Films are a modern entertainment. Every film presents a story.

The
technique of the film-production, the cinema tricks and the good acting
make us feel, foe the time-being, that the story of the film-show is
real. It influences our life.
There are films and films- some films are good ans some, are bad. We
call a film a good one when its story has a moral or when its story us
good people. The film that makes us wicked people or criminals is a
bad film. Some good film-stories change even bad people into good
people. But the bad film-stories can make even good people into bad.
Some juvenile and some adult criminals recently confessed that they
had committed the crime after having seen particular films.
There are also other factors which determine the goodness or badness
of a film. The songs, dances, dialogues, science background of every
episode, lighting, sound-recording and the action of every character
must be perfect and appropriate in the good film. If one or more of
them are defective, it will be a bad film.

Cinema is a act as a key to control and eastablish human mind since

from long times.

Audio and visualisation techinique makes perfect acceptance to mind

and appericiation,

cinema in adecade back was to reflect morals,ehics,culture and

education.

Now the theme is changed entertainment is the moto.song are

mademelodious and meaningful to convey the message of love ,and
devotions

cinema has a big role in capturing the buisness like tourism .

furnitures,textiles and cosmotics.

Cinema creats new idea and guidlines for life

graphics and animation are better rols for conveying messages of love
friendship.
morden technology usage hepls the control of time and good
appericiation from peoples demerits:

sex in cinema affects the young brians and morals

he cinema of India consists of films produced across India, including
the cinematic culture of Andhra
Pradesh, Assam, Gujarat,Karnataka, Kerala, Mumbai, Odisha, Punjab,
Tamil Nadu and West Bengal. Indian films came to be followed
throughout South Asia and the Middle East. As cinema as a medium
gained popularity in the country as many as 1,000 films in
various languages of India were produced annually. Expatriates in
countries such as the United Kingdom and the United States continued
to give rise to international audiences forIndian films of various
languages
especially Telugu, Tamil, Oriya, Kannada, Malayalam, Bengali and Hind
i

In the 20th century, Indian cinema, along with the American

and Chinese film industries, became a global enterprise.[1] Enhanced
technology paved the way for upgradation from established cinematic
norms of delivering product, radically altering the manner in which
content reached the target audience.[1] Indian cinema found markets in
over 90 countries where films from India are screened.[2] The country
also participated in international film festivals, especially Satyajit
Ray (Bengali), Adoor Gopalakrishnan (Malayalam), Mani
Ratnam (Tamil), Girish Kasaravalli(Kannada).[2] Indian filmmakers
such as Shekhar Kapur, Mira Nair, Deepa Mehta etc. found success
overseas.[3] The Indian government extended film delegations to
foreign countries such as the United States of America and Japan while
the country's Film Producers Guild sent similar missions through
Europe.[4]

India is the world's largest producer of films.[5][6] In 2009, India

produced a total of 2961 films on celluloid, that include a staggering
figure of 1288 feature films.[7] The provision of 100% foreign direct
investment has made the Indian film market attractive for foreign
enterprises such as20th Century Fox, Sony Pictures, and Warner Bros.
[8]
Prominent Indian enterprises such as Zee, UTV, Adlabs and Sun
Network's Sun Pictures also participated in producing and distributing
films.[8] Tax incentives to multiplexes have aided the multiplex boom in
India.[8] By 2003 as many as 30 film production companies had been
listed in the National Stock Exchange of India, making the commercial
presence of the medium felt.[8]

The Indian diaspora consists of millions of Indians overseas for which

films are made available both through mediums such as DVDs and by
screening of films in their country of residence wherever commercially
feasible.[9] These earnings, accounting for some 12% of the revenue
generated by a mainstream film, contribute substantially to the overall
revenue of Indian cinema, the net worth of which was found to be 1.3
billion US Dollars in 2000.[10] Music in Indian cinema is another
substantial revenue generator, with the music rights alone accounting
for 4–5% of the net revenues generated by a film in India.[1

The historical film emerged as a strong genre form very early in

cinema history and has renewed itself many times over the course of
the twentieth century and into the twenty-first. Although the world of
the past is its subject, the genre is often in the vanguard in terms of
visual style and cinematic technique. The dramatic, compelling
portraits of the past that are brought to life in the historical film have
made it one of the most prestigious as well as one of the most
controversial genres in film. It provides both a lens onto the past,
which it frequently recreates with exquisite attention to detail and
period style, while also reflecting the cultural sensibility of the period
in which it was made. Above all, the historical film provides an
emotional connection to history in a way that foregrounds the power
and importance of the past in shaping the cultural imaginary in the
present.