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PROJECT DETAILS:
Turn in three different photo compositions
• One shared group composition – group turns in one shared composition
• One composition using a black cut out shape – solo composition
• One composition using a cut out image from a magazine – solo composition
• Student will turn in a contact sheet of outtake photos at least 15 photos.
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OBJECTIVES:
• Use forced perspective to create optical illusion in a photograph.
• Students will use a black cut out shape and explain how emphasis or contrast were used in the final
composition
• Students will use a cut out image from a magazine and explain how emphasis or contrast were used
in the final composition
• Photo and images will be in focus
DESCRIPTION:
Students will observe and discuss the work of Rick “Paperboyo” McCor and view a variety of forced
perspective images from the internet. Next, choose a location or landmark at school or around St Paul, to
compose the image. Cut out a shape to integrate into your composition and change the meaning of your
landmark or location. Remember that your shape will be small and your landmark will be big. Use this to
consider how far away from your object you will need to be to make the forced perspective a success. Try your
cut out from multiple angles and distances to see which works best. Save your unused images and print a
contact sheet using Adobe Bridge
RESOURCES
http://www.instantshift.com/2010/08/24/88-brilliant-examples-of-forced-perspective-photography/
http://www.arch2o.com/british-photographer-remodels-world-famous-architecture-using-paper-
cutouts-forced-perspective/
GROUP WORK:
Use notepaper to record your group answers.
Turn in to red bin at the end of class.
1. As a group look through the two example websites on forced
perspective and Flickr.
a. Share with the group what compositions you liked.
b. Explain why that composition interested you.
2. Think about what images from the internet could be changed
and/or remade -- that your group w/could do on campus at
Johnson as a group
3. Brainstorm ideas for using forced perspective around Johnson.
a. write down at least three of places around the school campus
your group could use to compose a photograph.
b. What are two effects you can do/create at/for each location?
CONSIDERATIONS:
• What is an appropriate location? What is not?
• What type of body/language will your group use when working outside of our classroom?
Remember we are Photo Ninja – silent and invisible – we cannot be detected (or distract or
interrupt other classes around us)
• Take multiple shots, it is okay to make readjustments to your photos. It takes time to align
your images.
• Space and distance from the objects or people in your composition.
• Change the angle your composition is taken