Escolar Documentos
Profissional Documentos
Cultura Documentos
BY
ANCELLA M. FOX
(MRS. O. L. FOX)
%ffi
$2.00 NET *
http://archive.org/details/vocaltechnicOOfoxa
US'
V U3y — m.
m^
(MRS.O.L.FOX)
Published by
PREFACE 3
In publishing* these exercisesdo so at the earnest solicitation of my pupils who have become teachers.
I
They are gTaded and progressive 3 and being* the result of my long* experience as a vocal teacher in the
Chicag*o Musical College,! offer them with confidence.
An"o" placed over a note is a sign for opening* of velocity to be of value in acquiring* flex-
the tone. ibility.
M is the sig-n for humming*. It gives location Always with accent,and in perfect tempo.
sing* legato
;
All voices must be focused for timbre. Care alHhe attention,to the negiect of the center.
should be taken however, not to lose the mel- When grouped and sung* in perfect tempoythe
low quality so desirable. ~the scale becomes even.
The first principle of g*ood singing* is throat re- I would sug*g*est that the scale be played with the
laxation. To mind must be di-
g*ain this the pupil until some smoothness and rhythmic sense
rected to the point of delivery— the lips. Much has been acquired. This is also my rule with the Trill.
throat contraction is caused by the false idea Pianissimo tones are not suppressed tones, but singing*
that singing* is a throat action, while it is without power. The voice must be well under control
really a mouth action, like speaking*. before extreme soft singing* should be attempted.
Too much breath ruins the voice. There is Extend the rflngr ftjwhile_the voice is young*. Ag*e
usually enougti in reserve, and it only needs and matures quality, and the voice is not eas-
fills
to be
used judiciously. ily extended after having* matured.
The simple gripping* of the diaphram gives ex- Breadth of tone is never g*ained by force. Pushing*
cellent support to the upper voice arid little the voice ruins it.
••••••
singing" is the ease of it. Stand still Repose adds to personal attraction
.
ANCELLA M. FOX.
200-83*- G.H.M.Co.
Exercises for Placing the Voice
For alto voice transpose to A below.
M stands for humming, with closed lips
simile
zz ZZ
2Z
$ 22 6 » 22
p^gf 3:
m ^^ zz
f w zz
21 £==¥==£: IS 2Z
I ZZ
P¥
£=s=?i
T^
$ m ^^ ^S ifeSE
> g ) a
V\LggZ -f-
^=? ^^ £*^i
RS v
"{£ ez
sz:
ftfeg ftfe=fc£
? % -ZL
$ 22 322
22 S C
^
i i m ^'
HI S s?
i5=^
S^3E3E
*=** S3
*r~5: rir
¥ ¥
If-ii
Se i
# 1*-
rfT^jg ¥ i SI 22
t j £ £ £ J £ *
"jj^ t P3^
F^r f
g i yP t nni £ % * g * i
* s * ¥ £
f
£
P £
«*
*
n
t I .,J
P j ,b«
#=
£ i HI
j m *
|
£ I i £ £
W £
§ S 13 i |
J_>J j IiiJ j I I
J
^^
i *
^ f
I ^^
^^ If*
fe^E*
* I PS i
J * m s=
4
^-4-^f^ |E3gEE£ * r u. * M l i r * J
£ * £
£ £ ZZ
* *
* WE* * ft> j )a mz i
h
i t a g ^ffi
^
I )
g *
k
T
For low voice transpose
i
¥ to
P3*
key of A.
^ ^^ P
1
I i *p
300-83-5 G.H.M.Co.
'
m ¥
k a.
i
¥ ¥
zc
^£3 t?Z
£3
^rn^fT^
k
^U-U i
n,J > i ?=t^ r^H
i
LIU
f
£ ^ *
^ ^ ^^
} > §3 * 4 i
*
m i a $ i m ¥
4 * ft"
s ^ * ?
i *
- *
f ¥ £
P
¥
'
»" '
«¥ i 2 :», * I
^OL^ * fcS J
I '
Si
i
i ^jpi m 9.
^^£ t
¥^^¥
» bl:
"5
g i iiJ » i j >
r ^^ ¥ ^ H,J M
p J * U^jJ ¥ p ¥
Ob^ ' ^i ¥
i s^l
f
¥
:
£
If
J * £ ¥ ¥
i*
:
I£ ¥
#
i
^fe t& £a ¥
4<
y
200-83-6
* j i J
r^ *
5^=*
G.H.M.Co.
i
T
¥
f fc*
(M J = 132)
im
In all keys simile
?3f35
E E
P J
f
¥ % %
j f 7! i
i £ee* ?
^^ ^
§1*1 ^ ¥ ? £=5
^ ^ $ ¥ P m ?
^ 33331
?
¥^ ¥ £ ?
m
200-83-7
\
J
For low voice, use Exercise 1
#T=#
?
and 2 in
S
Appendix(p.p.66,67.)
i ^
G.H.M.Co.
8
Groups; Two, Three, and Four notes.
4.
m rr
Aw
^ :*
5.
i i;fc=fc
6.
7.
P :*
5
8.
9.
10.
12.
13.
i £
T
HH :
^
» £
200-83-8 G.H.M.Co.
Aw.
m
is
=g
p
m IS
ii TJTTjr
£ s
m *
i *E
200-83-9 G.H.M.Co.
— 1
10
14.
VI d
J
ii> ,^Ti T^
L—
— ^ fTT* pj—* _^^^>
__j£
'v
O Ah
it i i
1
a m
•
-4 —
* * 4 4-
t):
\>
f
« m — •=
• J J
3 3 1 * -* « 1
d r—
200-83-10 G.H.M.Co.
