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A Coyote Columbus Story Evaluation
Thomas King reimagines first contact through the perspective of the trickster Coyote. It was
Coyote who fixed up the world, and it is Coyote who conjures Columbus and his men. The story
utilizes Aboriginal storytelling traditions, embracing the cadence of the spoken word as opposed
to adhering to the conventions of English grammar. The text reads more like an oral story,
written down simply for the sake of ease. King also employs a non-linear timeline to “A Coyote
Columbus Story,” consistent with Aboriginal epistemology that is guided by circularity instead of
linearity. The story interlaces the past and the present, it crosses cultural boundaries, and does
away with the Eurocentric history in a playful, mischievous fashion. Ultimately, the story is one
of disruption, defying cultural norms, linear timelines, historical inaccuracies and perspectives.
The story follows the trickster, Coyote, as she looks for companions to join her in playing
baseball. First, she seeks out different animals to play baseball with her but the animals are not
interested. Then she finds humans and they indulge Coyote and join her in playing baseball;
however, Coyote keeps changing the rules and the humans become frustrated and stop playing
baseball with Coyote. In her desire to have new companions with whom to play baseball,
Coyote accidentally conjures up Christopher Columbus, his boats, and fellow Europeans who
are searching for India. Unlike Eurocentric texts that paint Columbus as a hero and explorer, in
“A Coyote Columbus Story,” Columbus is lost and confused, which presents readers with a new
perspective on these events. When Columbus and his crew arrive on the shores, Coyote tries to
get them to play baseball with her, but he and the other Europeans are too busy looking for
sources of economic wealth in order to become famous. When the Europeans realise that the
animals are not worth enough, they focus on the humans, capture them, and take them back to
Spain to be sold. Coyote misses her human friends and seeks out a new companion when
The story is written by Thomas King, a respected Cherokee writer, who has dedicated
his work to representing Aboriginal life while disrupting Eurocentric worldviews. The book’s art is
by Kent Monkman, a Cree artist whose work is similarly disruptive and playful. King and
Monkman bring their perspectives and experiences as First Nations people to “A Coyote
Columbus Story” and it is these perspectives that can help students gain a deeper
understanding of Canada’s history. The story toes the line been respect and disrespect,
reverence and irreverence. It is on this line, in these margins, that meaning can be made out of
contact. Though it is ostensibly a children’s story, the themes and its ambiguity are more suited
to older students. We believe that this text can be used as a good introduction to the trickster
figure and if students will be reading King’s Green Grass, Running Water, this can help situate
them. Coyote in this story serves as both creator and destroyer. She is a fun-loving girl who just
wants to play baseball but ends up in a mess because she wants to make all the rules. “A
Coyote Columbus Story” lends itself to integrating other texts and to incorporating an
within the context of a children’s text, “A Coyote Columbus Story” immerses readers in a world
rich with symbolism, metaphor, and satire that requires an astute critical perspective. This text
also serves as an excellent provocation to engage critical thinking, particularly in respect to the
opinions can easily be publicized without regard for verification or fact, teachers need to be
preparing students to critically assess resources for their validation while also considering the
motivations and perspectives behind materials. This text would be a great entry point to engage
students into social justice issues around Aboriginal rights, historical injustices, and future
legislation.
The text also disrupts notions of authenticity that can plague marginalized and racialized
students. “A Coyote Columbus Story”, in its playful portrayal of Aboriginal culture, dispenses
with ideas of belonging and not belonging. The images portray a community of people doing
activities that please them, wearing traditional and modern clothes, watching television in the
woods, playing baseball, parachuting, and living in tipis. Native culture was and is a vibrant and
changing thing that did not peak in the past nor is it fixed in the past (King, 2003). This story
brings in those teachings while chafing against fundamental beliefs about identity. As stated in
St. Denis (2007), “... ethnic or cultural fundamentalism “constructs historically and nationally
located identity as legitimate only when a precise set of cultural, ideological and most
worryingly, genetic markers of ‘blood quantum’ are met” (p. 1075). This text can be a powerful
classroom tool for Aboriginal and non-Aboriginal students alike in its disruption of power
dynamics.
References
King, T. & Monkman, W.K. (1992). A Coyote Columbus story. Toronto, ON: House of Anansi
Press, Inc.
King, T. (2003). The Truth about stories: A Native narrative. Toronto, ON: House of Anansi
Press, Inc.
St. Denis, V. (2007). Aboriginal Education and anti-racist education: Building alliances across
cultural and racial identity. In Canadian Journal of Education / Revue canadienne de l'éducation,
http://www.jstor.org.ezproxy.lib.ucalgary.ca/stable/pdf/20466679.pdf?refreqid=excelsior%3A9b8
13b42b6759d477eb635c78910c10e