> Photos hop ii a BLEND TYPE TEXTURES SN" oN & PHOTOSHP recommends Windows® 7 Professional. rd re Ly Introducing the new HP Z1 Workstation. Power without the tower. The allin-one HP Z1 Workstation withthe Intel® Xeon® processor £31200 series. To find out more about the HP Z1 Workstation visit: hp.co.uk/Z1 or call 0845 601 0543 2012 Heit Ovelprnt Campa, Ta oman aed are hg how an, sie en a aaron waa apt me om nh cin oa Woden oe trdscoi ot epee Neroconrents| WELCOME MISSUE 98 CONTENTS Welcome to the latest issue of Advanced Photoshop. One of the joys of Photoshop is that it's a tool to bring together lots of different assets seamlessly, whether they are 2D or 3D, JULIE BASSETT —Tstswhythisicsuewe have dedicated ourman Editor. fesuetothetop20corpestra tips Wespoketo Protshop aris NEVERISLE i g ymeniew gmail CREATIVE fase tote ue asin St hon woulda Beer axe simeascne tr drs an potogahy BRANDING D Elenferein the ssue we lo explore panting : bees =o searpnkcharacers ora artworks a Imagery and much more ener gtin box Peay (Sse COVER ARTIST new sere checkeutyur tee dsctor erties hrs ct bene ede ton STAT io @advancedpshop Ed /advancedPhotoshop .co.uk 003WELCOME Is 004 EYE ON DESIGN What's hot, who's in and the latest art design happenings 06 | ine tation tots OB | erates trom our readers 15 | SHARE Your aRTWoRK: How to join our online gallery 16 Batson dm 6 co EXHIBITION: Evoke SUBSCRIBE TODAY! SEEPAGE 86 FORTHE LATEST OFFER TECHNIQUES Pro artists reveal their sill in ‘ur easy-to-follow workshops. 24 | Rrccmposting scree 3A | Cantert-aare retouching 38 |Resrac designs 42 Tire Moe A Tee oi Pann Photoshop sb 4G | Eat set scenes 51 [zaveurme Graft hair in Photoshop 52 |Bpertretuching 58 [Benge nips G62 |Tarravcereates G4 | Panperect exces G8 | Fotis bushesincss 70 | Sian prmotnat gue ar 72 \muorestor Video editing in Photashap CS& 76 | Ereressve shapes 8 REVIEWS We put the latest creative kit, books and apps tothe test, REVIEW: iClone Physics Toolbox | REVIEW Perfect Mask 5 /nScreen Deluxe 82 | Ristettice 83 | Nehisynskzzanm BA AER REvEWs: ‘Ade Ideas and more BOOK REVIEWS: 8D | Tretatstbook eases rated 8 e RESOURCES Equip yourself with the mast escenial advice and gear 1g FEATURE: How can | work wit stock imagery? TOP TEN: Compact cameras 6 ON YOUR DISC (is C) Teewthie ssf Ren, 3HRS VIDEO TUITION Create videogame concept art and get to.grips with Adobe lustrator HIGH-RES CAR STOCK PHOTOS Practise your retouching sks PLU: poet les Reader gall imagesare you iStuck? Honest, straightforward pricing. It’s not rocket science. time to switch. BIS TUGK IMAGES FOR EVERYONE.EVE ON DESIGN | seortioH EYE ON DESIGN ¢= race 006 ‘Adobe Creative SPOTLIGHT BM ONLINE COLLABORATION TOOLS ‘ADOBE CREATIVE CLO PLENTY OF OTHER Oh helt Ao Crane Coudhas posedmary scsi egaing he wy ‘eat presna shear ases har eso proees Ache hasaesed rs nyt Corpse Lab pen The cartergeaxieesascnsnaingacixetie —enblesvenrs carats presse pine TO EASILY COLLABOF EON PROLEC' BUT THERE ARE ISER LOOK INSIDER INFO Ec Meahoy, err matting manager foradse Sater tae obout re eens thine teste aud feaurtgaclsearg streoraren tg ahereedogions [ethane nef including the ailty to crag end dropiages, scrutrise ‘ral the web and nereasrgy te aud Tis Ct an stepdad ny Kal Suton and Aln Green erscanacessflesintheCreaie Cato ter spalarthranyceaie uses des we Ceudislekrgtogeaheadolerpetins led storage sare bpurextneg acastnsimamol mtn