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Estudio en Si menor

(Op. 60, nº 20)


Fernando Sor


i m i m a m a

   2 2  1  2 1 2 2  1  2 1 4    1 
i m a i m a i i m i m i m a m i

  
   3         43  2       3
1


1

  
2 2 2 0
0


3
p
p

Fine

 
i m i

2 1  2 1 
i m m i


    
      
 2    3  4   
5

 
2 2
1 1

 3  3  p 1 
0

1
2 2 1 2 2 2
0


3


m i i m i m i
1 
m i m i m m m i

 2  1 3       4 23         2  4  2  3   4  2  3    2   
9


p p p p p
 p p p


p p p p p p
p p

i m i m m

  2   1   1 2  
m i m i m i m i m m i

4 2   
       
13

   3    3      2  3   
1 1


2

p p p p p p p p p p p p p p

m i m i m i m i m i

  4       42      4  2   3  2  
m i m i m i
17
   3 
    
 p p p
2 2

p
 1

p
p p  p p1 p  p p p1

p

i i i i


m m m m

       
m i m i m i m i

   
   1 2  1 2 3 2 1     1 2  1  2 3  2 1   
21


p p p p p p p p p p p p p p
p p

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2


m i m i m i m i m i m i m i m i

   3     3 21          3     3 21      
25


2 2

 
p p p p p p p p
p p p p
p p p p

p i m i
29
    1 3   1    2    4    1    1 3    2    
 3
  

4  4 1  p 
p mp i

         1  4
    2 
3  
33

  1  1 1
2 
1 2 2 3

4  3  4     4 
p m p i p m i m

  3  2  1  4  
p m p i

3 1    2    1  2     2  
37


   1       
2  1
      
41

    4 1    3   3
   

2 1 2
3
 

i p a m i m

         2 1    2 1
m i m i i a m m i m m

        2  1    
45 i m i

  3     

2 2 2
3 3


p p p p p p p p p p D.C. al Fine
3

Estudio en Sol mayor


(Op. 60, nº 19)
Fernando Sor

    1  3   4   3
  3  4   4  
a a a

  1 
                  
i m i m

  1   1 
3  2
3 


3

 
a m i

 3   4      
4 2

1. m m a

   
a i 2.

 1  2 4            
6 m

      2          1  3   1  
4 3 i 4 i

 
2 1 3

1
  2    3 1 1 

 4   
Fine m

 1   5   1    12     21   1  21   43   12  
11 i

  
3        2    
1 2 4 0

p p

 13    4 1   
        1          21  
17

 2      


4

     3 4   4     1   2      
1
4

 1    1     4  1  1   43  1    1 
D.C. al Fine

2
 
 2  2       2 2  2   2       3        
     
23

   
2 1

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4

Estudio en Re menor
(Op. 60, nº 24)
Fernando Sor
Allegro moderato a

 4     
i mi i m i

    2              
i m i


       2 3 
4 1 1

  3 2  
4

p p 

p 2

  1  1  4    
m i m

     2     14          12  4  

5

 1  
4 1

 2  
3

  
4

    
2
p

         
                    
9

      


Fine

       

         21   1        
  3 2  3 
13

 
1

2  
4

   

 
5º Posición

1 
5º Posición

    3         
         2  3   2  0        
17 4
0


1
2

     
  5º Posición
  3  3  
5º Posición

1    
5º Posición i m i p imi

4 2
2      3    
p 4

            2 
21

 
1


1 1 1
0

     2
3
  
 D.C. al Fine

3     4   
    2                  

25

1 
4

   
1       
  metal.

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5

Estudio en Sol mayor


(Op. 35, nº 4)
Fernando Sor

 i 1
m i m

  4  
i


m

    2 1    3     3   4  1   4  1  2  3   4  2   2  
i m a m i m
m
2

  p  1 p    p
p
 p

i m i a m i
 
i

  
m m

  4    2   2   1 2 1  2   4   2  4    1    3     3
6 m i p p m i
p

3     2  p  1 p 
p
p

m i

 4  2   4  1   4  1   i 1
m i m i m i

 
m m i a

2 4
a


m

    1  1
11

  3  2 1
 4     3
  1
  
1 4

 p
2
2 2 4
3
5

 1   4 
m a i i a i

    
m

      3    3  2 i 
16 m i p i

3  
p

    
2 
1 
     
1 3

3  2   3 
1

 
2 2

 p

   2   3 2 2    4  2 2   
     2     
21

 2
4

 2      4    
     
4 3 1

 3
 

1

 

