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“You can take my heart, but I can't let you take my dog.”
― Karin Slaughter
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“Reading is not just an escape. It is access to a better way of life.”
― Karin Slaughter
tags: books, escape, escape-from-reality, improvement, life
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“Considering what Pauline's been through . . ." Will began, then stopped himself. "She's not
very nice."
"She's a cold-blooded bitch."
"I'm surprised I haven't fallen in love with her.”
― Karin Slaughter, Undone
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“It's the truth. I'm sorry to be blunt about it, but girls don't like guys who are doormats.
Especially pretty girls, because there's no novelty in it. Guys are hitting on them all of the time.
They can't walk down the street or order a coffee or stand on a corner without some idiot
making a comment about how attractive they are. And the women smile because it's easier
than telling them to go fuck themselves. And less dangerous, because if a man rejects a woman,
she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.”
― Karin Slaughter, Pretty Girls
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“You didn't realize what was passing you by until you slowed down a little bit to get a better
look.”
― Karin Slaughter, Undone
tags: realization
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“Everyone had a reason for everything they did, even if that reason was sometimes stupidity.”
― Karin Slaughter, Fractured
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“Because I said so." She paused again. "Sweetheart, I know you're an adult, but adults are like
vampires. The older ones are much more powerful.”
― Karin Slaughter, Pretty Girls
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“A man who has grown up in an orphanage cannot take a dog to the pound.
Even if it is a Chihuahua.”
― Karin Slaughter, Triptych
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“You can only make decisions with the information you have at the time”
― Karin Slaughter, Fractured
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“Your mother and I had always been secretly pleased that you were so headstrong and
passionate about your causes. Once you were gone, we understood that these were the
qualities that painted young men as smart and ambitious and young women as trouble.”
― Karin Slaughter, Pretty Girls
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“Nothing ever truly faded. Time only dulled the edges.”
― Karin Slaughter, The Good Daughter
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“Sara studied him. "Is that a Chihuahua behind your back?"
"No, I'm just happy to see you"
Sara gave him a confused smile, and he reluctantly showed her Betty.”
― Karin Slaughter, Undone
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“Talking of the local Sheriff, Jake Valentine, tall and skinny and his wife Myra, "She was a short
woman, maybe five feet tall in her socks, the top of her head not quite reaching Jake's chest.
What she lacked in height she made up for in girth. Jeffrey guessed she was at least a hundred
pounds overweight. Standing side by side, the Valentines looked like the living embodiment of
the number ten.”
― Karin Slaughter
tags: great-metaphor
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“Optimism is a sliver of glass in your heart.”
― Karin Slaughter, Pretty Girls
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“It didn't take a Harvard economist to figure out that it'd be a hell of a lot cheaper spending
money on helping keep kids safe when they were younger than it was to put them in jail when
they were older. That was the American way, though. Spend a million dollars rescuing some kid
who's fallen down a well, but God forbid you spend a hundred bucks up front to cap the well so
the kid never falls down it in the first place.”
― Karin Slaughter, Triptych
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“Given enough idleness & time, she could talk herself into either loving or hating the man”
― Karin Slaughter, Criminal
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“You couldn't turn on the TV without hearing about the missing teenage girl. Sixteen years old.
White. Middle class. Very pretty. No one ever seemed quite as outraged when an ugly woman
went missing.”
― Karin Slaughter, Pretty Girls
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“I can’t—” Lena repeated. “I can’t do it. I can’t live without him.”
Sara gently pulled her hand away from Jared’s. She smoothed down the sheet, tucked it in close
around his side. She looked at Lena—really looked at her straight in the eye.
“Good,” Sara told her. “Now you know how it feels.”
― Karin Slaughter, Unseen
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“Her father always said that the price for hearing gossip was having someone else gossip about
you.”
― Karin Slaughter, Pretty Girls
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“sometimes, your world turns upside down, and you need somebody to show you how to walk
on your hands before you can find your feet again.”
― Karin Slaughter, The Good Daughter
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“If you wanted to know shit about a woman, all you had to do was ask the woman who was
pretending to be her friend.”
― Karin Slaughter, The Kept Woman
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“I’ve always preferred crazy to stupid. Stupid can break your heart”
― Karin Slaughter, The Good Daughter
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“. . . he was about as forthcoming as an amnesiac with lockjaw.”