— — 5 .
11
ll J^J^ sil~
"" &M~ i|~ -g S"^ — ....
y4 J
'
Ah
S
1 J J 1
S 6
m -w 1 * 3
—
fr i j.- -M
*); 1 w » ; » m • 'J
Wjf. .
} ' L_ __^____^—_— — L
r ,
" I 1
1 l
200-83-11 G.H.M.Co.
13
15
Aw.
16.
pEp jTJ"jJJliJj^JJ^p
17. I
$*iJJ j liJFF* 1
? < «
i * F I
i.*
g a
i 3
31 ft
5E
b
-«»
$
25 zzz:
is:
rn/cJ P cj lT '
^ J g J^ P
i ctfc^i^J^JJJjj^ i
j.
g
*): r> 35 B B zz: i zz:
s: J -«*
53E S2"
200-83-12 G.H.M.Co.
^
13
(M J = 160)
18 ^ijjjJ ji m p^g
3 3
19
20. ^mij]
k*
f& s«» « ^m p i
^g <©— s:
t^-
I
!*
b|
''^ru ss ^ i
CCflJ^J^J-Jiffl ^
#
Ws
fcK
i^ ^^ i
*^f
S£5 »-
^~ s-
n: $ P
i
I
200-83-13 G.H.M.Co.
14
(M J = 160)
21 «n ij j J ^ ^s
5 3
22. §*n J J
JJ3 JJJ I
J J
JJ3 J J31J T
23. Ihl j j
Jffljfflj j Jffjffl
21 ? P
^-
fljinn -&
3 3
! CCfcCT I
'
P PP^P~ £ ^F? . ,
w
—
mm .ik <P
&-
fr l» (S>
SE 1
:
(^
n:
p sz: $ s-
200-83-14 G.H.M.Co.
15
(M J = 160 )
zz:
24. i u p =
ZT
25.
fri j J J^JJ^ij J JfljjJij j jjJJ^i^ urrrfctl
26. ^tjjjgjgljj^ g
p jj j j J E^^i i * ^^ ^^ g=?
S CL
sz:
J
<a.
P rfrJin ^ fei
3 3
cr-fctrir.* ttfr zr\t£tfrJPj7i
&$\$$$^
thrtf
Q <2
r I
Mi
i2 &
I
^
feEt
P m
5§£ a: ZL.
i
200-83-15 G.H.M.Co.
16
(M J=160)
s^s
27 4§5 $
WE
L~ 3
28
29 Wh ,
i BSflfflt
^
tftiiii f^Ni
42- 42 <a
safe n:
J
I
PE
ft!
s r-PP/J
^ *
pi r r r rrrln ir r rrrrjifir I
I « (2 42.
9- J z:
Extend ad lib.
200-83- 16 G.H.M.Co.
17
Exercise for Enlarging Medium Register
(0=Open tone) O
Largo ?_ ?__ i_ o
A
o
A A
30.
m
A
£ ^
tfeffe] %
M all M ah
/Oi
fc fc
m i 1 1 l t?'^ g
O*
H SZZZZI2
i ©-
212
k
$
i
¥i
k,
U
5
o
^ M ah
A
a
A
ua
A A
k
M ah
k
V
UW
A
Co kg i
I ii
$ 1
# le p ¥
k*
kP fe 4
z±=z k^
$ f
o
^ M ah
a CJ CJ
A
M ah
^ A
$ a t! B i ^iP=
-£>
l
t
P
It £ k
^ 1 1 {:=
O
i A
M all M ah
k
i I t
fe^kl i> jyi t*
k
t i J: J
£ 3:
^ - '
* i k I
200-83-17 G.H.M.Cn
—
18
(mJ = 52)
Studies in Rhythm
Strong* accent on first note of each group
31.
i mm m ?
J J if
32.
&JJ7T7JJ 3 ££m^
f
^^iJJJJJ4
38. 4
ijj Ji J 3 i JiJ-i J g J * *•** P
39. ^M ^
m «b±±* -0
K33E
3 5*-*<r
P
40.
# #^jp
* 1
i
afcgat #
#-*-#
» *#i
m £^
*-=^*
1
wrv 0-T-0-
w
¥*i i
i I
ii I
200-83-18 G.H.M.Co.
19
^ a
3=
fe
m f f m
PS
^ »
JJJ iJJJJJj
p
¥ ? ±=d d m + s 3=
^ fOmfifim i
y-^-M
s 1 p
I
*m0*
+-*-*
f
*-*-* *=m d *"#* JJ^Jl I
13
f i rrrrrn 1 1 r p
*^ Jtp PC*
*^
«Hrf
|H P i m
^
200-83-19 G.H.M.Co.
o
20
Broken Groups
(M J = 02)
41
42 ^yJB?jBl^J3]yj33ly43yjS ^ iWI]*J33|
fe^
i i
SE=£
a:
§
yc^tff *^* 1
^ ? gECfytfT l
yCEr^p
^ p
?
I a-?ar
^W 5
zz
§E
£ GE
200-83-20 G.H.M.Co.
21
(M A 80)
43
m ^=^ :
* jjl Jijij^f
E - ahE-ahE-ahE-ah ah E-ahE-ahE-ah
wm Mm
simile
fc*&
fi^y*
ahE-ahE-ahE - ah efc.