nearer fsch paormar extn Lyeautsafiaionwinman despa feats, apsandserens tou = muito rule Per MeCahay. sar marking mage separ The ably share wer raSmartRuertochsklayads hemice cients Corer a tolhehlptsoparcyaurdeignandteleyouhow uang Aacoe reds cence, mabe cavcepsharecom)ioundsin7DsbyerieAtm, —— maryimesihataeachngsinaresigtieine ard tecoudakes far ear br peclto (rs DousndScat Becks stone otro comecthehaherbueicets _clabereadrech ber cet pserta ne celieratn store was epee lorLaerau ne cata gt hays ho sete dene als hpriazy yea neice CeveClouyourees arate poy he ws revved Ti chy roi ma esiptie,we save Phtehap Design ade verti vot CED Ne Patel eee a9 erie thchnge one AlieSertrehsiycanbeseenon Haver fyouaesir okt ich yatta tewebste™ imapeywihaer arts, penta acer nk Nowordlybkpropdsardappmavcips dey samaterc chong wt autsyouec.K While the Creative Cloud offers a lat more than simply a.collaboration todls, the sharing aspects something that has been in existence for a while throush other online collaboration websitesIm THE BENEFITS OF CONCEPTSHARE CEO Nish Patel explains all ‘oso oe Concapihare vk? Nah acre vers ape ad paper ew eerece phy do tro ng Cancer? {ial ore sy ype ct cetne wot on ea nde efor Ap. Whats the btm ine va of Cnspshre? sravLicur [EVE ON DESIGN CoN ROB SHIELDS DEBATES. DOES IT PAY TO COLLABORATE WITH OTHER ARTISTS? SHOULD YOU SEEK QUT OPPORTUNITIES TO WORK. WITH YOUR PEERS ON JOINT PROJECTS, AND WHAT DOES THE EXPERIENCE OFFER YOU? harare diferent tf calabenton ranging rm que ple fo ‘emae complex Anexanple of single clleaten would fst Acretes apenclskech whl at 8 claursthe hatch, Tks avery sraghforwardprocesswhereeacharists lacey defined Amarecorpleccalbaraen ecu when ears performa sees ef exchanges shang al acpectscl he mage-reain Wet rng tke lease ears tetris verurtoremete tl eglecalaton sess ouneunsetl chalnges hav equre as much sonetmes mare ver ha as pl. 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The rorwosayyeuwantinshsich calckraion tt worteasrchofaleaing process Sci hee recrreneta hl inert esr the samiriyf te sess entry up oyu step neat yore ase stewthtepren yout gang be pued mc On tee tae ye ve carolyn sve yanl anager ekoltncoregusradard rexcorpletng hep. ‘Tisleadsmetomy eden pont when oust acaba fomatranstarng has youmaybetanpid obec artis secxseyouhave ths elec parson crmiplepecpe hoisgcrato hep yovcary the sd hie hats eyo hae lore Pathe thr persons ia done yu ae wars hee sgorg oe acetal arn that pastor betcen wo iret il argos ard proces. The an aed chalenge hati sap sore oyauresouces Tene east and pred. tap theca spl Kanter merecorplxas tees butsraldbegnarysirey unt chaiad ROB SHIELOS Fea 007EVE ON DESIGN How To SUBMIT SHOWCASE READERS’ GALLERY orcs ruts peti emir ewe a ee ens) iter eet,Search for Lhiondaig on Poe Ces serreeiy ieaeeee occ Cae Perna Ese ete Pie seares ee rigaed SirensEVE ON DESIGN I caLLesy exhiption for the intemational art £6 This image was created for an colective The Luminariun, ‘wanted to make a funny pacture with animals, but this “ tine tried to create asightly different look HokseiKostyuk, Party AnimasnN ea L(A “gPre re oe SEBASTIAN ANDAUR eer ema Crean ee sere tie arco Ioeated erin ae sea Enea eae rh Qt Pree p ste cta ST ees Peete precast Or)EVE ON DESIGN fc eo vets enPreah ra Riese cer ee erro nes feeteaereneacs the power of music as an art Deseo ka a tril eae rest te) the colours and final output, especie