― Karin Slaughter, Criminal
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“It is a father’s job to love his daughter in the way that she needs to be loved.”
― Karin Slaughter, The Good Daughter
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“There is kindness in so many unexpected places”
― Karin Slaughter, Pretty Girls
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“He always took lateness as being rude. It said to the other person that their time was more
valuable than yours.”
― Karin Slaughter, Triptych
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“I want you to know that this is what happens when you meet the person you are supposed to
spend the rest of your life with: that restless feeling dissolves like butter.”
― Karin Slaughter, Pretty Girls
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“Having a teenager is like having a really, really shitty roommate. They eat all your food and
steal your clothes and take money out of your purse and borrow your car without asking.”
― Karin Slaughter, Pretty Girls
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“There were a few things she knew about Will Trent. He was tall, at least six-three, with a
runner's lean body and the most beautiful legs she had ever seen on a man. His mother had
been killed when he was less than a year old. He'd grown up in a children's home and never
been adopted. He was a special agent with the GBI. He was one of the smartest men she had
ever met, and he was so dyslexic that, as far as she could tell, he read no higher than a second-
grade level.”
― Karin Slaughter, Fallen
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“Anybody could be smart. It took a special somebody to be clever.”
― Karin Slaughter, Pretty Girls
It wasn’t fair.
That’s what Sara wanted to say. To scream at the top of her lungs.
Lena wasn’t strong. She would bend, not break. She would recover from this tragedy the same
easy way she recovered from every other tragedy before.
Even if she lost Jared, Lena would always know what it felt like to have his child growing inside
of her. She could always hold her baby’s hand and think of holding Jared’s. She could see her
child laugh and learn and grow and play sports and do school projects and graduate from
college and Lena would always, always remember her husband. She would see Jared in her
grandchildren and great-grandchildren. On her deathbed, she would find peace in the
knowledge that they had made something beautiful together. That even in death, they would
both go on living.
Sara wiped her eyes, angry that she was back in the same dark place she’d started at this
morning. “Why does everything come so damn easy to her?” She struggled to speak. Her throat
clenched around every word that wanted to come out of her mouth. “Everything just opens up,
and she always walks through unscathed and—” Sara had to stop for breath. “It’s just so easy
for her. She always has it so goddamn easy.”
― Karin Slaughter, Unseen
tags: bitterness, jealousy, women-helping-women
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“somewhere on earth, there was always a book with an answer in it, and the best way to find
that answer was to read every book you could get your hands on.”
― Karin Slaughter, Broken
Everything changed when I met your mother. She made me want things that I had never
dreamed of wanting: a steady job, a reliable car, a mortgage, a family. You figured out a long
time ago that you got your wanderlust from me. I want you to know that this is what happens
when you meet the person you are supposed to spend the rest of your life with: That restless
feeling dissolves like butter.”
― Karin Slaughter, Pretty Girls
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“The spiral stairs looked like a robot’s asshole.”
― Karin Slaughter, Pretty Girls
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“It was odd how you could love something so much, but forget about it when it wasn’t right
under your nose.”
― Karin Slaughter, Kisscut
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“Sometimes, even if you know the answer, you’ve got to let the other person take a shot. If
they feel wrong all the time, they never get the chance to feel right.”
― Karin Slaughter, The Good Daughter
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“women with a little bit of power can be much harder than men. Especially on other women.
They have to distance themselves from the weakness of their sex. Yes?”
― Karin Slaughter, Cop Town
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“the reason the middle class had it so good was because they expected things to be better.
They wouldn’t settle for less than they were worth. They’d just get into their shiny cars and go
where they were appreciated. Poor people, on the other hand, were used to just taking what
was given to them and being grateful for it.”
― Karin Slaughter, Triptych
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“Jeffrey felt too blindsided”
― Karin Slaughter, Blindsighted
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“A few years after you disappeared, a postal worker named Ben Carver was sentenced to death
for murdering six young men. (He is a homosexual, which, according to Huckleberry, means he
is not attracted to murdering young women.) Rumors have it that Carver cannibalized some of
his victims, but there was never a trial, so the more salacious details were not made public. I
found Carver’s name in the sheriff’s file ten months ago, the fifth anniversary of your
disappearance. The letter was written on Georgia Department of Corrections stationery and
signed by the warden. He was informing the sheriff that Ben Carver, a death row inmate, had
mentioned to one of the prison guards that he might have some information pertaining to your
disappearance.”
