2-346-297-21 (1)

AUDIO MIXER
Table of Contents
SRP-V110
Main characteristics ............................... 2
Operating instructions Dimensions .............................................. 2
Before operating the unit, please read this manual and the supplied
“WARNING” thoroughly and retain it for future reference.

Precautions
On safety (Refer to the supplied “WARNING”.)
• Should any liquid or solid object fall into the cabinet, unplug the unit and
have it checked by qualified personnel before operating it any further. Connections example ............................ 3
• Unplug the unit from the wall outlet if it is not to be used for an extended
period of time. To disconnect the cord, pull it out by grasping the plug. Name and function of each part ........... 4
Never pull the cord itself. MONO INPUT section .............................. 4
On installation
• Do not install the unit in a location near heat sources such as radiators or STEREO INPUT section ............................. 6
air ducts, or in a place subject to direct sunlight, excessive dust, MONITOR section ................................... 8
mechanical vibration or shock.
On operation MASTER section ..................................... 9
• Before making program source connections, be sure to turn the power Back panel section ................................. !º
switch off and unplug the unit.
• When the unit is not used, turn the power off to conserve energy and to
extend the useful life of your unit.
On cleaning the cabinet
Clean the cabinet, panel and controls with a soft cloth lightly moistened
with mild detergent solution. Do not use any type of abrasive pad, scouring
powder or solvent such as alcohol or benzine. Block diagram ......................................... !™
On repacking
Do not throw away the carton and the packing material. It makes an ideal
Main specifications ................................ !£
container for transporting the unit. Trouble-shooting guide ......................... !¢
When shipping the unit for repair work or to another location, repack it as it
was.

If you have any questions or problems concerning your unit, please contact
your nearest Sony dealer.

To prevent fire or shock hazard, do not This symbol is intended to alert the user to the
expose the unit to rain or moisture. presence of uninsulated "dangerous voltage"
within the product's enclosure that may be of
To avoid electrical shock, do not open sufficient magnitude to constitute a risk of
the cabinet. Refer servicing to qualified electric shock to persons.
personnel only.

This symbol is intended to alert the user to the

presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the appliance.

*The caution marking is put on the bottom enclosure.

 1998 by Sony Sound Tec Corporation

 Main characteristics
This is a small, multi-functional eight-group buses audio
mixer combined with a small/mid-sized SR system and
multi track recorder, etc. that supports recording systems.
Equipped with 10 channels of mono input, 4
channels of stereo input, and 4 channels of
auxiliary stereo input
Despite its small size, it can provide support in various
ways using a variety of input systems.
Equipped with 8 AUX channels
AUX 1/2 can be used as STEREO AUX of the pre-fader.
AUX 3/4 can (simultaneously) switch between the pre and
post faders. AUX5/6 can be switched to AUX7/8 using the
fader.
All output systems can be monitored
AFL is installed in all outputs. GROUP and AUX 1/2 can be
monitored in stereo.

Simple connection to multi-track recorders This (9U) size can be installed onto a standard 19 inch rack
The TAPE IN connectors and GRP/DIRECT OUT using the optional MU-110BK.
connectors are equipped with 8 channels enabling simple
connection to multi-track recorders.

Smooth operations are possible from recording to

mixing down each track
This enables all operations up until the mix down stage
without changing connections by simply switching between
the TAPE, MONI, and DIRECT buttons.

Dimensions

120 (43/4)
86 (31/2)
396 (155/8)

36 (17/16)
430 (17) Unit : mm (inch)

2
 Connections example

SR system connection

Dimensions
Main characteristics
Keyboard
Compressor

AUDIO MIXER SRP-V110

CD or MD Player Microphone

Compressor

Connections example
Graphic Equalizer Graphic Equalizer
Effector

Power Amplifier Power Amplifier

Main Speaker

Monitor Speaker

Recording system connection

Keyboard Compressor
Multi Track Recorder

CD or MD Player Microphone

AUDIO MIXER SRP-V110

Monitor Speaker

Effector

DAT(Master Recorder)

