-.

Abracadabra
'-

-.
BOOK1
SECONO EOITION
Fully revised and expanded

Peter Davey
with
Christopher Hussey

A & e Block. London

 ~
Photocopying prohibiteél '
Second edition 2002
Reprinted 2003 and 2005 AlI rights reserved. No part of this -:)
publication may be reproduced in any
A&C Black Publishers Ltd
38 Soho Square, London W1D 3HB
form or by any means - photographic, ~J
(t) 2002, 1985 A&C Black Publishers Ltd electronic or mechanical, including
photocopying, r~cording, taping or ",)
Book ISBN 10: O 7136 63081
information storage and retrieval systems
Book ISBN 13: 978 O 7136 63082 ",.)
BooklCD ISBN 10: O 7136 6309 X - without the prior permission in writing
BooklCD ISBN 13: 978 O 7136 6309 9 of the publishers. <.)
Technical diagrams by Kanako Damerum A&C Black uses paper produced with 'C:)
and Yuzuru Takasaki elemental chlorine-free pulp, harvested
IlIustrations by Paul Parks from managed sustainable forests. 4
Cover iIIustration by Dee Shulman
Design by jacelyn Lucas Printed by Caligraving Ltd, Thetford,
~
Music setting by Christopher Hussey and jeanne Fisher Norfolk x:J
Edited by Christopher Hussey and jane Sebba
~j
~)
CONTENTS
'-()

step 1 O.e. al Fine 23 Au clair de la lune -e)

.J 1 1 Pizz on D 24 Twinkle, twinkl~ little bow ~; "
pizz. 2 Pizz A pizza! 25 Miss Mary Mac
3 Bobby Shafto 26 The song that never stops -'""
t;1;ii

27 Whistle while you work

~
step 2
- Ji 4 When the saints go
step 6 ~j
.,.

arca 1"1 ~ ~ 5
marching in
Supercalifragilistic-
~ ~ :~ 0.5.
28 Secret agents
29 Little bird
expialidodous o s.b. 30 Summer shine
6 A tisket, a tasket 31 Halfway down the stairs
V 7 Little playmates 32 Old MacDonald ~~
8 Mobile phone G major scale ~
+ 9 Fiddle fanfare -~
step 7 -~
,
2

step 3 11..
33 Brown bread ~C
~ 10
:~ 11
A friend in DEED
One f.jnger dance
34
35
Big Ben
Tum the glasses over (a round)
-~

~ 12 Eee-abba-dabba-dee! 36 Off to France in the morning

D major scale
~(c

13 Spinning wheel
~ ....
14 A stitch in time
step 8
-(
~(
2

ostinato
step 4 37 Racing driver (a round)
'-'e
~ 15 Frere Jacques 38 Long, long ago
11"

~
39 Ode to joy
-'e
16 Welsh lullaby (Suo-ganJ
-
.
'-'
17 Windmill song 40 The way you look tonight \-
) n 18 Hot cross buns 41 (Meet the) Flintstones
"
19 Merrily we roll along
step 9 - (-

step 5 42 l carne from Alabama ~(

20 Pease pudding hot 43 Morningtown ride ~(-

21 Clown dance 44 Troika
22 Road monsters 45 Daydreamer
/
\
.._---
~ . . . -"-..

-./
I
 is icumen in
step 10 73 Summer
(a raund)
J f 46 Roses from the South
74 Part of your world
47 lavender's blue

~ -----------
48 Call of the carousel
step 17
)
slow fast step 11
75 Short'nin' bread
76 What shall we do with the
J .J P f 49 We all stand together
drunken sailor?
50 Edelweiss
q 51 n 77 Winterwonderland
On top of Old Smokey
78 EastEnders
52 london's burning
(a round)
53 The hippopotamus song step 18
r.\ 79 Happy birthday

step 12 80
81
Heigh-ho
The Addams family
.J. f.b. 54 london Bridge
82 The mocking bird
55 Tea for two
83 Chim chim cher-ee
56 Stand by me

step 13 step 19
84 Ragamuffin's rag
~ -=- 57 Skye boat song
A major scale
58 Jupiter
A major arpeggia
-= 59 Feed the birds
85 Who will buy?
G majar seale (two octaves)
step 14 G major arpeggia (two octaves)
.J r cresc. 60 Kalinka
86 Beauty and the Beast
61 The old bazaar in Cairo
; r m:p '"!f 7
62 Muck! (a round)
= U 63 WaltL
step 20
87 Barcarolle
r-r 64 Puff the magic dragon
88 Millennium
).J) 65 Dumplins
89 Watch out kookaburra!
(a round)
step 15 rall. 90 Nocturne
g 66 Row, row, row your boat
(a round)
67 Pop! goes the weasel Acknowledgements
68 Dance of the cuckoos
Index
Glossary
69 The shepherdess (a round)
O majar arpeggio
G major arpeggio
70 We're off tosee the Wizard

() 2 step 16
-~-- .. 71 Egyptian snake dance
72 Shalom (a round)
 -")
'"1

-, ;':/
"

...
.
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u
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G D A E

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'-("

Pluek your violín strings to play the tunes in step 1.This teehnique is ealled pizzicato, or pizz.

~,
(
~o
1 Pizz ~11D u
CH/V5P {
~;

Play your part twice. D -(

'-'(O
You

~zz j
j ~j ~.J ~vl.

~l
~Piz zi ea to, squashed to ma to.
'-'(.
-..
e
~(
J .J
~,

the sound ring. ".

zi - ea to o string. lis - ten to
~(
5
~,~
~
(

bar, keep a stea dy beato

in, ev 'ry
Count - ing two
 2 CH/1S
- Play your part twice. A
You
~zz.
.J fJ .J .J fJ .J
~piz
Moz za rel la, pizz A za!

Your teacher

Chee - sy piz - za, Mar - ghe - ri - ta, That's my fav -' rite tea - time treat.

traditionaJ

You

~zz.
.J ~.J fJ .J I~ .J
80b by Shaf to's gone to sea oh,
5 .

~ Sil ver
.J I~
buck
.J
les
fJ
on his
.J

knee
.J
oh.

Your teacher

Bob - by Shaf - to's gone to sea.- Sil - ver buck - les on his knee.-

J F
He'U come back and mar - ry me.- Bon - ny Bob - by Shaf to.

Pizzicato is an Italian word,

meaning 'plucked'.
 ~\

....
v~

'-€
From now on, play 011the tunes arco - with your bow - unless pizzicato is indicated.
~(
n marks a down-bow. ,--,e
/C
~ tells you to lift your bow in a circular motíon to prepare for the next down-bow.
(2

4 W~en t~e saints 5~ \'nar(~in5 in

(pupil's part)
~ -o-
G
traditiona/spiritua/
--(~
--./c
-- e
- (
lift lift lift -'(
lift ~
~ ~ ~
- - - - I =~
~(

lift lift lift

6
~ ~ ~
- - -
-
- !
~
-

.
9

.
S uperea

If you say iL
lift

I i... Even though the...

Supereali...
Richard M Sherman andRobert B Sherman

.
~:-

~/
-~~
6

sound
Su -

of
per

it
- ea

is
- li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious!

some - thing quite. a - tro. - cious, If you soy it loud

E - ven though

e - nough.
the

you'lI

-
al ways sound pre - eo - cious. Su - per - ea - li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious!

..