― Karin Slaughter, Pretty Girls
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“Trust me, sweetheart, there is a reason centuries of fathers have fought brutal wars to protect
the concept of Immaculate Conception.”
― Karin Slaughter, Pretty Girls
tags: father, protection, purity, virgin
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“I know you’re an adult, but adults are like vampires. The older ones are much more powerful.”
― Karin Slaughter, Pretty Girls
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“Sua mãe e eu sempre ficávamos muito satisfeitos, em segredo, com o fato de você ser tão
determinada e intensa em relação a suas causas. Quando você foi embora, entendemos que
essas eram as qualidades que definem os homens como espertos e ambiciosos e as mulheres
como um problema.”
― Karin Slaughter, Pretty Girls
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“You are my child. I am your mother.” Helen sounded resolute. “I won’t apologize for doing my
job.”
― Karin Slaughter, Pretty Girls
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“Existe gentileza em muitos lugares inesperados.”
― Karin Slaughter, Pretty Girls
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“Dad. I knew that was it. No more holding my hand. No more sitting in my lap. No more
throwing your arms around my waist when I walked through the front door or standing on my
shoes while we danced around the kitchen. I would be the bank now. The ride to your friend’s
house. The critic of your biology homework. The signature on the check mailed away with your
college application.”
― Karin Slaughter, Pretty Girls
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“First you must have the images. Then come the words.” —Robert James Waller.”
― Karin Slaughter, Pretty Girls
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“all the pickup-driving John Boys who drove down to Atlanta every day to make money, then
drove back at night and railed against the godless liberals who lined their pockets and
subsidized their utilities, their healthcare, their children’s lunches and their schools.”
― Karin Slaughter, The Good Daughter
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“There was no part of this house that felt inviting. Paul's cold, calculating hand could be seen
behind every choice. The concrete on the entryway floor was polished to a dark mirror straight
out of Snow White. The spiral stairs looked like a robot's asshole. The endless white walls made
Lydia feel like she was trapped inside a straightjacket. The sooner she was out of here the
better.”
― Karin Slaughter, Pretty Girls
tags: humor, imagery
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“Suddenly, quite miraculously, you are a grown-up beautiful woman. You look so much like
your mother, but you are still uniquely you. You have thoughts I will never know. Desires I will
never understand. Friends I will never meet. Passions I will never share. You have a life. You
have an entire world in front of you.”
― Karin Slaughter, Pretty Girls
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“This women’s lib stuff works for rich girls, but all you’ve got going for you is your face and your
figure. You need to take advantage of both before you lose them.”
― Karin Slaughter, Cop Town
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“Dee came out of her room and gave Lydia the greatest gift a teenage daughter can ever give
her mother: she had agreed with her.”
― Karin Slaughter, Pretty Girls
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“He was playing chess and she was sucking at checkers.”
― Karin Slaughter, Broken
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“Tessa reached out and took her hand. “Can I tell you something?”
“As long as it’s not advice on chasing after a married man.”
She squeezed Sara’s hand. “I’m really in love with my husband.”
Sara gave a careful “Okay.”
“I know you think Lem is boring and too earnest and too self-righteous, and believe me, he can
be all those
things, but a thousand times a day, I hear a song, or I think of something funny, or Daddy says
one of his
stupid puns, and the first thing that comes into my head is ‘I want to tell Lem about this.’ And I
know that
halfway around the world, he’s thinking the same thing.” She paused. “That’s what love is, Sara,
when there are so many things about you that you only want one person in the world to know.”
― Karin Slaughter, Broken
tags: love
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“The thing about having a bad reputation is that folks will believe just about anything people
say about you.”
― Karin Slaughter, Broken
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“To all the librarians in the world on behalf of all the kids y’all helped grow up to be writers”
― Karin Slaughter, Fallen
"The biggest fantasy in that book," Paul had said, "is that he changes in the end.”
― Karin Slaughter, Pretty Girls
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“Yeah?” “I miss the way you taste.” She tried to sound bored. “It’s still Colgate.” “That’s not the
taste I was talking about.”
― Karin Slaughter, Kisscut
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“Every time Kate got an inkling that she might live, she remembered what her life was like and
wondered if it was worth the effort.”
― Karin Slaughter, Cop Town
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“Напиваться - это для слабых, это выход для людей, которым не хватает сил справиться с
собственной жизнью, крепко стоять на ногах. Пьянство - это побег.”