_x
-— te zs
^
44. I ? ?
Ah Ah
Cs
P HE
S: 5^3*
C\
Jq*
3tg
3 4
XE s Pi o
-S> 25
~ o
^ ^^F
0\ >T\
I AM I
r J
fcst
¥
Ah Ah
Cs
iMl
^^ te* TT
—r-
1 § * ij §
T\ /?N
si
*w
— o-
1
i m
J E D
42_
^
Ah
S £ SS
AJ
<9
iE^
;
Ah
o Cs
ffig £
ZEE
mg
Cs
^ J 1 e u>j» I
Cs
^a 2
si XE
<2_
a -©-
n:
t
Os C\
I
M>
i p=»
Ah
^^ mm$
sfe*
Ah
S^P
O
?
^
HA"
_Ql >_
r
p §
XC il^ZEC
5 epp
For low voice, use Exercise 4 in Appendix (page 69 )
200-83-22 G.H.M.Co.
Largo
^& *
^^ £ l|r
El TTL
IS!
2 te S=
Pi
o
O zz
^F
hi
p
^
igm ~o
i
6 a
aw aw
#
eg
glsfe*
gs
357 3E W
BE te ^ * 3
"F HJF
xy *
*
bi
%1*
E
TT i -^
*
*
felA
i
yPi 22:
aw aw
feiA
« *
*s&s -<s
«1 Be:
Pffi
^ j
TV S
TT W.
E
F
w -O-
XT
^ 1
-^6-
15
0= o
££| £
li f fie j 1 r r
^ -«-
aw aw
#
te
iH 1
O"
E £
^P M« *
*F
3===
3^ ££
XE
^P
For low voice, see Appendix, No. 6, page
200-83-23
71
E
*
IP
S
«fli
G.H.M.Co.
p^
— —
24
(M J> = 116)
Very even
§*i i ff^j • i I
1J 1
a
5
^ 2 £ ^
5
PI i I i I i | | j_?
^
feilShlSI
v
tf — [JJWJJJjvi
-
- --
pr TB"*P* ;
1
prrf rrrr *' M
I
^
J
3
J
S
=1i—-i 1 1-2—m ^* * .
|J
* .
J
•
»
a
«r—
hri
7
-9=— — - -— **=
h.
^ i
5P
§ ja i i £=;
200-83-24 G.H.M.Co.
25
Sevenths
In keys
Slowly
47.
p# m ^
&& XE H
XT
XE
-©-
-©-
s XE
^
s tr
XE
XE
XT
XE
^ £
£ r i
r i
=£=£
p §=i
# g ^ ¥ XE
* *
IE XE XE
§i -O- -O-
£ XE
i J r r j i
^ & ppp
s s XE
^ XE
I xl ^ XE *
XE XE XE XE XE
m -&- -&-
XE
48.
In keys. One breath
^s I p
I
I
] ll
^ XE
C
XE XE
200-83-35 G.H.RLCo.
26
Scales, Major and Minor
(M J =116)
P 5= 32: w 2:5;
w=
mm -9- —
3 xs:
-G-
W m 3?
ww& to
*w ~^G- ±:
W XE 3 s; *
fe
t
-o-
XT
is:
bi
Harmonic Melodic
te
£:z
# ^ =s^
* teg -s 21
I i^
f
m— 9t
* TT
o- -«
zf z:
-o-
o "ZT
zs:
=: "2?" I a:
i-l
Major Harmonic
4
|H 5 g g° 2 ® # <=
*
§M
K^^ «
200-83-26
iS
G.H.M.Co.
-O-
15"
-6-
3:
27
Melodic Major
h "Egg
i 3^i
I
i
l
ffi «B
^= E!
*§
as? fctt
v *
m =*:
S
5i -O-
TT
*
hi
IL E I t>
-<^- —
H7
Z!
Harmonic Melodic
*
j &#& -<&
fcfe
H 3?: £ If 1 27
I
ft
i
s XE 25 jDl
-<s
*
.. Major Harmonic
pm e?: z:?:
i Rj i
^niTLi
v-rPr 1
1
—<nr 22 23 31 22
Melodic ,
Major
pn *!
@S H ;^ 22
g «i P^ yt g =* *
i m
25 2: ?.
S^ -O-
25
qgr
J25
^
»
t
i -O-
TF
200-83-27
28
Harmonic Melodic
FVr *^7
etc.
¥S S
i°= =S5T
fc£
a £
-©- -©-
55=
"Or X» "27
Ninths
P^ XT
xs^ 5= ^ s
S IE
<*-
XT
^-
Tf
IE f O-
b
:
1E
Tf
PI -O- S s ^ ^
^ XT
XE IE
xf ^r
XE
1 EE
fr
#^ xF xE 31
^
^ -©-
XT
-O- *>
XE XT
3: XE
XE
200-83-28 G.H.M.Co.
29
This exercise is also used in all keys
Largo simile
51.
pW E Ah
% "ST
E O Ah
% %
%^
O — IT -O :0se- tt,-- XE
^ e*£: 33 =8= ^
in 31 IL -O- ^O- TV XE
:a 22 J -& ¥ 2 £
XT XE Tr
I XE
-e^
xe
i>
-o- -o- g B
^ XE XE XT XE
i f&-
% a r^
p=»: j&-
?
*c
O&L tl — XE ^e-
-e
*5: & 3t -©-
xr
^O-
% % %
s H -©^
ff H fi
1^
fi
% "**7 -©" ~©-
g ^ ST
XT
XE XE
(M=Hum)
Largo sostenuto
200-83-30 G.H.M.C0.