4 When the saints go marching in

(teacher's part)
arco
V

~
7 ¡ ¡

Oh, when the saints go mareh - ing in, Oh, when the

saints
J
go mareh - ing in,
~. want to be with - in that
7

~.
~ - J
num - ber- When the saints go mareh - ing in.
6 -A-tts"et, a-tas"et words CH, music traditional

~t~o~t~ ~ - t.:;
L

6
i1 ~~i1 ~i1 ~i1 i1
~tJ -
~,
- ~~j===E=il C)
't)
f'j
V 4 ()
¡
~ Tj

.
lA tis - ket, o - tos - ket. There's some - thing in my bas - ket, It
-rJ
tos - ket, o - tis - ket, A choc - 'lote or - ange bis - cuit, 1'11 T")
J
11>
T)

t)
smells so sweet: ¡t's good to eot, I'd bet you'd like to toste it. 2. A I don't wont to waste ¡tI
eot it now -
be fore you con, 'Cos 7J
'7)
7J
'()
V marks an up-bow. fj

The bowing i1 V i1 tells you to

". féJ
.
playa down-bow, an '~
up-bow and a down-bow, if)
without lifting your bow off the ??)
string in between. ¿:)
c~;

1 l,ttl e plaj'tnates F X Chwatal

r' ) ,
j

~i1 V i1 )
V i1
- ~J -
~iJ ~J
I~ I=;] ')

,
)
)
5 V i1
i1
V
~i1 ~-
~J ~- ~rJ
11. 112. I j
.
 c\\'
rrvr
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1() i\ fTictld 'h DEED
Play and sing this song with a friendo
CH/1S

l:r"
()
You

~~!j
It is likea conversation, in which you and your friend play question and answer phrases.

O 1 O O O O

~- r)
r"
jl
D
J
E
S
E
J
D, You're a
~j
friend in deed. r"
,J
(~
P
Your friend
5

f)
O O O O 1 O

~~d S ~j j ~-
J t)
f')
t~
Al ways there to help when I'm in need.

80th
9 O 1
.O 1 O O 1 O

~d ~d I~ .J .J ~-
J
..
~So
we're friends to ge - ther, yes in deed.

.
Swung

>-
..
 -_.~--"--~.¡ ',' ~

"""
'.
'"

"

~
,...

In the second part of One finger dance the open strings D and A are played together - this is called double
stopping.

iI 11 PO
~
You
~f¡ r1
~- I I I '1 I
r "',.
4J . I
- . . ~'-"
I
u
..

Your friend
f} r1 V r1 V
~I I I I I I
..
~c.. . . c.. .
..
12 CH

~V -~
E
~~AB
I~
B A, D A B B A,
9

.
D E E, Fred and me, Eee ab - ba - dab - ba - dee!

' . '--" .'

 1,:-")

\:<}

e)
v)
r-)

t~
PO l"

1.

~i~~J
V

Push tread - le, drive spm - die, Round goes the

~J
spm - ning wheel.
:~

..
'0

,.

14- CH

pIZZ. 1

~ i~ Stitch in, stitch in, stitch In time, A stitch in time saves nine.
 s

( 1S ) t'rere
.
Jat1t/es traditional French
e

1\;~nato 1
arco
o 1 2 v

-~ t~ .
~.

Fre - re Jac - ques, Fre - re Jac - ques, Dor - mez vous? Dor - mez vous?
s

~ Son - nez les ma - ti - nes! Son - nez les ma - ti - nes! Ding, dang, dong! Ding, dang, dong!

Ostinato 2 Ostinato 3
~012

tj~
Fre - re Jac - ques
~ Fre - re Jac- ques
:
1é
,

(Suo-gon) traditional Welsh

'"
You 'c"
2
~~I
1 I
1 11.
"
40 "
1
"
...-1
~,, -
I
11 - 11 U

Your friend '

tJ I I I '1 I I I I
.....
" ...-1
" no
w.
~@), U U
\)
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1:J
-r)

t)
11 words CH, music PO ',J")
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You r:)
2
~I I I
o
", ..
" LL r)
@) n-
TI 11 11 U U
" " 'f')
Sails go round, the corn is ground for flour in - side the wind - milI. T)
Your friend
2 2 f:)
) I
, .
I

'41) " - " " ." "

11 11 U

( -
---
--<
l. i

f')

c--
{,

'"--'.
í .~

I ~

- (

--
'-
 The next two pieces begin on FU,played with the 2nd finger. Make sure the F~is in tune before you start the piece. Climb up to it by
.
playing D (open), then E(1st finger). then F~(2nd finger).

traditional
You
2 o
,ti 1"} v .
~,
r ,. u.
" 11 O TI U
4J

Hot cross buns. hot cross buns.

Your friend
1"} i1
, I
.- IT
- ,) ., fT ., .,I
s
~~i1 ,
.' ~I I
I

40
., ., ., ., --= - - - T U
.

One a pen - ny. two a pen - ny. hot cross buns.

~i1 I

-
I
r,

"40
,,
V
TI
- - .,
~. I

- 11

Look at the last bar in no. 19. Do you remember the name of this technique? (Look at no. 11.)

traditional

arco
o

~ J

~
..
i1

~J J S

s'
Swung

.. ., ..
. .. .
s ¡¿ .,
\:~)

y¡

':)
C)
tJ
e)
(')
r)
e)
r)
la traditional
(;)
t-)
T)
- - r)
1"')
Pease pud - ding hot, pea se pud - ding cold.
e)
5 .
'f:J

~ ~j
pud - ding the
~.JJ
pot
S
grow
J
ing mould!
~- :1 ..."..,,
f)
71)

.
Pease in
1~)

.
'r)
p)

.. .. ..'

,
,-,-" >: ..'\
'
' , , ,", , ,., /
#,
'
")

l1 traditional French --
")
---
¡:)
Ask your friend to play the ostinato accompaniment on page 17.
'"-'
V V

j
~
II

~t
~ad

~o~t~
h\~l1sters

Big red bus,

- v

big
.

red bus, on
words CH/SR, music traditiona/ /srae/i

H. G. v. and o
'

~ big red bus. A big red bus. A trae - tor, a trae - tor, .0

9 11. 112. I

tJ big red
~~jj bus.
j :~
A
~big
j
red
j
bus.
rood troin and a

v
.
A big red bus, a big red bus, on or - ti - eu - la - ted lor - ry ond o.

11. 112."
5 . V

~ big red bus. A big red bus. A trae

~
tor, a trae
r
tor, on or-

9
- 11. I

r~ - ti - cu - la - ted lor - ry ond a big red bus. A big

r
red
r
bus:
E=U

21 Ostinato accompaniment for Clown dance

11. 112. I

~-~
 " , "

traditianal French
"'.,
This piece begins on G, played with the 3rd finger. Make sure the G is in tune before you start the piece.
Climb up to it by playing D (open), then E (1st finger), then F~(2nd fjnger), then G (3rd finger).

Fine
.'(.'

-
\:)
t)
- r)
t,)
D.e. al Fine \"1

~ t)
- C)
~~)
lO)

f'')
~ /
° To Codal ¡' 112 rOl

=r2~ n
r :1

~
DÜI" r)

f~ " "--'
\ ::::
,
-
J
c)

r)

--
1")
T)
24 words 15, music traditianal fj
(pupil's part) f.c.)
Fine

~t~ Twin - kle, twin - kle lit - tle bow, play this fast then play it slow.
..

0'J

D.e. al Fine
,
-...
I~ l' "¡

Draw .your bow a - cress the string, care - fui not te let it ping!
-->
.-

MiSS Mary Ma~ traditional

r1 ~ r1 ~

.
~~
Miss Ma - ry Mac, Mac, Mac, all dressed in

s ..

black, black, black, Her hair was long, long, long, all down her

pIZZ.

r
-
..
112. r1 +
I

~~r1
~~j ~- - 11

back, back, back. Miss Ma - ry back.

. . . . .. .
""',""'"..

. ... ..
7 11. 112. . pizz. I
=fJ-. . ... . . . . ~
>-

. .
-.
,.

24 Twinkle, twinkle little bow

.
(teacher's part)

~~ ~' / ~~
6 . 112. I

.
 26 T~e S~115 t~at l1ever ~t~p~ CH
Play this song over and aver withaut pausing in between. Find a way ta end the piece.
Then play it again, starting slowly and gradually getting faster each time.
v i1

~SJ
This song can start and nev - er stop, You'lI keep on play - ing 'til you drop! ~)
V i1 ¡:j
1[5)
t;;)
~)

W~j~tle w~jle i'~t{ W~T" words Larry Morey, music Frank Churchill f::?J
'ri)
ti ti V i1 V V
I I I I I I I F:)
.. fe)
TI 11
40 l)
Just whist - le while you work, Just whis - tle while you work. Come
~V
, i1 . V,
,
V r)
I

4)
..
11 . 11 11 .
1

- 11
...
"
. I
I
ej
P)

5 ~
V 112.
14
p)
F)
on get smart, Tune up and start to whis - tle while you work. Just work. /t'1
V ($1

«¡
 s
.. ..
. ...
!-~ . -...