         
  1   3   3   4      4   1 

26

 
4

    2  2  
1 1

  


i

  3   3 4 
m a i a

 1 2 1  1 1  
i m a m
 1 
   
    2  2      3 1    21     1 2
31 4

2
  
          
4

3  
3
3
3

rit.
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6

Estudio en Mi menor
(Op. 44, nº 18)
Fernando Sor
Andantino

    4  4  4  
 3 1        4 
a m a a a

  2     3 2   3   2    3
i

 
4

 2 2
2    
3
3 2


p 1 1
1 1 1

   1   3   4  4  1  3 1  1 
C. II ........
 
2 4

 2     2  
6

     2
4 3 4

 2
 1  3  2 2  2
2

5 
           1  4  3
 1      
11

 2
4


4 4

 
4

2 2 2
   
 1
  2  1  2
3 3 0

3
 2
1 2 2
3 2   3

 4       
       4 3   3 
i m


16

2
         

  
  
2  

2 2
1 1

   4      4   
  1 
C. II ........

 21 
5

 
4 4

 1 2  
2 2
1  3     
2    
2 3
1
2

 
  1 2    4    4  
a

 13     
m i

  2    3    
10

1  3 
3 4

2
4

3  2 
3  3   

2 2
1 3


2 2
p p

  
           
15

       
      

       4   4
   4 
m i C. II ........

3  3 
19

    3    
 
4

  2 1  2  
2 2 3
 rit.  1
2  
3 2
1 3

p p

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7
Estudio en La mayor
(Op. 35, nº 9)
Fernando Sor
Andante

    2 3   1    1 2 1 2
p i a i

 1 
p i m i 1/2 C. II ...... p i a m

          4 2 3 
   
2

3 1  4  
1 1

 2 


2 C.II .............

  3  
      3    2  
5

   
2 2

1
4 4


3

  
1 2 2 3

   
1
1 3
1 4
4


5

4
  2 
1/2 C. II ......

  
                 3 1     
9 4


1

 1 

    3         1  2   3   2 1   3 4  p  
13
ma i m


2 1 2 1 4 2

   2

1

  1 3 
4   3 
    2 3 4     2 1  
17

         2
2
4

   

   
                   
21

   
   

  
        3 
 1     1  
25

 
4 1 3 4 4

  
3

     1

2 2 2 2 2 2 3


4 4
1


cresc.

http://guitarraenasturias.blogspot.com.es/
8


C.II ............. a
        
 
29

        3   3       1   2 


4 m i m
2
1 1 1 3
2

rit.

a tempo

 
                    
33 3 4

  
  

 1 
2
1 
3  
3 

 1   1 
37

 2     1       2   
2

  
2 2 4

 
1

 
3


C.II .............

  
i

a m p m p i

      1  4 4 3
4

1  
41

       
4

  
2

   2
3

 2
2 1 1 1


3
4

  
       2  2 3 4   
45

  1 4
    4 1
3

 1   
3 1 1 3 2

 
rit.
9

Estudio en Re mayor
(Op. 44, nº 18)
Fernando Sor

Marche m

  1    2 
m m a m
  2 1
i


m m

 2 2  
m

1
m i arm. 7

   1   3  
1 arm. 7

  2
1

 
2

    
3 3

 3


4 3
4

         4    
 3
arm. 7

 3
 4 5 
5

       2
4 4 1

    
1 2

4
3 
arm. 7 arm 12

9
   31    4   3 1  
1
2
 13  31  21      
    
1 1 4

      
3 2

  
1
1

 arm.5 arm.4 arm.3



5

     4  1  2   
2

   
4 3
13

1    
1

  3
1 1 4


3

   
3 2

 arm. 7   
1
1

 arm.5 arm.4 arm.3


5 
  3     13 
arm.5

3       
17

    
4

      2 
2 2
1


1 1


3
2

4  
  02  2     
1
     2    


4


21

 
1

2  
1

  
3 1 1

 
2 1

   3 
rit.