slot ya) - Pec) [mye aaere rere ee = = = —— a =a Bas 3 iros EVE ON DESIGN | 1 INTERVIEW CREATIVE BRANDING DESIGNS WE TALK TO ADAM LARSON OF ADAM & CO. A PRINCIPLES OF CREATIVITY AND COMM, ‘ad HOW HE MARRIES THE ION IN HIS WORK Beestmes A landing in asertsing, 207, afr tna of nae aunnerse mode communication ard the pips Leon dese he studos work = making man athehelm.Lrsonhadlearedlsomuchbautte _atfuncion The biggest ference see between at and ness anteubeeqentesgn mods ththewae designe icten’ Lsonevplans orethenextyioget woke hewcle design purpose beyond just przoal expression Gord des — The svar wiring companyhesnow rodiced waar communication” So wheter amaying an ie, eli. : lui Deamon Wer Bos, sage the made design emooys can bebo ars tate Tammy Hilger andrany more. lard, 0021 sore tea ct fwithegaslefpaciang However adeno exressonbrdsal he cg rani ack. aphids prec produ acreaeethas cos all 01rdltte goa ot et deter tena rt 9 specs of ach egret ay rururedin Larson to general buses sil networking ete evelopment ar ser your oon eas "These Design is design whether youre creating a logo, a multipage book, or a campaign, The specifics of each assignment may vary, but translating creative shils across projects happens naturally alco gave me the opp the wor cng rads sulle thse sis on day ba" sccorng Larsen hemos extg bo date ras working onthe iden acpacag for Bayes dabum TBeyrcsl este team cals re tats ey wera [ose cold cee to New York iy to ern the prjectth bem paced my compu and basally mvedtoNes ork Cy fr wo wees” hetelsus “twa intense rdnen-tp lores ‘icky ha tjumpinio a stati tard aang thatcames along, Bun the "sarang ork th somecne ho ha rmathrespcter" “Themuscndusy fucs mary ofthe sues proges heh ees workor fgets Larson eas ebmed about msc taney ge boing raed tna meaty. 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Thisis made easy with the Transforn 27TECHNIQUES | | JULIEN MOREL AKA JOOLZ modes, bi PRO COMPOSITE WORKFLOW: THE SHOOTING PHASE tate eee tase ee ML Ene eg ae eatin otimreteny Cre ed Pca Cis a2a cowposining secaers | TECHNIQUES FIRE EFFECTS PHOTOSHOP MASKING LEVITATION EFFECTS WITH 11 COMPOSITE sa aoe | aos. A ~TEERNQUES | comssmos VNC co Ren LAYER asses osm SYNTHETICSKIN eal COMPOSITE A SNOWSTORM‘secnes | TECHNIQUES 16 COMP CG ELEMENTS § MIRE CAMPRU Mike Campau r ects for making CG elements more authentic ina photo 01 ce: SHADOWS, a ttd Ret) When compositing 3D objects into your scene never use pure black to create shadows. 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You canoe the ens are ayer to ‘ruin ctromatc aberatenewthasoftie snare mp ett 050GRAFT HAIR IN PHOTOSHOP ENHANCE IN YOUR MODEL SHOTS, INCLUDING HAIR, EYEBROWS AND EYELASHES, USING PHOTOSHOP'S TRANSFORM TOOLS, EYELASH GRAFTING | TECHNIQUEScer areca eee eet ee ed eet aS poe err reds Rerieernrer nes ee ee ets Se ed eet Se eee ‘a hetagropy tei avery subjects Cee ca LEARN TO TURN A GOOD AUTOMOTIVE IMAGE INTO ASTRIKING ONE WITH PRO RETOUCHING TRICKS, ee eo frome smeplacs.erabing outa apy these exble ‘metodsto your own personal ets. ee Ce tea eter ee ets eee ere eee ett Se eee tee ead ete oe ee eee ereDene ane} eed Corona Teed Reus perbieenae teaTECHNIQUES | GATHER ALL THE ASSETS LAYER MASK FOLDERS DIAL THE estos 7 BACKDROP INwuosine | TECHNIQUES RETOUCH THE LIGHTING EFFECTS INSERT THE FERRARI Rather than applying, le masks to individual layer inside a folder, apply one