Graphic Design • A Selected Bibliography • L. K.

Chan

Corporate Identity

Bayley, Stephen. Coke! Coca-cola 1886-1986: Designing a Megabrand. London: The

Boilerhouse/The Conran Foundation, 1986.
Booth-Clibborn, E. (ed) Design: The World of Minale Tattersfield. London: Booth-Clibborn
Editions, 1990.
Buddensieg, Tilmann. Industriekultur. Peter Behrens and the AEG, 1907-1914. Cambridge,
Mass: The MIT Press, 1984.
Green, Oliver and Rewse-Davis, Jeremy. Designed for London: 150 Years of Transport
Design. London: Laurence King, 1995.
Minale, M. and Booth-Clibborn, E. (eds.) All Together Now: An Update on Minale
Tattersfield Design Strategy. London: Booth-Clibborn Editions, 1998.
Murphy, John and Rowe, Michael. How to Design Trademarks and Logos. Oxford: Phaidon,
1988, 1991 (rep)
Neville, Tom (ed) The Image of a Company: Manual for Corporate Identity. London:
Architecture Design and Technology Press, 1990.
Olins, Wally. The Corporate Personality. An inquiry into the nature of corporate identity.
London: Design Council, 1978.
Olins, Wally. Corporate Identity. Making Business Strategy Visible through Design. London:
Thames and Hudson, 1989.
Schmittel, Wolfgang. Process Visual: Development of a Corporate Identity. Zurich: ABC
Edition, 1978.

Environment Graphics

Follis, John and Hammer, Dave. Architectural Signing and Graphics. New York: Whitney
Library of Design, 1979.
Klein, Larry. Exhibits: Planning and Design. New York: Madison Square, 1986.
Pedersen, M. (ed) Signs of the Times. New York: Graphis US. Inc., 1996.
Sims, Mitzi. Sign Design: Graphics, Materials, Techniques. New York: Van Nostrand
Reinhold, 1991.

Editorial Design

Gibbs, David (ed) Nova 1965-1975. London: Pavilion Books, 1993.

Grundberg, Andy. Alexey Brodovitch. New York: Documents of American Design/Abrams,
1989.
Hall. Peter and Bierut, Michael. Tibor Kalman: Perverse Optimist. London: Booth-Clibborns
Editions, 1998.
Hendel, Richard. On Book Design. New Haven and London: Yale University Press, 1998.
Holden, Robert. Cover Up. The art of magazine covers in Australia. Rydalmere, NSW:
Hodder & Stoughton, 1995.
Janello, Amy and Jones, Brennon. The American Magazine. New York: Harry N. Abrams,
1991.
Owen, William. Modern Magazine Design. New York: Rizzoli, 1991.

Graphic Design

Aldersey-Williams, H. et al. The New Cranbrook Design Discourse. New York: Rizzoli, 1990.
Bierut, M.; Drenttel, W.; Heller, S. and Holland, D.K. Looking Closer. Critical writings on
graphic design. New York: Allworth Press, 1994.
Booth-Clibborn, E. Fax You. Urgent images: the graphic language of the fax. London: Booth-
Clibborn Editions, 1994.
 2

Bierut, Michael et al Looking Closer 2. New York: Allworth Press, 1997.