-~

words 15. music traditional

arco

Be a - wa re and take good careo Watch out for sec - ret a - gents.
pIZZ.

5
.
v

Codes to crack and cars to chase. Trails to track and foes to face.

"

9
n

Be dis - creet all you . do, 'Cos a - gents might be watch - ing you!
 e)
s.b. is short for 'slow bow'. Use the whole of your bow to play any note marked s.b.
c)
en) tells you to playa down-bow on the repeat. c~

little bird traditiana/ German

C)
r)
n
s.b. Fine F)

-
n

9
J ~J .J .J~ ~""U'" r)
r)

r~
0.5. al Fine t()
v
fe)
M
h
?,:>¡

6
~ Finel
D.e. al Fine
without repeat
(

c) "
)

P)
(','\

f"1

f')
wards CH, music PO
P1

Ho - Ii - days are on the way, Clouds are gone, days are long.
,:- '\

r
5
s.b. '-/
I

""U'"
Sum - mer shine is here to sta y, Lark will sing his songo
s.b.
i
 words A A Milne, music H Fraser Simson

Introduction

~
s
~J ~-
v

~ Holf - way down the stairs is a stair where

-
sit:
~.§
There

-
9
V

~J~J~ J ~.J~
- is n't a - ny o - ther stair that's quite like. it. . I'm

~?
not at the bot - tom and I'm not at the top: So
17
.
fj J~~is ~J
this the stair where al ways stop.
Introduction

~
5,~
J r.. . ~
.16.
11 .

~~~
 words adapted by SR, music traditional

.
11. 112. ~_J
You Your friend You
3 b
~S~
<;::)

:~ I.--}

)
\:C-

Old Mac-Do- nald had a horse, ee - i - ee - i oh! oh! With a

~;)
G. G here and a G. G there. Here a G. there a G. ev - 'ry- where a G. G. \;¡)

C)

tJ
~th l-:J
j j I~ j
J
J ~0
- Do -. nald had a horse, ee ee oh! tj)
Old Mac

.
tU
11. pizz. arco I (,)
. '. .' .
-

. . . ~
. ..
~ :> >-.::;>"
arco.' .
5 12. . pizz.
o "~
.>++v ___00-::-- oo.
.oo.!

_. K)
. '. >- -:> :>
.. .:> ~
>-"::::- . :> #>- >-
f::)
10 . ~ZL
f:)
~~
d~
>- .»:>" >- >-
l:t)
E})

"1
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f::~:':J
---
()

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, ;
"

G majar sea le
3

r
2 3 o , 2 V 2' o 3 2 1 o ,(
~
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 s
..
-,

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bTead
~~~T~Wn CH.

-~
O,,

Cheerfully 2 3 Fine
2 3 2 .~ n
--é

~--

V n V

5 n D.e. al Fine
232
 traditiona/

Like cIockwork
'"
~~4)
D D ,. ., ,, ,, (J D

Big Ben 011 doy long goes 'Oing, dong, ding, dong'. Smoll clocks
,
~":

/'¡~ s.b.

U D (J
u ~u
'u
leJ
6 )
~~I I I I I I I 1" \:
'"

40 t1
Bu - sy lit - tle
)
on the woll soy 'Tic k, tock, tick, tock, tick, tock, tick, tock'. ~
~~pIZZ. 3 2 ()
~~~
D D D D U
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10 3
~~~I I I I {J
()
-:-

40

wotch - es whis - per 'Tick - a -:-tock - a, tick - o-tock - a, tic k- o-tock - a, tick'.
3 2
~~I I

~110-.40 T I
"

TttTh t~e 5'asses ~veT (a round) traditionaJ

Allegro

~r.~.~
been to Hor.- lem, I've been to Do - ver, ¡'ve tro - velled this wide l" J
"ve
4 r
*
~J ~J J .E8
'-.
;

r J===1
J r (

world 011 o ver. O ver, o ver, three times o ver,

~~j .J 11

Orink whot you hove to drink ond turn the gloss - es o ver.

* entry point when ployed as a round

 wards CH, music PO

-.

., ~ Off to France, just for a day, Glad that it's not toa far a - way.

Get - ting up at the crack of the dawn, When ev - 'ry - one is yawn - ing.
9

~
13
Off on the train and I hope it won't rain, We'lI sing out a song as we roll a - long,

~~ can't wait, let's ce - le -brate, 'Cos we're off to France.. in the morn - ing.

V . v .
V V
..

j'~I- j'#_.
-"--",,

."VV VV"V.V
~"
'-.-'.
-- ~ ~.,-~
~~ '--' ..-.- .

o majar scale .
.- o 1 2 3 .0 1 2 3

~~~~ 11
s

"j
~)

~.
~
rJ
t)
You can .use either the open string or your 4th finger to play the note A. The choice you make will depend on
the notes before and after the note A. rJ

In the following pieces the fingering is marked.

:;;;..R~.tit¡!i driver (a round) words CH, music traditional French

l..)

L)
Do you recognise this tune? (Look at no. 15) r)

.
4

~ 'rJ
fe.)

Ra - cing dri - .ver, ra - cing dri - Ver, In your car, in your car, Fe!}

ts';¡
* .-,..,/
I
.

e
FiII it up with pet -, rol, fill it up with pet - rol, You'lI 90 far, you'lI 90 faro
r
entry point when played as a round .~
* r,

....
.. ..
 '-.
Thornas H Bayly

Andante oI 4
'"
1\ .!.lo . I
--
., .. -
I "" Te 11 me the tales that to me were so dear, Long, long a - go, long, long a - go.
s.b. s.b. I
- I I

u .,

5 o o
") 4 s.b .
" - ~I r--'íí 1

4J ., ., - '-J
Sing me the songs I de- light - ed to hear, Long, long a - go, long a - go.
() ~s.b. 1 I 1
s.b.
1"""""-1

,4 ) u .,

Ludwig van Beethoven

Allegro 4 4
.; 1\ JJ, I I

40 - ., ,,, - - - GI

1 ~3 1 I
3 2
I I
..
"'-.4 .. I

6
~") v ~1"1

4U .. .. - -
~2
2 3
2 V
") JJ, I V 3 1"1 S(J 1"1 2
I I . I

,4) I l I I
'

4 4
') ~I I

4
., ., I - u
3
"1 JJ, -1"1 I I I

. 4U '
., .-1 - -.-1 -...¡
 '\
40 jerome Kern

Cantabile ¡- ,
v 4

~
5
J ~
Il. 112. pizz. I

~ I
-
:~

.
r',
-r/'
I I
.
(1
. arco . arco . arco V . .
r }

.' . arco . 11. arco 112. arco

pl~Z. arco pIZZ. V plZZ. n
V .

J~
'. ' "
. .'
:n_:
: ;:/
f)

r,

( ¡

i
"
~
41 joseph Barbera, Wil/iam Hanna and Hoyt Curtin
t:';
t--._',
(pupil's part)
l' "¡
Aim to play this tune quickly, but practise slowly at first. Notice that there is a rest on the first beat of some bars.

o 4 4

~ ~ ~ ........
.-

1. Flint - stones, meet the Flint - stones, they're the mod - ern stone age
2. From the town of Sed - rock, they're a place right out of

,"
Il. 112.

Eu :~
u
fa - mi Iy. - ry. Let's ride with the
his - to
13

~ fam -'Iy down the

o

street, through the cour - te - sy of Fred's two feet.

---

-
 When you're with the Flint - stones, have a ya ba da ba doo time,
pIZZ.
o

J~ ~V r~ I
o
I
-
~
a ya ba doo time, you'lI have a good old time.

41 (Meet the) Flintstones

(teacher's part)
.

.
~
11 n n
J.§

. 7
CODA
''-.7

.
~
 A slur joins two notes of different pitch and isplayed in one bow,
which enables you to play smoothly.

The Ita/ian term for playing smooth/y is legato.

42 r-)
traditional North American, arr. CH
'0
t')
v r1 V V r1 V rJ
J ~ J ~ 7)
11
/)

-
5 pIZZ.
r1 4
~
V V V

.
J J J~
' '"
~ i)
"F")
. Melody .
1 1 112 pizz. I rf"'
~ ~
Malvina Reyrrolds .}
o V 4 r1
~')
')
j~
~
- ...¡
')
r)
5 Il. .
V r1 V r1 V r1 "1
J .J W - :~
~ ~. J J o~
~
9 12. . . I
V r1 V V r1 V r1 p~z.
t9 ~ ~ .J~~

0 0. .3 :1
. . .. ¡+ . .
~ 3
 Tr~j~c\ Serge Prokofieff

Light and lively

v
~

..
~
S 4 O

~IS.b
. .0

Your teacher r:...r:..r..r-

Dc\}'dre~h\er CH

~
2
n 3
V O v

Think how day- dreams soothe,

J
when
~
all the ed - ges blur.
J=i.
To

n V s.b.
~o
make the mu .
- sic smooth, then join notes with a slur.

. ..
-

~ ~ .",".. ~
."' '...

~ -----

43 Morningtown ride (teacher's part continued)

9 12. . I

.
 -"

'(c
)

T '}

l")
johonn Strauss 1/
'f::'}

r')
With a HIt Il. 4
'()

~~o
'

.~. ~. ~. ~ j ~. y'¡

l:')

T
pizz.

.
I
112. r,:

~. :~
~
Your friend I l.
pizz.'

('

-t

'-',

(
-,.
~
41 traditional i

Dolce 4

blue, di! - Iy, La - ven - der's green;

'-"I
 "-'----

5
4

am king. dil - Iy, You shall be queen.

..

~.

..

(all ~f t~e. tar~t{sel CH

"

s.b.
~. ~. ~. ~.~. --------
4
s.b.

~.
.6~~II- ~. -------.~.,

'~~r~L~'~'~
 \ 1
In this step you will practise a slow-fast bowing pattern in g

s
r)
1 slow fast
t'1
J j

Dynamics tell you how quietly o,

or loudly to play.

p tells you to play quietly. r)

It stands for piano ,.;
meaning 'quiet';
Ti
f te 115yo u to play loudly.
It stands for forte
T)
T)
meaning 'Ioud'.
1"',
,""

Paul McCartney

o ~é"
o o v o
~r'

p f or lose, Sink or swim, One thing is

Win
v "
C'

8 o 4 n
~~~I I I

