Paper Marbling Record in East Asia

An intriguing reference which some feel may be a method of marbling is present in a compilation done in 986 CE entitled ????
(Wen Fang Si Pu) or "Four Treasures from the Scholar's Study" edited from the 10th century scholar-official ??? Su Yijian
(957-995 CE). This compilation includes information and facts on inkstick, inkstone, ink brush, and paper in China, that happen
to be collectively called the 4 treasures from the examine. The text mentions a sort of attractive paper termed ??? liu sha jian
which means “drifting-sand” or “flowing-sand notepaper" which was manufactured in what is now the region of Sichuan.

This paper was created by dragging a piece of paper through a fermented flour paste combined with different shades,
generating a free of charge and irregular design and style. A next form was manufactured which has a paste organized from
honey locust pods, mixed with croton oil, and thinned with water. Presumably both of those black and coloured inks have been
employed. Ginger, quite possibly inside the kind of an oil or extract, was accustomed to disperse the colours, or “scatter” them,
based on the interpretation specified by T.H. Tsien. The colours were mentioned to collect alongside one another each time a
hair-brush was beaten around the look, as dandruff particles was placed on the look by beating a hairbrush in excess of top.
The concluded types, which had been considered to resemble human figures, clouds, or traveling birds, have been then
transferred to your surface area of the sheet of paper. An illustration of paper decorated with floating ink hasn't been found in
China. Whether the above strategies employed floating shades stays to be identified.

Su Yijian was an Imperial scholar-official and served because the chief in the Hanlin Academy from about 985-993 CE. He
compiled the work from the large wide range of previously sources, and was accustomed to the topic, given his career.
Nonetheless it truly is crucial to take note that it's uncertain how personally acquainted he was along with the different solutions
for making ornamental papers that he compiled. He most likely claimed information and facts supplied to him, without getting a
full being familiar with on the procedures utilized. His first resource may have predated him by several hundreds of years. Until
finally the first resources that he offers are more precisely established, can or not it's feasible to ascribe a firm date to the
manufacture of the papers pointed out by Su Yijian.

Suminagashi (???), which suggests "floating ink" in Japanese, is often a Japanese variant; the oldest case in point appears
during the 12th-century Sanjuurokuninshuu (?????), situated in Nishihonganji (????), Kyoto. Author Einen Miura states the
oldest reference to suminagashi papers are during the waka poems of Shigeharu, (825-880 CE), a son of the famed Heian era
poet Narihira (Muira 14). Various statements are already built with regards to the origins of suminagashi. Some believe that may
have derived from an early sort of ink divination. One more theory is always that the procedure could have derived from the type
of common leisure for the time, wherein a freshly painted sumi portray was immersed into h2o, along with the ink slowly and
gradually dispersed in the paper and rose for the floor, forming curious types.

A person person has normally been claimed given that the inventor of suminagashi. In keeping with legend, Jizemon Hiroba felt
he was divinely impressed to help make suminagashi paper following he offered spiritual devotions in the Kasuga Shrine in Nara
Prefecture. It really is mentioned that he then wandered the place wanting for the very best drinking water with which for making
his papers. He arrived in Echizen, Fukui Prefecture where he observed the drinking water particularly conducive to creating
suminagashi. So he settled there, and his loved ones carried on using the custom to at the present time. The Hiroba Family
claims to have made this way of marbled paper given that 1151 CE for fifty five generations.

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