3
 Name and function of each part
MONO INPUT section

1 POWER switch
When the switch is pressed to the ON side, the power
is turned on.

2 LEVEL control
This controls the input signals from the MIC or LINE
connectors at a suitable level. When connected to the
MIC connector, the input signal level can be controlled
between –10 - –60 dBu, and when connected to the
LINE connector, it can be controlled between +10 -
ON
–40 dBu. In order to control the input signal at a
POWER
OFF
1 suitable level, set the meter to VU operation, press the
PFL button of the channel to be controlled to display
the signal level on the meter. In this state, turn the
1 2
LEVEL control to control the signal so that 0VU
LEVEL TAPE LEVEL TAPE LEVEL display on the meter is lit sometimes.
3
2 LCF LCF
3 TAPE button
+10
-10
-40
-60
+10
-10
-40
-60
+10
-10 4 This switches the signal input from the MIC/LINE
connectors to the TAPE IN connectors. Using this
5 -15 +15
HIGH

-15 +15
HIGH

-15 function, sounds, such as those from a multi-track

500 1.5K 500 1.5K 500
recorder connected to the TAPE IN connectors, can be
6 100 10K 100 10K 100
input to each channel without changing connections.
MID MID (Channels 1 - 8 only)
7 -15 +15 -15 +15 -15
4 LCF (Low Cut Filter) button
8 LOW LOW This suppresses frequencies of 80 Hz or lower from the
-15 +15 -15 +15 -15 channel signal at 12 dB/oct (12 decibels per octave)
AUX AUX
when it is on. This function is very effective for
9 1-2
MONI
1-2
MONI removing “touch noise” that occurs when a
!¡
1 2 1 2 1

microphone is being held, and “blow noise” caused by

!º 0 0
breathing.
-∞ -∞ -∞

!™ -∞ 0
3

-∞ 0
3

-∞
5 HIGH (High equalizer) level control
This varies the high equalizer level between
4 4
–15 - +15 dB. The equalizer is a 12 kHz shelving type.
-∞ 0 -∞ 0 -∞

!£ 57 5 7 6 MID (Mid equalizer) frequency control

-∞ 0 -∞ 0 -∞
!¢ This varies the central frequencies of the mid equalizer
68 68 between 100 Hz - 10 kHz.
-∞ 0 -∞ 0 -
!∞
!§ 7 MID (Mid equalizer) level control
ON ON

PFL PFL
L R
ODD EVEN
L
ODD
R
EVEN
L
ODD !¶ This varies the mid equalizer level between
–15 dB - +15 dB. The equalizer is a peaking type.
PEAK PEAK
+10 +10
!•
8 LOW (Low equalizer) level control
L-R L-R

+5 +5
1-2 1-2 This varies the low equalizer level between
@º 0
3-4
0
3-4
–15 dB - +15 dB. The equalizer is a 40 Hz peaking type.
-5
5-6
-5
5-6
!ª
-10 -10
7-8 7-8