overall mask to each folder itselF REVISIT THE BACKGROUND WoRK ON THE DETAILS pckground giaw'yslayngetttecarscelours toda er peur ght om ‘CONTROL THE ENVIRONMENTTECHNIQUES 1 exper SCRUTINISE THE DETAILS MAKE THE HEADLIGHTS GLOW ighsandcr the acme rea hed ‘CREATE HEADLIGHT FLARES ‘on. king new aes op af bath the Porscheand Fear flrs, othe lar prea tyerthecars ean sel doth wh he rush cal Opn the rusts plete an win he [ADDITIONAL LIGHTING EFFECTS FINAL TOUCHES. RECOMPOSE THE FINAL IMAGE sheath ad sly feared rota ol ce foreach filed wih your deseo vecan ete sare Gtr Glow tchrique ined Step 11 Use the Tanto to tpl he butt eng | adenes 056SPECIAL OFFER FOR USA READERS! Pathak Rew Each issue, Advanced Photoshop delivers all the Photoshop inspiration and advice you need + Subscribe today for just $129* for 13 issues —a massive 36% saving compared tonewsstand + Payas little as $992 per issue (usually $15.50 onthe newsstand) + Free content-packed CD with EVERY issue + Receive the magazine at least three weeks beforeit goes on sale in stores, + Guaranteed to never miss an issue + Money-back guarantee on unmailed issues Bee cen UO ae eae] below and enter the offer code ‘USA’ below and quote the offer code ‘USA’ www.imaginesubs.co.uk/aps | +44 (0) 1795 592 8801 TECHNIQUES | mrvracnaet BLEND TYPE AND PHOTOS ° GRAPHY Xe (OUR EXPERT KEL R THE SKILLS VITH KINETIC PHOTOG RATE BOLD TY aa Gaeaa era best rap rund he dace Phcashop ofr us 2 auch enemy : he typograp xk ancer, thraugh its masking features and editing capabil © Darcehetove WORK IN i MAKE SOMETHING OUT OF NOTHING PROGRESS LET'S GET STARTED WITH CREATING TYPE ; 01 o2iswr (03 | sma monecnanacrensCee td1m TECHNIQUES | > (4 | eo. taste stares letter st lke the letter D can be flipped horizontally to the letter C (OG | comreere ate meterrens (07 | racer roracnarn 060 mauick TIP 0g] macumez9 THE BACKGROUNDI INTRODUCE COLOUR GRADIENTS. ADD WAVES OF COLOUR TO CHANGE THE MOOD QQ | tarsi ane 0, ray te be radetfrom th boom a the mele of ha image andrepet the ame for he url grace, tut ar the op othe me, Sth beng med to Color neti ta 85% Ops Now repent ise process wahdieentccours Fret adéanew lve ts imechoasng ec as yournetal our and 252 your metal use colt Hower, thi be aks the aden go ‘ro Frege Backaround instead Transparency Seth ier 30% Opty Photoshop enables you to refine the ede cof your mask, Click on the Refine Edge tool to adust the hairand other tricky selections TH virevtuocantn etch 2 | rast me coun Now poly a Grant Mop autment thot ot er ingens and star racking down mage sony unlit compete selected Cicer the Refie Edge alas cy Slaions. (lek totum te dancer nto amack Ay ‘Blak and Whe austen ayer and stitto Aut. Make the asim iayer afc al vers taow by hing dow he Op ey ae ling your mouse betwen andthe mache yer. layer felch to-urle (25250 0 white Usngasofttruh, maskcut any areasyou doit -wantclored purl. No ply a Hutton xustment ye set ith Hue 9 205 ar he ‘Sauatonat This ad some mere lve to ‘heimage Fal charge he panty 0% Mask cutany areas you deni wart ecole inthis carl wooly clered the torso ue LENO TYPE AND PHOTOS | TECHNIQUES IL PLAY WITH DIFFERENT TYPOGRAPHY STYLES “hearer forts hae sete ton Ghar heoathgosnctopemen nye Snriesse acerca yar mma ake [Stk one ntpogagnere eorgoneeyur si Ba ‘outenangtoulerean yay aurit oe! teint esos Inptrapecom shee oui taper este mstodoiea tyaieokraly ace ‘hora Selo strana con's ‘ndoenbae antares | ire menrsoue TOL ina paoemarated sot erty org serine Iori face tes snore etsy w= hes roca foe st al pen et sbecyefbeiopr niyo) Pes W sete Stora tut Sve ven gad une Sebwesiy at 13 | nacemerer Groupal your elemens rom the ype es docaent andl te fest he arcer erage Al avctor mask the group layer and than GO hard rs, at fi teresting intersecting ways the dancer can rap ‘aotnd the ie. Start busing aay the layer mas Ts partis pen up fo expeentaion <0 ‘a alitlemare deta by applying aot shadow 0 ‘make the dance pop mare from te ype 081Reed ¢) , , eae SO aaa) eens F; eer ee it eee a | HOW! MADE TANHAUSER GATES by Yohann Schepacz THIS ARTIST EXPLAINS THE IMPORTANCE OF NARRATI Niue N saIcLo aan ear eliee IN DIGITAL PAINTINGS See ReN Devonian) Ceaiseestecrier cn ane iid eT ere ete eee nner eee eee eee eer an CE ear) a earakcuata aan Ppectandlsandie et eaceiehi tia Cee eed Cees pieieemerieet erste protean roy Se ee coer een pebauaisualiecia mace) Senate eta poner erpmemnerinieet onmenrapnelizeten e 7 rfl yt! ~ Woes g's > i f ec Teed eee ua er Pe eC ee rt a Eee ee ey reaa Ce ana A 4 feet ee y ei Bi ) story, the metaphor, peau i earned FEF attention to that. If there's no purpose 4 a Pee lote ene peels [tf ee EestiTECHNIQUES | Pa 064 fm DveTAL PaIvTING PAINT PERFECT TEXTURES LEARN TO PAINT TEXTURES OFTEN USED IN STEAMPUNK ART AND IMPROVE YOUR PHOTOSHOP TECHNIQUES, OUR EXPERT. ‘SANDRA CHANG-ADAIR ‘ wusandachangnet tme-ensueing We leach youtecniqes io pant mea dss, smoke, eater sik daphano.s vs “ ure peers ve ercourape using phot reassure or inng sear themsebesinVtoran corsets tics hes, gages and pasos. anlar harestes, pocket ‘SOURCE FILES dey devices ar replaced ih cogs, gnuges. rea anges and Ontedscyulfsurine jest iacciar eee ices rete i. . WORK IN IN START WITH A STRONG FOUNDATION PROGRESS ESTABLISH COLOURS AND BACKGROUND IN YOUR DRAWING FISHED ANTWaRK 1H aL ORAM courose rar cououns OT rrcncreecteaonegrmics OZ |rrtcacnryenstatpye vn thy omer ern wt Ce Scrcomeepucnmtaean compan se of prot references ‘etal tocrete reso wih fat coeur iauli (03 | maa TexTURE screw OF STONE BRICKS sing the Hard Roun Layer brsh supp Step 10: Dea evelBE TECHNIQUES | parr Pees » | INCLUDE SMOKE O4 Ii stares Using a nr Geol one eee aan tesa mates frente he badge to Sela depth. Use around bushto shape thebasc ‘outne fhe oud Oirken the baton or the Gauesin Blur fit | create asikpsete aparrmadeupota highligh nd mit enes Un OG | cure suemarena. re tendeey olay 05 the fermin dageralpatems So. using our rsh eae agonal toes, expel wih he ight. Bend: sh leirg ota fen rent Inger he thn the ight rd pie igh deta espacilly wher the are fl to not ard QO7 |setaternnerereecr leer withthe Hard Round Layer brush Highights onshore ster han i lathes laze ter yeu havelaidin he basic pins the ines, lend wal ith be Mier Brak king ebm i ve telson of leather bt vary tetris theyre not etrey ooh impart del te wakes that rorude rom the edges ofthe sears 066 mi uick TIP 05 Use the Hard Rosnd Laer face Photoshop C35 anh Mer Brush tooo cai beat (ean rush a encparen square icon Press oun APPLY TO THE FACE ANO SKIN abscc dhintons plete esha toblck nthe the process ery 94, Photoshop Sta lowe il darvhweha sot ourduth ogyimes ee on abightight and wome felon teow ang the same etinge a the shay and wehbe Ha i pul ai youMl ADJUSTMENT LAYERS AND STYLES COMPLETE THE PRINTING AND FLX ANY PROBLEMS QQ) eee soemnce