Wave-Shock

Ondas de choque

Para Banda sinfónica infantil

Duración: 2:18

Compositor

Andy Clark
Adaptación

Hugo A. Riaño
Instrumentación:
Full Score Barítono T.C
Flauta 1 Tuba
Oboe
Timbales
Clarinete
Mallets
Clarinete Bajo
Percusión 1:
Saxofón Alto
Redoblante
Saxofón Tenor
Bombo
Saxofón Barítono
Percusión 2:
Trompeta
Platos de choque
Corno en fa
TomToms
Trombón 1
Triangulo
Barítono B.C
Wind Chimes

2010
 Score
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

                  
Sempre Marcatto 
 
Flute       
 marc.
      
Oboe                     
 marc.
               
Clarinet in B           
 marc.
Bass Clarinet        

    

    
    


 marc.
                     
Alto Sax.     
 marc.
Tenor Sax.                          
 marc.
 
Baritone Sax.                           
 marc.
Trumpet in B        
 
     

        
  
 marc.
Horn in F                           
 marc.
Trombone
                            
 marc.
Baritone (B.C.)
                            
 marc.
                
Tuba
           

                      
   
Mallets

                       
   
 marc.
Timpani

           
  
                     
           
Percussion 1
Redoblante

                        
Bombo

      
          
Percussion
Platos de choque
Tambor
 Wave-Shock

              
2
           
   
9

Fl. 

                     
Ob.          

B  Cl.                         

B. Cl.                         
                        
A. Sx. 

T. Sx.                         


B. Sx.                         

         
9

B  Tpt.               

Hn.                         

                         
Tbn.

Bar.
                         

 
                       
Tuba


 
9

                   
  
Mal.

    
Timp.
                      
9      
                     
                   
     
Perc.

               
                                     
9

Perc.   
     
 Wave-Shock
3
                         
A


17

Fl.
 legato
               
Ob.        
 legato
B  Cl.                          
 legato
       
 
B. Cl.
 legato

               
A. Sx.        
 legato

      
T. Sx.   
 legato

    
B. Sx.      
 legato

       
17

B  Tpt.  
 
Hn.          
 
Tbn.
          

          
Bar.

         
Tuba



        
17

Mal.

         
Timp.

17 
           

Perc.

         
17

   
Triangulo
Perc. 
 Wave-Shock

              
4
           
   
25

Fl. 

     
           


  
 

       
Ob. 

B  Cl.                         

B. Cl.                         

                        
A. Sx. 

T. Sx.                         


B. Sx.                         

         
25

B  Tpt.               

Hn.                         

                         
Tbn.

Bar.
                         

 
                       
Tuba


 
25

                   
  
Mal.

           
Timp.
               

25      
                    
                   
      
Perc.

                       
                   
   
25

Perc.  



   
 
 Wave-Shock
5
       
B
  
    
33

Fl.

     
Ob.             

B  Cl.               

                
B. Cl.
   

              
A. Sx. 

T. Sx.               

       
B. Sx.              

     
33

B  Tpt.         

Hn.               

Tbn.
                     

Bar.
                     

                 
   
Tuba



      
33

Mal.
       

Timp.
                       

       

33

                            
          
Perc.

                
  
        
         

33

Perc.   
 Wave-Shock
6
                 
C
  
  
41

Fl.

                  
Ob.     

                   
B  Cl.
  

            
B. Cl.          

                   
A. Sx. 

T. Sx.                       

          
B. Sx.             

              
41

B  Tpt.        

Hn.                       

Tbn.
                       

Bar.
                       

         
Tuba
             


     
41

       
  
Mal.

Timp.
                     

     
                        
41

           
       
Perc.

                               
            
41

Perc.   
 Wave-Shock
7
                
      
49

Fl.



subito

                     
Ob.  
subito 
B  Cl.                       
subito 
B. Cl.                
      

       
subito

              
A. Sx.  

  
subito

                  
T. Sx. 

             
subito

B. Sx.          

                  
49

B  Tpt. 

Hn.                    

Tbn.
                 