-~ Tl '....

4J . P
in
in. Side by side, Hond (
cer - tain we'lI nev - er give
I I I
) I I

.
J.I,

I -,-
I ..
'-41 r -- -.r T I I I
p

14 ,
112
,
"¡
/ J.I,
..
.
41) - o. ~- ~~..... ..7u.
f stond to - ge - ther We -ge-ther
hond, We 011
I
) J.I, I I I I I I I I

.
:.;;¡
'~ . I

-
-"1
,. \J
,,41 ) 1

f
 -'
'-;:'\--

words Osear Hammerstein 1/, musie Riehard Rodgers

r;;eSSiVO
~
-,
~. J~
P E~ - del - weiss, E del - weiss, Ev 'ry- morn - ing you
7 o -
~-...

f1. I~. ~ ~.
-~
greet me. Small and white, el ea n and bright, -
13 o

tJ
19
You look hap - py to meet
4
~.
me.
~ Blos - som of snow, may you

r~ ~
bloom
~.
and grow,
~~~m.
Bloom and grow for ev
~.
er.
~.
P~E - del-
J~

~. ~.
-weiss, E del - weiss, Bless my home -Iand for ev er.

11.

-/

11
., '
 ,,-.)
e)
51 traditional North American
~)
o o
v rJ
~)
lZJ)

Smo key, Al! COy - ered with ~g

top of Old
~
~
~
~)
6 s.b. 4 4 l@
") JJ. O, I I v I I

. l .
4J p
., .~
snow, I lost my true lov -
I l
..~ JJ. V

~'\:V ., ., .,
~u p
fj]\.;,.
11 s.b
~f¡J,j. -~
~r J;o,f/
.~
" r:;T' ~e;
,J ~
~-
er, From court - in' too slow. '--E

.- I I I I ~(
'\ U
~r '-'(2
" ~C
"
"40 '-01 I I
~<1
traditional .ti
'--'{
Con fuoco
* /""I¿

,
~ Lon - don's burn - ing,
j
-
Lon don's burn -
j
ing,

*
Fetch the en -
J
gines, fetch the
~.<
--(
'-' {

~J en - gines, Fire, fire! Fire, fire!

~
Pour on wa - ter, pour on wa - ter.
(
.-;5.
'\.".:
,
'\;.:..,.

entry point when played as a round (I

*
c:

(
-
 ..

words Michael Randers, music Donald Swann

Waltz
~. 4

rry~ ~. I~. ~
Mud, mud, glo - ri - OUS mud! No - thing quite like it for
~

7 Accompaniment
I

Melody .

~
.

p
~ .§
f
cool - ing the blood. (~o fol - low me, follow.- down to the hollow,) And

13 .

~~~ .
there let us wal - low in glo ri - ous mudo

.
Melody
. arco

o o .. o o
o o
o p
f (So fol- low me,

1~~~_. . . ...
""-'" .' .'. '.
fol-Iow,- down to the hol-Iow,) f
.

.--

.., /
 1

These two rhythms look different,

~)
but sound the same:
\:,)
1 2 + 3
--- ;c')
r u r
Lon don Bridge
~}
()
r' ~r ~J
Lon don Bridge f.b. is short for 'fast bow'.

1f)
traditional r)
o 4 4 r)
~~I ~. I I I
" r)
4U '---"" ---../ '--""
f r:¡
Lon - don Bridge is fall - ing down, fall - ing down, foil - ing down.
¡---:,
') .u.

.4)
p '--" . ,-, ' ~. ~. ~"--....I C)
l"}
5 o f:)
4 f.b.
T)
f()

_.
Lon don Bridge .is fall ing down, My fair la
s.b.
dy. T'j¡

~o

~.
Tea
Leggiero

p
Tea
~.
f~T tw~

for two
(pupil's part)

and two - two - two

~.
for tea,
words lrving Caesar, music Vincent Youmans, arr. CH

Me for
~. you and
( .

,
you - you - you for me, f Cao'l you see how na - 'ha - hap - py we wili

-)
 55 Tea tor two (pupil's part continued)
7
11. 112. i1
pizz.
+ I
~
i1

1- ~ ~
be. P f J ~

Ben E King, jerry Leiber ond Mike Stoller, orr. CH

Rhythmically

~. ~.
4

f-J. ~. .~ ~.
7 11.2. I
+

.~
~. ~ ~
~}.
I ~ ~.
When the night has come- and !he land is dar!<. And the moon is the

..

..~

18

.
on -Iy-

-fraid,
Just
as
_.light we'U

long
o

see.-
I

as you stand,-
No I

stand by
won't

me.
~.
be a - fraid,

So
No I

dar - ling, dar - ling

won't be

by
a-

me, Oh.- stand by me, Oh, stand,- stand by- me, stand by- me.

55 Tea tor two (teacher's part)

 Learn this zig-zag technique, which uses the whole bo\N.

./ shows a r1 V r1 pattern
1 shows a V i1 V pattern

~"}'f b~at s~n5 traditional Scottish

Dolce ..........
f.b.
n

rJ
FJ
r)
C)

7 Fine n r)
(')
t:?;
p P)
t)
T)

(p) t'')
I¡
11. 112. o.e. al Fine
13 (with repeat)
f.b. v V n
-<:
C)
r)
T)
'...,¿
/1)

F}
¡;'~

JtlpitfT (p~pil'spart) Gustav Holst

Inthis piece, use your 4th finger to play the note D on the G string when marked.
~/
¡
, Maestoso ".)