― Karin Slaughter, Blindsighted
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“He shrugged. “Are you going to answer me?” “You told me to shut up.”
― Karin Slaughter, The Kept Woman
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“Anything’s legal if you can get away with it.” Maggie slammed the locker closed. “Welcome to
the Atlanta Police Department.”
― Karin Slaughter, Cop Town
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“That’s when you fall in love with somebody. The lust and fucking like rabbits and letting your
life fall to shit so you can be around him—that’s passion. It’s borderline obsession. And it
always burns itself out. You know that, Liddie. That high never, ever lasts. But being in that
hospital, taking care of him, I started to realize that what I had with Paul, what I thought I had,
that was more than love. That was being in love. It was so tangible I could almost touch it with
my hands. I could bite it with my teeth.”
― Karin Slaughter, Pretty Girls
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“Or any number of the jobs she’d tried and failed at before seeing a story in The Atlanta Journal
about women police officers being trained for motorcycle patrol. Motorcycle patrol! Kate
laughed at her naïveté. If the firearms instructors were loath to train women, the motorcycle
division was downright hostile to the idea of women on bikes. The riding instructor wouldn’t
even allow them inside the garage.”
― Karin Slaughter, Cop Town
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“who didn’t know how to use a shotgun?”
― Karin Slaughter, Unseen
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“No matter what happened to you, no matter what horrors you endured when you were taken
away, you will always be my pretty little girl.”
― Karin Slaughter, Pretty Girls
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“My court-appointed therapist would say I was trying to fill a hole.” “Is that what you call your
vagina?” Claire chuckled under her breath.”
― Karin Slaughter, Pretty Girls
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“I’m fine.” Will put his hand on Amanda’s foot again. He could feel a steady pulse near her
ankle. He’d worked for this woman most of his career but still knew very little about her. She
lived in a condo in the heart of Buckhead. She had been on the job longer than he had been
alive, which put her age in the mid-sixties. She kept her salt-and-pepper hair coiffed in the
shape of a football helmet and wore pantyhose with starched blue jeans. She had a sharp
tongue, more degrees than a college professor, and she knew that his name was Wilbur even
though he’d had it legally changed when he entered college and every piece of paper the GBI
had on file listed his legal name as William Trent.”
― Karin Slaughter, Criminal
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“Dogs are stupid,” Rusty said. “This is a known fact. But a cat—you have to earn a cat’s respect
every single day of your life. You lose it and—” He snapped his fingers. “That’s what your mama
was to me. She was my cat. She kept my compass pointing true north.”
― Karin Slaughter, The Good Daughter
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“older and she always got to drive. She opened”
― Karin Slaughter, Pretty Girls
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“A possum stared at me through the door all night.” “That’s Bill.” Charlie turned on the giant
television. “He’s my lover.”
― Karin Slaughter, The Good Daughter
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“Talk about sloppy seconds. Was there such a thing as sloppy thousandths?”
― Karin Slaughter, Fractured
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“I want you to know that this is what happens when you meet the person you are supposed to
spend the rest of your life with: that restless feeling dissolves like butter. I”
― Karin Slaughter, Pretty Girls
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“My wife is for making babies. You’re for fucking.” The sting was unexpected. “That’s an awful
thing to say.” “Trust me, one is a lot more fun than the other.”
― Karin Slaughter, Cop Town
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“Flowers in the Attic”
― Karin Slaughter, Fractured
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“herself, but what would she find? A kept woman who was incapable”
― Karin Slaughter, Pretty Girls
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“Michael swallowed, feeling like he was choking on his grief. “Fifteen,” he said. She’d just had a
birthday last week. He’d bought her a stuffed giraffe. “She’s fifteen.”
― Karin Slaughter, Triptych
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“This sheriff goes into a saloon and says, “I’m lookin’ for a cowboy wearing a brown paper vest
and brown paper pants.’ He waited a beat, making sure Sara was listening. ‘The bartender says,
“What’s he wanted for?” And the sheriff says, “Rustling.”
― Karin Slaughter, Kisscut
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“She told Rick, “The world stops for you when you’re pretty. That’s why women spend billions
on crap for their faces. Their whole life, they’re the center of attention. People want to be
around them just because they’re attractive. Their jokes are funnier. Their lives are better. And
then suddenly, they get bags under their eyes or they put on a little weight and no one cares
about them anymore. They cease to exist.”