valorech espe ey Wrens beonled cust aren sae oe nto a ing the Lasoo vith Beals ona ester at pes. rave What characterises metals its sharp contrast between light and dark. Reflected colour from neighbouring objects wil also be visble. Paint the form first and add the white hig where the colour of the metal is saturated ACHIEVE A REALISTIC METAL 12 | sams uss What characterises alist chp “The BlerdngOpons n Photoshop can caries betwen ight and irk Reletedctour simulate the const fund with etal sig he tremneighaourrg objects alas be wie Grader vera. aus your rain so youve Paine formfrstand adhe white hghight_ alerting darks ands Youcan also 388 ‘here the colour oft metal esata Bevel and boss are ther Se opens. Pat hese ayers to harmonise theme pices Youca create hightghs by using the Lasso alto awh recta Touche ait efthe mack jet undersea Bantthe metal se the Vector Pe tol todaw none ide PAINT PERFECT TexTURES I TECHNIQUES Ml USE ADJUSTMENT LAYERS farcnPhowstep | crrssonncsi (yuenclpanatusner CREATE THE DIAPHANOUS VEILS sig the ine at tayer a guide othe snot your ve pant the backer rough 10 thevel You ery nee toindesie wih heredofthevell Remove be nea. 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The ltoption ram asperesandother drymedawauldinredl —marusofawng gel caamtoulwor-dowm simi tusingareqlar habs Wer Tassoundel ie teaudad nchievnga what tsseting The ering tarts odte Ween wp using Rend dP othe tecued adorganc dang Butwhatspeedo thedawngsil,andvelaundousebeshaing remand ofheimage hetwe wih hemes theyre at? Whatiwewantatickebunier_tagut downthick srenglinsto keep conta. ctsenabl erosion. Eretaly, hang become bush bth tai stil sharp? Wiebesan ely doun some sotertanesand used thesabruses. we qute oye working ter bushescanbesettoexactywhatwe —_radthe Rou ip. Ne eo tured th a ‘ath hem Hower hey ae esse hard need, sothis ads aitfuneedicably When _FresureQpactybuton onthetop taki. toadd brushes acouple of eae, tevin. rang withraurimeda,weneverroicethe someetasofness vars opaiyThebruch For mages tatimate oldies oso, waytepeniisblrengaswego.Weshapen fede mchmorenatirl hen eadforpining, these hes maybe gpd. Alina for when weneed o.tutrttthenwe subconscious ateughiheszerange tween sharpened and _atsts who tendta erm ale rom smiera ustandmkeuseoftatelementolthetool unis ty ama onthe Reundpont| ‘oka the Pore thio tick regression Buteoestiswasiewdgtl oo. oraethey _Camyeg on. ected ote vale ‘maybe a 208, greet cd devon 2 beter suted tote cnr wee ued? shapes Erdle Squier seems ait ofa ht otra he Sharpen butn constr IntheBrush gale. youcantada group of ‘igmeren asthee snotapeedipioerads ot ule ouseasmple hash nye busheswihErodleintetile Thee arefne ——_reainspetymuch asingl-sizedharderush wrk, erode is might aca ito extra shapeoptons~ Square Ft Reud,Trarleand Erode Tend’ printed edges makeitlet the _variatonoyeur stokes But ith the reson Pain asl a8 acustom open, lesstonsnicofteletapantwith However we occuring narepuarwayardoveraginealy WWestateswihteEredblePontteshord ——_cotnusdtouseitat asm soe 29 Sofnese __salirange, most he rancor etal experimented ih somemaris Tefesthing we andOpzaily and Flow 380% as area drawing ques the work wl needa come fom other roced as hat athough he suace es tociontnehaWelcunditfaryaptforhetack, Stings ante brush stm changes size asthe to wears ove itsasold spe Teesrovanteinewah-nisste ll CREATING THE SKETCH EFFECT Pressure but onthe tp tasks eyed ot ee eee en VARY BRUSH SETTINGS TO ACHIEVE THE BEST RESULTS certhecauseatadawngvilcome sokly rom Ths ge primary used he brushes tee ys thechangea surtace eo he to ‘nal esheeh as doe wh he Erode Wesel ihe Port p10 50% Soness. 