~
..
11
,,0
f

,
4.
,

..
p
Accompaniment

'---'
..
0.5. al Fine

"-
j-
Melady
 I~
~ is a crescendo. It tells you to get gradually louder.

feed t~e birds Richard M Sherman and Robert B Sherman

[ntrodu~ion fb.~ .

~g I~ J~. ~.
p
f.b.
~ ~. ~.
fb. f.b. f.b.~ 4

~ ~ I~.

..
f

P
7
.

. f

- .
58 Jupiter (teacher's part)

.
.

*
6 .

Rn~

11 D.S. al Fine
(Accomp.)
~J
.. J
-~:,.:;;:;,;.~::;~-
~
";."J.,""; ,','.;. : ~.Cj..:..,-;:-:.' ~"Z/,~'~_.o..:;:u.:. -i",Z:",O,i"...;c1';"'':!''';':;...:J.,;~i:''''l''''';~.:1-~-.;..-:,'.''- .,'I.~.:.~:'i :-:':"-=-->~'.~.-:...
-~-' -=':"-':-~'-':'-''.
 A staccato dot tells you to make a
j
1 r note short and detached. \.1
~)
¡ ,
cresc. indicates a long crescendo. It tells you to get graduallylouder until you reach the next dynamic mark. --"'''\
,-,,'
l.;

6() traditional Russian

Con spirito
f'J

~
. 4

~ t;)
t)
p crese. cW¡

5
O 4 4 /1. ]/2. I
;~
~ f
~

p
~
f
{

r:~
}

.
F'')
r)

p cresc. .

5 11. 112. I
r-

()
(~¡

tI I

r)
f)
61 T~e ~'d bazaar ,ti traditional
arco .

~
5 r1
)

~;
l

cre;c.
- . , --:; - . - . .- I

f --

.
. f
.

p crese.
. . . .. .. .
. . "

f
. ..
 ,- ---,-
--

mp (mezzo piano) tells you to play moderately quietly.

'"!f (mezzo forte) tells you to play moderately loudly.

j r A tenuto line tells you to hold the note for its fulllength.

- ~

. 62
Waltz.

mp ~
Oh you can't
(a round)

put your muck in .our

j
.
dust - bin.
. -
our
.
dust - bin,
.
our
.

dust
.
- bin,
traditional

~
you

can't put your muck in our dust bin. our dust bin's fui!.
. Pizz.

~
v v + +

~
V

--/'n'
m.fFish
¡
~
chips and vin - e - gar, pep - per pep - per pep -per pot. At - choo!

~
V
V

Fish 'n' chips and vin - e - gar,

~pep - per pep - per pep - per pat.

.
One cup of tea, twa cup of tea, three cup of tea, faur cup of tea,

21

~ five cup of tea, six cup of tea, sev'n cup af tea, eight.
entry point when played ds a round
*
 These are non-Iegato tieso They tell you to play both notes in the same bow, but to
i1 i1 Y~-..v
make them slightly detached by stopping the bow for a moment in mid-stroke.
j-~ j r r lJ
This technique is sometimes called hooked bowing.
V)
ri

=-
is a diminuendo. It tells you to get gradually quieter. ,

c:')
f:)
6~ Wa'tz Franz Lehar }::)
tj

~JE J~.
r)
~j~ ~. S.~
---- r;1
'

mp mf =-- mp T)
T)
9 4
~
~j~ ~j~ ~. ~. ~.~ 'F)

~mf 'iJ
=- mp
7)
~)
(-c:~)

~. T;J

=-- mp 7';)
1')
pIZZ.
""')
s. ~.~ l;)

..
~ ' ..~)
...)
At~
/
~)
~
F.~~
"~
/"
..)
.r..".-.
~)
9
é"J

.
11if mp
17

mp '-" '
11if ~
~ ,

n '-' "

f
 64- Peter Yarrow and Leonard Upton

Moderato
1"1 1"1 V v v v f.b. 4

6 o v V 11. 4 4

\
traditiona/ Caribbean
"

11. 112.

~J.
mf '-" '-"
~. .8u :~.

.
1TI!J1'NO
'Ja - ney, you see no-bo-dy pass here?' me friend.' friend.' 'Well

6 pizz.

~.
-~- ..
~ one of me dump-lins gane.' 'Don't tell- me so!'
f
'One af me dump-lins gane!' .

avco pizz.ll. + lIzo

V V
! }. .
o.:.
~ . o". o o .
11if mp o '0. '0

h nrrn

r
~ mf . f
 1 \.1

n
r')

í¡

f0
66 ~w) T~W) T~W i'~t{T b~at (around) traditional
r')
r)
* V r')

~. J t:¡¡ ~. ~ ~. r")

mj' gen - tly down the stream.

Row, row. row your boat
-

~
(' )
r1
[) ,

~. lO')

~
Mer - ri - Iy, mer - ri - Iy, mer - ri - Iy. mer - ri - Iy, life is but a dream. e)

entry point when ployed os o round "")

*

61 traditional '-'¿~~.;.:

nV
~ f
~
-
~nv
- . ~- -------
~ .
'
j.
)

Half a pound of tup - pen - ny rice, Half a pound of trea de, )

5 4
pIZZ. arco
V V
~r1 ~r1
~~7 7 j -ffi.
~-------- goes the wea - se!.
That's the way the mon - ey goes. Pop!

Ostinato accompaniment (play four times)

~ .11if
 -~ ~ ,---
- ------ - - ---
1

Marvin Hatley

Cheekily
arco
,;
~~r1 l v l
r1
v
t.J '
u.'
nif
~~jJ, pizz.

1) .' ~. .. ~. -. ~. .' ~.
f
s s,b.
v r1
v r1
V
. .
mp -------
f

.
mf f

traditianiJI French

Sheepishly!
*

~ ~
P :~
6
v v r1 V n

~. ~r~' ~ mf
}¡
ar ~ f
.

entry point when played as a round

*

D majar arpeggia G majar arpeggia

3 3

~. I1
~.
.
lO WeJre ~ff t~ see t~e W,zard

WJF
Con spirito

11if
We're off tosee
-

the Wiz-ard,

n
~
the
.

won-der - fui Wiz - ard

V n
words E Y Harburg,

~.
of

,
Oz.
.
music Harold Arlen

mp
We
"\

e)
T)
r')
hear he is a whiz of a Wiz if ev - er a Wiz there was. If e)
r)
V n r)

ev - er, oh ev - er a Wiz there was, the

~~ Wiz-ard of Oz is one be -cause, be-
T)
I:J)
If~
13 ti)
n s.b. V

e,
14
fJr - cause, be-cause, be - cause,
~
be -cause,
~~--
be - cause,
f
Be -
fr'j

17
V

~ -cause of the won-der - fui things he does.

¡ ~. ~~ 11if
We're
(

r)
C')
\
J

.1,1')
21 n V n V
1)

~ off to see the Wiz- ard, the

~.
won - der - fui Wiz - ard of Oz.
7:1

(' .¡

.'1-
, ,,

(.::.-
)

---
7 V
"

mp

'I~
13

19
n . V V

~~f .
'"!:t - ' ' -
 1

F is halfway between E and F# - a semitone higher than E and a semitone lower than F#.

11 traditional
Misterioso
2 4 2

~ia~
mp ~
v V 2 Il. 4 2 112. I

~ ~~. .----.--

..
-----
 ,- .

r)
(~

. 'o

r;~)

l')
1)
()

~~a'~\'n (a round) traditíonallsraeli

Wcvm1y o * f.b.
.~i~.
uu
Cm:... -
* .
-
*
-
f~ J=i
mp ,-". .
= m".¡.a
':/
Sha - 10m, cha - ve - rim, sha - 10m, cha - ve - rim, sha - 10m, sha - 10m. Le -
fobo

~.
.
- hi - tra oto le hi - tra ot, sha - lóm. sha :. 'tom~
r"'-..j

entry point when played as a round ")

*
)
-
")
.
traditional '¡

Brightly *n
~ n V

~~ '"!f =-
i~
mp
o

~-
V

~. J~

_.
~~'
'

12
n .