-20 -20
DIRECT DIRECT
-∞ -∞
@¡

4
9 AUX 1-2 PAN control
When turned towards the “1”, sound is shifted to the
AUX 1 bus, and when turned in the “2” direction, it is
shifted to the AUX 2 bus. When turned to the
maximum in either direction, the output level is
increased by +3 dB.
!º AUX 1-2 control
This controls the level that is sent to the AUX 1/2
buses. This AUX is a pre-fader (splitting the signal
before the channel fader). It is used to create a separate
balance mix and stereo monitor, as it does not depend
on the position of the channel fader.
!¡ MONI button
This changes the function of the AUX 1/2. When it is
off, the AUX 1-2 PAN control and AUX 1-2 control
operate as normal AUX. When it is on, the input
signals from the TAPE IN connectors (or MIC/LINE
connectors if the TAPE button is turned on) are sent to
the AUX 1/2 buses. Sounds, such as those from a
multi-track recorder that has been connected to the
TAPE connectors, can be monitored through the AUX
1/2 output using this function. (MONO INPUT 1 - 8
only)
!™ AUX 3 and 4 controls
These control the levels that are sent to the
AUX 3 and 4 buses. These AUX’s can switch between
the pre-fader and post fader (splitting the signal after it
has passed through the channel fader) by using the
PRE switch. (Refer to the MASTER section “2 PRE
button”)
!£ AUX 5/7 and 6/8 controls
These control the levels that are output to the
AUX 5/7 and 6/8 buses. These AUX’s are post faders.
As a result, the AUX level changes depending on the
position of the channel fader. This is used when
sending signals to the effector, etc. to be connected
externally.
!¢ AUX 7/8 button
These send the signals to the AUX 5/6 buses when
turned off, and to the AUX 7/8 buses when turned on.
!∞ ON button
When turned on, the signals from the channels are
routed to each output. However, the PFL function is
available even if this switch is turned off.
!§ PAN control
When turned in the “L ODD” direction, sound is
shifted to the MASTER L, GROUP 1, 3, 5 and 7 (odd
channel) buses, and when turned in the “R EVEN”
direction, sound is shifted to the MASTER R, GROUP
2, 4, 6, and 8 (even channel) buses. When turned to the
maximum in either direction, the output level is
increased by +3 dB.
!¶ PFL button
When turned on, the signals before they pass through
the channel fader are routed to the PHONES connector
and the MONITOR OUTPUT connectors, while
displaying the level on the meter. When PFL buttons
for a number of channels are pressed simultaneously, a
each part
Name and function of
mixed signal is routed. In this case, signals from
channels whose AFL button is turned on are not
output.
!• PEAK indicator
This is lit up whenever the signal level, after passing
through the equalizer, is within 3 dB of the maximum
level. When this LED is lit, the signal is excessive, and
must be controlled using the LEVEL control. When the
MIC connector is used, change it to the LINE
connector.
!ª Assign buttons
When the L-R button is pressed, the signal is routed to
the MASTER L/R bus, and when the 1/2, 3/4, 5/6 or
7/8 buttons are pressed, the signal is routed to each
group bus.
@º Channel fader
This sets the signal level for the channels.
@¡ DIRECT button
When this button is turned off, the signals from the
GROUP bus are output; and when it is turned on, the
post fader signals from the MONO INPUT channels
1 - 8 are output to the GRP/DIRECT OUT 1 - 8
connectors.
* 0 dBu=0.775 V
5
 Name and function of each part
STEREO INPUT section