― Karin Slaughter, Pretty Girls
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“People did not change their basic, core personalities.”
― Karin Slaughter, Pretty Girls
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“It’s the truth. I’m sorry to be blunt about it, but girls don’t like guys who are doormats.
Especially pretty girls, because there’s no novelty to it. Guys are hitting on them all of the time.
They can’t walk down the street or order a coffee or stand on a corner without some idiot
making a comment about how attractive they are. And the women smile because it’s easier
than telling them to go fuck themselves. And less dangerous, because if a man rejects a woman,
she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.”
― Karin Slaughter, Pretty Girls
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“She had looked at the movies again—all of them this time. Claire had rigged up Paul’s laptop in
the garage so she wouldn’t have to sit in his office. Halfway through the first series of movies,
she’d found herself somewhat anesthetized to the violence. Habituation, Paul would’ve
explained, but fuck Paul and his stupid explanations.”
― Karin Slaughter, Pretty Girls
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“because if a man rejects a woman, she goes home and cries for a few days. If a woman rejects
a man, he can rape and kill her.” “I”
― Karin Slaughter, Pretty Girls
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“This is where feminism had gotten her: locked in the back of a sticky squad car with the skirt
on her tennis dress riding up her thighs.”
― Karin Slaughter, Pretty Girls
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“Para conocer los efectos de largo alcance del sistema de género/sexo, primero se debe
desmantelar la hipótesis fálica en relación con el inconsciente.”
― Karin Slaughter, Criminal
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“All the sneakiness her sister had exhibited as a child had been honed to adult perfection, so
that Claire could be standing right in front of an oncoming train and still insist that everything
was going to be fine.”
― Karin Slaughter, Pretty Girls
Collier looked skeptical. "So Harding conveniently slipped into a diabetic coma during the
middle of a death match?”
― Karin Slaughter, Undone
tags: diet, fast-food, skittles, slaughter
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“She took a deep breath and asked, “I’m sorry, Captain. I’m feeling a bit discombobulated. Can
you please start from the beginning and tell me what happened?”
― Karin Slaughter, Pretty Girls
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“If you have to say you’re not doing something, then you probably are.”
― Karin Slaughter, Pretty Girls
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“Why did it have to be her?”
― Karin Slaughter, Pretty Girls
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“It was getting to be so ridiculous, she was surprised there weren't special schools for the
boring, average children.”
― Karin Slaughter, Fractured
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“Yeah, I can imagine with the funeral and all, this is the last thing you want to be dealing with
right now. Like I said, my condolences.” Mayhew took his own deep breath, his far more raspy.
“We’ve got a nutshell, but we’re still filling in some blanks. You’re not the first person in the
county to have this kind of thing happen. We suspect it’s a gang of young males who read the
obituaries, find out when the funerals are, then Google Earth the house and figure out whether
it’s worth robbing.”
― Karin Slaughter, Pretty Girls
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“Amanda was probably in her mid-fifties, a small woman, maybe five-three on a good day. Her
attitude filled the room, and she walked with a swagger that rivaled a bullfighter's. She wore a
simple diamond ring on her wedding finger, though Will knew she wasn't currently married. She
had no children, or perhaps she had eaten them when they were young.”
― Karin Slaughter, Triptych
The phrase fit Sara so completely that she had found herself surrendering to it, imagining her
arms and her legs detaching from her body. What did it matter? What did she need arms or
legs or hands or feet for if she couldn't run to him, hold him, touch him?”
― Karin Slaughter, Undone
tags: slaughter, undone
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“Claire didn’t argue because Lydia was older and she always got to drive. She opened the
mudroom door and left it unlocked. At this point, Claire welcomed the burglars to return. She
would’ve left cookies out for them if she’d had the time.”
― Karin Slaughter, Pretty Girls
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“First you must have the images. Then come the words.” —Robert James Waller. Images. I had
seen that word before—at least six times before on my annual reading sojourn to the sheriff’s
office. The word was connected to a deed and the deed was connected to an act and that act
had been committed by a man and that man, I now understood, was connected to you.”
― Karin Slaughter, Pretty Girls
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“Claire picked up the picture. They were at a football game. Paul’s jacket was wrapped around
her shoulders. She could recall thinking how warm it felt, how reassuring. The camera had
captured her laughing, mouth open, head tilted back. Ecstatically, irrevocably happy.”