    
 

Bar.
                 
    
 

   
Tuba
                   

      
49

Mal.     

          
Timp.
 
     
 
49

                         
      
Perc.

                      
           
49

Perc.   

 
 Wave-Shock
8
         
     
57

Fl.


       

Ob.       


B  Cl.              


      
B. Cl.
 

            


A. Sx.    

T. Sx.                 


       
B. Sx.   


    
57

B  Tpt.            


Hn.                 

     

Tbn.
   

      
Bar.    

  
 
Tuba
     

 
          
57


Mal.

     
Timp.                    

 

57

                   
  
Perc.

  
                  
57

 
 


Perc.

 Wave-Shock
9
                
D

  
65

Fl.
 marc. subito 
                 
Ob.   
 marc. subito 
B  Cl.                    
 marc. subito 
                 
B. Cl.
  
 marc. subito 

                   
A. Sx. 
 marc. 
     
subito

T. Sx.              
 marc. subito 
           
B. Sx.          
 marc. subito 

          
65

B  Tpt.         
 marc. subito 
Hn.                    
 marc. subito 
                     
Tbn.
 marc. 
         
subito

Bar.
           
 marc. subito 

                
Tuba
marc.     subito 


  
65

Mal.                 
 marc. subito 
  
    
            
Timp.
 
65           
                      
             
Perc.

                              
65

Perc.     
 
      

 Wave-Shock
10

                 

      
73

Fl.

   
Ob.

              
     

 
                 
     
B  Cl.
   
  
 
      
          
 
        
 
B. Cl.

          

       
  
   

A. Sx.

              
      
T. Sx. 

        

                     
B. Sx. 

 
              
73

 
         
B  Tpt.
 

 
                      
         
Hn.


                      
Tbn.  

          
                     

Bar.


   
   
        
  
          
Tuba

  

      
73

            
          
Mal.

 
             
Timp.
         
73   
Perc.                            

                 

                           
                  
73


  
Perc.
Flute
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

              
Sempre Marcatto 

    
 
 marc.

            
         
7

                 
A

   
13


 legato

                
    
19

                 
      
25




     
      
B
  
31




              

38

            
C
   
      
46


       
Wave-Shock

     
2


52

subito 

         
   
59

      
D

      
65


 marc.

           
      
71


subito  

   
      
76


Oboe
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

      
             
 marc.

         
             
7

              
A

        
13


 legato

         
      
19

                 
      
25




    
B
           
 
31

       
     
37

    
C

                  
45



 Wave-Shock


2
              
 
51

subito 

     
       
57





D

            
65


 marc.

      
           
71

subito  

      
     
76


Clarinet in B 
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

                  
 marc.

        
7

         

         
13

      
 legato

            
19

      

     
25

          



B

     
31

       


 
    
38

      

                  
46

  

 
Wave-Shock
2

      
52

   
subito 


   
59

      



D

 
65

          
 marc.

   
71

            
subito     

 
  
76

     
     
Bass Clarinet
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

       

     
    
 marc.

        
7

         

 
13

           
 legato


19

   
 

        
25

     
 

B

        
31

       


             
37

 

         
43

     

 Wave-Shock
2

        
    
49

      
subito 

 
   
55

  



D

         
65

  
 marc.

    
71

            
subito  

 
    
76

       
  
Alto Sax.
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

     
Sempre Marcatto 

           
 
 marc.

                   
7

    
A
              
13


 legato

      
       
19

 

                 
25




        
B

      
31




38
              


     
C

             
46



   
Wave-Shock


2
    
     
52


subito 

          


 
58

 


   
D
         
65


 marc.

                 
71


subito  

       
      
76



Tenor Sax.
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

     
Sempre Marcatto 

            
 marc.

                  
7

 
A

           
13


 legato

 
   
19

                
25


  
B

          
31




 
           
38

   
C

                
 
46


  
Wave-Shock
2
      
   
52

subito 

  
        

  
58





 
D

         
65


 marc.

                
71

subito  

       
 
76


Baritone Sax.
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

      
             
 marc.