ST5 ST6 ST7 ST8

!∞ 0 0 0 0
-∞ -∞ -∞ -∞

ST1 ST2 ST3 ST4

-10dBs -10dBs -10dBs -10dBs
1
2 -15 +15
HIGH

-15 +15
HIGH

-15 +15
HIGH

-15 +15
HIGH

3 MID MID MID MID

-15 +15 -15 +15 -15 +15 -15 +15

4 +15
LOW

+15
LOW LOW

+15
LOW

-15 -15 -15 +15 -15

AUX AUX AUX AUX

5 -∞ 0
1-2

-∞ 0
1-2

-∞ 0
1-2

-∞ 0
1-2

3 3 3 3

-∞ 0 -∞ 0 --∞ 0 -∞ 0

6 4 4 4 4

-∞ 0 -∞ 0 -∞ 0 -∞ 0

5 7 5 7 57 57

-∞ 0 -∞ 0 -∞ 0 -∞ 0
8
7 68 6 8 68 68

-∞ 0

ON
-∞ 0

ON
-∞ 0

ON
-∞ 0

ON
9
!º PFL PFL PFL PFL
L R
ODD EVEN
L
ODD
R
EVEN
L R
ODD EVEN
L R
ODD EVEN
!¡
!™
PEAK PEAK PEAK PEAK
+10 +10 +10 +10

L-R L-R L-R L-R

+5 +5 +5 +5
1-2 1-2 1-2 1-2

!¢ 0
3-4
0
3-4
0
3-4
0
3-4

-5
5-6
-5
5-6
-5
5-6
-5
5-6
!£
-10 -10 -10 -10
7-8 7-8 7-8 7-8

-20 -20 -20 -20

-∞ -∞ -∞ -∞

6

ST1 - ST4 channels
1 –10 dBs button
When this button is turned off, the reference input
level is +4 dBu; and when it is turned on, it is –10 dBu.
2 HIGH (High equalizer) level control
This varies the high equalizer level between
–15 - +15 dB. The equalizer is a 12 kHz shelving type.
3 MID (Mid equalizer) level control
This varies the mid equalizer level between
–15 - +15 dB. The equalizer is a 2.5 kHz peaking type.
4 LOW (Low equalizer) level control
This varies the low equalizer level between
–15 - +15 dB. The equalizer is a 40 Hz peaking type.
5 AUX 1-2 control
This controls the level to be sent to AUX 1/2 buses. The
signal that has been input to L is routed through the
AUX 1 bus, while the signal that has been input to R is
routed through the AUX 2 bus. This AUX is a pre-
fader (splitting the signal before the channel fader).
Thus, this is used to create a separate balance mix and
stereo monitor, as it does not depend on the position of
the channel fader.
6 AUX 3 and 4 controls
These control the levels to be sent to the AUX 3/4
buses. In this case, the L and R signals are mixed. This
AUX can switch between the pre-fader and post fader
(which splits the signal after the channel fader) using
the PRE button. (Refer to the MASTER section “2 PRE
button”)
7 AUX 5/7 and 6/8 controls
These control the levels that are sent to the
AUX 5/7 and 6/8 buses. In this case, the L and R
signals are mixed. These AUX’s are post faders. As a
result, the AUX level changes depending on the
position of the channel fader. This is used when
sending signals to the effector, etc. to be connected
externally.
8 AUX 7/8 button
These output the signals to the AUX 5/6 buses when
turned off, and to the AUX 7/8 buses when turned on.
9 ON button
When turned on, the signals from the channels are
routed to each output. However, the PFL function is
available even if this switch is turned off.
!º Balance control
When turned in the “L ODD” direction, sound is
shifted to the MASTER L, GROUP 1, 3, 5, and 7 (odd
channel) buses, and when turned in the “R EVEN”
direction, sound is shifted to the MASTER R, GROUP
2, 4, 6, and 8 (even channel) buses. When turned to the
maximum in either direction, the output level is
increased by +3 dB.
!¡ PFL button
each part
Name and function of
When turned on, the signals in stereo before they pass
through the channel fader are routed to the PHONES
connector and the MONITOR OUTPUT connectors,
while displaying the level on the meter. When PFL
buttons for a number of channels are pressed
simultaneously, the mixed signal is routed. In this case,
signals from channels whose AFL button is turned on
are not output.
!™ PEAK indicator
This is lit up whenever the signal level, after passing
through the equalizer, is within 3 dB of the maximum
level. When this LED is lit, the signal is excessive, and
must be controlled using the LEVEL control.
!£ Assign buttons
When the L-R button is pressed, the signal is routed to
the MASTER L/R buses, and when the 1/2, 3/4, 5/6,
or 7/8 buttons are pressed, the signal is routed to each
group bus.
!¢ Channel fader
This sets the signal level for the channels.
ST5 - ST8 channels
ST5 - ST8 channels are auxiliary stereo input channels.
Signals from these channels are only routed to the MASTER
L/R buses.
!∞ Channel volume control
This controls the level that is routed to the MASTER L/
R buses.
7
 Name and function of each part
MONITOR section

1 PHONES (headphones) connector

Phone jack
(Tip: L, Ring: R, Sleeve: GND)
This is the connector that the headphones are
connected to. The same signals are output as those
from the MONITOR OUTPUT connectors, and signals
from channels whose PFL or AFL buttons are turned
on can be confirmed.

AUDIO MIXER SRP-V110

2 PEAK meter indicator
This is lit up when the level meter is used as a peak
meter.
1 PHONES

3 VU meter indicator
This is lit up when the level meter is used as a VU
2 3 meter.
5
PEAK VU POWER

+15
+13
+5
+3
4 LEVEL meter
+11 +1
This displays the level of whichever channels PFL or
6
+48V
+10 0

4 AFL buttons are turned on. The level meter in this

+9 -1
+7 -3
system can be switched between PEAK operation and
7
+5 -5 PFL
+3 -7
0 -10 VU operation. Whichever of the PEAK or VU meters
8
PEAK -10 -20
L R indicator is lit shows the scale to use. During PEAK or
MONITOR
AFL MONO VU operation, the “0 ” represents the reference level in

9
L/ODD R/EVEN
!º both the PEAK and VU meters.
-∞ 0

5 POWER indicator
AUX MASTER 2TR IN
0 AFL
1-2

+10
This is lit up when the power is turned on.
-∞ -∞ 0
PRE 0 AFL AFL
3
6 +48 V indicator
-∞ +10