~- ~.

:: mf
entry point when played as a round
*
 14 words Howard Ashman, music AJan Menken

Cantabile 4
n o

mp
4

mp
s o 4

o
9
n V n
v

-=
4 v

mf

13 4 pizz.
... v n V n v v v

. mp
7 11.. 112.. .
n

~#..
mf

:'y,._,_.~
..
12

mp
 ,,
'

Look carefully at the key signature before you start each piece, T

1 so that you can decide where to place your second finger. f',

r'

Lookat the accompaniments for Short'nin' bread and What shall we do with the drunken sailor~
Check their key signatures. What do you notice? Where will you place your second finger?

f)~~rt' nin' bread jacques Wo/fe and C/ement Wood

V V
n

'"!f
V n V

'"!f

16 traditiona/

Con spirito _J
- - ~)
4 )
~-4f
'"!f
What shall ""e do with the drunk - en sail - oro What shall we do with the drunk - en sail - oro
"¡ V n V

,4) ~~~.~
mf
5
~,
,.
4 - "
f
What shall we do with the drunk - en sail - or, Ear - Iy in the morn - ing?
-<:::;'
n

-..:-'
,-
11 words Richard Smith, music Felix Bernard

4
o
V r1 V r1 V r1 V r1 V

~. Sleigh be lis ring,

~
are you list -
J

'nin'!
~.
In the lane
~
snow is

o
4 v r1 V r1 V

glist -
J

'nin',
~r
p
A beau - ti - fui sight,
r
We're
~.
hap - py to - night,-
J3J

7 r1
o
V 112. I

~ ~. §. J. :J~. I

. - -
Walk - in' in a win ter won der land! Sleigh bells -Iand!

.
- 11. 112. pizz. I

~j.~

LesJie Osborne and Simon May

r1 V V

~ ~

.
~. ";

'--'
71if

11. O . 112. 4
O pizz.
~ J
~
+

~: J ~: ~: J
4 11
mf
112. II
- -
 Al! the tunes in this step use a mixture of both positions of the

s 2nd finger.

..4

.~

(
~)
Patty S HiIl and Mildred HiIl ct\

')
IFJ
("")

hop - py birth - doy to you. Hop - py T')

birth - doy to you,
~r.")

f'~-~
.;'
mf

5
¡,t
G\ v i1 v I

."

I
I
mf
f Mis - sak, hop - py birth - doy to you.
birth - doy deor
G\ i1 V i1
I'J~

u .... -d ,)
,41) V -.f "" "" mf
f "")

')

words Larry Morey, music Frank Churchill ')

'"1
Lively ")
V V ~"

~
V. i1

~ ~
""1
~o
f
~ i

moke your trou - bles go,

i

Just keep on sing - ing

~--
".¡

)
f'Heigh - ho', 'Heigh - ho', To

V I
i i
~ I ~

- ho', - ho', - ho', 'Heigh - ho'. ,

.
011 doy long 'Heigh - ho', 'Heigh 'Heigh 'Heigh
~.-

-"'0 "

.
-.'
f'. _L
r
112-
6 11.
-~
_.~ _1
 The next three tunes use both positions of the 2nd finger on the O string: F~and F.

T~e -AddatnS fatnily VicMizzy

Spookily
V n V n V

nif
5 11. 112.
n V n V n V

f = mf mp

traditional Caribbean

f.b. ~b. V
~. ~. J~o :~
p mp
I
El

,,' --,
~
mf
 Richard M Sherman and Robert 8 Sherman

Waltz
1.. ~I I I

r '0)
4 - 6.-.1 I I ........ I I I r
mp r
t ¡.¡. V

. - - ....
p r')
,
F")
Il.

-
112.

6
.. V n
f.b.
V f.b.
n V

,,-,,, ,,
n
V
I V
- 7')
r-)

e
~nif=
p)
.. V r---.
!'!p
I I I ....
.
~m ~T ~~

")
if =-

. Accompaniment
11 n
.

~rj .. I V I

/ .
'1)
-= f - mp
Ij.. n V r7\ /
\

/)

"'u :¡j .g' 7::f 7::f. "')

= mf p
)
~.
. '<)

')
.' 11.

. mp
Melody
.

8 arco
112." V .
~ii- mf -:::
., .
~.
mp
11
.

.
'.'
I~

-.
CH

Rhythmically 11.
1 O
v i1 v 1 O 1

~ r r ~
1 O 112.
4 A

~:~¡
f ==- f
/1. 112. D.e. al Fine
(with repeat)

~ V 4 V i1 V

~t A .:~
mf mp mp -= mf

11. 112. ToCado

~~j~n.
wif- .
f =-- f ===--
7 112. D.e. al Coda CODA pizz.
+

mp mp mp
~~U~

f
~
A majar
scale
The finger pattern is the same as that of D major (pa.ge 27), starting on the A string.
. 3

~
-~
2 1 O 3 2 1 O

~".
arpeggio 3

~.
 .
."

.. r,;.;j
,
. ..~ ..,; ~
~
~
tf~

Lione/ 8art

~~)
~
7';\..;i
Who will buy this won-der - fui morn - ing? Such a sky you nev- er did see!- 1?)

p)
P9
?Si)
Who will tie it up with a rib - bon, And put it in a box for me? ~
~
~
.
s
~
. .
~
~;)

'. V V- I't)
.:~~ ~)
. .. .. tt . ------
mf p ~
f~;¡

G majar -r)
scale (two octaves) :)
"
01230123012301 ~)

~ 3
AS)
4'1
~)
""f¡

~ v 210_321
-'r~;'1
-.
~ ;1
-," .
arpeggio (two octaves) .
.'
020313231302 o

~ . 7IJt- . ... c:f.

 1$eatity c:\l1d t~e ~east words Howard Ashman, music AJan Menken

Andante n - n -
, p'---'" -
'---'"

Tale as old as time, true as it can be.

-
":-"

,4 v' . .' "*-d

p

5
,; ~n v 1"1

,) ~-e-
"*~ ~"-"' '---" "'-J
"l:Y
mp =: P
=
Bare - Iy e - ven friends, then some.- bo- dy bends un - ex - pec-ted - Iy.

,,)" '''''
.. . "* "*' "*-d
p

9
"\
n -¡ 1"1 - 1"1
v 1"1
~r--..

,) ---./ -~
.
Just a lit - tle change. Small, to soy the least. Both a lit - tle

, u" I ...

13
v ~n v 1"1. v 1"1

11 ' '"--"" -e- y.

mf '---" p
==
scared, nei - ther one pre - pared. Beau- ty and the Beast.

,,'
' ...' ...~, ~. ...' .- ~'-"
"
= p

v v

6
n

11
 Barcarolle and Millennium both contain three-note slurs.
Play each slurred group of notes in one bow.

tz1 ~ar(aT~"e jacques Offenbach

Tempo di valse
i1 i1 V i1 V i1

P r)
i1 i1 V i1 V i1 V]
r)
r")

5 112.

mp p p

m:p p p

~~Millenl1itt\'n Robert Williams, Guy Chambers, john Barry and Leslie Bricusse
arco V
i1 V i1

mf

pizz.
f¡
I .) \

;"':'..'
5 112.
(.'\

-.
4

4jll
Melody

We've got

lote,
.

'cos
stors di - rec -
.

we know-
..
ting our

we're foil
fote,

ing from
ond we're proy

....

.groce.
- ing it's-

~
Mil- len- ni - um"----
not too

.
We've got
 Watch out kookaburra! and Nocturne contain four-note slurs. Play all four notes in one bow.

(a round) traditional Australian

4
V *
. '"!f
:: .
_V-
~

Koo- ka- bur- ra sits on the te - le - phone wire~ Watch out koo-ka-bur-ra's fea-thers on fireL

1-
v
~
O

~r ~ f
Fly koo - ka - bur - ra, fiy koo - ka - bur - ra,
mf
Flap your wings. fly
u

high.
entry point when played as a round
*

Aleksander Borbdin

Andante V

~r
.
V

mp ~
7 11. 4 112.
V
.

