A few years ago I mentioned in one of the texts, that
I was spending my schoolboy vacation in a 19th-century classicistic palace on a picturesque undulating upland1. … These decorations, straight from a gentry romance novel, were only part of my summer attractions.
My grandfather on the distaff side, a few kilometers away,
had a farm partly surrounded by forest and situated above a valley cut by stripes of fields. The grandfather was a 20th-century progressive man, a farmer with the almost calligraphic type of penmanship, who started in the light of the kerosene lamp and ended amid the benefactions of electricity.
During the holidays on his farm - I, the townsman -
felt almost like a Reymont's2 young hero … As the house stood at the top of the valley, there was a lack of water, despite very deep well; every few days it was necessary to get it from the source. We were driving a wagon down a narrow way carved in the loess slope, back, the horse was pulling the barrel uphill without passengers.
The ritual was profitable: the cows were giving still warm, fresh milk, and later I have never eaten such good curd-cheese like the one my grandmother was preparing.
MMXVIII
1 see page 44, ISBN 8182536405
2 Nobel Prize for the novel Chłopi (The Peasants) in 1924
David B. Allison - Reading The New Nietzsche - The Birth of Tragedy, The Gay Science, Thus Spoke Zarathustra, and On The Genealogy of Morals (2000) PDF
Eventhough The Natural World and The Inner Subjective World of The Individual Have Also Been Objects of Literary 'Imitation' - The Poet Himself Is A Member of Society, Possessed of A Specific Social