Blackwell, Lewis and Carson, David. The End of print: The Graphic Design of David Carson.
San Francisco: Chronicle Books, 1995.
Cato, Ken. Cato Design. London: Thames and Hudson, 1992.
Davies, Jim. The Book of Guinness Advertising. London: Guinness Publishing, 1998.
Deutsches Plakat Museum. Olaf Leu. Graphic Design Direction 1955-90. Mainz: Hermann
Schmidt, 1990.
Edition of Contemporary Music. Sleeves of Desire. A Cover Story. Baden, Switzerland: Lars
Muller Publishers, 1996.
Farelly, L. Tibor Kalman. Design and Undesign. London: Thames & Hudson, 1998.
Friedman, Dan. Dan Friedman: Radical Modernism. New Haven and London: Yale University
Press, 1994.
Frutiger, Adrian. Type, Sign, Symbol. Zurich: ABC Edition, 1980.
Glauber, Barbara. Lift and Separate. Graphic Design and the Vernacular. New York: The
Herb Lubalin Study Centre of Design and Typography/The Cooper Union for the
Achievement of Science and Art, 1993.
Goodrum, Charles and Dalrymple, Helen. Advertising in America: The First 200 Years. New
York: Abrams, 1990.
Green, Oliver. Underground Art: London Transport Posters 1908 to the Present. London:
Studio Vista, 1990, 1991 (rep)
Hayward, Stephen (ed) Why2K? Anthology for a new era. London: Booth-Clibborns
Editions, 2000.
Hefting, Paul. View to the Future. Graphic Design Today and Tomorrow. Amsterdam: Dept
of Design, Jan van Ryck Akademie/De Balie, 1997.
Heller, S. and Lasky, J. Borrowed Design. Use and abuse of historical form. New York: Van
Nostrand Reinhold, 1993.
Heller, Steven and Pomeroy, Karen. Design Literacy. Understanding Graphic Design. New
York: Allworth Press, 1997.
Heller, Steve. Paul Rand. Oxford: Phaidon, 1999.
Heller, Steve. The Education of a Graphic Designer. New York: Allworth Press, 2000.
Hess, Dick and Muller, Marion. Dorfsman and CBS. New York: American Showcase, Inc.,
1987.
Hollis, R. Graphic Design. A Concise History. London: Thames & Hudson, 1994.
Jobling, Paul and Crowley, David. Graphic Design. Reproduction and Representation since
1800. Manchester and New York: Manchester University Press, 1996.
Larbalestier, Simon. The Art and Craft of Montage. London: Mitchell Beazley, 1993.
Lupton, Ellen. Mixing Messages. Contemporary Graphic Design in America. London:
Thames and Hudson, 1996.
Lupton, Ellen and Miller, J. Abbot. Design Writing Research. Writing on Graphic Design.
New York: Kiosk/Princeton Architectural Press, 1996.
Marsack, Robyn. Essays on Design 1. AGI's Designers of Influence. London: Booth-Clibborn
Editions, 1997.
Nunoo-Quarcoo, Franc. Bruno Monguzzi: A Designer's Perspective. Baltimore, Maryland:
The Fine Arts Gallery, University of Maryland, 1998.
Oliver, Vaughan. This Rimy River. Vaughan Oliver and V23. Graphic works 1988-94. Los
Angeles: Murray Feldman Gallery / Pacific Design Center, 1994
PAOS Editorial Committee. PAOS Design: Corporate Identity in Japan. Tokyo: Kodansha (?)
Perkins, Sean (ed). Experience. London: Booth-Clibborn Editions, 1995.
Preston, Richard. Pure Fuel. London: Booth Clibborn Editions, 1996.
Rand, Paul. Design Form and Chaos. New Haven and London; Yale University Press,
1993.
Rand, Paul. From Lascaux to Brooklyn. New Haven and London; Yale University Press,
1996.
Riddell, J. and Denton, P. By Underground To The Zoo. London Transport Posters 1913 to
The Present. London: Studio Vista, 1995.
Rouard-Snowman, Margo. Roman Cieslewicz. London: Thames and Hudson, 1993.
Smith, Virginia. The Funny Little Man. The biography of a graphic image. New York: Van
Norstrand Reinhold, 1993.
Sobieszek, Robert A. The Art of Persuasion: A History of Advertising Photography. New
York: Abrams, 1988.
 3