31
53
m Largo lunga
ON
gzs
jp
1
»irv
V
o
^ i l ^iijJJrirrr
0\
^
HI XE
0\
oi
Z2
?
? P 22
3 *fe
2a
hfc
P-z
I
g g^F
;
II
-o-
-O-
/TS
2
O*
¥
J
fc
o o
^^ i las
iny^i
TV
1 :sz
a
2Z
o\
ap iWa -^ «*
$
*
5i
%
a
»°t
r-"
CS
^S ^ -6-=
1¥ n
I|
^ £
££
rwn fcsfe
(2_
s ¥
^
# o^ *
m^
fcsfe 32:
O-i-
5^-
cs
¥ 1 S=b te
gH^ Bg bi
xt
o
3
¥ 1Q a
%
If
\
3 *>
s: :=X
?
#fe
g i
/?N
n~ 22:
» t it J j-^H^
10
« XE
gppp^ J S jS
I
«*
200-83-31 G.H.M.Co.
32
fe S- v-
^
ISl
s te
<9- (S2_
i ? 1m 1 3 ft fcgfcfc
IlS i=EjE
s ri
TT
/?\
¥ 1
^5- ^-^
"O *~£
0\
£
m
fi*
XE
(^
2
-^ ?
XI. o.
$£a &&&*i 3:
^ ? ¥
CN
BB J
o
I
<r. 3:
^S»
? w
Si
Tenths
XE
-©-
3
-6*
% s z
¥
54. S
*
I * *
3
*/'
4 g * -fi^
S
*
# 8± * s£ $
2
^ -6M
t 3 %
200-83-32 G.H.M.Co.
a3
% m 2 %
m
22 Z
~crr
<s—
-&
i -0-^- -6H-
£
-&
w m
t
# Z2r 22^
zr. * w
^: zz
-fi^
z
£
p #fc * -c^
z: zz
§m; -6* -6^
£3
23
S m *
22
5%=^ Z
§ _^u- ^ -si-*
G.H.M.Co.
34
56
P§ z:
19-
SZI=:tdr
S XE
;
-
£
u
I
te
a a £ s ai
^ fa
5
o-
XT
:zz
m I|
$ w
IS ££*=# 2 2
2!
^=
-<s-
2 rzfc£
se
«
— t '0 n
h
*
tt
©-
TF
^ •
fc
m "Ih P
k
l » E5E
3
*
If
200-83-34 G.H.M.Co.
35
i 22: p~ ZE
|§| £ Z?=
§#fe ¥
^Si
# £ £ 3=
p
£Hre
^S8 XT "C7
3
^
4
fe
fct £ z£ ^m
^% 3X
i S£
toH
BH^t
ZL
b?:
ZL:
4 «
Si
BflF -©-
** 2S 2:
^
200-83- 35 G.H.M.Co.
36
ARPEGGIOS
(m J^ioo)
a
S A
a 3
ft
S % J3^^
1 |
57 i^'-tji ^ *
»' »g
p^f *^
S jS
w
te
ssgpl
i plf
3
UK « mm
?
If
m
mm
##gj i * ^
ggss
=«flj
• |L —6
PZ i
M
P
S3
36
k
', A
i ^
-&-
* »
-<S>
t fs^
t
ST :
Il
For low voice, see Appendix No. 7, page 72
200-83-36 G.H.M.Co.
37
jse I Si* i mm
^SS
I f
2:
(M J = 108)
58.
For low
voice, see
Appendix/
No.8,p.73|
I^ *i s ft £E XE
*
i^ XE TT XE XE
ft S XE XE
"
1
-i
# ^ *
^ XE XE XE XE XE
(M J = 108)
3 rT r
JM T^Piirfr
59.
Low voice,
see Appen-
§ 4 j?P
i i
J
jjj E qj i
J
jjj ^ r'i
T|]i
dix No .9
1* H JE
p. 73
^ ^
s TT XE "TT XE XE
I J
XE XE
& S ft
& s
#&
fc
):
XE
XE XE XE XE
200-83-37 G.H.M.Co.
33
60.
Low voice
Appendix
No.10,
i * jfrcft ^ i jjflrcfr ^ i
Jff rrfr^ ^?
page 74
Pi i I i i^
S 3: 3£ :
Turns
"• ¥ *
|$*ijOTi '
'JOT^J ?
th
*-**
pi te 1
^^ n i -o
«T> I ^ ? ¥ ^ ¥
# z:
* i i ?
J
§ £ "ST
z: ¥
^ ^ *# 2 J gi
S t I J ;JJJJj ?
# -# 3
*#
tr
3
a^s I
p *UJ_* ¥ 5
^# *-* ¥ 7+J^J l
Umru. (
pi f 1* ^
J
^
§ IS ¥
200-83-38 G.H.M.CO.
i
Mordente 39
Moderate*
s— m -9
3
IJriN Jgf-i
'
1
/ Wrnji u^jP/rPrS ^ s# j
i 5 2
a z& :3£
HH <9-
f i
?
3 i
Mordente Form
63 l ^ g ft
gp£ gg i S
j^jj i m
S i
l^j J^
B§ <^j <^-j- 1^ j
i i a i
i
—J ^T^
— S \^J i I
* is
3
s jQ-S.
&'
-«-*-
I
$^m jn I jjj i
& i
^a s
j^t— v ^_J ^_J ^J
# 5a
i
2S
^ -6
r
200-83-39 G.H.M.Co.