― Karin Slaughter, Pretty Girls
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“This is electric, right?” Lydia sounded annoyed. She’d always been angry around new things.
“Athens is an hour away.” “Really? I’ve never noticed that the eleventy billion times I’ve driven
this very same car to Mom’s house and back.” At least she had before the ankle monitor limited
her movements. “Can we just go?” Lydia still looked annoyed. “Where does the key go?” “Tap
the brake to turn it on.” Lydia tapped the brake. “Is it on? I can’t even hear it.” “Are you three
hundred years old?” Claire demanded. “Jesus Christ, it’s still a car. Even Grandma Ginny could
figure it out.” “That was really mean.” She put the gear in reverse. The video screen switched to
the rear camera view. Lydia huffed in disgust as she inched back the car and turned it around.”
― Karin Slaughter, Pretty Girls
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“tutor in the computer lab. Claire was an art history major. She had never been good at math.
Or at least she’d never tried to be, which was the same thing. She could vividly remember the
first time she’d sat down with Paul and gone over one of her assignments.”
― Karin Slaughter, Pretty Girls
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“Or maybe Lexie already knew about Claire. Maybe the young little bitch was completely fine
with sharing another woman’s husband, with raising the man’s bastard child—or children—
while he kept another wife. Claire closed her eyes. What an awful thing to say about the other
woman. She was turning Lexie into a monster when Paul had likely fooled them both. Even if
Lexie was complicit in polygamy, there was no way she knew about the dreadful shit that Paul
was into. “Dyadic completion,” Paul would’ve told Claire. “The human brain tends to assume
that, if there’s a victim, there has to be a villain.”
― Karin Slaughter, Pretty Girls
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“Everyone knows you’re beautiful,” he’d told her, “but no one knows that you’re clever.”
Clever. Anybody could be smart. It took a special somebody to be clever.”
― Karin Slaughter, Pretty Girls
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“So.” Penelope slapped her hands on her thighs as she turned back to Lydia. “I was wondering if
you could help me out.” “Oka-a-ay.” Lydia drew out the word to convey her great trepidation.
This was how Penelope sucked you in. She didn’t tell you to do things; she told you that she
needed your help.”
― Karin Slaughter, Pretty Girls
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“Will always assumed that when people insisted they weren’t lying about a particular thing,
that meant they were lying about something else.”
― Karin Slaughter, Undone
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“Well.” Lydia took a deep breath as she prepared to sing the hokey pokey of her life story,
where she put the truth in, pulled a lie out, added an embellishment, and shook it all about.”
― Karin Slaughter, Pretty Girls
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“According to a local news team investigation, response times to emergency calls from Grady
averaged around forty-five minutes. An ambulance took even longer.”
― Karin Slaughter, Triptych
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“Helen didn’t hold back. “I told your father that Paul was like a hermit crab. They’re scavengers.
They don’t have the ability to make their own shells, so they cast around until they find
abandoned shells, and then they move in.”
― Karin Slaughter, Pretty Girls
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“but she’d purposefully turn in a paper late or miss an assignment so she’d fall closer to the
middle.”
― Karin Slaughter, Pretty Girls
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“Lydia wondered how long it would take for Penelope to tell the other Mothers about the tragic
death of Lloyd Delgado. Her father always said that the price for hearing gossip was having
someone else gossip about you. She wished that he were still alive so she could tell him about
the Mothers. He would’ve wet himself with laughter.”
― Karin Slaughter, Pretty Girls
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“No one understood striving for second place. It was un-American. “She just wanted peace,”
― Karin Slaughter, Pretty Girls
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“these were the qualities that painted young men as smart and ambitious and young women as
trouble.”
― Karin Slaughter, Pretty Girls
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“studying Lydia. “Are you really sure you want to see it?” For the first time, Lydia felt real
trepidation about the movies.”
― Karin Slaughter, Pretty Girls
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“LEARN HOW TO TAKE OUT THE TRASH OR I WILL KILL YOU. LOVE MOM.”
― Karin Slaughter, Pretty Girls
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“Will thought of her time away from work the way he used to think of his schoolteachers
crawling into their caves under the school building at night, lulling themselves to sleep with
dreams of torturing their students the next day.”
― Karin Slaughter, Triptych
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“if you lie with enough conviction, you can usually fool yourself.”
― Karin Slaughter, Pretty Girls