Escolar Documentos
Profissional Documentos
Cultura Documentos
KEY WORDS: Geometric recording, Cultural heritage, Web-based GIS, Google Earth, 3D modelling, Visualisation
ABSTRACT:
This paper describes the design of a Monument Information Database and its implementation in a web based environment. The
object concerns the ten painted Byzantine Churches of Cyprus, located in Troodos Mountain, a UNESCO World Heritage List item.
For the purposes of a larger inter-state project between Greece and Cyprus under the name of APHRODITE, as much information as
possible was collected for the ten churches. This wealth of data has been organized in a database, in such a way to enable access of
this information also from within web applications, such as e.g. Google Earth. This Monument Information System (MIS) has been
developed to provide a wealth of qualitative and quantitative information to the user. The system caters for the collection, archiving,
processing, management of any kind of information and virtual touring using multimedia technology. The 3D models of the
churches have been constructed using the Google Sketch-Up utility, with the help of some elementary measurements in situ. The 3D
models were uploaded to the official site of Google 3D Warehouse – Models. The user can find the monuments by just searching
using appropriate key–words where one can read some main characteristics of the monument. For further information the user may
click at the link for the web site that is currently developed for this purpose. Moreover, the user has also the possibility to virtually
fly over the area of interest based on suitably draped satellite images. The monuments are accurately georeferenced and appear in
their exact position.
1. INTRODUCTION tourists). The role of the Internet for the knowledge and sharing
of multi-dimensional data is fundamental. Web GIS is the
The geometric documentation of a monument is defined as the perfect way to share geographical information, allowing the
action of acquiring, processing, presenting and recording the user to view raster and vector information in overlay, to load
necessary data for the determination of the position and the and unload, query, compare data in a simple way, through a
actual existing form, shape and size of the monument in the browser. Three dimensional geographical data inside 3D
three dimensional space at a particular given moment in time. environments (3D WebGIS) or web-based 3D reconstruction of
Geometric documentation should be considered as an integral cultural heritage objects and artifacts (Vergauwen and van
part of a greater action, the General Documentation of the Gool, 2006) and 4D GIS with the additional time-component
Cultural Heritage. This comprises, among others, the historical dimension strictly connected to archaeological and historical
documentation, the architectural documentation, the data (e.g., TimeMap® software - http://www.timemap.net;
bibliographic documentation etc. All this wealth of information Hosse and Schilcher, 2003) can be managed by using more
is usually stored, i.e. archived, in many forms. In the previous sophisticated procedures.
years analogue forms of archiving were employed, such as
special monument cards. However this practice, although During the last years the development of software for the
complete in its way, did not ensure the storing of the management and presentation of geo-data has been rapidly
interrelations of the information and did not relate the increased. It is mentioned that there are more than 550 pieces of
information to the position of the monument. Today, not only software available for terrain visualization
the use of digital relational databases but also the role of (http://www.tec.army.mil/TD/tvd/survey/survey_toc.html) and
Geographical Information Systems (GIS) in the field of Cultural a variety of software (ArcGIS/ArcView®, VirtualGIS®,
Heritage is recognized as important in conservation, protection, Skyline®, TerrainView®, Maya® etc) for visualization and 3D
analysis, development and management of archaeological sites GIS. Also, the 3D Engines, which is specific software that
and monuments (Ioannidis et al, 2004). The compilation of combines earth 3D model, images and vector data, is used for
specialized GIS in order to accommodate all pieces of an ever increasing range of applications, among them cultural
information related to a monument led to an electronic form of heritage management. These systems are freely distributed and
Monument Archives, the Monument Information Systems include data from various space agencies (e.g., EuroImage,
(MIS). DigitalGlobe, NASA, WorldSAT etc), a 3D (which in reality is
a 2.5D) or a 2D viewer and streaming technology. Some
Contemporary techniques and methods of Information Science, examples are:
Computer Graphics, Virtual Reality and Multimedia
Technology are developed and integrated in order to record,
− Google Earth®, a 3D viewer with Quickbird high resolution
satellite images in some areas and 3D city models of some
represent and protect Cultural Heritage. Geometrically correct
cities
3D reconstructions have lately become feasible by the
integration of laser scanner and photogrammetric data. These − NASA Wind® (http://worldwind.arc.nasa.gov/), a 3D
geo-referenced products may become available within a web viewer of the NASA Blue Marble and Landsat data, terrain
portal to those interested (students, researchers, scientists,
model from SRTM mission and high resolution satellite churches, unique monuments of Byzantine architecture and
images over USA religious art, were inscribed to the UNESCO list of World
− EarthSLOT Web Interface® (http://eslot.engr.uaf.edu:8181/ Heritage Monuments since 1985. UNESCO’s criteria were both
eslot_web_interface.html), a 3D viewer of the NASA the architecture, the landscape design but also the fact that these
monthly data using Skyline 3D engine monuments are “exceptional testimony to a cultural tradition”.