~
M
~L '--'" . .
..: ~-'-
"
~'"!f=
Accompaniment Melody
°V V roll.

~ J~ ~r
-" /.- p

n v v

mp ------ ------ ------

---. 11. 11,.
" V V

~.
j¡~.
~ -~ ~- o.. .. # - - . .. . .
.
- """--'-
. -'-'" -
'-'"
mf
12
11
~
Melody
V - o .- ,
Accompaniment
rall. r..
H 0 .

~mf ~ ~
mp p
~

~o

,,~~'ío-~~~~~~~:~~lt>r~~t-f¿!.1\"i~,f"¡',,*~~~~~.:,~miF~'4!i%~~~-~~¡ijt~~~~~}~ft~~>~'$t~~~~.w~WJ:~~",',1.-,1I~~~~~M~I¡.~.J,.~~~~&.-~,J-F:",tl..'fJ!'o\\;~~,~.;~
 The author and publisher would like to thank the following for their help in Short'nin' bread lb>Copyright 1928 (renewed) by Harold Flammer Music
the preparation of this book: jeremy Birchall, Patricia Birchall, jennífer (AS CAP), a divisian of 5hawnee Press Inc. International Copyright Secured.
Boston, Adrian Bradbury, Emily Brayshaw, Chris Bryant, Helen Crayford, AII Rights Reserved. Reproduced by permission of Chester Music Limited;
janet Crew, Louise Dearsley, Tanya Demidova, Philip Dukes, Heather Fleck.
David W Giles, Emily'Haward, jocelyn Lucus, Andrew Lynwaod, Grace Stand by me'Words and music by Ben E King, jerry Leiber and Mike Stoller
Lynwood, Barry Newland, Maleolm Pollant, Maja Passchier, Aoife Patarot- 10 1961 (renewed) jerry Leiber Music, Mike Stoller Music and Trio Music
Hinds, Roland Roberts, Sheena Roberts, Valéríe Saint-Pierre, Elaine Scott, Company INC. This arrangement tC 2002 jerry Leiber Music, Mi'ke Stoller
Michelle Simpson, Hally Stirling, Daminic Viall, Matthew Watson and Music and Trio Music Campany INC. AII Rights Reserved;
Allison Whitehead. Very special thanks ga to Caria Moss. Supercalifragilisticexpialidocious (from Mary Poppins) Words and music
We are grateful to the following copyright owners who have kindly granted by Richard M Sherman and Robert B Sherman, USA, Warner/Chappell
permissio;, for the reprinting of these items: Artemis Music Ltd, London W6 8B5. Reproduced by permission of Faber
Beauty and the beast (from Beauty And The Beast) Words by Howard Music Ltd. AII Rights Reserved;
e)
Ashman, music by Alan Menken «:J1991 Walt Disney Music Co and Tea For two Words by Irving Caesar, music by Vincent Youmans 10 1920 L:)
Wonderland Music Co Inc, USA Warner/Chappell Artemis Music Ltd, Harms Inc, USA Warner/Chappell Music Ltd, Londan W6 8BS. Repraduced
London W6 SBS. Reproduced by permission af Faber Music Ltd. AII Rights by permission of Faber Music Ltd. AII Rights Reserved; (iD
Reserved; The Addams family Words and music by Vic Mizzy 10 1964 Unison Music,
Chim chim c"er-ee (from Mary Poppins) Wards ,and music by Richard M USA. EMI Music Publishing Ltd, London, WC2H OQY. Reproduced by ~
Sherman and Rabert B Sherman «:J1963 Wonderland Music Company Inc. permission of International Music Publications Ltd. AII Rights Reserved.
USA. Warner/Chappell Artemis Music Ltd, London W6 8BS. Reproduced by Europe only;
f)
permission of Faber Music Ltd. AII Rights Reserved ; r~)
The hippopotamus song Words by Michael Flanders, music by Donald
Dance of the cuckoos (Ku-ku) By T Marvin Hatley <C1930, 1932 Hatley Swann <C1952 Chappell Music Ltd, Londan W6 8BS. Reproduced by
Music Company, USA. Robert Kingston Music Limited, 8/9 Frith Street, permission of Faber Music Ltd. AII Rights Reserved;
London Wl. Used by permission of Music Sales Ltd. AII Rights Reserved.
The way you look tonight Words by Dorothy Fields, music by Jerome Kern
Internatianal Copyright Secured;
<C1936 T B Harms Co and jerome Kern, USA, (50%) Warner/Chappell
Eastenders by Leslie Osborne & Simon May <C1985 ATV Music. Sany/ ATV Music Ltd, London W6 8BS. Reproduced by permission of Faber Music Ltd.
Music Publishing (UK) Limited, 10 Great Marlborough Street, London Wl. G)
AIIRights Reserved ; ,
Used by permission of Music Sales Ltd. AII Rights Reserved. International
Theme from Jupiter from The Planets Op 32 Music by Gustav Holst I?)
, Copyright Secured;
lO copyright 1921 Goodwin & Tabb Limited. Transferred to J Curwen & Sons
Edelweiss from the Sound of Music. Words by Oscar Hammerstein 11,music Limited, 8/9 Frith Street, London W1D 3JB. AII Rights Reserved. f.()
by Richard Rodgers <C19S9 by Ríchard Rodgers and Oscar Hammerstein 11.
Reproduced by permission;
Copyright renewed. This arrangement tO 2002 by Williamson Music. fI'J,
Waltz from The merry widow Original words by Leo Stein and Viktor
Williamson Music owner of publication and allied 'rights throughout the
Leon. English translation by Adrian Ross. Music by Franz Lehar. <C1964 ?')
world. International Copyright Secured. AII Rights Reserved;
Glocken Verlag Ltd. Chappell Music Ltd, London W6 8BS. Reproduced by
Feed the birds (from Mary Pappins) Music and words by Richard M
permission of Faber Music Ltd. AII Rights Reserved;
Sherman and Robe,rt B Sherman <C1963 Wonderland Music Company Inc,
USA, Warner/Chappell Artemis Music Ltd, Londan W6 8BS. Reproduced by Watch out koakaburra (Kookaburra sits in the old gum tree by Marian
,

permissian ,of Faber Music Ltd. AIIRightsReserved ; Sinclair) <C1934 and renewed 1989 Larrikin Music Publishing Pty Ltd. 4/30-
32 Carrington St, Sydney, NSW 2000, Australia. International copyright
Halfway down the stairs Text by A A Milne and music by H Fraser Simson. rC')
secured. AII Rights Reserved. Reprinted by permission of Campbell Connelly
Copyright under the Berne Convention;
& Co. Limited. J":)
Happy birthday to you Wards and music by Patty S HiII and Mildred HiII
We all stand together Words and music by Paul McCartney 10 1984 MPL ~
<C1935 Summy Birchard Inc, USA. Keith Prowse Music Publishing Co Ltd,
Communications Ltd; 1''')
London WC2H OQY (far Europe) and Warner/Chappell Ltd, Landan W6
8BS (far Warld excl Europe). Repraduced by permission of Faber Music Ltd We're off to see the wizard Words by E Y Harburg, music by Harold Arlen
A::)
and International Music Publications Ltd. AII Rights Reserved; lO 1939 EMI Catalogue Partnership, EMI Feist Catalog Inc and EMI United
Heigh ho Words by Larry Morey. Music by Frank Churchill <Ccopyright 1938
by Bourne Co. Copyright Renewed. This arrangement <Ccopyright 2002 by
Partnership Ltd, USA. Worldwide print rights controlled by Alfred
Publishing/IMP Ltd. Reproduced by permission of Faber Music Ltd. AII
'