PRE 0 AFL TO L-R

This is lit up when the power (DC +48 V) for condenser
4 microphone is output.
-∞ +10
2TR IN
0 AFL
5 7 PFL indicator
+10 AUX 1-2
-∞
This is lit up when the PFL button of any channel is
0 AFL
6
GRP1-2 turned on.
-∞ +10
GRP3-4

8 PEAK button
AFL
0
7

-∞ +10
GRP5-6
When off, the level meter operates as the VU meter,
AFL
0
8
GRP7-8
and when on it switches to operating as the PEAK
-∞ +10 meter.
AFL AFL AFL AFL AFL

9 MONITOR control
1-2 3-4 5-6 7-8 L-R
This controls the output levels of the PHONES and
+10
MONITOR OUT connectors.

+5 !º AFL MONO buttons

0
This outputs an AFL mono signal that is routed
through the PHONES and MONITOR connectors.
-5 When the L/ODD button is turned on, sound is only
-10
routed through the L and odd channels, and when the
-20
R/EVEN button is turned on, sound is only routed
-∞
through the R and even channels.

8
MASTER section

1 AUX MASTER controls

This controls the output level to the AUX OUTPUT
connector.

2 PRE buttons
This switches AUX 3 and AUX 4 for all channels
between the pre-fader and post fader. It is switched to
pre-fader when it is on, and post fader when it is off.

AUDIO MIXER SRP-V110

3 AFL buttons
The signals after the AUX MASTER volume are routed
to the PHONES or MONITOR OUT connectors, and
PHONES
displays the level on the meter. When the AFL buttons
for a number of channels are turned on
simultaneously, they are output after being mixed.

each part
Name and function of
However, when a PFL button is turned on, signals
PEAK VU POWER
from channels whose AFL buttons are pressed are not
+15 +5 routed, and only signals from channels whose PFL
+13 +3
+11 +1
+48V buttons are pressed are routed.
+10 0
+9 -1

4 2TR IN level control

+7 -3
+5 -5 PFL
+3 -7
0 -10 This controls the level of the signals that are input
PEAK -10 -20
L R from the 2TR IN connector.
AFL MONO
MONITOR
L/ODD R/EVEN
5 TO L-R button
-∞ 0
This sends each signal to the MASTER L/R bus.
AUX MASTER 2TR IN
0 AFL

-∞ +10
1-2

-∞
4 6 GROUP faders
0
PRE 0 AFL AFL This controls the level of the signals to be routed to the
3
MASTER L/R bus when signals are routed from the
2 PRE
-∞ +10
0 AFL TO L-R
GROUP bus to the GRP/DIRECT OUT connector and
4 the TO L-R button is turned on. Each GROUP fader
-∞ +10
2TR IN controls the signal level of every 2 channels, and each
0 AFL
channel is not controlled one by one.
1
5
+10 AUX 1-2
-∞

0 AFL
6
GRP1-2 7 AFL buttons
-∞ +10 5 The signals after the GROUP fader or L/R fader are
3 0
AFL
7
GRP3-4
routed to the PHONES and MONITOR OUT
-∞ +10
GRP5-6 connectors, and displays their levels on the meter.
0 AFL
8
However, when a PFL button is turned on, signals
GRP7-8

-∞ +10
from channels whose AFL buttons are pressed are not
routed, and only signals from channels whose PFL
7
AFL AFL AFL AFL AFL

buttons are pressed are routed. When the AFL buttons

1-2 3-4 5-6 7-8 L-R for a number of channels are turned on
simultaneously, a mixed signal is routed.
+10

+5
8 L-R fader
This controls the level of the signals that are routed
6 0 8 from the MASTER L/R bus to the MASTER OUTPUT
-5 connectors.
-10

-20

-∞

9
 Name and function of each part
Back panel section

5 74

GRP/ TAPE
STEREO INPUT DIRECT IN MONO INPUT
OUT
ST6 ST5 ST2 ST1 8 MIC

R L(MONO) L R L(MONO) R L(MONO) 7 INSERT LINE

ON
OFF

!£ +48V
R 8

MONITOR ST8 ST7 ST4 ST3 10

MIC
OUT
L(MONO)