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ABOUT THE STUDIO ARS THANE | swaratansa com Fades tneneh pope cipmtwar tesrg Stepan raat ters cease ganas dete secroniyenane: pee acpecds NAME OF PROJECT ‘UBISOFT's GHOST RECON ONLINE Gewston 1s Thanea fa stud revered for veuliston be garingindsty. res the yeasts vperige sled tothe stu elo g artwork oe compar cha ory Pay State, (OoProele RED and Lett “he studio alto delve oustanding fished produc, he bldng song relate nhe wider "sty edt itotaning ths videegamepreject fom longterm een Uist Son Fraceco Ars Thar team lereatine wae taskedth est vl ard mtn othe upc acho Ghost ean Cine rs Thane rl lth chant in San Franca to a about te cee dracon of projec ry se00 asresofhey visuals were produced and used as online proroton ore tila As nets, hse visuals had tbe aimate bich shane aera team seve emo CAN YOU TELL US ABT MORE ABOUT THE THEME (OF THIS IMAGE? Theciere watedto capt atlng magect war which greatly carepenéed wth isn Gres een ‘chins Ghost Ren ln about earwark, ‘hich ety youcan ae the whole squsdprecert the nage, withanjieg sider dass Ths uneeries he eri te n-game equgmen nthsimage we aso eed ne cas: Gst con raceler cyan The cen as realy tiled wit heute, HOW IMPORTANT WERE THE LIGHTING EFFECTS? Satrgthe meostor the mage as ceed sng ‘areus knight, The same mage weh rent We wanted the visual to be as close to the game as 070 | "possible. We also found reference photoerapy, rom Various regions, that captured war lghng woud te comply ferent story andcomey a {eet ed To th he tran andthe the of urban warfare we used very high-contrast ohn Image a scene wth nas of exposions andes onthe streets, alhapering aoe With so uch atin an energy thegngchace had tober incr premetetismecd (CAN YOU TELL US WHAT YOUR MAIN STYLISTIC Hoge isp far image came rmthe exsng ‘uel Alte ets tat ere sedi game =the ules map bstacies —werencuedin be image We wate he uate be clos othe gare possible eats foundreference photography. to vanous reson, thetcapred war IN THIS MAGE? The holographic dette are cuca part of eachimage tratbelongsto the Gost econ rand the mark hat separates Ihe sts rom ary ober warshered game ‘Al he olgranhs resemble the aang 30 relaces ttatae nthe game Tey uderine enero oe wale team rd he armandsyoucan ge Every hlograpic detalwasproducedinPotshop as fiat layer hich wl hen tered aus he Frlimage Thewholepacess was realy tme-consumingtut evrything during proacion wetsmaoth Thre were ‘maryrevsion the equement of ur sor (characters) Together wih Ubsof San Francs andthe ‘ies element ean we ed capt a ch of the ders nthe ger a ose Beside is. eventing was prety lar fom the ery beghning ene what| TECHNIQUES: LOL) FeVIDEO EDITING 2 ts grorestor | ISE_THE OUTSTANDING NEW LYIDED- ETING FEA A IRES FOUND IN PHOTOSHOPthen th the ide arma ut prove a tare of hat can Wiel everest able ef basc erg an eft. Te atest Paes vould Protoshap asta skis tina those vere? On ofthe ages es camera consume le SLR she ter programs equred det ith via Sows Prote ing lonrg along he een 2925 While itwil never be as robust a video editor as Premiere or After Effects, Photoshop is surpisinaly capable of basic editing and