholar and poet. He wrote poetry not only in Persian, but
also in Hindavi. He is regarded as the “father of qawwali” (the devotional music of the Indian
Sufis. His contribution to the development of Persian literature is particularly significant.
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Chandbardai, which depicts the heroic deeds of Prithviraj Chauhan. There were two main
forms of Hindi in this period Bhojpuri and Awadhi. Malik Muhammad Jayasi wrote Padmavat
in Awadhi. The famous Ramacharitamanas by Tulsidas was also written in Awadhi in this
period.
Modern Indian languages and literature saw a growing trend during the Delhi Sultanate period.
Forms of Hindi such as Braj Bhasha and khari Boli, were being used in literary compositions.
Many devotional songs were composed in these languages. The regional kingdoms provided a
great stimulus to regional languages and literature. The Sultans of Bengal, Gujarat and other
states patronized local languages and literature.
Bhakti saints preached in the language of the people. Many of them like Kabir, Mirabai etc
were great poets. The tradition of writing devotional songs began with Chaitanya. Narasinh
Mehta wrote devotional songs in Gujarati and Namdev and Eknath in Marathi. Under the
patronage of Zainul Abidin (Kashmir), Sanskrit works like the Mahabhatata and the Rajataringini
were translated into Persian.
Literature in the Dravidian languages also began flourishing. Pampa, Ponna and Ranna were
known as the three gems (ratnatraya) of the early Kannada literature. Kamban wrote the
Ramayanam in Tamil. Great hymns were composed by Alvars and Nayanars in Tamil. Telugu
language reached its peak during the Vijaynagara period.
One of the most important developments during the medieval period was the birth of Urdu
language, which soon developed one of the richest literatures in India. Urdu became peoples'
language in urban parts of northern India and the Deccan.
The growth of these regional languages coincided with a growing regional sentiment and the
emergence of regional polities. Thus, medieval Indian literature became one of the best
examples of the growth of a common culture despite varied languages across regions.
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This narrative is composed at a time when dynastic revolutions and the emergence of new
social classes threatened the established social and political order. It is concerned with the
succession of kings and queens who ruled Kashmir during this period and portrays a rich
narrative of political, social and cultural history.
Rajatarangini is an unbiased writing without any influence from kings because Kalhana did not
get any patronage from them and this makes it different from other literary texts of that
period. He has analyzed the conditions and events of that time very minutely. His writing has
an ornate style full of verses. His writings have mention about transience of worldly life and
physical materials. He also referred to various sources while writing such as royal eulogies,
coins, monumental remains, local traditions etc.
Although, its chronology of events is debated, this book still provides an invaluable source of
information.
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10. Discuss the role of Literature in freedom movement of India.
Answer:
Patriotic writings were used to express nationalist thinking of the people against foreign
domination, which began to emerge in the nineteenth century particularly in every Indian
language.
With poetic words as their weapon, poets from north, south, east and west raised their voice
against exploitation of India by the foreign rulers. India’s first battle for freedom in 1857,
indigo revolt, partition of Bengal along with the glorious deeds of warriors and martyrs
became their themes. The 20th century saw the poets emerging out of reformism and
revivalism to confront the alien ruler directly and support the freedom fighters and mass
movements.
The literary texts not only reflected the politics of Indias leaders (increasingly represented by
the Indian National Congress), but questioned some of their assumptions about the path
India's future should take. For instance, the Hindi novelist Premchand set his stories primarily
in rural India and satirized the machinations of the urban elite, emphasizing the rural-urban
divide that was increasingly visible in mainstream nationalist politics.
Bande Mataram song written by Bankim Chandra and Jana Gana Mana by Rabindra Nath
Tagore, which was later honoured as the National Anthem of India inspired generations for
decades. Sarojini Naidu, one of the great Indian poets writing in English, called Motherland ‘the
sovereign empress of the past’ and eulogized India in her poems. The Hindi stream of freedom
poetry began with Bhartendu Harish Chandra’s Bharat Durdasha. Swami Vivekananda, in his
‘Awakened India’ exhorted the people to resume their march, telling them ‘Once more awake,
for sleep it was, not death, to bring the life anew.
Thus, during 1920-30, literature had come to occupy a central role in the Indian nationalist
movement.
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