!º
R L R L R L(MONO) R L(MONO) INSERT LINE

INSERT OUTPUT
R L
R L L 8 7 6 5 4 3

OUT IN

MASTER 2TR AUX OUTPUT

!™ !¡ 96 8

1 MONO INPUT MIC connectors 5 STEREO INPUT connectors

XLR-3-31 type Phone jacks (ST1 – ST4)
(Balanced, reference level: –60 - –10 dBu) (Tip: hot, Ring: cold, Sleeve: ground)
(Pin No.1: ground, No.2: hot, No.3: cold) (Balanced, reference level: +4/ –10 dBu)
These are input connectors for the MONO INPUT Phone jacks (ST6, ST8)
channels. Microphones can be connected. (Unbalanced, reference level: –10 dBu)
Phono jacks (ST5, ST7)
2 MONO INPUT LINE connectors (Unbalanced, reference level: –10 dBu)
Phone jacks These are input connectors for the STEREO INPUT
(Balanced, reference level: –40 - +10 dBu) channels. Line level output equipment with a
(Tip: hot, Ring: cold, Sleeve: ground) reference level of between +4 dBu and –10 dBu can be
These are input connectors for the MONO INPUT connected for ST1 - ST4, and line level output
channels. Line level output equipment can be equipment with a reference level of –10 dBu can be
connected. connected for ST5 - ST8 in stereo. Signals are internally
distributed to the R side when only the L (MONO)
3 MONO INPUT INSERT connectors connector is connected for ST1 - ST4, ST6 and ST8.
Phone jacks
(Unbalanced, reference level: –3 dBu) 6 2TR IN connectors
(Tip: output, Ring: input, Sleeve: ground) Phono jacks (Unbalanced, reference level: –10 dBu)
These are INSERT IN/OUT connectors for the MONO These are connectors to input signals, such as those
INPUT channels. External equipment can be inserted from DAT or MD recorders. The level is controlled by
before the installed equalizer. Compressors and gates, the 2TR IN level control on the MASTER section.
etc. are connected.
7 GRP/DIRECT OUT connectors
4 TAPE IN connectors Phono jacks (Unbalanced, reference level: –10 dBu)
Phono jacks (Unbalanced, reference level: –10 dBu) These output each GROUP bus signal. When the
These are TAPE IN connectors for MONO INPUT DIRECT button for the MONO INPUT 1 - 8 channels is
channels. They connect the output for each track, such turned on, they become direct output connectors that
as from a multi-track recorder, etc., and are used for output post fader signals from each MONO INPUT
monitoring or laying down tracks. channel.

10
0
 3 2

GRP/ TAPE
MONO INPUT DIRECT IN MONO INPUT
7 OUT 2 1
MIC MIC MIC

INSERT LINE 1 INSERT LINE INSERT LINE

9 4 3
MIC MIC MIC
INSERT LINE 3 INSERT LINE INSERT LINE

each part
Name and function of
6 5
MIC MIC
2 1 5 INSERT LINE INSERT LINE

1 74

8 AUX OUTPUT connectors !£ +48 V button

Phone jacks (Unbalanced, reference level: +4 dBu)
9 2TR OUT connectors
Phono jacks (Unbalanced, reference level: –10 dBu)
These distribute and output the MASTER OUTPUT L/
R signals. They are connected to DAT or MD recorders,
or equivalent.
!º MONITOR OUT connectors
Phone jacks (Unbalanced, reference level: +4 dBu)
These output the same signals as the PHONES
connector, and signals from any channels whose PFL
or AFL buttons are turned on can be confirmed.
This is the button to supply power (DC +48 V) for
condenser microphones to the MIC connectors of the
MONO INPUT channels 1 - 8. When this button is
turned on, DC +48 V is output to all MIC connectors.
Caution
• Before turning on the +48 V button or after changing the cable
connection, turn down the output fader or the output volume.
• The line equipment must be connected to the LINE input side.
• When a dynamic microphone is used in conjunction with a
microphone that uses +48 V power, the dynamic microphone
may under-perform.