effects. The latest version sees substantial increases in performance as well as some impressive new features ust for edtne video 1 NEW MOTION EFFECTS IN CS6 FADE TRANSITIONS, PAN AND ZOOM EFFECTS NOW MADE SIMPLE (OPEN THE BASE VIDEO tashop CS ard pace Wea WokepaceMation) land the Time pane Veo Gauss managers Rename the veo yer ‘Cip 2 | wovorien cur Choose 101-002 ie. chop atuatcaly ae totheendof ters rename lnz Cage on ip inthe Teele and bie tring ut of rae. Pots | TECHNIQUES Bt lm WORKIN, PROGRESS GROWTH OFA VIDEO PROJECT (93) ese ross re let tgoe the Propries log x Ck onthe music notecan to beth uo srdreoice Hs Clckon he Te inthe Tene ton the ight Fade Prot teal oe tas the anton Hite So preview payback » ton tothe seam between the cp, 073Im TECHNIQUES | c F > 04, | mane cuP aoustuens 04 : rela 074n pcos | TECHNIQUES ADD MORE VIDEO ELEMENTS WB VIDEO GROUPS USE MORE FILTERS, TITLE CARDS AND ADD AN AUDIO TRACK ()| pace sseono mre caro 1] | esesamenee meeny 4D | mmeeren rertheLastip lero hc costed sts cl ‘ipa Hon/Saturaton acter aero the Mull nama se th soning ashe bacground has ae tostlbevsble Frish the The preview will go very slowiy during the partion where a filter is applied to the video clip, but this won't be a problem after the final video is rendered. As an opti custom pan and zoom effects can be applied to video clips that are converted to Smart Objects ‘DOUBLE CHECK EVERYTHING 4G | mipsrouo msc 45 | Renner THe woeo Before rendering pay thou serlt the bot ot the Tana ‘tte tte el the Tren pel f_clckthelusbuton othe rah he uso as sa ii-acng aon, he Render Video ine rack we used hs tn The dos boxpresans several ferent dhrrg te perton hare a er wn. p8ed.com/sound ol neue the aud eat he sare Spec he len sen. inthe 075076 PLORE HOW SHAPES ARE USED DELIBERAT IN DIGITAL IMAGERY, ENHANCING FORM, DIR Shapes ara sea frmanerative Leste (wan stomasewagnepl sys "Tsnpny diving oreo ough ‘aggresive, There ae boundaries athe ways a you ean “Twiter(Badvancedpshop) ering shapes nado ysl forms, femoniog semen an dy vending othe js pope Hones dl a necessity. By ising tren sry laying th he comp Chile wiv hemes com) aaee="th hat amixbensen geometric hapes ard remaster intel ust ry tousec fencer sper-subec T sears veer ration the lay wit Levels remedy D> Share your thaughts on this tendon This simplicity is a ceiving force to express your feelings or thoughts. You canbe soft and delicate, hard and zessive. There are no boundaries [to the] ways that you [can] express yourself Tomasz Wagner art director vatomaszwagnerp ‘TOPTIPS FROM MAXIME. CHILLEMI| TECHNIQUES save cH Ne i ey MaxiME QuOILNApple Newsstand Great digital magazines on iPad iPhone BLEND TYPE & PHOTOS. Go digital today * Fully interactive editions * Download direct to your device * Save up to 40% off Tate o lg gla) * On-sale worldwide Taran Me Pala =p 0l8)‘Android phone “Android tablet “Apple Mac “ Windows PC ip)e)yasacclaaaretardialos on every device from one amazing website Get your digital copies now at Aaa stesrscelf-lirs| iret a Keele080 REVIEWS i rcs asics roo. tox ICLONE PHYSICS |= TOOLBOX “%: EFFORTLESSLY BUIL IRKING MACHINES FOR \OURANMIATCNS RE THS LENE PIG onsale mote, Photoshop artis canting nD pre canalso lug diferent mechanisms sxoney. whch reallesomistethvoughany together. creating merecalox machines and venue thats panedin 20.0 Prelosbp. Nw. 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