40
# 9-
9^
ts
-6^
* S^-2-
=^^g t±s:
I ^ -gg a *
is^
g
^1^3 1 J?] i
a? a i i gg j '
v J v J V i
I 5
i
^ 3:
-6M-
3
zsz:
^*
Triplet Forms
(M J = 116)
64
IE -O
$* § ^ E&
s 3CE 35:
200-83-40 G.H.M.Co.
41
-O^~ IT IE
I XJT ^ ^
^ -O- XE ie
IE
# I g -©-
^ -©-
IE
i «:
XE J
^ ^ ^
65.
^5 ^
^^ IE
f tts:
i>:
200-83-41 G.H.M.Co.
42
pm m,
m m— Pi
o-
ty -&
s:
I _:
.
jaN % &zzzzz#
^&
m — e-
*
v
&-
%
m^ w ^^
zz
m ;, n
5^
In all keys
pi « 3E f=i ^M P^
g TT 3 IS
200-83-42 G.H.M.Co.
43
LONG SCALES & COMBINATIONS
In keys to suit range of voice
A
No. 11 for
|ow voice.
page 75
w XE
=8= ^ z:
m XE
-©-
68.
Appendix
No.12 for
low voice
page 76
w« XE
£*§!:
EC
^
S 3X1
JJL
69.
Appendix
No.13 for
low voice
tfct^ fl J
ctf f I
^ T n C^ ft? tt ^^
page 78
^^ «sr
z&i Zgr
US
&
s # 22
Sat
¥ isg=g
-^-i
^
22^ 22~
sg
s
»
MkE£ J
2ZZ zz:
i
*
G.H.M.Co.
44
ps
m
^^ £^
33=1
2 s
^S fflf
zzz zz
i
ySE=ZZ
£ m I
i fc£=g
3:
:f Eg 1; z -s^ -fi^
£JM^
in
eaa m
i 3 m zz
J
Ml
^ tnmfft^q g jc
70
/?N
S 25
=*=g 3^: i 2g-
/?\
^^ EE£ i
* • ^7
i
For low voice, see Appendix No. 14, page 79
200-83-44 G.H.M.Co.
45
71.
& &
$ 22
3
m i 2 22 22 22 221
^ -«
z£ 22^: FP^
^ 2:
*
£
U
tfc
*-t
m'\h 1 3
22
9= -ga 3 ^^
eS
22:
K P *
If
m
era
*
ipiBe i ^5
a
-fi
5£ ^ -6
^S
^
-tS
200-83-45 G.H.M.Co.
46
73. i
Jff eierr |
•
g> 4 g g» »
k.
id
^ ="
— * L^j
z.
# 3^: z^:
^ I ^1
GT&. s
?P 1&1
S 22 22
#
2
* i^:
"S 22
ri*:
^
§ -& -& m
-&--
200-83-46 G.H.M.CO.
47
75.
P XT
£ -O
n^
^^ -©-
/TO
-fe—e
O
-»J
4*
o
j.y „ ^ „
Ltt££j-a£g££^
-Re
p » H 8
^—» =
L© 1
-o
11
XE
^ ©
D®:
IX
§:
Zi
3
"'
o
5T
O -6* ^
200-83-47 G.H.M.Co.
1
4S
(m J = 100)
76.
¥ ~o
5F=
s +-^
23.
=3?
> >
A j 1
-J =d -g
-\
cJ
—
—
m j LJ 1
1
.
,
—1
=3- -
Z2TI
# 27 *
zz:
-»
22
"-5
Hi
^ 25
-0-
3
'~ci~
200-83-43 G.H.M.Co.
49
#
12.
i&- z^: m ZJ
*
^ 22
> >
FfmfFfmf
-6» -&
l
5) 1
I z£ 3
^ -^ i i
pg is£
-<s
ZS^ as:
^p -6* S 3-
'
^
u
:
200-83-49 G.H.M.Co.
5
50
fc*
$
fete
EB * 33^
3E iJ 1 jia
^2=
% 12
W:
feN *E * ^ wH3»
S^
as
— ,m
Z2
*
*
P
ads |
7 22 =r
R M; *
P
zz:
fell
^w*= i zS z± tt
P
m$k
m
200-83-50 G.H.M.Co.
51
Staccato
78. fe|fjiig|
m 32
g fP
32
m
-G 32
s 32 c:
W&-
S ZZ 22
EE
I
fc
££ ^S
I
&B3
£:z
-s
=^2 2 * -6
CT>
3g
g 6gs
1 ft
£p
«* -tf* ^
32*. 32. 32.
¥
£&
I TV a
32~ iS
* a a g g tt£
gffiP 22 J
i 32
i -9^-
y Z= g g
zz: zz: zz:
fiff &
r 3 SbI
»
200-83-51
zz:
-«>
zz
G.H.M.Co.
zz
^
g
52
fc^S
I
ii *- £
:
*ft
JZL
& rj igz
aP s i £ >frcP I
^#iFf ~&L
? -6*
ml
NJ^pppp
|5>-
ni
gfe=E 3E as
£
% w £
S3
8f
3 22
79
ft^p ^ag ii§ \
|g ? g 22 22 22
£
fefc
2=Z
PP P^Pj JJ^PpPp I
fS^p etc.
i*
I * B 3SL 9* 3
22
S*2= £5
g S3>
9\ & -&-
m
200-83-52 G.H.M.Co.
80
ib
I ^
fc
):8 I
jb:
81
a z 2
»?
1 * ?
^^ 22 i ?
82.
P s
zj
3 ^
22
3 3 £
-•
ZI
—
^ 22 3 P
i £
Repeated Notes
"
83.