!¡ MASTER OUTPUT connectors

XLR-3-32 type * 0 dBu=0.775 V
(Balanced, reference level: +4 dBu)
(Pin No. 1: ground, No. 2: hot, No. 3: cold)

!™ MASTER INSERT connectors

Phone jacks
(Unbalanced, reference level: –6 dBu)
(Tip: output, Ring: input, Sleeve: ground)
These are the INSERT IN/OUT connectors of the
MASTER OUTPUT. External equipment can be
inserted before the L/R fader. They are connected to
the compressor or gate, etc.

!¡
11
 Block diagram

AUX 3-4POST
AUX 3-4PRE

GP OUT1-8
GROUP 1-8

CONTROL
AUX 5-8
AUX 1-2

PFL R
PFL L
L-R
+48V

PEAK FADER
L-R STEREO L
MIC TAPE LCF ON FADER PAN OUTPUT
+4dBs
-10 - -60dBs 1-2
EQ
LCF INSERT
LINE 3-4
-20dB FREQ
+10 - -40dBs LEVEL
5-6
LEVEL

LOW MID HIGH 7-8 STEREO R

INSERT OUTPUT
+4dBs
MONI PAN
INSERT
TAPE INPUT AUX1-2
-10dBs
AUX3 AFL
ATT 2TR
GROUP/DIRECT OUTPUT
AUX4 -10dBs
OUTPUT ATT DIRECT ATT
-10dBs AFL MONO
7/8
AUX5/7 LEVEL
METER
7/8 PEAK
AUX6/8
L/ODD

PFL
PHONES
MONO INPUT 1-8

R/EVEN

+48V
MONITOR
PEAK OUTPUT
L-R
+4dBs
MIC LCF ON FADER PAN
-10 - -60dBs 1-2 MONITOR
EQ
LCF
LINE 3-4
-20dB FREQ
+10 - -40dBs LEVEL FADER
5-6
LEVEL

LOW MID HIGH 7-8

INSERT

PAN
AUX1-2
TO L-R
GROUP1-2/3-4/5-6/7-8
OUTPUT
AUX3

AFL
AUX4

7/8
AUX5/7

7/8
AUX6/8 AUX1-2

AUX1 OUTPUT
PFL
+4dBs
MONO INPUT 9-10
AUX2 OUTPUT
+4dBs
AFL

PEAK
ON FADER BAL TO L-R
L (MONO) L-R
+4/-10dBs
-10dBs EQ + + 1-2

R 3-4 AUX3/4
+4/-10dBs
5-6 AUX3/4 OUTPUT
LEVEL +4dBs
PRE
AFL
LOW MID HIGH 7-8

AUX1-2 AUX5/6/7/8
AUX5/6/7/8
OUTPUT
AUX3 +4dBs
AFL

AUX4
AFL 2TR IN
7/8 2TR
AUX5/7
INPUT
-10dBs
7/8 TO L-R
AUX6/8

PFL +48V
+48V
STEREO INPUT 1-4

LEVEL
L
-10dBs

R
-10dBs

STEREO INPUT 5,7

LEVEL

L (MONO)
-10dBs

R
-10dBs

STEREO INPUT 6,8

12
!™
 Main specifications

Name Connector type Circuit Reference level Maximum level Impedance Suitable load
impedance
MONO INPUT MIC XLR-3-31 type Balanced –60 - –10 dBu –37 - +13 dBu 2.2 kΩ —

LINE ø 6.3 Phone –40 - +10 dBu –17 - +27 dBu 22 kΩ —

jack
TAPE INPUT Phono jack Unbalanced –10 dBu +13 dBu 10 kΩ —
INSERT ø 6.3 Phone Unbalanced –3 dBu +20 dBu 30 kΩ —
INPUT jack
INSERT –3 dBu +20 dBu 47 Ω 600 Ω or more
OUTPUT
STEREO INPUT 1-4 ø 6.3 Phone Balanced –10/+4 dBu +13/+27 dBu 3.3 kΩ or —
jack more
5,7 Phono jack Unbalanced –10 dBu +27 dBu 10 kΩ or —
more
6,8 ø 6.3 Phone Unbalanced –10 dBu +27 dBu 10 kΩ or —
jack more
AUX OUTPUT ø 6.3 Phone Unbalanced +4 dBu +20 dBu 100 Ω 600 Ω or more
jack
GROUP/DIRECT OUTPUT Phono jack Unbalanced –10 dBu +10 dBu 320 Ω 10 kΩ or more
2TR INPUT Phono jack Unbalanced –10 dBu +27 dBu 10 kΩ or —
more
OUTPUT Phono jack Unbalanced –10 dBu +10 dBu 320 Ω 10 kΩ or more