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10

Estudio en Do mayor
(Op. 31, nº 17)
Fernando Sor

 1 
m i

 1 4 4 
m i
1 1
m

 
  2      2   3         2            4  3  
i p i

2 2
3
3 3


p

m i m 

m i a

 
m i a
   
m

 2         3       3  2     3   3  
5

 2  
i p i m

3 3 
1 1 4 1 4 1

 

2
p 2

1
a a a a m p p i

   
m


i

4
m m m m i m

 3     2          2   34     21    4      3 1  
1 
9

2 3 3 2 

m m m

1
a

 1 i  i 4   1   4   2  1 4
m m

4
i

1    
13
p

  3    2          2      
i i

2  3 3 3 2

 1       1   
  3        2           43    

17

   2      
2 4 4 2

3 1  3 1 

 
a
a
 3 4    2 1  4
a a m i m

1
1
a i m i m

  
i

  
a m

1   
p p i m i

 2     2    3   2   2         
21 i
i 4 i 1 4

3 2  3 
1 4 2 1 4 2

p p p p
3
 2
p

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11

m m

              1  i4 p i     1  4    
m m m
i i
25 4 4

2  
i i p i 3
 2  1         
i

  
1 1

p 2 3
p p
p p

C.II

 1 2        4       4  1   1  2  1 4  1
29

 3    2    4   2   
 
2

1  3
3

 4  4     1 4       1 4   1  
     2 
33

  
3

           
4


1


1 2
3 1 3


2
cresc.

a
 4
a

1 1
a i a
  4  4   i 1  i 
m a i m

1    
37

  2    2  3 3  2    2   3     3    2  
m p i 4
1

2
3 3
2
p
12

Estudio en Re mayor
(Op. 44, nº 15)
Fernando Sor

   4  2  1 i  2  1   1
i m i m a

 1   3 1  3     3  
     3 
2
1 1


1
p p
p

C.II
m i

   4   3 1  2 1   1 4 42
m i mi

2  2  1
m i

1   1
i


i m

 
m


7

 2   
4 
 4 2       3 1  3 1  
4
1

  
2
p p
p

C. I ........................
i i m i
2 
m m a m i i m a i

  3 2 1 1
i i m
    1  2  1  

m i

2 2   1  
m m

 
13

 1     
 1  3 
2
2

 
1

  p

3


3 p
p p p p

C. II .................. m i m

  3  1 2 4  2  2  1  3 2 2
m a m i m a m i

3 4
i

4 
i m a m i m i m i

 2 
 2 2      1 

 1    1
18

      
1 
1

  
3
3 2 2
3
cresc.


m i

 
m i m i

 2            2  1  1  1  
i m i m i


m m

  3  1     2 3 2
4 
24

1
2

 3 
1

 
4 2 4

3 1     1 4
  
3


3 1

3 p p p
p p p
i

4   1 
m i m m
2
i

 2  2  2 
m i m

  2  
m

  
i

 
i m i
  3   2   1  1    3  3  1 1  2 3   1  12 
29 m m 2

 1  4 
1 i m

3  1  1 4  4 1  3  p p p 3  3 
2

0
p rit.

http://guitarraenasturias.blogspot.com.es/
13

Estudio en Do mayor
(Op. 6, nº 8)
Fernando Sor
Andantino

 
1
          1 
   2    3
3
1 1 1

2  
4 2 4 4 4
3 2
3 3 1


3

 
   1   43  23  31  
C. III

1  31    1   4 
5

1     1  2  2  23    3  
2 1 1

1
1 
1

2 2
4 4 2 1
3
2 3 3
4
4 3

     
1/2 C. II ......

 
C. I
1
 1   
   4 
9

  
4 4 4 1

  
1

3   2 
1 3

 4 
2 3
2


2
4
2


4 1
   4 1
  
 3     3  
   21  
 
 2  
14 4 4

   1 
3

2  
1 1
3 4
2 2 2 2
2
2 2 4 3
4 3

         
    
19

   
1 1 2

  2 1
1 1 4 1

   
1 4 1 4 4
2 2 3 2
3
2 3 3 1


3

cresc.

 
C. V ........

     12  2   
3

1     
24

2
1

2    
1 1 2 4 1 4

  
2 2

1  1
4 1 3 3 3 1


3 2


3 1 3 3

   4   4
     1 4    3   
29

 1  1 
3 3 3  
2 2 4

 2   32 
 2 
 1 
2
2 4 2 2
2

     
C. I ...................

 2  4  1  1  1 2    4 2
34

 2      3  32  2
  2  4      2
1

3 3  2 2
 4
 3
 4
  
3 
4 3 rit.

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