F* J3JJ J 3 ijijjjj^^ i fr^^^
P XE
* 3X
* *
xr
*
XF
S XT- IS
XE IE
#* «: ^
TJ
=£
XF
XE
8
p XE T»
-©-
XE
200-83-53 G.H.M.Co.
54
Moderato * 7
84.
n
d a
* 25 22
B 22
-€^ -S^
I
22
* -#-
si i i
Chromatics
(M J =108)
^ j ^
2? ni*
g^ i
r > > 1
# ^^
2?
200-83-54 GH.M.Co.
55
ffrr
? * #=* i i
I %
m ~a m
^m
i ?
m & -&± -^
^=y i
^^
# J 23
* $ M
m^ P IZZ
-fi
2 ^ J z:
?
^ -£7T
3: J
200-83-55 G.H.M.Co.
56
86
m 4
~9
m
'i"^"p r^r i^f
m ^^
^i ^^
^^^
^ ^
pi 5
^ -" '
"V.
200-83-56 GH.M.Co.
57
87
$ m
Sa #
27 i I ~o
ms
§ 2Z H -6M- -&
22: 3
% I I 2
S 221
27 27
1
#
22:
^
3^2
I 1
Si isc
V5r
P 27T 1
S
P 22:
1 27 n
Kg m m
200-83-57 G.H.M.Co.
58
88. 1 Wccicri
* w^ gfifr^ji^i
1 1
Lj"
^^ & ^
m «M
g
—y-
89.
2= 3 23
I *=# =3
S 3
90.
Appendix
No.15 for
4 ijjg w^ ff to i
rfrfrrTrB^rrVf i r'rr v g tfl^n
P*S *
low voice
(pagre79).
£ z
* «
IE IS
Ef
S 3S
1
91.
Appendix INHUPP fa'T ^I^P^Jj^l
i^P ¥
No.16 for
low voice
<page80)y
*I ^ XX: TT
*£
xc
S:
uc
«:
S xx: St TT 33C *
200-83-58 G.H.M.Co.
59
Trills
Take great care to accent on upper note
92.
*iJ i I
JJ. JU £p i
«? b:
$ « *fc
^ -6*-*
25
3*
# 27 ~a
m -<S^ -&-^
22
22
$* # m
2::
*m 22
27"
1 5Z
3-^
at
^ i
25 23
3
^^ 3? ^
200-83-59 G.H.M.Co.
60
#m 5
a 2±
22 :3®:
3^-
2EE ^ 3iZi
s^p
^ 2 z::
^
Si #*
s= -27
is:
-fi^ -6M-
IC
* * St
§^
200-83-60 G.H.M.Co.
«
01
52 Si ¥
# a S£i_
^ 27
#m i $ ? a i % m
^ £ i
ft
JJ'JJJJJJJJJJJJJJJJJJJJJJu> Jij jBM fci
pi i i * — M
§ m % m
& r \ r l rrrrrfc£
fffffff: P^
i i m $ $ m
mw >» -&:
m
200-83-61 OH.M.Cb.
r
62
i £« £
m Z32- 22
m f m f m f m f m f m f m f mfmfm f m f m
ISS 9 00 m 00 m 0i m v r
P$ * ^^
S
m mt&jFH
A A
94.
#1 2 lunga
A
^^ k* A
One breath
Ot
IE
«57
s£r * M>
gs s IS
^ /7N
3 fcM
fc
EB$ 22
-fi^
"sr
T
0\ rit. A A
Til
A A A A A K
A A A
bH " A
k
a i jfc
'
*
2dz
l
— #" '
o
extend to limit of voice
C\
f>
zzzzz
te«£ -<s k
* a. ^2F s &fe teg
p
(C\ fis
k
&mflf
% -6 £
? m i £^Z -0-^ *
For low voice see Appendix No. 17, page 80
200-83-62 G.H.M.Co.
q
95.
Appendix
No 18 for
low voice,
(page 81)1
Sostenuto
96 S1 1 te^
"27
iTl^-ib? 1
^ *
C\
fe - te
£± b^
>^
2ZI
* / V £
C\
&E gs
ted
I
K\
*
yHE Ok
O1
b
^ # TOE"
FS » ^"
^^ fc
fre
ms -Or
TF
^W ffl -o-
tR XT
iC\
ga
tef™
s I ?, a -=-fra
1f
M^ Mjtj i « q .
£
eg
^
Ukfy i
- ffli I g |ttf - I T,
>
»5
rf
If
i£ 33:
&
^
*s
9Wr
te
&ri P
w
^r\
^ fe*
£§
C\
5
fen
*
K ts
si
^
XE
C\
f
1
tS
m
k
XT fr^
gPi
b ot» If
XT
r\
i Z5
* BP* ^^ /^
V
21
rr\ /7N
1
y^ a
tt*
!b l o
g'rfj 1 *-v &
/C\ i ^ ^\
to
?
b *>
-o-
-o-
O
w ££
I 3 xe
^8r
o
i
P
k jv_
Sfctt
*-—9 O-
^
1
4
W'
i &-
^ag
-o-
— bh
^ 9 i
«t
2: XE p-^ pp I
200-83-63 G.H.M.Co
64
97.
^m tr
zs
w
is
S
? b
te
fi^
C\
EQ t
*
|L
o C\
HI 3 ¥ if
BS
*£#
Se*^ ? y s.
s
Cs
0\
i WPP
^^i l
a fe y?
fcfcg
g-Tufr
Cs C\
Slil
Bft
*
M£:z
3
tr
fcfel
gffi
/7\
m A ^
? %
I 3 -s*
Continue ad lib.
yAi
i^ g
PS *J £=£
i £S S i
C\ C\
gyfft^ g=^ ft i ^^
*•
Ua^-J ZZI
¥
|ti i
C\
E t a x<
J
^^ /C\
* -& %
200-83-64 G.H.M.Co.