Spencer, Herbert (ed.) The Liberated Page. An anthology of major typographic experiments
of this century as recorded in ‘Typographica’ magazine. San Francisco: Bedford Press,
1987.
Supon Design Group. Design in Progress: What happens behind the scenes. Tokyo: Nippan
Publishers, 1993.
Swanson, Gunnar. Graphic Design and Reading: Explorations of an uneasy relationship.
New York: Allworth Press, 2000.
Thompson, B. Bradbury Thompson: The Art of Graphic Design. New Haven and London:
Yale University Press, 1988.
Thompson, Jon (ed) Towards A Theory of The Image. Maastricht: Jan van Eyck Akademie,
1996.
Thomson, Ellen Mazur. The Origins of Graphic Design in America 1870-1920. New Haven
and London: Yale University, 1997.
Toorn, Jan van (ed) Design Beyond Design: Critical Reflection and the Practice of Visual
Communication. Amsterdam: Jan Van Eyck Academie, 1998.
Triggs, Teal (ed) Communicating Design. Essays in Visual Communication. London: B. T.
Batsford, 1995.
Walker, John A. Design History and the History of Design. London: Pluto Press, 1989.
Ward, Dick. Creative Ad Design and Illustration. Cincinnati, Ohio: North Light Books, 1988.
Wozencroft, J. The Graphic Language of Neville Brody. London: Thames and Hudson, 1988,
1995 (rep)
Wozencroft, J. The Graphic Language of Neville Brody 2. London: Thames and Hudson,
1988, 1995 (rep)

Graphic Design and National Experience (and Identity)

Aldersey-Williams, Hugh. Nationalism and Globalism in Design. New York: Rizzoli, 1992.
Anikst, M. Soviet Commercial Design of the Twenties. London: Thames & Hudson, 1987.
Aulich, J. and Sylvestrova, M. Political Posters in Central and Eastern Europe 1945-1995.
Manchester and New York: Manchester University Press, 1999.
Boym, Constantin. New Russian Design. New York: Rizzoli, 1992.
Coad, Emma Dent. Spanish Design and Architecture. London: Studio Vista, 1990.
Cozzolino, Mimmo and Rutherford, Fysh. Symbols of Australia. Carlton, Victoria: CIS
Educational, 1980, 1990 (rep), 2000 (rep)
Crowley, David. National Style and Nation-state. Design in Poland from the vernacular
revival to the international style. Manchester, UK: Manchester University Press, 1992.
Dickerman, I. (ed) Building The Collective. Soviet Graphic Design 1917-1937. Selections
from the Merrill C. Berman Collection. New York: Princeton Architectural Press, 1996.
Evans, Sian. Contemporary Japanese Design. London: Collins and Brown, 1991.
Fraser, James (text) and Heller, Steven (ed) Japanese Modern. Graphic Design Between
The Wars. San Francisco: Chronicle Books, 1996.
Goodman, D. G. Angura: Posters of the Japanese Avant-Garde. New York: Princeton
University Press, 1999.
Kurokawa, Kisho. Intercultural Architecture. The Philosophy of Symbiosis. Washington, DC:
The American Institute of Architects Press, 1991.
Minick, Scott and Jiao Ping. Chinese Graphic Design in the 20th Century. London: Thames
& Hudson, 1990.
Mount, Christopher. Stenberg Brothers. Constructing A Revolution in Soviet Union. New
York: The Museum of Modern Art, 1997.
Sparke, Penny. Modern Japanese Design. New York: Dutton, 1987.
Sparke, Penny. Italian Design. 1870 to the present. London: Thames & Hudson, 1988.
Sparke, Penny. Design in Context. London: Bloombbury, 1991.
Steiner, H. and Haas, K. Cross-cultural Design. Communicating in the Global Marketplace.
London: Thames & Hudson, 1995.
Thornton, Richard S. Japanese Graphic Design. London: Laurence King, 1991.
 4

Information Design

Holmes, Nigel. Pictorial Maps. History Design Ideas Sources. New York: Watson-Guptill,
1991.
Mijksenaar, Paul. Visual Function. An introduction to Information Design. New York: Prineton
Architectural Press, 1997.
Mijksenaar, Paul and Westendorp, Piet. Open Here: The art of instructional design. London:
Thames and Hudson, 1999.
Tufte, Edward. Envisioning Information. Cheshire, Connecticut: Graphis Press, 1994.
Tufte, Edward. The Visual Display of Quantitative Information. Cheshire, Connecticut:
Graphis Press, 1995.
Tufte, Edward. Visual explanations. Images of Quantities, Evidence and Narrative. Cheshire,
Connecticut: Graphis Press, 1997.
Wildbur, Peter. Information Graphics. A Survey of Typographic, Diagrammatic and
Cartographic Communication. New York: Van Nostrand Reinhold, 1989.
Wildbur, Peter and Burke, Michael. Information Graphics: Innovative solutions in
contemporary design. London: Thames and Hudson, 1998.
Wurman, Richard Saul. Information Anxiety. New York: Doubleday, 1989, 1990 (rep)
Wurman, Richard Saul. Information Architects. New York: Graphis, 1997.