~
Rights Reserved; €)
Bourne Co. AII Rights Reserved. International Copyright Secured. Printed
with permission from Bourne Music Ltd; Whistle while you work Words by Larry Morey. Music by Frank' Churchill. 10 --./
lieutenant Kijé (Troika) by Prokofieff. Copyright 10 1936 by Baosey & Co copyright 1937 by Bourne Co. AII Rights Reserved. International Copyright r-')
Ltd. Reproduced by' permission of Boos~ & Hawkes Music Publishers Ltd; Secured. Printed with permission from Bourne Music Ltd;
Io;'~
(Meet the) Flintstones Words and music by joseph Barbera, William Hanna Who will buyl <C1960 Lakeview Music Publishing Co Ltd. Suite 2.07, Plaza
and Hoyt Curtin <C1960, 1962 (renewed) Barbara-Hanna Music, USA, 535 Kings Road, London SW10 OSZ. International Copyright Secured. AII
Warner/Chappell Music Ltd Landan W6 8BS. Reproduced by permission of Rights Reserved. Used by permission;
Faber Music Ltd. AII Rights Reserved.The Flintstones 1M is a trademark of Winter wonderland Words by Richard Smith, music by Felix Bernard 10 1934
and copyrighted by Hanna-Barbera Production Inc; Bregman Vocea & Conn Inc, USA. (50%) Francis Day & Hunter Ltd, London
,)
Millennium Words and Music by Robert Williams, Guy Chambers, John WC2H OQY (for Europe) and Warner/Chappell Music Ltd. Landon, W6 8BS >'
Barry and Leslie Bricusse 10 1998 EMI Virgin Music Ltd. BMG Music (for World excl. Europe and British Commonwealth). 50% Redwood Music ,
Ltd, London, NWl 8BD (for British Commonweafth). Reproduced by )
Publishing Ltd and EMI United Partnership Ltd, USA (33.33%) EMI Virgin
Music Ltd, London WC2H OQY (33.34%). Worldwide print rights controlled permission of Faber Music Ltd and Internationál Music Publications Ltd. ~ )
by Alfred Publishing/IMP Ltd. Reproduced by permission of Faber Music Ltd AII Rights Reserved.
and International Music Publications Ltd. AII Rights Reserved. [rhis song AII other original pieces and arrangements are copyright A&C Black.
cantains a sample from "You Only Live Twice" by Barry & Bricusse 10 EMI Every effort has been made to trace and acknowledge copyright owners. If
United Partnership Ltd]; any right has béen omitted, the publishers offer their apologies and will
Morningtown ride 10 1959 by Amadeo Brio Music Inc. Administered by rectify this in subsequent ~itions foIlowing notification. --
MCS Music Ltd, 32 Lexington Street, Londan W1F OLQ;
Off ta France in the morning, One finger dance, Spinning wheel. Summer
shine and Windmill song <C1985 Peter Davey;
ABRACADABRA VIOLIN Boob 1 CD
Part of your world (from The Little Mermaid) Music by Alan Menken, words -
Violín Roland Roberts
by Tim Rice <C1988 Walt Disney Music Company, USA and Wonderland Piano - Helen Crayford
Music Company Inc, Warner/ChappellArtemis Music Ltd, London W6 8BS. Engineered by Andrew Lynwoodat Winterbrook Recording
Reproduced by permission of Faber Music Ltd. AII Rights Reserved; Studio, London
Puff the magic dragon Words and Music by Peter Yarrow and Leonard AIIrights reserved. Copying,publicperformance and
Lipton 10 1963 Pepamar Music Corp and Honalee Melodies, USA, (70%) broadcastinq - in whole or in Dart - of the recordinq are
WarneriChappeii Music Ltd, London Wb 865. Reproduced by permission oi prohibited by law.' -
Faber Music Ltd. AII Rights Reserved;
. .~

page page page

A friend in DEED, 10 10 1carne from Alabama, 42 32 I Secret agents, 28 21

A major arpeggio 59
!

iI Shalom (a round), 72 52
A major sea le Jupiter, 58 42 Short'nin' bread, 75 54
59 ¡i
I
I Skye boat song, 57 42
A stitch in time, 14 12
8 ¡I Kalinka,60 44
II
Spinning wheel, 13 12
A tisket, a tasket, 6
Au clair de la lune, 23 18 I
I I¡
¡ Stand by me, 56 41
I Lavender's blue, 47 34 Summer is .icumen in (a round), 73 52
! I
Barcarolle, 87 62 Little bird, 29 22 I Summer shine, 30 22
Little playmates, 7 8 i¡
Beauty and the Beast, 86 61 I Suo-géin, 16 14
I London Bridge, 54 40 I
Big Ben, 34 26 I Supercalifragilistic-
Bobby Shafto, 3 5
iI London's burning (a round), 52 38 I expialidocious, 5 7
iI Long, long ago, 38 29 I
Brown bread, 33 25
I

Call of the carousel, 48 35

¡ (Meet the) Flintstones, 41 30
¡
Tea for two, 55 .40
I
I Merrily we roll along, 19 15 The Addams family, 81 57
Chim chim cher-ee, 83 58 I Millennium, 88 62 , The hippopotamus song, 53 39
Clown dance, 21 16
! Miss Mary Mac, 25 19 I The mocking bird, 82 57
iI Mobile phone, 8 9 i The old bazaar in Cairo, 61 44
Dance of the cuckoos, 68 49 I
Morningtown ride, 43 32 I I The shepherdess (a round), 69 49
Daydreamer, 45 33 íI Muck! (a round), 62 45 I The song that liever stops, 26 20
D major arpeggio 49 ¡I
D major scale 27 I Nocturne, 90 63 I The way you look tonight, 40
Troika, 44
30
33
Dumplins, 65 47 I I
Tum the glasses over{a round), 35 26
I Ode to joy, 39 29
I
I
I Twinkle, twinkle little bow, 24 18
EastEnders, 78 55 Offto France in the moming, 36
Ede1weiss, 50 37
I

I
Old MacDonald, 32
27
24
II
Eee-abba-dabba-dee! 12 11 II One finger dance, 11 11
i Waltz, 63 46
i Watch out kookaburra!
Egyptian snake dance, 71 51 i On top of Old Smokey, 51 38 II
I (a round), 89 63
iI
Feec:t the birds, 59 We all stand together, 49 36
43 !
Part of your world, 74 53
Fiddle fanfare, 9 i Welshlullaby, 16 14
9 I Pease pudding hot, 20 16
Frere Jacques, 15 13 Pizz A pizza! 2 I
We're off to see the Wizard, 70 50
I
5 What shall we do with
Pizz onO, 1 4
G major arpeggio 49 íI Pop! goes the weasel, 67 48 ¡ the drunken sailor? 76 54
G major scale 24 I Puff the magic dragon, 64 When the saints go marching in, 4 6
I 47
G major scale and arpeggio I ! Whistle while you work, 27 20
(two octaves) 60 i Windmill song, 17 14
I Racing driver (a round), 37 28
I Winter wonderland, 77
I
I
Ragamuffin's rag, 84 59 , 55
Halfway down the stairs, 31 23 Who willbuy?85 60
Happy birthday, 79 56
I Road monsters, 22
Roses from the South, 46
17
I
34 II
Heigh-ho, 80 56 I Row, row, row your boat i
II
Hot cross buns, 18
. 15 (a round), 66 48 I

--
,., down-bow p (piano) quiet
V up-bow (forte) loud
f
~ lift bow in circular motion (mezzo piano) moderately quiet
11rJ'
+ left hand pizzicato (mezzo forte) moder.ately l,!lud
"!f
D.e. al Fine repeat from the beginning (Da Capo) up to Rne (the end)
D.5. al Fine repeat from %; (the sign) up to Fine (the end)
s.b. slow bow allegro fast and lively
f.b. fast bow andante at a leisurely pace
z:...- r'1Vi1 zig-zag bowing pattern cantabile in a singing style
--=s::- V,., V zig-zag bowing pattern con fuoco with fire
crescendo - get gradually louder con spirito with spirit
===- diminuendo -.get gradually quieter dolce sweetly
pause espressivo expressively
arco with bow legato smoothly
ostincto a repeated musical phrase leggiero lightly
pizzicato-(pizz. ) plucked maestoso majestically
rallentando (rall.) get gradually slower misterioso mysteriously
staccato short and detached moderato at a moderate speed
tenuto with a light accent, lasting fulllength tempo di valse like a wa;tz
."
"