—
65
Combinations
/?N
jfc^f 3^ 2 *E
r\
^rT- -^ 15h~ TZi
r P P P^
100.
/?\
<
ii
*
4.
4g
c g
a 2 2 * 2
-fi-
zz
.**»»! r p f p
Cs C\
IB «
1
/T\
^ HI XE
n\ n\
IE
# ^ ^§r
xn
m IE
o
ii
-(& £—Jr r P
P r K
|^
1
prrrrrrr^ -
^-g-"f|#
' i ,rttr
#!a;^-»J^*-»--tt rfr
!I____J rr¥r ^
1 II
4 ^ ^
-J-
o — — "-T
200-83-65 G.H.M.Co.
66
APPENDIX
Additional exercises for low voice
im
m
m -©-
fck
fcz
te
^ re
§ »
£te
itnl
tt
^ VdP §
IP
tyJ» Pf
35: -o-
SS^I ? as XT
fc^ :e P SPf
^ — T- ^ •"
P=F
f
tetl--•-
£t
f
Jtafc
4C
# X5I
^§r 5^2:
M* -Q-
xT
-6
**
1^£ m CCS
ta=fc
ii>-0-
^ 4^
fac
_o_ JDL
^ -O-
XE
(5>-
i
I £=fe
p§§ IB—
— *-
1
i
>
—<*
p§1
y& 3 i ife
i -X*
BBS
yfel
^I5E s=c = y s -o-
it te
pb
# & £5 ft
::<z
5S£
^ b XE * Cjlim
ft
li^TT
£4 ti
ft
-S>-
* Ste
«s £83$
MVrJjj fey?
g^i to
*
# My & O-
t^r-
to xe
^ *s
CL
2 4M>
Vy
-©-
\\
IT
-S
^S f
-&- fe XE *
EEE§ K ^ -©-
XT
200-83-66 G.H.M.Co.
j
67
P
Q
jyUJ^J
ff
o o
^^g
o a
^ ^P S2. g.
W3^| $
EanaO
k
gB <5-i
zz
J
rr
t+3
&T
-6-
a£= *
k
£
fi
*£
r^ n?i ¥
j
t
jji)jjiiJi i
J i
tJ^ii jjaJnj i
' SifiiipBpi§ii§P
#
£
* ±a
SI
fi
iL 32
$ i*»
iii
f ^^^^^^^S^^p^^^^^^S^^^p
vc^
% « %
^f# *
fe^ 4 &
? %
T W- T jr. r
k£
3
t.
Iffi
¥ W5£
•
4 s
? m grf
¥
t
fer W. f *-.
200-83-67 G.H.M.Co.
J
68
pi i
E ah
jji
E ah
ite
ah
fefe
E ah
£ee^
$ifc
pa j j i g ^
l&k
i-P S fi-
* P^
rr+
l
aa j j 31
P
^P— fi fi
77
fi
TX
-fi-4
P e^
Ett
mm4 simile
f wm m P^i FF^ kk
£&
¥ Ik
—li—ff i
k -6-*-
¥F «fli ^
i^i
J-j
IS
p*
t*
»*
S»S^F=^E -fi
*
te
^=i;^ «*•
IE.*
ms
77 77
mES s>-
to
^TOj y^
* 1 I ¥ tp
* bee
ib
i g
-«-*-
»: Jig Vy i 1 1 a : fci y^
'ti
Si 77 77
i «P
S3
Pfij
77
fi 6
77
ie£
^ zz:
?
in:
^
y 1
^ i *i
ax
£± m—^m — &$&
I & ?
aa i.i a a a S$
pp
iZZZ 3
*
•* » 5 -fi*- t9' i Extend this exercise
200-83-68 G.H.M.Co.
69
On
fc£ tt>
£±:
Ah. Ah.
CS
*&>
xr
r r r
= zr
-o-
Fr^f b g
Hf
i>
v
m s
i
;
*>
i j J J i n
# o
C\
i &.
f
#fct
i'pi j i
^^P
alife!
g
rE
^
^ Oi
r
at
TT
z::
On
y&—o-
*fe
p
^
Ah.
- i
PP ¥5f IE EE o
simile
i , l | | j i \\K r ] Ej=
m^# j 1
Ts
3 if
—+ —e
I
^
33l
tt
£3e$ -o-
m
B
d £&
m HZ
=»F
c\
pi ?
fek
H* M^hLJ^? I i#r Jj j
uJ la
CN
M* -o- mi
te* —o- +
»=>
# *5E§
r\
^ r\
V s
B* -O-
BC
/?\
J*
1? *8 m n: ^
G.H.M.Co.
—
70
p y (M ^ = 80)
"
Uh\}J^ E - ah E-ah E-ah E - ah etc.
ggiii$£&
I -J v
J I
S j jjJilMl J 7 ^ftp
«A
^ Ffi HJ^jg
^7 95— •
m %
¥ ^ i ife
*f
j ^ :=
iml a^
b
p ^ fct
&=?
raMpr ^n^M^^IB i
I J"^ ?rfr
w 4 £ ft^ft .
^FFf f g f^#
i» y? ^j^tfuJAPppTrni -
* g bj i
p >
| | ?
y pTr
P Jij- nil
y^
t^
si $$k
5^a
zm
i
s
Kz
fiiS
^^iWM rt
ppa r p
200-83-70 G.H.M.Co.