Packaging Design

Bertsch, George C. and Hedler, Ernst. SED Stunning Eastern Design. Cologne: Benedict
Taschen, 1990.
Fry, Tony. Green Desires. Ecology Design Products. University of Sydney: Eco Design
Foundation, 1992.
Hine, Thomas. The Total Package. The Evolution and Secret Meanings of Boxes, Bottles,
Cans, and Tubes. Boston, New York, London: Little Brown & Co, 1995.
Izumi, Shinya et al. Package Design in Japan. Cologne: Benedikt Taschen, 1988
Mackenzie, Dorothy. Green Design. Design For The Environment. London: Laurence King,
1991.
Minale, Marcello (ed) The Leader of the Pack: How to Design Successful Packaging.
London: Elfande, 1993.
Morgan, Conway Lloyd. Packaging Design. Design Brief – Finished Product. Crans-Pres-
Celigny, Switzerland: Rotovision, 1997.
Roth, Laszlo. Packaging Design. An Introduction. New York: Van Nostrand Reinhold, 1990.
Sonsino, Steven. Packaging Design. Graphics Materials Technology. London: Thames &
Hudson, 1990.
Tobin, Joseph J. Re-made in Japan. Everyday Life and Consumer Taste in a Changing
Society. New Haven and London: Yale University Press, 1992.
Thompson, Claudia G. Recycled Papers. The Essential Guide. Cambridge, Mass. and
London, England: The MIT Press, 1992.

Typography

Bain, P. and Shaw, P. Blackletters Type and National Identity. New York: Princeton
University Press, 1998.
Fennell, John (ed). Designer’s Guide to Typography. Oxford: Phaidon, 1991
Frutiger, Adrian. Type Sign Symbol. Zurich: Editions ABC, 1980.
Ginger, E. M. (ed) Branding with Type. How Type Sells. Mountain View, California: Adobe
Press, 1995.
Gray, Nicolete. A History of Lettering. Creative Experiment and Letter Identity. Boston,
Mass: David R. Godine, 1986.
Kinross, Robin. Modern Typography - An essay in critical history. London: Hyphen Press,
1992.
 5

Lupton, Ellen (ed). Graphic Design and Typography in the Netherlands. A view of recent
work. New York: The Herb Lubalin Study Centre of Design and Typography/The Cooper
Union and Princeton Architectural Press, 1992.
March, Marion. Creative Typography. Oxford: Phaidon,1988.
McLean, Ruari. Jan Tschichold: Typographer. London: Lund Humphries, 1975.
Perfect, Christopher and Austen, Jeremy. The Complete Typographer. A manual for
designing with type. Englewood Cliffs, New Jersey: Prentice Hall 1992.
Poynor, Rick and Booth-Clibborn, Edward (eds.) Typography Now: The New Wave. London:
Internos Books 1991.
Ruder, Emil. Typography. Niederteufen: Verlag Arthur Niggli, 1977 (3rd ed).
Ruegg, Ruedi. Basic Typography: Design with Letters. New York: Van Nostrand, 1989.
Spiekermann, Erik and Ginger, E. M. Stop Stealing Sheep and Find Out How Type Works.
Mountain View, CA: Adobe Press, 1993.
Swann, Cal. Language and Typography. London: Lund Humphries, 1991.
Tschichold, Jan. The New Typography. Berkeley: University of California, 1995.

Journals

Baseline (UK)
Emigré (USA)
Eye(UK)
Graphis (USA)
Information Design (Netherlands)
Print (USA)
Typographic (UK)

Leong K. Chan • School of Design Studies • College of Fine Arts • UNSW 06 August 2001