− VirtualEarth®, a 2D viewer with satellite data and aerial These ten churches are:
images over USA
− Church of Ayios Nikolaos tis Steyis at Kakopetria
− GeoFusion®, Yawaha®, etc.
− Ayios Ionannis Lambadhistis Monastery at Kalopanayiotis
Most of these systems provide additional low cost commercial − Church of Panayia Phorviotissa (Asinou) at Nikitari
tools, like Google Earth Pro® and Google SketchUp Pro®, − Church of Panayia tou Arakou at Lagoudhera
ArcGlobe® of ESRI, TerrainGlobe® of Viewtec, etc, where the
user can import his own data, such as 3D models, vector layers − Church of Panayia at Moutoullas
and descriptive information. − Church of Archangelos Michael at Pedhoulas
− Church of Timios Stavros at Pelendria
The use of open source software in cultural heritage
management, in particular for non profit organisations and − Church of Panayia Podhithou at Galata
research centres, gives public access to a wide community of − Church of Stavros Ayiasmati at Platanistasa
users to spatial cultural data. Several applications of open
− Church of Ayia Sotira of the Transfiguration of the Savior,
source web GIS are mentioned in international literature, such
“tou Soteros”, at Palaichori (this church was included to the
as the Appia Antica Project (http://www.appia.itabc.cnr.it) for
UNESCO list in 2001).
the creation of a 3D spatial archive of the monuments of a wide
archaeological park in Rome, through intense mapping, GIS
and modelling activities (Pescarin et al, 2005), using
MapServer® software (http://mapserver.gis.umn.edu) and
OpenSceneGraph (http://www.openscenegraph.org).
The next step was to provide the user with 3D information, i.e.
provide the user with the opportunity to visualize the monument
in 3D. This implies that such information is available, either
through a rigorous procedure for 3D metric data acquisition
employing accurate methods, such as surveying measurements,
photogrammetric methodology or terrestrial laser scanning
(Sophocleous et al. 2006), or using approximate methods
employing mainly measurement of the basic dimensions of the
monument. This latter method was used in conjunction with the
Google SketchUp® software, freely available, to produce the 3D Figure 8 (a & b): Rendered model in Google SketchUp®
visualizations, until a more accurate methodology was
employed for this purpose. These “light” models were initially georeferenced using Google
Earth. Finally the model was design and modified according to
The churches were sketched up using both simple its physical terrain, which was imported from Google Earth to
®
photogrammetric procedures (like rectification) of each plane of Google SketchUp (Figure 9).
a monument and measurements. The 3D wire frame result was a
combination of lines, arcs, rectangles and circles (Figure 7).
The design was made only for the outside facades of the
churches and they were also shaded using the software’s tools
(Figure 8, a & b).
Hosse, K., Schilcher, M., 2003. Temporal GIS for analysis and
visualization of cultural heritage. In: The International Archives
of the Photogrammetry, Remote Sensing and Spatial
Information Sciences, Antalya, Turkey, Vol. XXXIV-5/C15,
Figure 10: The 3D model of a church exported in Google pp. 40-45.
Earth®
Sophocleous E., Georgopoulos, A., Ioannides, M., Ioannidis,
Moreover the models can be found in Google Maps, a service Ch., 2006. The Geometric Documentation of the Asinou
of Google Company where someone can track the monuments Church. VAST 2006, Lefkosia.
through car tracking systems (with Google Map software
provided), smartphones and generally for most web-enabled Vergauwen, M., van Gool, L., 2006. Web-based 3D
mobile phones. From such devices a user can sideload and reconstruction service. Machine Vision and Applications
synchronize (dynamically) the data through Google Maps. It is (2006)17: 411-426.
estimated that for the production of a “light” model
approximately two hours are necessary, provided there are
enough and suitable images of the church.
5. CONCLUSIONS
The final product can have may uses from virtual realism for
the visualization of cultural heritage objects, virtual touring
services adapted to the users’ needs, for education purpose and
many more. However it remains an invaluable tool in the hands
of researchers, curators and everybody interested in Cultural
Heritage.
REFERENCES