Largo.
,#
bf
tzl
^ 3= B
*P"
S &S
t^BF =a g
; 3F
=
9^
^^=i_
fcir
-©-
IS -€-
1 "nm
;
6t : t ff Q -6-
200-83-71 G.H.M.Co.
*
72
^»jjjc£f ^fjjij i
m m i
? fe
pk *— ffF=t 1 Ff Wr*$m m
&#% &&
32
w w=
^JJJcXf l
ClfJ'JJ J I
J-' cX.f l
LCj
rj j^^KSte
I l=f
fc
r^ *=f fp A
§ B&
? 6
irf ££$
i — 1 1
>—
i i
jicX/ i
cx;^jn m m ? y&E
£j§5 j j
#=# if * i
*P
fc
;:^»B=s
^! ^=* f
5 :
i z:
*
pa fe^
3 b3
200-83-72 G.H.M.Co.
73
&E£ 1 rj-^Jiij i i
pi v~z: em*
m -€»-
^ &
TF
Xfc.
s
^
^ TT T*
-O-
P \SsltL
mm ^
_CL
I ^
£ 8:
"O"
-©-
^ ^
§«*?i!E
-O -O-
9 3
*ff3
#i ¥ ¥ ¥
gn XT
200-83-73 G.H.M.Co.
O
74
—-• ^__
dN
5»
i*"i *l
' * J
1
J j
^i i
J-J-^-l
||
—
-
i
p-j
r i i >
7?
—0
A. A.
It* a =! -g —© —©
§
P"
-*F* 1
1
e '
L_o 1
1— 1 l_o J
jy
mm i n
$ &
XT ^ ^
TJ~
^ -©-
-©-
-©-
TT
10
*
# t 1: I
mm
Pi * $
^ 17
-s
*
200-83-74 G.H.M.Co.
75
11
p= te*
in ^ ^ X5
^^
s
nn -©-
T5
5 I&
fcfc
XT
P j^J^^-^i^^T^^i^ iai
p
te
y »
^§r
-o
x*so-
3
-&
Mi tafct
I
^^2=k n
§ 35
t
3 4fe
^xs: -et
&>
aS xs: 22
*&
5^p:
t
9 ©- -6-
# X*=
Xf
^* ¥
s X*-
XT
200-83-75 G.H.M.Co.
76
12
m 3F ^7
SB -©-
TT
XT
WMt
5
f
fc *syt
P 5
I -fi
3 ¥
s f f -«-
¥3t wtr
y
p^ 35: -«
fl*-
-©-
XE
7** r—
i
XE
M 3:
ifife
fctt
2!
I *"
as i P
200-83-76 G.H.M.Co.
77
aW ^r xs: -o
^^
ss:
^ P 7 TE
* til
i ? b:
£
J5
^B 3 i a?
*
# ^ -o-
^
xs:
gjj -©-
&
I -6
9
-6
"a:
77
*? F
^
200-83-77 G.H.M.Co.
78
13
m -«-*
w- *j 3^ m
W*
i££
gd
1= ^ * U '
fc
g
f y^ s fedMt
t* to&fc
UgH
I > E «zrf-
3» 3?* pp
m P P B
w ¥ ^ pE
iUN? fc^
# tZZSZ
#» -bW 3s* iis
4.-^
gg
!±zz:tzzz±i
1.
¥ # P
tfe
#
t
P 6-1
=3 i ^f * Pi « ajU
s P ©
1 f
itt
PP
200-83-78 G.H.M.Co.
79
yr ^^
$ TTfi
# o IS
3*F
3
^¥ *
att
ep P w $
14
;Pi i "99"
C\
=9F^
f f f f ^
15
L^N
m 3
200-83- "9
G.H.M.Co.
80
,i,j y w^u 1 ^^
# -6 +
w-
m
m ¥
16
f32*FH*n¥
-3-
^ 3
rlJTJJin/n<tc iJ! ^^
¥^ ^
s -o-
WhMJ '
j,
' j
#w -o-
^ ^
«5F
-s-1
J
S^ C\
^7 I ;
[J '
b7 ^ =
200-83-80 G.H.M.Co.
—
[^UI j OO^
I
fc*
?Z2
0\
A
C\
3H-
A A AAA *&
* fP
, i
^
Hta&ft
A
-+frp
Os
«si
3^
A A
J)
A
J>Jj)
A A
81
as ^ T\
IF?
fit
iiyr |i
C\
3?
pA hj^lj l
rt
irPii^
^—
iP s-1
=3?
r\
«*T % *h
ras
6-TTT
RP
11
o
tfife g
Eg P ^^f ai¥**
o o
um a
P$i Si *
C\ >?\
ss PP *=*
*s
af=? «-*-
IE ?
18
m o
15
p
to>
¥
^
200-83-81
Os
IF=f
G H.M.Co.
IPS SB
82
C\
^fs*
^PJ^^ P -^JTH
Mp
'j
Oi
j* Mtf
> f.
^e * ^ f*
& ; a
Cs
5 |FP
HH
Pf 1
p^ *A
l ^jij '
i'lj pf
lfcU
-3 >
J,-
g-»
^ ]=Pj9
1
^±
y
? in i-P" 6
ifc a «
m^m f
PS
On o
tog $& -#
I ga 3 * at
Cs On
1^ IHP ^^?
set
P f ¥ y
t-** S m m
#^ y$53
i
*~-.
i
C\
Z& ?