   
              
7


A

             
13


 legato

 
    
19

 

    
           
25

 



B

   
             
31


                
37

    
C

            
43


 Wave-Shock

        
2
           
49

      
 
55




 
D
  
        
65


 marc.

    
   
               
71

subito  

   
     
 
  
76


Trumpet in B
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

     
  
           
 marc.

        
7

         


A

     
13

       
 

     
25

          



B

     
31

       


 
    
38

      

                  
46

  



      
52

   
 Wave-Shock


2

   
59

      


D

 
65

          
 marc.

    
71

           
   
subito  

 
   
76

     
     
Horn in F
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

                   
 marc.

    
7

              


A

   
13

          
 

 
25

               



B

    
31

         


 
   
38

        

                   
46

  



     
52

     
 Wave-Shock


2

  
59

        


D


65

           
 marc.

 
71

               
   
subito  

 
       
76

  
     
Trombone
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

                     
 marc.

                    
7

   
A

            
13




                  
25


B

                  
31

                 
37

   
C

             
43

                
    
49


  
Wave-Shock
2
       
55





D

             
65

 marc.

              
    
71

subito  

     
   
   
76
Baritone T.C
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

       

          
 marc.

        
7

         


A

   
13

         

        
25

     
 

B

       
  
31

     


             
37

 

         
43

     


             
49

      
 
Wave-Shock


2

   
55

  



D

         
65

  
 marc.

    
71

            
subito 


  
    
76

       
 
Baritone (B.C.)
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

                     
 marc.

                   
7

 


A

              
13

 

      
         
25

 

B

        
         
31

                 
37

   
C

             
43

                
    
49


 
Wave-Shock


2
       
55





D

    
        
65

 marc.

        
             
71



subito  

  
     


 
  
76


Tuba
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

              
      

 
7


                  


A

  
13

   
         

 
25

   
            
B

        
31

         


            
37

  
  
C

    
43

     

     


 
49

        
           
 
Wave-Shock


2
 
55

    
  


D

        
65

   
 
 marc.

     
71

  
 subito 
            



   
 
77

   
      

Timpani
WAVE-SHOCK
C, G Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 

            
  
 marc.

              
5

 

          
9

          

        
         
13

  


A

       
17

        


          
27

         

              
31

 


      
       
35

     
 Wave-Shock
2

      
          
39

  

    
                
43

 


C

    
47

        


       
57

            

  
   
61

            

      
             
65

 

          
69

   

         
73

     

 
    
               
77

  
Mallets
WAVE-SHOCK
Ondas de choque
Andy Clark
Adaptacion:
Hugo A. Riaño

Sempre Marcatto 


                      



 
8

                
 


A


15

                   



B


29

              
  


 

37

              

  
C

    
46

         



D


65

                
 marc. subito 

  
                     
73

         

Percussion I
WAVE-SHOCK
Bombo Ondas de choque
Andy Clark
Redoblante Adaptacion:
Hugo A. Riaño

      
Sempre Marcatto 

        
      

5    
     
         

   

9  
 



                 

13
  
                     
  

    
A
17

           
   

27
  
             





    

   
B
31

         

    
   


   

35

         

   
  

    
Wave-Shock
2
39

      
 
    

 
   


43

         

               

   
C

 
47

  
      
 


     

51    
   
 
 
      
 
      



55

      

 

 
D
62

        
        
 

66
      
              
       

71
   
                    
   

76
  

   

  
   

   
    
     
      
 
Percussion II
WAVE-SHOCK
Platos de choque Ondas de choque
Tambor (Tomtoms)
Andy Clark
Triangulo Adaptacion:
Hugo A. Riaño
Wind Chimes

         
Sempre Marcatto 

  
    
     
          

                        
7

   
      

            
        
13

  
  

          
17

  
Triangulo


   
25
               
             
     

         
B

       

  
31

      
 

          
              
37


 
                             
Wave-Shock
2 C
      
43

                       
   
49

  
   

   
   
55

         
 

 

        
D

                
64

    

 

70
                           
 
    

                           
76

   