STEREO OUTPUT XLR-3-32 type Balanced +4 dBu +24 dBu 47 Ω 600 Ω or more

Main specifications
Block diagram
INSERT ø 6.3 Phone Unbalanced –6 dBu +20 dBu 30 kΩ or —
INPUT jack more
INSERT –6 dBu +20 dBu 47 Ω 600 Ω or more
OUTPUT
MONITOR OUTPUT ø 6.3 Phone Unbalanced +4 dBu +20 dBu 100 Ω 600 Ω or more
jack
PHONES ø 6.3 Phone Unbalanced — 40 mW + 40 mW — 8 Ω or more
jack

Audio section General section

Frequency response +0.5/–1.0 dB (20 Hz – 50 kHz) Power supply voltage
+0.5/–0.5 dB (20 Hz – 20 kHz) Refer to the supplied “WARNING ”.
Total harmonic distortion Power consumption 50 W
Less than 0.005% Operating temperature
(MIC INPUT: –60 dBu, L-R OUTPUT: 0°C – 40°C
+14 dBu, 1 kHz) Storage temperature
E.I.N Less than –129 dBu –20°C – 60°C
(MIC INPUT: –60 dBu) Mass Approx. 8.7 kg
Residual noise level Less than –95 dBu (20 Hz - 20 kHz, External dimensions 430 × 120 × 396 mm
L-R OUTPUT FADER: – ∞) (17 × 4 3/4 × 15 5/8 inches)
Less than –82 dBu (20 Hz - 20 kHz, (width/height/depth, excluding
L-R OUTPUT FADER: 0, 14 ch routed) protruding parts)
Less than –106 dBu (20 Hz - 20 kHz, Supplied Accessories
GROUP OUTPUT FADER: – ∞) Operating instructions (1),
Less than –95 dBu (20 Hz - 20 kHz, WARNING (1)
GROUP OUTPUT FADER: 0, 14 ch
routed)
Crosstalk Less than –90 dB (Fader down, 1 kHz)
Less than –98 dB (ON button: OFF,
1 kHz) Specifications and external appearance are subject to change
(0 dBu=0.775 V) for improvement without prior notice.

!£
13
 Trouble-shooting guide
In the event of any unexpected problems, please double-check the following points.
If after that, normal operation cannot be resumed, contact the store from which the item was purchased, or your nearest
Sony dealer.
Condition
When the POWER switch is turned on, the power
indicator does not light up, nor is any sound output.
Although the POWER indicator is lit, no sound is
output.
No sound is output from the TAPE IN connector.
No sound is output from the GROUP bus.
No sound is output from the 2TR IN connector.
No sound is output from the AUX 5, 6, 7 and 8 buses.
No sound is output from the PHONES connector or the
MONITOR OUT connector.
Sound from the AUX 1/2 and GROUP bus is output
through the MASTER OUTPUT.
The sound is distorted.
14
!¢
Causes/Solutions
• Check that the power cord is connected.
• Check whether or not the ON button is turned off.
(Pages 5 and 7)
• Check whether the assign button is correctly pressed. (Pages 5
and 7)
• Check whether or not the TAPE button is turned off. (Page 4)
• Check whether or not the DIRECT button is turned on. (Page 5)
• Check whether or not the TO L-R button is turned off.
(Page 9)
• Check whether the AUX 7/8 button is pressed correctly.
(Pages 5 and 7)
• Check whether or not all of the AFL buttons are turned off.
(Page 9)
• Check whether or not the PFL button is turned on.
(Pages 5 and 7)
• Check whether or not the TO L-R button is turned on.
(Page 9)
• Check whether the settings of the LEVEL controls and –10 dBu
button are correct. (Pages 4 and 7)
• Check whether or not the line level output equipment is
connected to the MIC connector. (Page 10)
15
Printed in Japan